Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": I. Marica. Maestoso
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific … Read Full Bio ↴Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every Western classical genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture".
Born in Salzburg, then in the Holy Roman Empire and currently in Austria, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court but grew restless and traveled in search of a better position.
While visiting Vienna in 1781, Mozart was dismissed from his Salzburg position. He stayed in Vienna, where he achieved fame but little financial security. During his final years there, he composed many of his best-known symphonies, concertos, and operas. His Requiem was largely unfinished by the time of his death at the age of 35, the circumstances of which are uncertain and much mythologized.
Born in Salzburg, then in the Holy Roman Empire and currently in Austria, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court but grew restless and traveled in search of a better position.
While visiting Vienna in 1781, Mozart was dismissed from his Salzburg position. He stayed in Vienna, where he achieved fame but little financial security. During his final years there, he composed many of his best-known symphonies, concertos, and operas. His Requiem was largely unfinished by the time of his death at the age of 35, the circumstances of which are uncertain and much mythologized.
Serenade No. 6 for Orchestra in D major K. 239 "Serenata notturna": I. Marica. Maestoso
Wolfgang Amadeus Mozart Lyrics
We have lyrics for these tracks by Wolfgang Amadeus Mozart:
Agnus Dei Agnus Dei, qui tollis peccata mundi, dona eis requiem. Agn…
Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte Erzeugt von heißer Phantasie, In einer schwärmerischen Stund…
Ave Maria Ave, ave verum corpus natum De Maria virgine Vere passum imm…
Ave Verum Ave ave verum corpus natum de Maria Virgine Vere passum, imm…
Ave Verum Corpus K.618 Ave verum corpus, natum De Maria Virgine Vere passum, immola…
Ave verum corpus, K. 618 Ave verum corpus natum de Maria Virgine Vere passum, immolat…
Ave Verum K.618 Ave verum corpus, natum De Maria Virgine Vere passum, immola…
Batti Batti O Bel Masetto Batti, batti, o bel Masetto, La tua povera Zerlina; Starò qu…
Benedictus Benedictus qui venit in nomine Domine. Hosanna in excelsis!…
Confutatis Confutatis maledictis, flammis acribus addictis, voca me c…
Der Hölle Rache kocht in meinem Herzen Der Hölle Rache kocht in meinem Herzen Tod und Verzweiflung…
Der Vogelfänger bin ich ja Der Vogelfänger bin ich ja Stets lustig heissa hopsasa! Ic…
Die Zauberflöte K. 620 Act 2: Der Hölle Rache kocht in meinem Herzen, Tod und Verzweiflung…
Die Zauberflöte: Der Hölle Rache kocht in meinem Herzen Der Hölle Rache kocht in meinem Herzen, Hells Revenge cooks …
Dies Irae Dies irae Dies illa Solvet saeclum en favilla Teste david…
Domine Jesu Domine, Jesu Christe, Rex gloriae, libera animas omnium fid…
Domine Jesu Christe DOMINE Jesu Christie, Rex Gloriaee, libera …
Hostias Hostias et preces tibi, Domine laudis offerimus tu suscipe…
I Introitus : Requiem Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
III CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
III. Dies Irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
III. Sequentia: / Rex Tremendae Majestatis CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Introitus Requiem aeternam dona eis, Domine, Et lux perpetua luceat ei…
Introitus Requiem Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
iv HOSTIAS et preces tibi, Domine, laudis…
IV. Offertorium: / Domine Jesu Christe DOMINE Jesu Christie, Rex Gloriaee, libera …
Kyrie Kyrie eleison. Christe eleison. Kyrie eleison.…
La' ci darem la mano (Don Giovanni): Là ci darem la mano, Là mi dirai di sì, Vedi…
Lacrimosa Lacrymosa dies illa, qua resurget ex favilla judicandus ho…
Laudate Laudate Dominum omnes gentes Laudate eum, omnes populi Quon…
Le Nozze di Figaro: Che soave zeffiretto Sull'aria... Che soave zeffiretto... Zeffiretto... Questa se…
Le nozze di Figaro: Cinque... dieci... venti... trenta... Cinque... dieci... venti... trenta... Trentasei... quarantat…
Lux aeterna SOPRANO SOLO AND CHORUS LUX eterna …
O Fortuna O Fortuna, velut Luna statu variabilis, semper crescis a…
Offertorium Domine Jesu DOMINE Jesu Christie, Rex Gloriaee, libera …
Offertorium Hostias HOSTIAS et preces tibi, Domine, laudis…
Offertorium%3A Domine Jesu DOMINE Jesu Christie, Rex Gloriaee, libera …
Porgi amor Porgi, amor, Qualche ristoro Al mio duolo A′miei sospir! O …
Porgi, amor (Le nozze di Figaro) Porgi, amor, qualche ristoro al mio duolo a'miei sospir! O …
Queen Of The Night Aria Der Hölle Rache kocht in meinem herzen Tot und verzweiflung …
Recordare Recordare Jesu pie, quod sum causa tuae viae, ne me perdas…
Requiem 1. Requiem Requiem aeternam dona eis, Domine, et lux…
Requiem Dies irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Requiem in D minor K 626: 3. Sequentia: "Recordare" Recordare, Jesu pie, Quod sum causa tuae viae, Ne me perdas …
Requiem in D minor K. 626: I. Introitus: "Requiem aeternam" INTROITUS Requiem aeternam dona ets, Domine, et lux perpetu…
Requiem in D minor K.626 Dies iræ, dies illa Solvet sæclum in favilla Teste David cum…
Requiem in D Minor K.626: 1. Introitus: Requiem Requiem aeternam dona eis, Domine, Et lux perpetua luceat ei…
Requiem in D Minor K.626: 3. Sequentia: Lacrimosa La crimosa Dies illa Qua Re sur get est fa vi lla Iudicandus…
Requiem in D Minor K.626: 4. Offertorium: Domine Jesu Domine, Jesu Christe, Rex gloriae, rex gloriae Libera animas…
Requiem in D Minor K.626: 4. Offertorium: Hostias Hostias et preces, tibi, Domine, Laudis offerimus: Tu suscip…
Requiem Introitus Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
Requiem Rex Tremendae Majestatis CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Requiem%2C Dies irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Requiem, Dies irae Dies iræ, dies illa Solvet sæclum en favilla Teste davidcum …
Requiem: Agnus Dei CHORUS AGNUS DEI, qui tollis peccata …
Requiem: Dies irae Dies iræ, dies illa Solvet sæclum en favilla Teste davidcum …
Requiem: Domine Jesu DOMINE Jesu Christie, Rex Gloriaee, libera …
Requiem: Introitus: Requiem Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
Requiem: IV. Offertorium: Domine Jesu Christe DOMINE Jesu Christie, Rex Gloriaee, libera …
Requiem: Lacrimosa Requiem aeternam dona eis, Domine, et lux perpetua luceat ei…
Requiem: Requiem Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
Requiem: Rex tremendae CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Requiem: VII. Agnus Dei Agnus Dei, qui tollis peccata mundi Dona eis requiem sempite…
Requiem: VIII. Communio: Lux aeterna SOPRANO SOLO AND CHORUS LUX eterna …
Rex Tremendae Rex tremandae maiestatis, qui salvandos salvas gratis, sal…
Rex Tremendae Majestatis CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Ridente la calma K.152 Ridente la calma nell′alma si desti Né resti più segno di…
Sanctus Sanctus, sanctus, sanctus Dominus Deus Sabaoth! Pleni sunt…
Sequentia Dies Irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Sequentia Rex tremendae CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Sequentia%3A Dies Irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Sequentia: Rex tremendae majestatis CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Time To Say Goodbye cutumn roams silently through the streets, You'll be gone, a…
Tuba Mirum Tuba mirum spargens sonum per sepulchra regionum, coget om…
Turkish March Issa Issa Issa Issa Issa Issa Issa Issa Issa Issa Issa Issa …
V. Sanctus SANCTUS, Domine Deus Sabaoth. Pleni sunt …
VII. Agnus Dei Agnus Dei, qui tollis peccata mundi, dona eis requiem Agnus…
VII. Communio: Lux aeterna SOPRANO SOLO AND CHORUS LUX eterna …
Voi che sapete che cosa è amor Voi che sapete Che cosa è amor, Donne, vedete S′io l'ho nel …
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@chelebeaqueen
he channeled, for sure! 😉🥰
so inspired that he knew not the source of the inspiration, nor that he was even moved by it and compelled to write as he did!
truly, Mozart tapped into the very spirit of the essence of being a human alive, so full of the highest heights and the dismal and dirty valleys where you can't even imagine those golden clouds lit from inside somehow... talk about inspired!
i'm wondering if you feel similarly to his Symphony No.40? (please see my comment above i.e. newest to this one here) ... i might pay good money for a replacement of that particular record -- all of the dynamics are spot on. i'm unsure how closely one could say they follow the musical notations he made for their reinactments (could he have possibly fathomed how far, wide, long his music would be enjoyed...??!), but by golly they hit all the points on the inner-map of emotional pitches within!! 😍😍😍
cheers to another fan of the genius...to EXPRESS such heartfelt sentiments, preserved over the grand arc of time, yet somehow timeless and true... ♡
@chelebeaqueen
this piece is soooo written for the star instrument, timpani!! i just saw a version (Bremen-based group? i shall find again and share!) that had timpani front and center stage!
i have been familiar with this serenade since raiding my parents half-neglected record collection. Papps had a gem (a few, actually) in this, at the end of Side Two of Symphony No.40 (another one of my favorites! like a drunk on parade!!) by London Philharmonic, if memory serves... that particular recording paid such detailed attention to the dynamics of volume - across the entire piece, the group was at such soft and then such forceful levels. and everywhere you think it so delicate (par example : around 6:00 second part to Minuetto -- on this Pappy's album version it sounded like falling leaves look... ♡)
this here version, so far in this beginning of my search through the wowiwe, is closest in those details.
they were quite expressive. and accentuated all the luscious parts, ne'er passing over a chance to dive in and stay for a split second, resting upon a moment so your heart would feel the sickness from its departure and not realize the source of the longing until the part reached repeating... * ahhhhhh, heart-strings plucked indeed!!!!
nota bene! : Leonard Bernstein conducting (i forgot the group!) Mozart's Symphony No.40, as a white-haired old divorceé shacking up with his luvah, does quite a bit of justice (hey Officer Krumpke!)
anyhoo, thanks for uploading this! i nearly cried when it first started and i sensed the closeness of that first ears-on experience over 30 yrs ago (i swear i don't look my age! teehee) upstairs in my room, door closed, secret musical moments inspiring the most intimate surges of the 'Real' ♡♡♡
@joaquinbarcena858
Preciosa obra
@willwatz7065
I've always recognized that Mozart was the best, but it's delightfully charming and profoundly moving pieces like this that convinces me that his work is the most God inspired art ever made by any human being.
@chelebeaqueen
he channeled, for sure! 😉🥰
so inspired that he knew not the source of the inspiration, nor that he was even moved by it and compelled to write as he did!
truly, Mozart tapped into the very spirit of the essence of being a human alive, so full of the highest heights and the dismal and dirty valleys where you can't even imagine those golden clouds lit from inside somehow... talk about inspired!
i'm wondering if you feel similarly to his Symphony No.40? (please see my comment above i.e. newest to this one here) ... i might pay good money for a replacement of that particular record -- all of the dynamics are spot on. i'm unsure how closely one could say they follow the musical notations he made for their reinactments (could he have possibly fathomed how far, wide, long his music would be enjoyed...??!), but by golly they hit all the points on the inner-map of emotional pitches within!! 😍😍😍
cheers to another fan of the genius...to EXPRESS such heartfelt sentiments, preserved over the grand arc of time, yet somehow timeless and true... ♡
@vaslav4171
Ponerle timbales a esta musica es como invitar a bailar a mi abuela.
@sweet.gunner
oh how beautiful this is <3
thank you for uploading
@miriamlopez1595
GRACIAS.
@kathrynhan7878
This is so perfect wow 😮
@chelebeaqueen
this piece is soooo written for the star instrument, timpani!! i just saw a version (Bremen-based group? i shall find again and share!) that had timpani front and center stage!
i have been familiar with this serenade since raiding my parents half-neglected record collection. Papps had a gem (a few, actually) in this, at the end of Side Two of Symphony No.40 (another one of my favorites! like a drunk on parade!!) by London Philharmonic, if memory serves... that particular recording paid such detailed attention to the dynamics of volume - across the entire piece, the group was at such soft and then such forceful levels. and everywhere you think it so delicate (par example : around 6:00 second part to Minuetto -- on this Pappy's album version it sounded like falling leaves look... ♡)
this here version, so far in this beginning of my search through the wowiwe, is closest in those details.
they were quite expressive. and accentuated all the luscious parts, ne'er passing over a chance to dive in and stay for a split second, resting upon a moment so your heart would feel the sickness from its departure and not realize the source of the longing until the part reached repeating... * ahhhhhh, heart-strings plucked indeed!!!!
nota bene! : Leonard Bernstein conducting (i forgot the group!) Mozart's Symphony No.40, as a white-haired old divorceé shacking up with his luvah, does quite a bit of justice (hey Officer Krumpke!)
anyhoo, thanks for uploading this! i nearly cried when it first started and i sensed the closeness of that first ears-on experience over 30 yrs ago (i swear i don't look my age! teehee) upstairs in my room, door closed, secret musical moments inspiring the most intimate surges of the 'Real' ♡♡♡
@JohannStraussII1853
Take Along Tunes
01. Concerto in E Major No. 1 "The Four Seasons" 1st Movement by Antonio Vivaldi (Baby Newton, Baby Monet and Baby Vivaldi)
02. Eine Kleine Natchmusik 1st Movement by Wolfgang Amadeus Mozart (Baby Galileo)
03. Serenade No. 6 In D Major 1st Movement by Wolfgang Amadeus Mozart (Baby Neptune CD)
04. Waltz No. 11 In F Sharp Major by Frederic Chopin (Numbers Nursery)
05. Concerto in E Major No. 12 "L'estro Armonico" 1st Movement by Antonio Vivaldi (Baby Monet)
06. William Tell Overture, March of the Swiss Soilders by Gioachino Rossini (Baby Van Gogh)
07. Turkish March by Wolfgang Amadeus Mozart (Baby Mozart)
@IsaacRobinsonMusic
Hmmmm I think the fermatas in the last movement could use a little something if u know what I mean