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String Quintet No. 4 in G Minor K. 516: ii. Menuetto. Trio: Allegretto
Wolfgang Amadeus Mozart Lyrics


We have lyrics for these tracks by Wolfgang Amadeus Mozart:

Agnus Dei Agnus Dei, qui tollis peccata mundi, dona eis requiem. Agn…
Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte Erzeugt von heißer Phantasie, In einer schwärmerischen Stund…
Ave Maria Ave, ave verum corpus natum De Maria virgine Vere passum imm…
Ave Verum Ave ave verum corpus natum de Maria Virgine Vere passum, imm…
Ave verum corpus, K. 618 Ave verum corpus natum de Maria Virgine Vere passum, immolat…
Benedictus Benedictus qui venit in nomine Domine. Hosanna in excelsis!…
Confutatis Confutatis maledictis, flammis acribus addictis, voca me c…
Der Hölle Rache kocht in meinem Herzen Der Hölle Rache kocht in meinem Herzen Tod und Verzweiflung…
Der Vogelfänger bin ich ja Der Vogelfänger bin ich ja Stets lustig heissa hopsasa! Ic…
Die Zauberflöte K. 620 Act 2: Der Hölle Rache kocht in meinem Herzen, Tod und Verzweiflung…
Die Zauberflöte: Der Hölle Rache kocht in meinem Herzen Der Hölle Rache kocht in meinem Herzen, Hells Revenge cooks …
Dies Irae Dies irae Dies illa Solvet saeclum en favilla Teste david…
Domine Jesu Domine, Jesu Christe, Rex gloriae, libera animas omnium fid…
Hostias Hostias et preces tibi, Domine laudis offerimus tu suscipe…
Introitus Requiem aeternam dona eis, Domine, Et lux perpetua luceat ei…
Kyrie Kyrie eleison. Christe eleison. Kyrie eleison.…
Lacrimosa Lacrymosa dies illa, qua resurget ex favilla judicandus ho…
Le Nozze di Figaro: Che soave zeffiretto Sull'aria... Che soave zeffiretto... Zeffiretto... Questa se…
Le nozze di Figaro: Cinque... dieci... venti... trenta... Cinque... dieci... venti... trenta... Trentasei... quarantat…
O Fortuna O Fortuna, velut Luna statu variabilis, semper crescis a…
Porgi, amor (Le nozze di Figaro) Porgi, amor, qualche ristoro al mio duolo a'miei sospir! O …
Queen Of The Night Aria Der Hölle Rache kocht in meinem herzen Tot und verzweiflung …
Recordare Recordare Jesu pie, quod sum causa tuae viae, ne me perdas…
Requiem 1. Requiem Requiem aeternam dona eis, Domine, et lux…
Requiem, Dies irae Dies iræ, dies illa Solvet sæclum en favilla Teste davidcum …
Requiem: Lacrimosa Requiem aeternam dona eis, Domine, et lux perpetua luceat ei…
Rex Tremendae Rex tremandae maiestatis, qui salvandos salvas gratis, sal…
Sanctus Sanctus, sanctus, sanctus Dominus Deus Sabaoth! Pleni sunt…
Tuba Mirum Tuba mirum spargens sonum per sepulchra regionum, coget om…
VII. Agnus Dei Agnus Dei, qui tollis peccata mundi, dona eis requiem Agnus…

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Comments from YouTube:

Jack of all trades

I've loved this piece for many years but this was my first time to view the score. I am overwhelmed. The chromaticism and interior modulations blended with his exquisite dialogue, sensitivity, and craftsmanship are truly a thing to behold.

Nolan Nosuchthing

I have been writing and composing electronic music for as long as I can remember, I even have a floppy disk FM Synth from the 90's! But that being said I see music VERY much in a series of my own spatial dimensions of my mind andf the constant blocks and grids and sinoid shapes combined, always moving along a "grid" it's how ive digested my music forever , to my dismay, I only recieved classical training recently, and none of it focused or even touched on the launguage and systax of sheet music. I am obsssesed with music however and have always been sorta upset that it was a great difficulty for me, and honest frustration that I seemingly couldnt grasp the inherent and very different way of "seeing" your music rather than hearing it. But for whatever reason tonight the rests and fortes allowed me to see the "incoming" tape head tape head or needle so to speak, sorta l.ike I could conduct in my mind.

I can tell you though I noticed this in this very same evening your very thought just before I had the epiphany of the aforementioned revalation. And take it from me, that ALLL his pieces have some sort of cubic beauty in MIDI form on a virtual piano roll. ALL of them, this is not always so witrh composers as I have been fascinated by MIDI since the moment I could dial myself onto the internet, and it has become my career. He was a truly gifted human to do what he did in the conditions and sheer lack of positivity other than the LORD in his life. He died a pauper, but IMO not many will ever come close to combined volume and quality to his work, before people even did that kind of prolific music.

Your appreciation for his keen eye, ear and heart clearly obssessed with beauty, I say thank you for letting me expierence that with you. Cheers fellow seeker!

mistressmozart

agreed! i'm so grateful the score is here. While this is a beautiful performance, it's not the most balanced recording at times and the cello is a bit lost sometimes, and first violin overwhelms, so it's nice to have the score and see (and better hear) the intricacies!

Hassan Soliman

'...a thing to behold' Indeed.

Nicholas Thorn

Interesting to hear the first movement again with its famous "exception" to the rule... but it's a new theme, not to be confused with the second subject which is the relative major after all

Timothy Thorne

Nicholas Thorn overall this piece is more orthodox in form and harmonic language than its C Major companion. Nevertheless it's not without musical interest, and it's a passionate, deeply moving work.

Maestro_T

There are a few pieces, actually, which have that unusual exception. I think it's kind of cool that they start the second theme in the "wrong" key but end up in the right one a few bars later. His 35th symphony also does something unusual in the transition to the second theme (kind of like he modulates to A major, then backs off to D major, then gets back to A major--first movement) and Beethoven's 8th symphony (first movement) also does it, as just a couple of famous examples.

David Fiedler

Last movement resolves the pathos of the first in the same way his operas do. Everyone is dancing around because the darkness is gone.

Zev Zions

You can frame any page of a Mozart score and hang it in your dining room. The symmetry alone, even to those who cannot read music, is just gorgeous. Of course, it’s even better if you can follow the music.

Osvaldo Capella

Mozart en todo su poder de dramática profundidad. Músicas como esta muestran los abismos y simas a que podemos llegar los humanos...

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