Wolves
Wu‐Tang Clan feat. George Clinton Lyrics

A fox hes got a fox.
George Clinton introduces the theme of the song, where a fox has a fox, implying a duplicity that exists in nature.

Mr. Wolf, hes the guy
George Clinton contrasts a wolf with a fox, where the wolf is the alpha predator in the woods.

Who ran the woods and ate Grandma
George Clinton describes the notorious reputation of wolves of preying on the weak and the old, like Red Riding Hood's grandma.

But a dog is a dog is a dog is a dog
George Clinton compares dogs with wolves, emphasizing the idea that a domesticated dog may look similar to a wolf but fundamentally different.

Unlike the wolf, who made a widower of Grandma
George Clinton reiterates the destructive nature of wolves, contrasting them with dogs, who are harmless and loyal companions.

Yo, Must I flex my cash, to sex your ass
U-God boasts of his wealth and power, questioning whether it is necessary to woo a woman with money.

I wet the ave, when I set my path
U-God suggests that his presence is felt, and his influence can be seen in the neighborhood.

The vette' don't crash I'm built to long last
U-God boasts of his endurance and his ability to withstand challenges without faltering.

Grab my money clip I hit the bong fast
U-God reveals his affinity for smoking weed, juxtaposing the image of a stoic and disciplined businessman with that of a free-spirited stoner.

Earn my respect, my checks they better cash
U-God expects his financial endeavors to pay off, and his reputation to be honored.

Finger on the trigger wit my nigga Fred Glass
U-God asserts his loyalty to his friend and confident, Fred Glass, and implies that he is not to be trifled with.

Knuckles is brass, start snuffin you fast
U-God suggests that he is physically powerful and adept at fighting, making him a formidable opponent.

Jumpin outta cabs, grabbin money bags
U-God implies that he is involved in some illicit activities, such as robbing banks or muggings.

Next shot go right through your hover craft
U-God paints a vivid image of destruction and violence, indicating that he is capable of causing significant damage if provoked.

You do the math my answer tounge slash
U-God suggests that he is quick-witted and can outsmart his enemies with ease.

When will ya learn its the return of Shaft
U-God evokes the image of Shaft, a popular 1970s movie character, to signify the return of a legendary and iconic figure.

The genuine thriller, the Miller Draft
U-God juxtaposes the image of a suave and captivating entertainer with that of a humble and ordinary beer brand.

My force might blur, the Porsche will purr
U-God implies that his power can be overwhelming, but his luxury car runs smoothly and effortlessly.

The apple martini of course its stirred
U-God reveals his refined and sophisticated palate, indicating his love for high-end cocktails.

Ill do the honor, the Shaolin bomber, sharpskin armor, Ill bring the drama
U-God asserts his dominance and martial prowess, emphasizing his affiliation with the Shaolin temple and his ability to instigate conflict.

Damn, deficatin on the map, Wu-Tang takin it back, no fakin in the rap
Method Man refers to the Wu-Tang Clan's ambition to reclaim their position at the top of the rap game and their disdain for dishonest and inauthentic lyrics.

How real is that, you niggas hatin on the fact, that the kid is blazin on this track and hatin on em back
Method Man acknowledges the haters and detractors who cannot deny his talent and success, despite their bitter criticisms.

My doe stacked up wit O's, who the mack duckin po po's blowin smoke goes in the 'Lac
Method Man brags about his riches, symbolized by the stacks of money and the weed smoke in his luxurious car.

To be exact, don't want no hassle wit the stack, in the big apple, we aint ridin apples in the back, yea, its all grillin, how the fuck ya'll feelin, non-stop park killin, on the block we was killin em
Method Man declares that he values his money and possessions, and he does not tolerate any interference with his livelihood. He highlights the competitive and aggressive nature of the hip-hop scene, particularly in New York City, where the artists are constantly trying to outdo one another.

The arch villans, when the blood start spillin, any stuck start squealin, body bags we was fillin em
Method Man portrays the Wu-Tang Clan as the ultimate villains, who do not hesitate to spill blood and dispose of their enemies mercilessly.

Yea, now I got it in the smash, a ounce ya man wanted and a llama in the dash
Method Man reveals his criminal activities, such as drug trafficking and possession of illegal firearms.

Me and my comrades followin the cash, and livin everyday like tomorrow is the last
Method Man implies that he and his friends are opportunistic and materialistic, and they live recklessly and extravagantly, as if they could die tomorrow.

Would you recognize a jewel for what it is when you see it, Or would you take it for somethin else and get toed the fuck up
GZA poses a philosophical question that challenges the audience's perceptiveness and discernment. He suggests that not everything is what it seems, and people should learn to recognize true value when they see it.

Men come together for the common cause, To beat your ass just because, Theres a line he don't cross offending the boss
GZA emphasizes the nature of male aggression, where men often unite behind a common enemy and resort to violence without justification or cause. He also implies that there is a line one should not cross, especially when it comes to challenging authority.

While of course his one selecting through your head shot, I'm back in the yard again the bars callin
GZA describes the act of choosing a target and executing it with deadly precision, followed by his return to the streets and the music scene.

15 sets of this will have you swollen, Ladies like damn papa you lookin right, I'd love to give you some of this pussy and ima dike
GZA boasts of his physical strength and endurance, suggesting that it is attractive to women, even those who do not identify as heterosexual.

I write when the energy's right and spark friction, DJ cuttin it spinnin it back mixin
GZA suggests that he is inspired by his environment and the energy surrounding him. He also praises the skills of a DJ who can mix and blend different beats together.

Great pop knock tickin, poetry description, for the motion picture reenactment, activate a higher Assassian keep it classic
GZA describes his approach to writing rhymes, where he combines memorable lines with vivid descriptions, evoking the imagery of a movie. He also emphasizes the importance of originality and timeless classicism in his craft.

Rap evolution every black yo pass that
GZA asserts that rap music is constantly evolving and reinventing itself, and he encourages his peers to pass on the torch to the next generation of artists.

I'm like the savior dog to ya baby when your lost down in the snow, Like a coyote out in the desert, When the first will never go, and the wolf, they never go
George Clinton concludes the song with a metaphorical comparison, where he portrays himself as a savior to those in need. He draws parallels between different animals, emphasizing their unique strengths and roles in nature.