Yann Tiersen (born in Brest, Brittany, France on 23 June 1970) is a French … Read Full Bio ↴Yann Tiersen (born in Brest, Brittany, France on 23 June 1970) is a French musician and composer. His musical career is split between studio albums, collaborations and film soundtracks. His music involves a large variety of instruments; primarily the guitar, piano, synthesizer or violin together with instruments like the melodica, xylophone, toy piano, harpsichord, accordion and typewriter.
Tiersen has been honing his musical aesthetic since he could stand on two legs. He started learning piano at the age of four, taking up violin at the age of six and receiving classical training at musical academies in Rennes, Nantes and Boulogne. Then, at the age of 13, he chose to alter his destiny, breaking his violin into pieces, buying a guitar and forming a rock band.
Yann Tiersen has collaborated with vocal artists like Claire Pichet ("Le phare" and "Rue des cascades"), Elizabeth Fraser ("Les retrouvailles") and Shannon Wright ("Yann Tiersen and Shannon Wright"). Other musicians he has worked with include The Divine Comedy, Noir Désir, Dominique A., Francoiz Breut, Les Têtes Raides, The Married Monk and Sage Francis
Tiersen got a musical education from the city of Rennes' annual Transmusicales festival, seeing acts like Nirvana, Einstürzende Neubaten, Nick Cave and The Bad Seeds, The Cramps, Television and Suicide. When his band broke up a few years later, instead of hunting for some new musicians, he bought a cheap mixing desk, an eight-track reel, and started recording music solo with a synth, sampler and drum machine, poring over the grooves of old records on the hunt for loops and orchestral strings to plunder.
As it turned out, though, the key to his new approach lay in his own past. "One day I thought, instead of spending days on research and listening to tons of records to find the nearest sound of what I have in mind, why don't I fix this fucking violin and use it?" Through the summer of 1993, Tiersen stayed in his apartment, recording music alone with guitar, violin and accordion, guided not by the classical canon, but by intuition and his vision of "a musical anarchy".
By the end of the summer of 1993, Tiersen had recorded over 40 tracks, which would form the bulk of his first two albums. 1995's La Valse Des Monstres, inspired by Tod Browning's Freaks and Yukio Mishima's The Damask Drum was the second album to be released on Nancy-based label Ici, d'ailleurs. It would be followed six months later by Rue Des Cascades, a collection of short pieces recorded with toy piano, harpsichord, violin, accordion and mandolin. Six years later, the record would find a much larger audience when several tracks, along with a couple of Tiersen originals, would be used on the soundtrack to Jean-Pierre Jeunet's film Amelie (2001).
Tiersen's commercial breakthrough would come earlier, though, and off his own back. 1998's Le Phare (The Light House) was recorded in self-imposed seclusion on the isle of Ouessant, where Tiersen spent two months living in a rented house. At night, he watched the Creach'h, the most powerful lighthouse in Europe, as it illuminated the surrounding scenery. "I was amazed how the rays of lights from the lighthouse revealed some hidden details of the land, how we can rediscover something we have everyday, just in front of us, by a light pointing on it," says Tiersen.
Le Phare went on to sell over 160,000 copies, confirming Tiersen's status as one of the most pioneering and original artists of his generation and commencing a run of successful albums like 2001's L'Absente (featuring orchestral group Synaxis, Lisa Germano and the Divine Comedy's Neil Hannon) and 2005's Les Retrouvailles (with guests Stuart Staples of Tindersticks, Jane Birkin and Elizabeth Fraser of Cocteau Twins). In this period, Tiersen also took his music out around the world, playing shows with a full orchestra and an amplified string quartet – a set-up captured on 2002's electrifying live album C'etait ici. And following the box-office success of Amelie, Tiersen's skills as a soundtracker were much in demand, leading to scores for the likes of Wolfgang Becker's tragicomedy Good Bye Lenin! (2003) and Tabarly (2008), a documentary about the French sailor Éric Tabarly, who ate his final meal on Ouessant Island before he meeting a watery end in the Irish sea.
Discography:
La valse des monstres (1995)
Rue des cascades (1996)
Le phare (1998)
Tout est calme (1999)
Black session (1999, radio concert)
L'absente (2001)
Le fabuleux destin d'Amélie Poulain (2001, Soundtrack)
C'était ici (2002, Live and Best Of)
Good Bye Lenin! (2003, Soundtrack)
Yann Tiersen and Shannon Wright (2004)
Les Retrouvailles (2005)
On Tour (2006, Live)
Tabarly (2008)
Dust Lane (2010)
Tiersen has been honing his musical aesthetic since he could stand on two legs. He started learning piano at the age of four, taking up violin at the age of six and receiving classical training at musical academies in Rennes, Nantes and Boulogne. Then, at the age of 13, he chose to alter his destiny, breaking his violin into pieces, buying a guitar and forming a rock band.
Yann Tiersen has collaborated with vocal artists like Claire Pichet ("Le phare" and "Rue des cascades"), Elizabeth Fraser ("Les retrouvailles") and Shannon Wright ("Yann Tiersen and Shannon Wright"). Other musicians he has worked with include The Divine Comedy, Noir Désir, Dominique A., Francoiz Breut, Les Têtes Raides, The Married Monk and Sage Francis
Tiersen got a musical education from the city of Rennes' annual Transmusicales festival, seeing acts like Nirvana, Einstürzende Neubaten, Nick Cave and The Bad Seeds, The Cramps, Television and Suicide. When his band broke up a few years later, instead of hunting for some new musicians, he bought a cheap mixing desk, an eight-track reel, and started recording music solo with a synth, sampler and drum machine, poring over the grooves of old records on the hunt for loops and orchestral strings to plunder.
As it turned out, though, the key to his new approach lay in his own past. "One day I thought, instead of spending days on research and listening to tons of records to find the nearest sound of what I have in mind, why don't I fix this fucking violin and use it?" Through the summer of 1993, Tiersen stayed in his apartment, recording music alone with guitar, violin and accordion, guided not by the classical canon, but by intuition and his vision of "a musical anarchy".
By the end of the summer of 1993, Tiersen had recorded over 40 tracks, which would form the bulk of his first two albums. 1995's La Valse Des Monstres, inspired by Tod Browning's Freaks and Yukio Mishima's The Damask Drum was the second album to be released on Nancy-based label Ici, d'ailleurs. It would be followed six months later by Rue Des Cascades, a collection of short pieces recorded with toy piano, harpsichord, violin, accordion and mandolin. Six years later, the record would find a much larger audience when several tracks, along with a couple of Tiersen originals, would be used on the soundtrack to Jean-Pierre Jeunet's film Amelie (2001).
Tiersen's commercial breakthrough would come earlier, though, and off his own back. 1998's Le Phare (The Light House) was recorded in self-imposed seclusion on the isle of Ouessant, where Tiersen spent two months living in a rented house. At night, he watched the Creach'h, the most powerful lighthouse in Europe, as it illuminated the surrounding scenery. "I was amazed how the rays of lights from the lighthouse revealed some hidden details of the land, how we can rediscover something we have everyday, just in front of us, by a light pointing on it," says Tiersen.
Le Phare went on to sell over 160,000 copies, confirming Tiersen's status as one of the most pioneering and original artists of his generation and commencing a run of successful albums like 2001's L'Absente (featuring orchestral group Synaxis, Lisa Germano and the Divine Comedy's Neil Hannon) and 2005's Les Retrouvailles (with guests Stuart Staples of Tindersticks, Jane Birkin and Elizabeth Fraser of Cocteau Twins). In this period, Tiersen also took his music out around the world, playing shows with a full orchestra and an amplified string quartet – a set-up captured on 2002's electrifying live album C'etait ici. And following the box-office success of Amelie, Tiersen's skills as a soundtracker were much in demand, leading to scores for the likes of Wolfgang Becker's tragicomedy Good Bye Lenin! (2003) and Tabarly (2008), a documentary about the French sailor Éric Tabarly, who ate his final meal on Ouessant Island before he meeting a watery end in the Irish sea.
Discography:
La valse des monstres (1995)
Rue des cascades (1996)
Le phare (1998)
Tout est calme (1999)
Black session (1999, radio concert)
L'absente (2001)
Le fabuleux destin d'Amélie Poulain (2001, Soundtrack)
C'était ici (2002, Live and Best Of)
Good Bye Lenin! (2003, Soundtrack)
Yann Tiersen and Shannon Wright (2004)
Les Retrouvailles (2005)
On Tour (2006, Live)
Tabarly (2008)
Dust Lane (2010)
Naval
Yann Tiersen Lyrics
We have lyrics for 'Naval' by these artists:
lilspirit White pants, black top She wanna make a movie, taking snapsh…
We have lyrics for these tracks by Yann Tiersen:
A Secret Place I walked into the street To see myself looking back at…
Amy Do you recognize me Here on this sleeper train And do you…
Ar Maen Bihan E-kreizh ar-roc'h e-voa eun ti E-penn an ti e-voa eur simina…
Ashes We're following a road of pain. We're all running away to…
Bagatelle Tiens, une petite voix me glisse Quatre vérités Qui passent…
Bon Voyage J'ai un gros débarras Aussi un cagibi Et puis plein d'autr…
Dishes No Lyrics for this song Pas de paroles pour ce morceau Ins…
Dragon fly On the day that we met I awoke from a total…
Dust Lane We are boys and girls Of the new world treading young. …
First Rendez-Vous (instrumental)…
Fuck Me I know you know we're all falling into A deep oblivion I…
Geronimo While they have been eating The rain has started falling, …
Ginette La mer ça ne s'invente pas Et nous on crève à…
Goodbye Lenin! Feels like yesterday when we were holding hands and laughs…
Guilty Is it a sin, is it a crime Loving you, dear,…
Hent I Bemdez heñvel ha bemdez disheñvel Simfonienn veureel. Sonere…
Hesitation Wound Maybe you're here, maybe you're not. You may be gone, you…
I'm Gonna Live Anyhow I'm gonna live anyhow until I die. I'm gonna live anyhow…
In Our Minds In our minds, they're a town in our minds A town…
I’m Gonna Live Anyhow I'm gonna live anyhow until I die. I'm gonna live anyhow…
J'y suis jamais allé [Instrumental]…
Kala Do you recognize me Here on this sleeper train And do you…
L' Echec J'aimerai voir notre échec Face à face à un beau jour Détail…
L'échec J'aimerai voir notre échec Face à face à un beau jour Déta…
L'effondrement I can preak up my ears and hear so clearly, the collapse…
La Dispute Anyway, i can try anything it's the same circle that…
La Parade Another day to live Another way to go Nobody's in this room …
La pharmacie Another day to live Another way to go Nobody′s in this room …
La rade Je nous vois tous assis devant Mais le front baissé les…
La relève Déjà je m'éloigne de l'enseigne verte qui éclairait nos nui…
La Rue When I'm asleep in Cascade Street I don't see anything When …
La Rupture Windows, doors, walls and carpets, chairs, tables and flower…
La Terrasse un après-midi là, dans la rue du jourdain, on peut dire…
La valse des monstres Le Vent Du Nord Dans Les Airs La Piastre Des Etats When w…
La Valse des vieux os (Instrumental)…
Le Concert Ça y est, plus rien ne reste debout Ils sont venus,…
Le Fromveur Autrefois, quand j'étais marmot J'avais la phobie des gros m…
Le Jour D'avant It's hard, Hard not to sit on your hands Bury your head…
Le jour de l'ouverture De tes amants bien revenus Dans tes beaux habits neufs…
Le matin Oh my……
le meridien Accross the river thames On a sunday morning The smell of th…
Le parapluie Il pleuvait fort sur la grand-route Elle cheminait sans par…
Les Bras De Mer De l'endroit où je suis On voit les bras de mer Qui…
Les enfants Oh la la, qu'est-ce que c'est ? C'est des enfants ou quoi ?…
Les Forges Les forges ne fonctionnent plus Des milliers de travailleur…
Les Grandes Marees Laissons ça aux marées de septembre et voyons après coup Vo…
Les Jours Heureux It's hard, Hard not to sit on your hands Bury your head…
Les Jours tristes (instrumental) It's hard, hard not to sit on your hands and bury…
Le_Jour_D'Avant ""Es difícil, Difícil no sentarse en sus manos, Entierra …
Life on Mars It's a godawful small affair To the girl with the mousey…
Lights Have you see those lights, those lights, First we saw someon…
Mary Do you recognize me Here on this sleeper train And do you…
Meteorites So here we are under London's glass And granite arms as…
Monochrome Anyway, I can try anything it's the same circle that…
Monuments All monuments of men, They're sinking in vain. Tiny mome…
Mother Will Die Jetzt könnt ihr noch jemanden aufnehmen. Aufnehmen? …
Naomi Strange prophecies Anew! She wrote She wrote "The ke…
No mercy for she Today fell to her feet She called his name She…
Pale white Mr Haley turned and said You must not cry now Crossed…
Palestine P. A. L. E. S. T. I. N. E. … P. A.…
Plus d'hiver Voilà, il n'y aura plus d'hiver C'est nouveau Je crois c'e…
Preparations for the Last TV Fake (Instrumental)…
Qu'en Reste-T-Il ? Recuerdo que al llegar ni me miraste Fui solo una más…
Roma Amor We met in a bar Nothing special so far Until the moment…
Rue Des Cascades When I'm asleep in Cascade Street When I'm asleep in…
si tu n Si tu n'étais pas là Comment pourrais-je vivre? Je ne connaî…
Steinn Djúpt i klettinum var hús Í horni hússisns var arinn Í arn…
Summer '78 (feat. Claire Pichet) Where are you now Can't you see me Wh…
Summer 78 Where are you now Can't you see me Where are you now Can'…
Summer 78 (feat. Claire Pichet) Where are you now Can't you see me Where are you now Can't…
Sur le fil instrumental…
The Gutter Try to reach the sea Try to reach the sea Try to…
The Neighbourhood I wanna be honest I want to be bad I want to…
The Trial Someday my girl, in your mirror Someday my girl, in your…
Till the End We will be there 'til the end.…
Tout est calme encore une nuit où tout est calme, pas un bruit,…
Yellow Look at the stars Look how they shine for you And everythi…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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doktor olmak icin calis
Biliyorum sana giden yollar kapalı
Üstelik sen de hiçbir zaman sevmedin beni
Ne kadar yakından ve arada uçurum;
İnsanlar, evler, aramızda duvarlar gibi
Uyandım uyandım, hep seni düşündüm
Yalnız seni, yalnız senin gözlerini
Sen Bayan Nihayet, sen ölümüm kalımım
Ben artık adam olmam bu derde düşeli
Şimdilerde bir köpek gibi koşuyorum ordan oraya
Yoksa gururlu bir kişiyim aslında, inan ki
Anımsamıyorum yarı dolu bir bardaktan su içtiğimi
Ve içim götürmez kenarından kesilmiş ekmeği
Kaç kez sana uzaktan baktım 5.45 vapurunda;
Hangi şarkıyı duysam, bizimçin söylenmiş sanki
Tek yanlı aşk kişiyi nasıl aptallaştırıyor
Nasıl unutmuşum senin bir başkasını sevdiğini
Çocukça ve seni üzen girişimlerim oldu;
Bağışla bir daha tekrarlanmaz hiçbiri
Rastlaşmamak için elimden geleni yaparım
Bu böyle pek de kolay değil gerçi...
Alışırım seni yalnız düşlerde okşamaya;
Bunun verdiği mutluluk da az değil ki
Çıkar giderim bu kentten daha olmazsa,
Sensizliğin bir adı olur, bir anlamı olur belki
İnan belli etmem, seni hiç rahatsız etmem,
Son isteğimi de söyleyebilirim şimdi:
Bir geceyarısı yazıyorum bu mektubu
Yalvarırım onu okuma çarşamba günleri.
MrShowes
I want Yann Tiersen to write the soundtrack to my life...
Bobette Heads East
MrShowes that would be so amazing. I already want an author to describe me as a character but that takes it to a whole new level.
Bio Grafiker
you should listen to ajdar anik
Sandra McArthur
me too
Weisst du was ich meine?!
Is your life so trist?
Elartesoyo
WHEN YOU LOVE AN OLD SOUL "There is a special type of person in this world who is often misunderstood. These people are usually lonely and at the same time attached, free spirits, innocent lovers. They are ancient souls, dreamers, people in tune with life, so intuitive of emotions that they scare us. They scare us not because of what they are, but because of what we are not, because of what we lack. Ancient souls reach depths that we cannot comprehend. They have a connection with the universe, with nature and that is why they are the people who will change the world. Their touch is unusual, their sex is unusual, the clarity with which they see things is unusual. We often feel inferior, as if we have to push ourselves to be remotely close to his level, to be worthy of his love. It takes a confident person to love an ancient soul. But it is worth a lot, it will change your life a lot. They are romantic, they are loyal, they help us grow, they are not materialistic, they understand the deep connections in life, they are grateful, they are examples of faith and courage. They walk the most painful roads of this life and yet somehow they have the courage to smile to be disinterested, to support others. Loving an ancient soul and being loved by her is a gift from the universe. "
Kellims313
Yann Tiersen must be the greatest composer of all time. I don't care what anyone else says. Everything he creates is a masterpiece.
Bobette Heads East
Kellims313 my thoughts exactly
phoenix
Music is classed and composers are graded.. but hey who is to tell you who's your greatest composter is !
Irina Frolova
Да!!!! Это действительно так!!! Ян - Гениален! Он просто композитор от Бога