Yma Sumac (September 13, 1922 – November 1, 2008) was the stage name of a P… Read Full Bio ↴Yma Sumac (September 13, 1922 – November 1, 2008) was the stage name of a Peruvian singer named Zoila Augusta Emperatriz Chavarri del Castillo. When still a child in rural Peru, she attracted notice for her extraordinary voice, and joined the Compañía Peruana de Arte in the early 1940s.
Yma Súmac was born in Callao, El Callao, Peru. Other dates mentioned in her various biographies range from 1921 to 1929. Some sources claim that she was not born in Ichocán, but in a nearby village or possibly in Lima, and that her family owned a ranch in Ichocán where she spent most of her early life. Stories published in the 1950s claimed that she was an Incan princess directly descended from Atahualpa. A story claiming that she was actually born Amy Camus (Yma Sumac backwards) in Brooklyn or Canada was fabricated while she was performing in New York City in the early 1950s. She adopted the stage name of Imma Sumack (also spelled Ymma Sumack and Ima Sumack) in South America before she went to the U.S. The stage name was based on her mother's name which was derived from Ima Shumaq, Quechua for "how beautiful!" although in interviews she claimed it meant "beautiful flower" or "beautiful girl".
Imma Sumack first appeared on radio in 1942, and married composer and bandleader Moisés Vivanco on June 6 the same year. She recorded at least 23 tracks of Peruvian folk songs in Argentina in 1943 . These early recordings for the Odeon label featured Moisés Vivanco's group, Compañía Peruana de Arte, a group of 46 Indian dancers singers and musicians. In 1946, Sumack and Vivanco moved to New York City, where they performed as the Inca Taky Trio: Sumack herself singing coloratura soprano, Vivanco on guitar and her cousin Cholita Rivero singing contralto and dancing. Sumack bore a son, Charles, in 1949, and was signed by Capitol Records in 1950, at which time her stage name became "Yma Sumac".
During the 1950s, Yma Sumac produced a series of legendary lounge music recordings featuring Hollywood-style versions of Incan and South American folk songs, working with the likes of Les Baxter and Billy May. In 1951, she popularized Jorge Bravo de Rueda's classic song Vírgenes del Sol. The combination of her extraordinary voice, exotic looks and stage personality made her a hit with American audiences. Sumac even appeared in a Broadway musical, Flahooley, in 1951, as a foreign princess who brings Aladdin's lamp to an American toy factory to have it repaired. The show's score was by Sammy Fain and E.Y. "Yip" Harburg, but Sumac's four numbers were the work of Vivanco. Capitol Records, Sumac's label, recorded the show. Flahooley closed quickly but the recording continues as a cult classic, in part because it also marked the Broadway debut of Barbara Cook. During the height of Sumac's popularity, she appeared in the films Secret of the Incas (1954) and Omar Khayyam (1957). She became a U.S. citizen July 22, 1955
In 1957, Sumac and Vivanco divorced, their dispute making news in Los Angeles.[10] They remarried that same year before divorcing again in 1965. Apparently due to financial difficulties, Yma Sumac and the original Inca Taky Trio went on a world tour in 1961, which lasted for five years. They performed in 40 cities in the Soviet Union, and afterwards all over Europe, Asia and Latin America. Their performance in Bucharest, Romania was recorded as the album Recital, her only 'live in concert' record. Yma Sumac spent the rest of the 1960s performing sporadically.
In 1971, she released a rock album, called Miracles, and returned to live in Peru. She performed in concert from time to time during the 1970s in Peru and later in New York. In the 1980s, she had a number of concerts both in the U.S. and abroad . She sang Ataypura during a March 19, 1987 appearance on Late Night with David Letterman, appearing alongside actor-comedians Jerry Seinfeld and Bill Murray.
In 1989, she sang once again at The Ballroom in New York. In March 1990, she played the role of Heidi in Stephen Sondheim's Follies, in Long Beach, California, her first attempt at serious theater since Flahooley in 1951. In 1992, Günther Czernetsky directed a documentary titled Yma Sumac - Hollywoods Inkaprinzessin (Yma Sumac - Hollywood's Inca princess). She also gave several concerts in the summer of 1996 two more in Montreal, Canada in July 1997 as part of the Montreal International Jazz Festival.
Sumac's profile rose again when the song Ataypura was featured in the Coen Brothers' film The Big Lebowski. Her song Bo Mambo appeared in a commercial for Kahlua liquor, and was sampled for the Hands Upsong by the Black Eyed Peas. The song Gopher Mambo was used in the films Ordinary Decent Criminal and Confessions of a Dangerous Mind. The songs Goomba Boomba and Malambo No. 1 appeared in Death to Smoochy.
On May 6, 2006, Sumac flew to Lima, where she was presented the Orden del Sol award by Peruvian President Alejandro Toledo, and the Jorge Basadre medal by the Universidad Nacional Mayor de San Marcos.
Yma Sumac recorded an incredible vocal range of more than four octaves, from B2 to C♯7 (approximately 123 to 2270 Hz). She was able to sing notes in the low baritone register as well as notes above the range of an ordinary coloratura soprano. Both low and high extremes can be heard in the song Chuncho (The Forest Creatures) (1950)
Yma Sumac passed away at an assisted living facility in Los Angeles, California on November 1, 2008.
==Discography==
*At least eighteen tracks of Peruvian folk songs in Argentina in 1943 for the [[Odeon Records]] label, with Moisés Vivanco's group, Compañía Peruana de Arte—a group of forty-six Indian dancers, singers, and musicians. (Three additional tracks from these sessions are instrumentals or feature other vocalists.)(10" 78 rpm)
* ''Voice of the Xtabay'' (1950), Capitol Records 10" LP H244 (33 1/3) CD-244 (78 rpm set)
* ''Flahooley'' (1951), Capitol DF-284 (78 rpm set)
* ''Legend of the Sun Virgin'' (1952), Capitol DDN-299 (78 rpm set)
* ''Inca Taqui'' (1953), Capitol L-243 (10" LP)
* ''Mambo!'' (1954), Capitol T-564 (10" LP)
* ''Voice of the Xtabay & Inca Taqui'', (1955) Capitol W-684 (both on one 12" LP)
* ''Legend of the Jivaro'' (1957), Capitol T-770 (12" LP)
* ''Fuego Del Ande'' (1959), Capitol T-1169 (Monophonic); ST 1169 (Stereo) (mono and stereo versions were separate recordings) (12" LP)
* ''Recital'' (1961), Electrecord EDE-073 (12" LP) — reissued on CD, ESP-DISK' 4029 (2006)
* ''Miracles'' (1971), London XPS 608 (12" LP) — reissued with two additional tracks as ''Yma Rocks!'' (1998), ShamLys JOM-1027-2 (CD)
* ''I Wonder'' on [[Stay Awake (album)|Stay Awake: Various Interpretations of Music from Vintage Disney Films]], 1988 (one of Various Artists)
* ''Mambo ConFusion'' (1991), Deutsche Schallplatten Berlin (Germany CD Maxi-Single), DSB 3025-5 (CD Maxi-Single contains 'Radio Version,' longer 'Maxi Version,' and 'Mambo Hip' version)
Yma Súmac was born in Callao, El Callao, Peru. Other dates mentioned in her various biographies range from 1921 to 1929. Some sources claim that she was not born in Ichocán, but in a nearby village or possibly in Lima, and that her family owned a ranch in Ichocán where she spent most of her early life. Stories published in the 1950s claimed that she was an Incan princess directly descended from Atahualpa. A story claiming that she was actually born Amy Camus (Yma Sumac backwards) in Brooklyn or Canada was fabricated while she was performing in New York City in the early 1950s. She adopted the stage name of Imma Sumack (also spelled Ymma Sumack and Ima Sumack) in South America before she went to the U.S. The stage name was based on her mother's name which was derived from Ima Shumaq, Quechua for "how beautiful!" although in interviews she claimed it meant "beautiful flower" or "beautiful girl".
Imma Sumack first appeared on radio in 1942, and married composer and bandleader Moisés Vivanco on June 6 the same year. She recorded at least 23 tracks of Peruvian folk songs in Argentina in 1943 . These early recordings for the Odeon label featured Moisés Vivanco's group, Compañía Peruana de Arte, a group of 46 Indian dancers singers and musicians. In 1946, Sumack and Vivanco moved to New York City, where they performed as the Inca Taky Trio: Sumack herself singing coloratura soprano, Vivanco on guitar and her cousin Cholita Rivero singing contralto and dancing. Sumack bore a son, Charles, in 1949, and was signed by Capitol Records in 1950, at which time her stage name became "Yma Sumac".
During the 1950s, Yma Sumac produced a series of legendary lounge music recordings featuring Hollywood-style versions of Incan and South American folk songs, working with the likes of Les Baxter and Billy May. In 1951, she popularized Jorge Bravo de Rueda's classic song Vírgenes del Sol. The combination of her extraordinary voice, exotic looks and stage personality made her a hit with American audiences. Sumac even appeared in a Broadway musical, Flahooley, in 1951, as a foreign princess who brings Aladdin's lamp to an American toy factory to have it repaired. The show's score was by Sammy Fain and E.Y. "Yip" Harburg, but Sumac's four numbers were the work of Vivanco. Capitol Records, Sumac's label, recorded the show. Flahooley closed quickly but the recording continues as a cult classic, in part because it also marked the Broadway debut of Barbara Cook. During the height of Sumac's popularity, she appeared in the films Secret of the Incas (1954) and Omar Khayyam (1957). She became a U.S. citizen July 22, 1955
In 1957, Sumac and Vivanco divorced, their dispute making news in Los Angeles.[10] They remarried that same year before divorcing again in 1965. Apparently due to financial difficulties, Yma Sumac and the original Inca Taky Trio went on a world tour in 1961, which lasted for five years. They performed in 40 cities in the Soviet Union, and afterwards all over Europe, Asia and Latin America. Their performance in Bucharest, Romania was recorded as the album Recital, her only 'live in concert' record. Yma Sumac spent the rest of the 1960s performing sporadically.
In 1971, she released a rock album, called Miracles, and returned to live in Peru. She performed in concert from time to time during the 1970s in Peru and later in New York. In the 1980s, she had a number of concerts both in the U.S. and abroad . She sang Ataypura during a March 19, 1987 appearance on Late Night with David Letterman, appearing alongside actor-comedians Jerry Seinfeld and Bill Murray.
In 1989, she sang once again at The Ballroom in New York. In March 1990, she played the role of Heidi in Stephen Sondheim's Follies, in Long Beach, California, her first attempt at serious theater since Flahooley in 1951. In 1992, Günther Czernetsky directed a documentary titled Yma Sumac - Hollywoods Inkaprinzessin (Yma Sumac - Hollywood's Inca princess). She also gave several concerts in the summer of 1996 two more in Montreal, Canada in July 1997 as part of the Montreal International Jazz Festival.
Sumac's profile rose again when the song Ataypura was featured in the Coen Brothers' film The Big Lebowski. Her song Bo Mambo appeared in a commercial for Kahlua liquor, and was sampled for the Hands Upsong by the Black Eyed Peas. The song Gopher Mambo was used in the films Ordinary Decent Criminal and Confessions of a Dangerous Mind. The songs Goomba Boomba and Malambo No. 1 appeared in Death to Smoochy.
On May 6, 2006, Sumac flew to Lima, where she was presented the Orden del Sol award by Peruvian President Alejandro Toledo, and the Jorge Basadre medal by the Universidad Nacional Mayor de San Marcos.
Yma Sumac recorded an incredible vocal range of more than four octaves, from B2 to C♯7 (approximately 123 to 2270 Hz). She was able to sing notes in the low baritone register as well as notes above the range of an ordinary coloratura soprano. Both low and high extremes can be heard in the song Chuncho (The Forest Creatures) (1950)
Yma Sumac passed away at an assisted living facility in Los Angeles, California on November 1, 2008.
==Discography==
*At least eighteen tracks of Peruvian folk songs in Argentina in 1943 for the [[Odeon Records]] label, with Moisés Vivanco's group, Compañía Peruana de Arte—a group of forty-six Indian dancers, singers, and musicians. (Three additional tracks from these sessions are instrumentals or feature other vocalists.)(10" 78 rpm)
* ''Voice of the Xtabay'' (1950), Capitol Records 10" LP H244 (33 1/3) CD-244 (78 rpm set)
* ''Flahooley'' (1951), Capitol DF-284 (78 rpm set)
* ''Legend of the Sun Virgin'' (1952), Capitol DDN-299 (78 rpm set)
* ''Inca Taqui'' (1953), Capitol L-243 (10" LP)
* ''Mambo!'' (1954), Capitol T-564 (10" LP)
* ''Voice of the Xtabay & Inca Taqui'', (1955) Capitol W-684 (both on one 12" LP)
* ''Legend of the Jivaro'' (1957), Capitol T-770 (12" LP)
* ''Fuego Del Ande'' (1959), Capitol T-1169 (Monophonic); ST 1169 (Stereo) (mono and stereo versions were separate recordings) (12" LP)
* ''Recital'' (1961), Electrecord EDE-073 (12" LP) — reissued on CD, ESP-DISK' 4029 (2006)
* ''Miracles'' (1971), London XPS 608 (12" LP) — reissued with two additional tracks as ''Yma Rocks!'' (1998), ShamLys JOM-1027-2 (CD)
* ''I Wonder'' on [[Stay Awake (album)|Stay Awake: Various Interpretations of Music from Vintage Disney Films]], 1988 (one of Various Artists)
* ''Mambo ConFusion'' (1991), Deutsche Schallplatten Berlin (Germany CD Maxi-Single), DSB 3025-5 (CD Maxi-Single contains 'Radio Version,' longer 'Maxi Version,' and 'Mambo Hip' version)
A Ti Solita Te Quiero
Yma Sumac Lyrics
We have lyrics for these tracks by Yma Sumac:
Babalu Está empezando el velorio Que le hacemos a Babalú Dame die…
Bo Mambo Bam balai lamento negro que va Bonbai es la danza para…
Ccori Canastitay ナオト・インティライミ – LIFE Posted by OO on August 17, 2014 in…
Clamor Anoche te tuve en mis brazos Un solo momento, momento de…
Dale Que Dale Dale que dale vidita, ay dale dale que dale cholito…
El Condor Pasa La la la la la la la La la la la…
Flor De Canela Déjame que te cuente limeño, Déjame que te diga la gloria De…
Gallito Caliente (The Hot Rooster) Por las nochecitas, un gallo malandrín. Ronda las pollitas, …
Gallito Ciego A mí me llaman gallito, y se olvidan que soy…
Indian Carnival Uh! Uh! Uh! Uh! El besito que me distes, el besito que me d…
Kuyaway Kuyaway, palabra del amor. Inka song, que viene del Perú. Su…
La Flor De La Canela (The Cinnamon Flower) Dejame que te cuente limeño Dejame que diga la gloria Del e…
La molina Yuca de San Borja Samorengue esta Para ir a saña Samorengue …
La Molina (The Mill Song) Bá, bababá, bababá, bá Para pá tiritá: Kamburengue Bá, baba…
La Pampa y la Puna Desde mi pampa divina Salté a la cordillera Linda joven andi…
La Perla De Chira Del chira eres la perla Sultana de las sultanas… Recuerdo …
Llora Corazon (Crying Heart) Por no querer perdonarte, me está matando el dolor, Y aunque…
Malambo N. 1 What they do in Peru, Tusurikusun viditay What they do in P…
Malambo No 1 ¡Ah! What they do in Peru Tusurikusun viditay ¡Ah! What they…
Malambo No. 1 What they do in peru, Tusurikusun viditay* A ti solito te qu…
Malambo N°1 What they do in Peru, Tusurikusun viditay What they do in P…
Marinera Una mujer bonita está segura que en el amor Con su…
Melgar Blanca ciudad, de eterno cielo azul Puro sol, montañas de mi…
Mi Palomita A mi palomita se la han robado cuatro forajidos A ver…
Monkeys ¡Ay, hay vienen mis monos! ¡Pero que gusto que me da…
Suray Surita Kay sonqoytan kamachini: jway! Llaqtay! Suray Surita! "Aman …
Taki Rari /Hernan Brana/ (P) 1954…
Wimoweh In the jungle the mighty jungle the lion sleeps tonight In…
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@AnimationandMore3009
Dicen que los monos
no saben querer.
El mono más chico, caramba,
tiene a su mujer.
A ti solita te adoro,
a ti solita te quiero,
a ti solita te entrego
la llave de mi tesoro.
A ti solita te adoro,
a ti solita te quiero,
a ti solita te entrego
la llave de mi tesoro.
Porque soy buena moza [sí, ñaña]. (x4)
¿Qué pasó en la calle
que debo correr?
Todo el mundo corre, caramba,
yo corro también.
Don Tiritilo, caramba,
mató a su mujer.
La cortó en pedazos, caramba,
la mandó a vender.
A ti solita te adoro,
a ti solita te quiero,
a ti solita te entrego
la llave de mi tesoro.
A ti solita te quiero,
a ti solita te adoro,
a ti solita te entrego
la llave de mi tesoro.
Porque soy buena moza [sí, ñaña]. (x4)
@AnimationandMore3009
They say that the monkeys
don't know how to love.
The smallest monkey, caramba,
have its wife.
I adore only you,
I love only you,
I give only you
my treasure's key.
I adore only you,
I love only you,
I give only you
my treasure's key.
Because I'm a good lass. [yeah, girl] (x4)
What happened on the street?
I've got to run.
Everyone run, caramba,
I run too.
Don Tiritilo, caramba,
killed his wife.
He cut her into pieces, caramba,
he sent someone to sell her.
I adore only you,
I love only you,
I give only you
my treasure's key.
I love only you,
I adore only you,
I give only you
my treasure's key.
Because I'm a good lass. [yeah, girl] (x4)
@mariarosales496
Que timbre y bonita cancion de esta mujerona, deberian .hacerlo mas notorio no dejarla en el olvido y asi tengamos mas.conocimiento de esta bella soprano, gracias por haberla subido que.Dios te.bendiga.
@catizavala1949
👏👏💖💖👏👏👏💕❤️Prodigio! Maravilla del Perú!! Única! Eterna!💕❤️👏👏👏💖💖👏👏
@lucasloayza2550
la admiro y me asombro de su voz imponente elegante aparte de muy hermosa mostraba al mundo entero lo nuestro orgullosa en su mirada sus trajes son pura elegancia de nuestra cultura hermosa .deberian haber mas como tu ahora .. te admiro siempre te admirare arriba el peru
@elsamolinamauriola7593
UNA PERUANA QUE NO FUÉ PROFETA EN SU TIERRA.QUE TRIUNFO POR OTROS LARES.UN SALUDO PARA TODOS AQUELLAS PERSONAS QUE VEN ESTA PÁGINA
@davyhenry8985
Her voice is beautiful
@edithpilarherreravidal7797
QUÉ LÁSTIMA QUE NUESTRA GENTE NO LA HAYA VALORADO COMO ELLA SE MERECÍA, REALMENTE ES UNA JOYA.
@saulcano5285
!Que bellisimo !!!!!! !Que Viva El Peru Damas y Caballeros!!!!!!
@gatomusical2
no solamente tenia una increible extension,este fenomeno vocal podia abarcar todas los registros,no ha existido una voz femenina asi.
@JulianFBelalcazar
No se si, en realidad, sea Ella la mejor cantante del mundo, pero es inegable, Su voz es única, ! Que maravilla !
@kanirove9161
julian fernado Belalcazar i