Laszlo Fogarasi Jr. (born September 14, 1980) known by his stage name Yonde… Read Full Bio ↴Laszlo Fogarasi Jr. (born September 14, 1980) known by his stage name Yonderboi, is a Hungarian composer, music producer and visual artist. He released three studio albums so far, which he considers to be a trilogy: Shallow and Profound, Splendid Isolation and Passive Control. Yonderboi’s music is difficult to pigeonhole because it is quite conceptual and combines a wide range of sources, plays around with various musical styles. Despite of these a certain intense atmosphere and the distinctive melodies remain recognizable in all of his works. Each record was followed by a tour, the first and the second with a live band and the current one as a one-man act. He performed on diverse stages over the years, including festivals such as Sónar, Pukkelpop, Lowlands, Big Chill, Sziget, ADE and venues like Razzmatazz, Melkweg, Paradiso. Yonderboi's music is often licensed to films, TV and fashion shows or video games. He also enjoys making field trips to different art-forms, he scores movies and theater pieces once in a while and he also composes music for art exhibitions like the Swiss Pavilion of the Venice Biennale 2001. His most notable collaboration was performing an audio-visual show with British film director legend Peter Greenaway during the Berlin Film Festival 2009. Besides his extraordinary musical talent Yonderboi utilizes his visual creativity as well. By now he shoots his own photos and videos, designs the album cover and the stage set for his shows.

EARLY YEARS

Yonder started experimenting with music in his teenage years, and had his first release in 1998 while he was still a high-school student. The song was called Pink Solidism, which was a groovy instrumental cover of Riders on the Storm by The Doors. Later that summer his first five track EP came out on vinyl, called Cinnamon Kisses. Some of the songs got licensed to Western European compilations and soon after he received a record deal from a German label.

SHALLOW AND PROFOUND

He recorded his first long-player right after graduation, on his own budget, which was almost 300 USD. This allowed 2 days in a cheap studio to record the acoustic instruments, like vibraphone, accordeon, sax and vocals. Everything else like keys, synth, guitars, bass, scratches were recorded at home, and the material got produced and mixed on an average home PC. The album titled Shallow and Profound came out in 2000 and its success put Yonderboi on the international map of electronic music. He was amongst the pioneers of downtempo and trip-hop, the youngest member of the movement, and the only one from the former Eastern Bloc. His music was very much in sync with the global culture of the era, yet it was distinctly different with its Eastern European charm. The album invoked and melted together the romance of several decades of the 20th century, from 30's poetry and chanson throughout 50's/60's jazz to cinematic soundtracks. As the title also suggests the record is divided into two main parts, a more vivid and playful, sometimes cartoonish first part and a rather contemplative, dreamy second part. The most successful song of the album (which came out on single as well), the vibraphone ruled Pabadam was widely recognized. Even Laurent Garnier announced and played it on Radio Nova, not to mention that Gilles Peterson has supported the song on BBC Radio 1 in his program Worldwide. The listeners voted the track up to position 9 in the Worldwide Winners 2000. Still today Pabadam is a frequent guest on compilations, fashion shows and radio programs. Other notable tracks are Road Movie (also available as video), Fairy Of The Lake, Pink Solidism, Ohne Chanteuse. Yonderboi also started to perform his music live, supported by his temporary band called Yonderboi Quintet. They played various festival stages, amongst many others Sónar, Lowlands, Oslo and Rotterdam Jazz Festivals and several clubs throughout Europe and Russia, like Melkweg, Supper Club, Razzmatazz, 16tons.

SPLENDID ISOLATION

Yonder wanted the second album to be substantially different from its predecessor both in content and on the surface. There were more resources available this time, yet his basic approach to recording remained simple, he recorded almost everything at home, from electric guitars through male vocals to cellos and brass. Only one day was spent in a proper studio, to record the children's choir for the opening track All We Go To Hell, which obviously needed a bigger space than Yonderboi's bedroom. The post-production of the material ended up surprisingly in Los Angeles, thanks to the lucky meeting with Dutch producer Tom Holkenborg, who helped Yonder to finish up the record. The album was named Splendid Isolation and came out in 2005. Even though it does have some Eastern European qualities, it is much more melted into Western culture than Shallow and Profound. The record has three main parts, a rather downtempo-ish beginning, then a guitar pop inspired core and a mind bending soundtrack-like closing. Two songs were copied on singles, Were You Thinking Of Me? and People Always Talk About the Weather, each had a gorgeous cinematic video directed by Yonderboi himself. Both the songs and videos got played by several stations, amongst others MTV Europe, KCRW, Studio Brussels. Several songs of the album got licensed to films, TV shows and video games, probably most often the ultra-dark and cynical Before You Snap. On the Splendid Isolation Tour Yonderboi was supported on stage by his second temporary band Kings Of Oblivion. They visited many festivals all over Europe like Pukkelpop, 5 Days Off, Sziget and venues like Paradiso, Melkweg, A38 or Uebel and Gefaehrlich.

PASSIVE CONTROL

The goal was to create the female sequel of the quite masculine Splendid Isolation. Yonder found the female voice that he was looking for via myspace, in the person of a previously unreleased young German singer Charlotte Brandi. The recordings of the album took place in Yonderboi's home studio again. However this time only a few instruments got captured, like female vocals, acoustic guitar and a little cello. The rest of the sounds were played and programmed by Yonder, he also produced and mixed the album all by himself. His intention was to compose a rather coherent sonic universe, where the organic and the artificial creates harmony, and the border between them is almost unrecognizable. The album is difficult to place both geographically and in time, it does not really belong anywhere, however it has a strong European character. Both the soundscape and the artwork is created to be futuristic and outmoded at the same time, the album invokes the utopian art deco vibe of early 20th century, 70's folk and 90's electronic music. The new songs got already recognized and played by amongst others Jason Bentley on Morning Becomes Eclectic at KCRW. The German Vogue magazine reviewed the album and had Paint Hunting On The Wall on its monthly playlist at position 5.

YONDERBOI IN HOUSE

Last year Yonder started a remix project called Yonderboi In House, which will be released as an EP series on his own label Yonderland. Until then these tracks can be heard exclusively on his current, similarly titled live act. While creating the show Yonder used his DIY skills to design a matching, conceptual stage set: a glowing house frame and a Y-shaped DJ booth. So far the tour included venues like Palác Akropolis in Prague, Sziget Festival or Amsterdam Dance Event 2012. As a consequence he was able to cross off an important line on his childhood bucket list “tweak a real Roland TB 303 on stage”.

All We Go To Hell
Yonderboi Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

All we go to hell
Ladies and gentlemen
We don’t learn
Oh, we can’t
Do it now or never

Overall Meaning

Yonderboi's song "All We Go to Hell" is a reflection on humanity's inability to learn from their mistakes. The lyrics state that regardless of gender or social status, everyone falls into the same pattern of repeating the same actions that lead to their downfall. The phrase "all we go to hell" can be interpreted both literally and figuratively, suggesting that the mistakes made by individuals and society as a whole can lead to a metaphorical "hell" on earth or a literal one in the afterlife.

The song's tone is pessimistic and urgent, with the line "do it now or never" emphasizing the need for immediate action before it's too late. The repetition of "we don't learn" suggests a sense of resignation that despite our best efforts, humans are fundamentally flawed and doomed to repeat the same mistakes.

Despite its bleak message, the song's music is upbeat and catchy, with electronic beats and a lively melody. This contrast between the music and the lyrics creates a sense of tension and irony, highlighting the gap between our actions and intentions.

Line by Line Meaning

All we go to hell
We will all experience the consequences of our actions and go to a negative afterlife.

Ladies and gentlemen
Addressing the entire audience, regardless of gender, for emphasis.

We don’t learn
As a society, we repeatedly make the same mistakes and fail to take away meaningful lessons from them.

Oh, we can’t
Despite having the knowledge and ability to do better, we are often trapped in cyclical patterns of behavior.

Do it now or never
Urging listeners to take action and make positive changes, because delaying could lead to permanent negative consequences.

Contributed by Hunter N. Suggest a correction in the comments below.

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