(A Bookend)
Yves Klein Blue Lyrics


We have lyrics for these tracks by Yves Klein Blue:


19 You are my sun, and you brought light into my…
About The Future What this generation needs is a war But it's hard to…
Blasphemy Oh, I believe in something else - There's no name for…
Digital Love What makes your tapping toes so much better than mine? When…
Getting Wise Oh, youre steeped in the winters chase Even before the Tene…
Make Up Your Mind A choice is yours, you make it all on your…
Not What I Want There's a fork in every road, Where you see what's…
Polka Brother hold your head this way, And bustle to the…
Silence Is Distance Silence is distance words are lonely there's miles between y…





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Most interesting comment from YouTube:

Josh Jalowiec

A few notes or concerns...

At about 2:10 she rests her gloved hand on the painting's surface. I feel this raises the risk of stretching the canvas (I think MoMA refers to the substrate simply as cotton) or damaging the texture. Surely there is a way to rest and stabilize the arm and hand independently of the artwork.

After working the texturing, she blows on the painting. Your breath always contains moisture, and she's introducing that moisture and whatever bacteria is in her mouth (we all have some) into the painting.

At about 2:15 it appears she rests her ungloved ring finger on the edge of the painting, introducing naturally occurring bodily oils into the artwork.

I don't know. I'm actually opposed, in most cases, to art conservation, and my notes may seem nitpicky, but for the great time and enormous expense that museums spend on conservation, shouldn't every precaution should be taken to not undo their own accomplishments?



All comments from YouTube:

purplerains

As a painter, that texture is just mesmerizing, and Ive never seen these klines actually: to viewers who arent familiar with artists pigments, Ultramarine Blue is a pigment that resists this matte deep even application quite a bit. So making this special formula and doing this also presents this spectacular color in a way it really has rarely been shown.

Carl

I love the way she talks, it's relaxing

JT Payne

Can we hear more about Ellen’s journey/ what it takes to become a conservationist?

Marrk Ravenn

I have been trying to remember the name of this painting for years as I saw it in person once. I remember being struck with the odd sense that the wall was FURRY in the edges of my perception but looking at it directly had a completely different effect, varying slightly by the amount of sunlight in the room. Still images and video just doesn't quite capture the effect of seeing it oneself.

TheStockwell

I've worked with International Klein Blue. It's indescribable. Photos give an idea of how deep and weird the blue is. But, in person, the way it is powdery and totally non-reflective is mesmerizing, as if it absorbs light.

Piotr Baldyga

Congratulations! I know from my practise, the blue colour is one of the hardest to restore and work with.

Mohammed Mahdi

That is a very blue painting. Never seen anything so blue

drink z coffee

Pieces of why I adore art and color.

deckard43

Very interesting she explains so well I would love to take a restoration class from her

Irregardless _

It takes a special person to withstand the extreme tedium of this kind of work. Awesome!

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