He was born in Inglewood, California. Sims' family was involved in vaudeville, and, for his part, John learned to play both drums and clarinet at an early age. Zoot's father was a vaudeville hoofer, and Zoot prided himself on remembering many of the steps his father taught him.
Following in the footsteps of Lester Young, Sims developed into an innovative tenor saxophonist. Throughout his career, he played with renowned bands, including Benny Goodman, Artie Shaw, Woody Herman, Stan Kenton, and Buddy Rich. He was known among his peers as one of the strongest swingers in the field. Sims frequently led his own combos and sometimes toured with his friend Gerry Mulligan with Gerry's sextet, and later with his Concert Jazz Band. Zoot had a long, successful partnership as co-leader of a quintet with Al Cohn, which recorded under "Al and Zoot". That group was a favorite at the New York club "The Half Note." Late in his career, Sims added the soprano saxophone to his performances. Sims' nickname — Zoot — was acquired early in his career while he was on the Kenny Baker band in California. The name was later appropriated for a sax-playing Muppet.
Zoot Sims died in New York on March 23, 1985.
(2) Throughout his career, Zoot Sims was famous for epitomizing the swinging musician, never playing an inappropriate phrase. He always sounded inspired, and although his style did not change much after the early 1950s, Zoot's enthusiasm and creativity never wavered.
Zoot's family was involved in vaudeville, and he played drums and clarinet as a youth. His older brother, Ray Sims, developed into a fine trombonist who sounded like Bill Harris. At age 13, Sims switched permanently to the tenor, and his initial inspiration was Lester Young, although he soon developed his own cool-toned sound. Sims was a professional by the age of 15, landing his first important job with Bobby Sherwood's Orchestra, and he joined Benny Goodman's big band for the first time in 1943; he would be one of BG's favorite tenormen for the next 30 years. He recorded with Joe Bushkin in 1944, and even at that early stage, his style was largely set.
After a period in the Army, Sims was with Goodman from 1946-1947. He gained his initial fame as one of Woody Herman's "Four Brothers" during his time with the Second Herd (1947-1949). Zoot had brief stints with Buddy Rich's short-lived big band, Artie Shaw, Goodman (1950), Chubby Jackson, and Elliot Lawrence. He toured and recorded with Stan Kenton (1953) and Gerry Mulligan (1954-1956). Sims was also a star soloist with Mulligan's Concert Jazz Band of the early '60s and visited the Soviet Union with Benny Goodman in 1962. A freelancer throughout most of his career, Sims often led his own combos or co-led bands with his friend Al Cohn; the two tenors had very similar sounds and styles. Zoot started doubling on soprano quite effectively in the '70s. Through the years, he appeared in countless situations, and always seemed to come out ahead. Fortunately, Zoot Sims recorded frequently, leading sessions for Prestige, Metronome, Vogue, Dawn, Storyville, Argo, ABC-Paramount, Riverside, United Artists, Pacific Jazz, Bethlehem, Colpix, Impulse, Groove Merchant, Famous Door, Choice, Sonet, and a wonderful series for Pablo. ~ Scott Yanow, Rovi
Don't Worry 'bout Me
Zoot Sims Lyrics
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I'll get along
Forget about me
Just be happy my love
Let's say that our little show is over
And so the story ends
Why not call it a day the sensible way
Look out for yourself
That should be the rule
Give your heart and your love
To whomever you love
Darlin' don't be a fool
Why do we cling to this old faded thing
That used to be
So if you can forget
Then don't worry 'bout me
Why should we cling to some old faded thing
That used to be
So if you can forget
Then you don't worry 'bout me
The lyrics of the song 'Don't Worry 'Bout Me' by Zoot Sims & Eddie 'Lockjaw' Davis highlights the theme of moving on gracefully from a failed relationship without holding on to bitterness and regrets. The singer is trying to convince his former lover not to worry about him as he will be alright without her. He advises her to forget about him and focus on being happy with her life. He suggests that it is time to call the relationship quits and end on a sensible note by remaining friends instead of holding on to bitterness.
The singer further advises his former lover to look out for herself and not be a fool by giving her heart and love to someone who does not value them. He questions why they should cling to the past when it has faded away, and it is time to let go and move on. He emphasizes that if his lover can forget about him, then she should not worry about him.
The lyrics of the song are simple yet powerful, and they remind us that sometimes it is better to forget the past and move on with our lives without holding grudges or bitterness. The song encourages people to be graceful in their approach to ending a relationship and to focus on their own happiness.
Line by Line Meaning
Don't worry 'bout me
Please don't concern yourself about my well-being
I'll get along
I will manage just fine without your help
Forget about me
Do not dwell on our past, move on and focus on your future
Just be happy my love
Find joy and contentment in your life and pursue your happiness
Let's say that our little show is over
Let us imagine that our relationship has ended
And so the story ends
That's the conclusion of our romantic tale
Why not call it a day the sensible way
Why don't we be practical and end things amicably
And still be friends
And remain friendly despite our romantic relationship being over
Look out for yourself
Take care of yourself and your own interests
That should be the rule
That is a fundamental principle to live by
Give your heart and your love
Share your emotions and affections
To whomever you love
With whoever you have feelings for
Darlin' don't be a fool
Please do not make unwise decisions
Why do we cling to this old faded thing
Why do we hold on to the remnants of our past relationship
That used to be
That is no longer the case
So if you can forget
If you are capable of moving on
Then don't worry 'bout me
Then there is no need to concern yourself with my life
Lyrics © Sony/ATV Music Publishing LLC, BMG Rights Management
Written by: Rube Bloom, Ted Koehler
Lyrics Licensed & Provided by LyricFind