John Haley "Zoot" Sims (October 29, 1925 - March 23, 1985) was an American … Read Full Bio ↴John Haley "Zoot" Sims (October 29, 1925 - March 23, 1985) was an American jazz saxophonist.

He was born in Inglewood, California. Sims' family was involved in vaudeville, and, for his part, John learned to play both drums and clarinet at an early age. Zoot's father was a vaudeville hoofer, and Zoot prided himself on remembering many of the steps his father taught him.

Following in the footsteps of Lester Young, Sims developed into an innovative tenor saxophonist. Throughout his career, he played with renowned bands, including Benny Goodman, Artie Shaw, Woody Herman, Stan Kenton, and Buddy Rich. He was known among his peers as one of the strongest swingers in the field. Sims frequently led his own combos and sometimes toured with his friend Gerry Mulligan with Gerry's sextet, and later with his Concert Jazz Band. Zoot had a long, successful partnership as co-leader of a quintet with Al Cohn, which recorded under "Al and Zoot". That group was a favorite at the New York club "The Half Note." Late in his career, Sims added the soprano saxophone to his performances. Sims' nickname — Zoot — was acquired early in his career while he was on the Kenny Baker band in California. The name was later appropriated for a sax-playing Muppet.

Zoot Sims died in New York on March 23, 1985.

(2) Throughout his career, Zoot Sims was famous for epitomizing the swinging musician, never playing an inappropriate phrase. He always sounded inspired, and although his style did not change much after the early 1950s, Zoot's enthusiasm and creativity never wavered.

Zoot's family was involved in vaudeville, and he played drums and clarinet as a youth. His older brother, Ray Sims, developed into a fine trombonist who sounded like Bill Harris. At age 13, Sims switched permanently to the tenor, and his initial inspiration was Lester Young, although he soon developed his own cool-toned sound. Sims was a professional by the age of 15, landing his first important job with Bobby Sherwood's Orchestra, and he joined Benny Goodman's big band for the first time in 1943; he would be one of BG's favorite tenormen for the next 30 years. He recorded with Joe Bushkin in 1944, and even at that early stage, his style was largely set.

After a period in the Army, Sims was with Goodman from 1946-1947. He gained his initial fame as one of Woody Herman's "Four Brothers" during his time with the Second Herd (1947-1949). Zoot had brief stints with Buddy Rich's short-lived big band, Artie Shaw, Goodman (1950), Chubby Jackson, and Elliot Lawrence. He toured and recorded with Stan Kenton (1953) and Gerry Mulligan (1954-1956). Sims was also a star soloist with Mulligan's Concert Jazz Band of the early '60s and visited the Soviet Union with Benny Goodman in 1962. A freelancer throughout most of his career, Sims often led his own combos or co-led bands with his friend Al Cohn; the two tenors had very similar sounds and styles. Zoot started doubling on soprano quite effectively in the '70s. Through the years, he appeared in countless situations, and always seemed to come out ahead. Fortunately, Zoot Sims recorded frequently, leading sessions for Prestige, Metronome, Vogue, Dawn, Storyville, Argo, ABC-Paramount, Riverside, United Artists, Pacific Jazz, Bethlehem, Colpix, Impulse, Groove Merchant, Famous Door, Choice, Sonet, and a wonderful series for Pablo. ~ Scott Yanow, Rovi

Oh Lady Be Good!
Zoot Sims Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Listen to my tale of woe,
It's terribly sad but true,
All dressed up, no place to go
Each evening I'm awfully blue.

I must win some handsome guy
Can't go on like this,
I could blossom out I know,

With somebody just like you. So

Oh, sweet and lovely lady, be good
Oh, lady, be good to me
I am so awfully misunderstood
So lady, be good to me
Oh, please have some pity
I'm all-alone in this big city
I tell you I'm just a lonesome babe in the wood,
So lady be good to me.

Oh, please have some pity
I'm all alone in this big city
I tell you I'm just a lonesome babe in the wood,

So lady be good to me.
Oh lady be good to me.

Overall Meaning

In Zoot Sims's song "Lady Be Good," the singer seems to be a young woman who is feeling down about her lonely situation. She laments about being all dressed up without having anywhere to go, and expresses her desire to find a handsome guy who could make her feel better. The singer believes that she could "blossom out" if only she had someone like the person she is singing to. The song is a plea to this person to be good to her and show her some affection.

The lyrics of the song capture a sense of longing and yearning, as well as a feeling of desperation for connection. The singer is looking for someone who can understand her, someone who can offer her comfort and support. She is vulnerable and open, and her vulnerability makes her all the more endearing. The song speaks to the experience of many people who have felt alone and lost in a big city, and it offers a message of hope for those who are looking for love and companionship.

Line by Line Meaning

Listen to my tale of woe,
I have a sad story to tell.

It's terribly sad but true,
My story is very sad, but it's true.

All dressed up, no place to go
I'm dressed nicely, but I have nowhere to go.

Each evening I'm awfully blue.
I feel very sad every evening.

I must win some handsome guy
I need to find a handsome man to be with.

Can't go on like this,
I can't continue to live this way.

I could blossom out I know,
I have the potential to be happy and fulfilled.

With somebody just like you. So
If I was with someone like you...

Oh, sweet and lovely lady, be good
I'm addressing a lady, asking her for help.

Oh, lady, be good to me
I'm asking this lady to be kind to me.

I am so awfully misunderstood
There are many things about me that are not understood by others.