After years of independent recording and touring, including stints on the Warped Tour, the group signed to MCA Records. Their biggest albums, Enema of the State (1999) and Take Off Your Pants and Jacket (2001), saw international success. Songs like "All the Small Things", "Dammit", "I Miss You", and "What's My Age Again?" became hit singles and MTV staples. Later efforts, including an untitled album (2003), marked stylistic shifts. Hoppus is the only member to remain in the band throughout its entire history. DeLonge left the group twice, both times a decade apart, before eventually returning. Founding drummer Scott Raynor recorded and toured with the group before being dismissed in 1998, with Barker taking his place from that point on. From 2015 to 2022, the band included Alkaline Trio singer/guitarist Matt Skiba, with whom they recorded two albums, California (2016) and Nine (2019) and toured in support of both.
Blink-182's straightforward approach and simple arrangements, which helped initiate pop-punk's second mainstream rise, made them popular among generations of listeners. Worldwide, the group has sold 50 million albums and moved 15.3 million copies in the U.S.
Early years (1992-1998)
In May 1993, Blink recorded their first demo tape, entitled "Flyswatter", in drummer Scott Raynor's bedroom. A 4-track was used to record the material. According to Hoppus, only around fifty copies of the demo were produced to give to their family and friends. Before the end of the year, the band released another two demos, one commonly known as Demo #2 while the other was entitled Buddha. Of this last record around 1,000 copies were produced by Filter Records, an independent record company headed by Hoppus's boss.
In early 1994, Blink signed with Cargo Records. The band recorded their début full-length album, "Cheshire Cat" in three days. The album contained a number of updated versions of songs such as "Carousel", "Strings", "Sometimes" and "TV" that had appeared on the "Buddha Promo Tape" as well as some originals.
Shortly after the release of "Cheshire Cat", Blink was threatened with legal action by a pop band in Ireland of the same name. In order to avoid a dispute, Blink appended "182" to the end of their name. The band has cited a variety of reasons for ultimately choosing 182, with some of the more common explanations being the number of times Tony Montana utters the word "fuck" in Scarface, references to the 1985 Timothy Hutton film, Turk 182!, the band's ideal weight, the number of half the days in a year and the number of miles Hoppus had to drive to visit his girlfriend. However, DeLonge has stated that it is just a number that they "pulled out of their ass".
After moving to Encinitas, California, the band recorded the album "Dude Ranch" in 1996 with producer Mark Trombino. blink-182 recorded the album under Cargo Records, but signed with MCA which later became Geffen Records in 1996, in order to handle increased distribution. The album was released in 1997 and was relatively commercially successful, selling 4 million copies worldwide.
The single "Dammit" did well on U.S. modern rock charts, however drummer Scott Raynor later left the band. There are two common explanations for his removal - that Raynor had a serious drinking problem and was asked to go into rehab or face ejection, or alternately, that he departed in order to attend college. Raynor claims he agreed to go to rehab, but that DeLonge and Hoppus were doubtful of his sincerity and subsequently fired him over the phone.
Hoppus and DeLonge had asked drummer Travis Barker of blink-182's support band The Aquabats to fill in for Raynor for the remainder of the tour, thus he had to learn all of the songs in a matter of hours before the show. He ultimately went on to join the band permanently afterwards, leaving The Aquabats.
In 1999, blink-182 hired Jerry Finn as its producer and recorded "Enema of the State". This album propelled the band into the mainstream with hit singles "What's My Age Again?", "All the Small Things" and "Adam's Song". All gained a significant amount of airtime on radio and MTV. Enema of the State went on to sell over 10 million copies worldwide making it the band's best-selling album to that point.
In 1999 the band also had small parts in the film American Pie, though Travis Barker was incorrectly credited as Scott Raynor.
In 2000, the band released The Urethra Chronicles, a DVD which featured behind-the-scenes information. "The Mark, Tom, and Travis Show: The Enema Strikes Back", blink-182's live album, was also released in 2000, featuring songs from their three full-length records. The album also included one new studio song, "Man Overboard," among the live renditions. The album quickly went out of print making it a much sought after item. A limited edition was printed in October 2006.
The band continued its commercial success with "Take Off Your Pants and Jacket" in 2001, which was in the same vein as "Enema of the State". However, a European tour in winter 2001 was canceled in the aftermath of the September 11th attacks. Rescheduled dates in early 2002 were also canceled due to DeLonge's problems with his back.
In 2002, blink-182 co-headlined the Pop Disaster Tour with Green Day, along with supporting acts Jimmy Eat World and a little known band called Kut U Up. The tour was documented, from Kut U Up's point of view, on the DVD Riding In Vans With Boys.
After taking some time off in 2002, recording of the next record began in early 2003. The band released its next studio album on November 18, 2003. It featured the hit singles "Feeling This", "I Miss You", "Down", and "Always". According to Barker, the "Untitled" record was supposed to represent a new blink-182. It received significant airplay on radio and TV. The Cure front man Robert Smith, often cited as a major influence on the band, appeared on "All of This". During late 2003, the band embarked on the "Dolla Bill" tour, named for the inexpensive ticket costs (It was originally planned to be completely free but later realised that it would be necessary to charge something for the ticket). A tour with No Doubt in the summer of 2004 was also very successful.
Indefinite hiatus and new bands/spinoffs (2005-2009)
In mid-February 2005 the band inexplicably cancelled a performance at Music for Relief's Concert for South Asia (a show put on to aid victims of the devastating 2004 Indian Ocean earthquake). Shortly there after, before a planned final US spring tour, on February 22, 2005, the band announced they were going on an "indefinite hiatus".
Geffen Records released a Greatest Hits compilation on November 1, 2005 in the U.S., one previously unreleased track was included "Another Girl Another Planet" (a cover song originally by The Only Ones). The song was also used as the theme song to Barker's new reality TV show, Meet the Barkers. Included was the previously issued "I Miss You" B-side and blink-182 album bonus track "Not Now". The album reached number 6 on the Billboard 200 in the United States.
DeLonge announced his new band, Angels & Airwaves. As his reason for why blink-182 went on indefinite hiatus, DeLonge suggested the mounting tension between himself and Hoppus, ultimately caused by DeLonge's desire for a break with his family coupled with Hoppus' feelings of betrayal after the formation of Box Car Racer. He also announced his plans to create a film about the final days of blink-182. Angels & Airwaves released their debut album "We Don't Need to Whisper" on May 23rd, 2006, where it debuted at number 4 on the Billboard 200.
Hoppus and Barker's new project +44 surfaced on December 13, 2005 with the song, "No It Isn't". Coincidentally, the song was released on +44's official MySpace on the same day that Angels & Airwaves were slated to release their first song (and also Tom DeLonge's 30th birthday), though the release of the latter was delayed. Initially, Hoppus was hesitant to admit any deliberate correlation between the song and breakup, but has since admitted the song was about DeLonge and the breakup of the band. +44 released their first album "When Your Heart Stops Beating" on November 14, 2006 and debuted at number 10 on the Billboard 200.
In August 2006, Hoppus gave an extensive interview with B182.com. The interview focused on blink-182 and the unexplained events that had led to the band's hiatus. Contrary to DeLonge's statements, Hoppus said that the band had been getting along at the time of their final album. Hoppus went on to say that DeLonge requested a half-year respite from touring to spend time with his family, despite a planned final spring U.S. tour. Hoppus and Barker hesitantly conceded, leading to the cancellation of the upcoming tour. Further problems arose in discussions regarding the band's future recording endeavors. It was at this point that Hoppus felt that blink-182 had ceased functioning as a band. Hoppus went on to state that he and Barker eventually formed +44 at the end of the European leg out of frustration for DeLonge's constant reluctance.
On April 5, 2007, it was confirmed that blink-182, along with Rancid and Green Day are some of the bands set to feature in a documentary about modern punk music. The film is titled One Nine Nine Four and looks at the genre of music in the nineties. It will consist of band interviews and archive footage, which will be all compiled together by the documentary makers Robot Academy Films in [pace]Australia. It's expected to be released early next year. Skateboarding legend Tony Hawk will narrate the film, which also features the likes of NOFX and The Offspring.
Travis Barker of +44 currently was asked if the band would get back together. He said "I don't know, I haven't talked to Tom in a long time. I do however talk to Mark everyday."
On November 18th, 2008, after Travis Barker was in a small plane crash, Mark Hoppus updated his blog, himynameismark, with this statement:
"in the midst of everything else that has happened lately, tom, Travis, and i have all spoken together. first through a number of phone calls, and then a couple of weeks ago we all hung out for a few hours. they’ve all been great, very positive conversations. we’re just reconnecting as friends after four years of not talking. it’s a good thing."
He also stated that this doesn't mean a blink-182 reunion, but after several years they have finally begun speaking to each other again. Hoppus also talked about Travis Barker's brush with death in a plane crash in September 2008 and the death of their great friend and longtime producer Jerry Finn.
Blink-182 officially announced their reunion while presenting at the 2009 Grammy Awards. The band's Official Website confirmed the band's reunion with a statement on their website. This song, the first new material released by blink-182 following their indefinite hiatus, was posted in full to Blink182.com late on July 14, 2011, then officially premiered the following day at 10:30 a.m. on Los Angeles radio station KROQ. The Up All Night Songfacts reports that Up All Night, the first new material released by blink-182 following their indefinite hiatus, was posted in full to Blink182.com late on July 14, 2011, then officially premiered the following day at 10:30 a.m. on Los Angeles radio station KROQ.
7th Album - "California" (2016)
"California" is the band's seventh studio album, set for release on July 1, 2016 through BMG. The album was produced by John Feldmann and recorded at Foxy Studios in California, USA. It was the first album by the band to feature vocalist/guitarist Matt Skiba (from Alkaline Trio), who replaced former member Tom DeLonge. "Bored to Death" was the first single to be released from the album, on April 27, 2016.
8th Album - "Nine" (2019)
Nine is the eighth studio album by blink-182, released on September 20, 2019, through Columbia Records, as the band's first album on the label. The band began developing the album after fulfilling touring obligations for their previous release, California (2016). While Nine builds upon their collaboration with producer John Feldmann, who also produced California, it also utilizes additional outside producers and songwriters including Captain Cuts, the Futuristics, and Tim Pagnotta. Nine is the band's second and final album to feature guitarist/vocalist Matt Skiba before the return of Tom DeLonge in 2022.
On June 23, 2021, Hoppus confirmed that he had been diagnosed with a rare form of cancer and had been receiving treatment in secret for the last three months. After his cancer diagnosis, it was reported by sources that Hoppus had met with DeLonge and Barker together at his home to discuss old problems, personal issues, and Hoppus' cancer diagnosis. Hoppus was declared cancer-free later that year, but would continue screening every six months.
News of DeLonge's return to the band had been speculated about since his departure, but came to their peak in October 2022, when the band began posting cryptic messages on their social media accounts. DeLonge's official return was announced on October 11, 2022, alongside a world tour for the next two years, and that they were working on a new album. Following his return, DeLonge messaged Skiba on Instagram to thank him for his time with the band, and later shared the post publicly on his account. Skiba had known an announcement was going to happen, but was unaware that it was regarding DeLonge's return. In the months prior, he had also begun to question his status in the band when a fan asked him if he was still a part of recording. When the announcement was made though, he congratulated the other band members, and thanked fans for his time with the band.
The announcement of DeLonge's return was also accompanied by a new single, "Edging", later that week. The song performed well in the US, becoming their fourth and longest-running number one hit on Billboard's Alternative Airplay chart, and their highest-charting single on the Hot 100 in eighteen years.While preparing for the tour, Barker suffered a serious finger injury at rehearsals that required surgery. Because of this, the band was forced to postpone the Latin America leg of the tour while Barker was healing. The band would however make a surprise appearance at Coachella in April, marking DeLonge's first appearance with the band in nine years. The band then served as a replacement Sunday headliner of the festival's second weekend after singer Frank Ocean was unable to perform.
In July 2023, Barker stated that the band's ninth studio album is currently projected for an October release.
A letter to elise
blink-182 Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I just can't stay here every yesterday
Like keep on acting out the same
The way we act out
Every way to smile
Forget
And make-believe we never needed
Any more than this
Oh Elise it doesn't matter what you do
I know I'll never really get inside of you
To make your eyes catch fire
The way they should
The way the blue could pull me in
If they only would
If they only would
At least I'd lose this sense of sensing something else
That hides away
From me and you
There're worlds to part
With aching looks and breaking hearts
And all the prayers your hands can make
Oh I just take as much as you can throw
And then throw it all away
Oh I throw it all away
Like throwing faces at the sky
Like throwing arms round
Yesterday
I stood and stared
Wide-eyed in front of you
And the face I saw looked back
The way I wanted to
But I just can't hold my tears away
The way you do
Elise believe I never wanted this
I thought this time I'd keep all of my promises
I thought you were the girl I always dreamed about
But I let the dream go
And the promises broke
And the make-believe ran out...
So Elise
It doesn't matter what you say
I just can't stay here every yesterday
Like keep on acting out the same
The way we act out
Every way to smile
Forget
And make-believe we never needed
Any more than this
Any more than this
And every time I try to pick it up
Like falling sand
As fast as I pick it up
It runs away through my clutching hands
But there's nothing else I can really do
There's nothing else I can really do
There's nothing else
I can really do
At all...
In "A letter to Elise," the singer seems to be addressing a former lover, expressing his feeling of helplessness in regards to their relationship. He acknowledges that it doesn't matter what she says or does, as he can't seem to let go of the past and move on. The lyrics suggest that they keep repeating the same patterns of behavior and pretending that they don't need anything more than what they have, but the singer knows deep down that there is something missing. He wishes he could make her truly open up to him and let him in, but he feels like he's always on the outside looking in. The song ends on a note of resignation, as he accepts that there's nothing else he can do but let go and move on.
Overall, the lyrics of "A letter to Elise" are very introspective and honest about the struggles of relationships. The singer is grappling with his own feelings of inadequacy and his inability to fix things with someone he cares about deeply. The song touches on themes of nostalgia, regret, and the difficulty of letting go of the past.
Line by Line Meaning
Oh Elise it doesn't matter what you say
Elise, it doesn't matter what you say because I cannot continue living in the past.
I just can't stay here every yesterday
I can't keep reliving the past every day.
Like keep on acting out the same
We keep repeating the same actions and mistakes.
The way we act out
We keep acting out the same story even though it's causing us pain.
Every way to smile
We pretend to be happy in every way possible, even though we are not.
Forget
We try to forget the pain by pretending it doesn't exist.
And make-believe we never needed
We pretend that we never really needed each other.
Any more than this
We pretend that our relationship was never more than what it is right now.
Oh Elise it doesn't matter what you do
Elise, it doesn't matter what you do because I can never truly understand you.
I know I'll never really get inside of you
I can never truly understand what you think or feel.
To make your eyes catch fire
To make you feel strong emotions, such as passion or excitement.
The way they should
The way your eyes would if you were truly happy.
The way the blue could pull me in
The way your blue eyes used to attract me.
If they only would
If your eyes could only still attract me like they once did.
At least I'd lose this sense of sensing something else
If your eyes still attracted me, I wouldn't feel like something is missing or incomplete.
That hides away
Something intangible that cannot be easily perceived or understood.
From me and you
Somewhere beyond our reach or understanding.
There're worlds to part
There are different paths we can take that will lead us away from each other.
With aching looks and breaking hearts
Our hearts will ache, and we will be in pain as we part ways.
And all the prayers your hands can make
We can only hope and pray for the best possible outcome.
Oh I just take as much as you can throw
I'll take all the pain and suffering that comes with the relationship.
And then throw it all away
But eventually, I'll realize it's not worth it and will let it all go.
Like throwing faces at the sky
I'll let go of everything and aimlessly throw it away, like throwing faces at the sky.
Like throwing arms round yesterday
Or like trying to hug onto the past and recreate it.
I stood and stared
I stood there and looked at you.
Wide-eyed in front of you
Unexpectedly surprised or shocked by what I saw in front of me.
And the face I saw looked back
The image of you that I had in my mind was looking back at me.
The way I wanted to
The way I hoped and wished it would.
But I just can't hold my tears away
But I can't keep pretending that I'm not hurting and hold back my tears.
The way you do
Like you seem to be doing well with hiding your own sadness.
Elise believe I never wanted this
Elise, please believe me when I say that I never wanted things to turn out this way.
I thought this time I'd keep all of my promises
I had hoped that this time around, I would follow through on all of my promises.
I thought you were the girl I always dreamed about
I thought you were the one that I had been waiting for all along.
But I let the dream go
But now, I have realized that it was just a dream, and I need to let it go.
And the promises broke
I wasn't able to fulfill my promises, and they fell apart.
And the make-believe ran out...
The fantasy and illusion we had been living in has come to an end.
And every time I try to pick it up
Every time I try to bring this relationship back to where it was, when it was still good.
Like falling sand
It keeps slipping through my fingers like falling sand.
As fast as I pick it up
Every time I try to fix things, things just keep falling apart again at the same speed.
It runs away through my clutching hands
It escapes from me, just like sand slipping through my fingers no matter how hard I try to hold on to it.
But there's nothing else I can really do
But despite all of this, there isn't really anything else I can do to fix it.
At all...
No matter how hard I try, nothing will change the fact that our relationship is falling apart.
Contributed by Jordyn H. Suggest a correction in the comments below.
Hamdan Marsinggih
[Chorus]
Oh, Elise it doesn't matter what you say
I just can't stay here every yesterday
Like keep on acting out the same
The way we act out
Every way to smile, forget
And make-believe we never needed
Any more than this
Any more than this
[Verse]
Oh, Elise it doesn't matter what you do
I know I'll never really get inside of you
To make your eyes catch fire
The way they should
The way the blue could pull me in
If they only would, if they only would
At least I'd lose this sense of sensing
Something else that hides away
From me and you, there are worlds to part
With aching looks and breaking hearts
And all the prayers your hands can make
Oh, I just take as much as you can throw
And then throw it all away
Oh I'll throw it all away
Like throwing faces at the sky
Like throwing arms round yesterday
I stood and stared
Wide-eyed in front of you
And the face I saw looked back the way I wanted to
But I just can't hold my tears away the way you do
Elise, believe I never wanted this
I thought this time I'd keep all of my promises
I thought you were the girl I always dreamed about
But I let the dream go
And the promises broke and make-believe ran out
[Chorus]
So, Elise it doesn't matter what you say
I just can't stay here every yesterday
Like keep on acting out the same
The way we act out
Every way to smile, forget
And make-believe we never needed
Any more than this
Any more than this
[Outro]
And every time I try to pick it up
Like falling sand
As fast as I pick it up
It runs away through my clutching hands
But there's nothing else I can really do
There's nothing else I can really do
There's nothing else I can really do
At all
Frigyes Burkhardt
Lyrics:
Oh Elise it doesn't matter what you say
I just can't stay here every yesterday
Like keep on acting out the same
The way we act out
Every way to smile
Forget
And make-believe we never needed
Any more than this
Any more than this
Oh Elise it doesn't matter what you do
I know I'll never really get inside of you
To make your eyes catch fire
The way they should
The way the blue could pull me in
If they only would
If they only would
At least I'd lose this sense of sensing something else
That hides away
But you and me, we're worlds apart
With aching looks and breaking hearts
And all the plans your hands can make
Oh I just take as much as you can throw
And then I throw it all away
Oh I throw it all away
Like throwing faces at the sky
Like throwing arms round
Yesterday
I stood and stared
Wide-eyed in front of you
And the face I saw looked back
The way I wanted to
But I just can't hide my tears away
The way you do
Elise... believe I never wanted this
I thought this time I'd keep all of my promises
I thought you were the girl always dreamed about
But I let the dream go
And the promises broke
And the make-believe ran out...
Oh Elise
It doesn't matter what you say
I just can't stay here every yesterday
Like keep on acting out the same
The way we act out
Every way to smile
Forget
And make-believe we never needed
Any more than this
Any more than this
And every time I try to pick it up
Like falling sand
As fast as I pick it up
It runs away through my clutching hands
But there's nothing else I can really do
There's nothing else I can really do
There's nothing else
I can really do
At all...
Rezaalka Helto
Oh Elise it doesn't matter what you say
I just can't stay here every yesterday
Like keep on acting out the same
The way we act out
Every way to smile
Forget
And make-believe we never needed
Any more than this
Any more than this
Oh Elise it doesn't matter what you do
I know I'll never really get inside of you
To make your eyes catch fire
The way they should
The way the blue could pull me in
If they only would
If they only would
At least I'd lose this sense of sensing something else
That hides away
From me and you
There're worlds to part
With aching looks and breaking hearts
And all the prayers your hands can make
Oh I just take as much as you can throw
And then throw it all away
Oh I throw it all away
Like throwing faces at the sky
Like throwing arms round
Yesterday
I stood and stared
Wide-eyed in front of you
And the face I saw looked back
The way I wanted to
But I just can't hold my tears away
The way you do
Elise believe I never wanted this
I thought this time I'd keep all of my promises
I thought you were the girl I always dreamed about
But I let the dream go
And the promises broke
And the make-believe ran out...
So Elise
It doesn't matter what you say
I just can't stay here every yesterday
Like keep on acting out the same
The way we act out
Every way to smile
Forget
And make-believe we never needed
Any more than this
Any more than this
And every time I try to pick it up
Like falling sand
As fast as I pick it up
It runs away through my clutching hands
But there's nothing else I can really do
There's nothing else I can really do
There's nothing else
I can really do
At all...
asrif alya
Oh Elise it doesn't matter what you say
I just can't stay here every yesterday
Like keep on acting out the same
The way we act out
Every way to smile
Forget
And make-believe we never needed
Any more than this
Any more than this
Oh Elise it doesn't matter what you do
I know I'll never really get inside of you
To make your eyes catch fire
The way they should
The way the blue could pull me in
If they only would
If they only would
At least I'd lose this sense of sensing something else
That hides away
From me and you
There're worlds to part
With aching looks and breaking hearts
And all the prayers your hands can make
Oh I just take as much as you can throw
And then throw it all away
Oh I throw it all away
Like throwing faces at the sky
Like throwing arms round
Yesterday
I stood and stared
Wide-eyed in front of you
And the face I saw looked back
The way I wanted to
But I just can't hold my tears away
The way you do
Elise believe I never wanted this
I thought this time I'd keep all of my promises
I thought you were the girl I always dreamed about
But I let the dream go
And the promises broke
And the make-believe ran out...
So Elise
It doesn't matter what you say
I just can't stay here every yesterday
Like keep on acting out the same
The way we act out
Every way to smile
Forget
And make-believe we never needed
Any more than this
Any more than this
And every time I try to pick it up
Like falling sand
As fast as I pick it up
It runs away through my clutching hands
But there's nothing else I can really do
There's nothing else I can really do
There's nothing else
I can really do
At all...
Alex Music
Blink’s absolute peak. They would never be quite the same after this. I have been coming back to this song for 15 years.
Lucas 500
No, they hated to each other at that point, idk why people always say that 2004 is the best era
The
Lol I listen to this cover all the time.
pooshoe kungfu
@3:00 when Robert Smith smiles through his tear smeared eye liner you know u got lightning in a bottle
Ciro Oliveira
Mark is out of tune and Tom's guitar is sloppy, how is this the peak?
non yobussiness
For sure. What’s odd is they’re more famous and popular now. But this was their artistic peak
TheParatroop505
Possibly the best Cure cover ever. They retained the spirit of the original song while incorporating their own on musical style. I wish this track was available on Spotify or ITunes.
RichL4899
@Andres C if mark had a better voice for this style it woulda been way better than the original
Ático Stereo
You know anything about The Cure covers 😂
StalinBballin
AFI did a pretty great cover of The Hanging Garden.