Apt. A
cLOUDDEAD Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

Empty things...
She′s calling, she's calling me tonight,
From just inside my lips and I′ll write her.
Betterment of the world through wish,
Wish I'd fall off, growing distant.
I'll write her,
And pull my face fresh from the waxy palms it′s kept soft in.
There′s something to the fading of faith.
My whole childhood was the broken guitar
And my sister's silly yellow blanket.
Now I carry slender and sexy curved sledge hammers
To break the bricks I bought.
I should have never went to college,
But took a trip to costa rica to cut rainforests to choke myself.

Making up miss bobafetet as I go along,

And rejecting the truths that i′ve been served.

Fool in...
Besides, tuition for my countenance
Pressed fine in reverse block, style print,
A product of cave drawings gone automated
With these loafers and a check book,
Twisted tightly into, into... I know,
A stiletto.

Do you know how many times
I've thought about writing about the paper I′m writing on?

I lost my liquid tongue for the wet pen.

I have one mortal wish.

I don't even know where I′ve been...
In the basement, hugging the gas main.
Something's been left out of this game.
God, did you remember to render everything?
I've seen 1078 sundays and seven borders where the liquid meets land.
I′ve even seen stars, now where the fuck (now where the fuck)
Is anti-emptiness? (is anti-emptiness)

I′m leaking into stoned and severed existence.

I've been consumed by my own breath.

Change of face, shapeless, personality switch, transformation,
So impersonation of self leads crowds in twos to disintegration.
Who′s in the basement choking a puppet on the pedestal?
Let a stool pigeon escort those who contort three doors down
Into the left door on the right hand side.
My hand slides into pockets, pull sockets of lead penalty.
Orbs of red energy,
Entering the orbit of the morbid
Northern and southern hemispheres of play caps.
Place time bombs and rose stems on your axle.
Clear case. hole in faded ozone layer of doom,
Sphere of babylon shield,
Towering above gravity,
Taking up space in a residence of stars.

A touching story of ungrateful velcro skulled boy,
Wth his tored-off face,
And the life-sized sacked marionette
He'd thought looked an awful lot like him,
With his time told and mildewed baby clothes of a business man.
Jerk, wackoff slumped, and he′s tired, sick with bad posturing.
One can't hold in. oh hell, there′s a king of jungle in him yet.
Give our young lad middle of america's valise,
But spare the gauze, he's losing poet by the gallon. glory, glory,
Bottom of the quicksand′s gonna give him a whole lot less to think about,
Than change that steel trap perspective would perhaps...

I ain′t a scared no more, to make a' the difference,
Stolen heart, and a whole wide world to blame.

I′ve been living in a record skipped filmstrip.

I'm falling off the side of the boat and when I hit water,
I′m falling off the side of the boat.
I fall asleep hoping tomorrow tastes like poems and honeysuckle.
I move slow 'cause the sky looks bluer when you fuck the order of the day
Or the way the shelves were meant to fit.
I wish i had a pair of stilts to wear
While I play the flute in some light-traffic hallway in my old high school.
But these are only threats to the seated self.
Maybe spain is the open-faced smile
From some life I saw in a movie, and always thought I′d live.

Jackpot!

Congratulations!





Space is potent.

Overall Meaning

The song Apt. A by cLOUDDEAD is a musing on life and the self, with surreal images and disjointed thoughts. The singer seems disillusioned with the world and a sense of meaninglessness pervades the lyrics. The first stanza contains a metaphor for writing as an act of communication with someone who is "just inside my lips." The singer wishes for distance from this person or thing, as the desire to better the world through words seems futile. There is also a sense of detachment from the past, as childhood memories are associated with brokenness and loss. The singer expresses confusion and doubt about their own identity, questioning whether their writing is worthwhile, and feeling lost and consumed by their own thoughts.


One interesting fact about this song is that it was released on cLOUDDEAD's 2001 self-titled debut album, which has since gained a cult following for its experimental hip hop sound and eclectic lyrics. Another fact is that cLOUDDEAD was a collaboration between artists Doseone, Why?, and Odd Nosdam, who had previously worked together in various capacities. The song Apt. A features Doseone's distinctive nasally rap style over a sparse, glitchy beat. The lyrics are open to interpretation but seem to reflect a postmodern sense of dislocation and fragmentation. The song's title refers to an apartment or living space, but it is unclear what significance this has to the lyrics themselves.


Another interesting fact about this song is that cLOUDDEAD's music was heavily influenced by the underground hip hop scene in Cincinnati, Ohio, where the members of the group grew up. This scene was characterized by DIY ethos and a rejection of mainstream trends. The song Apt. A reflects this ethos by pushing the boundaries of what hip hop can sound like and incorporating elements of electronic music, spoken word, and avant-garde poetry. The lyrics also resist easy categorization, containing both personal confessions and abstract imagery.


In terms of chords, it is difficult to provide an accurate transcription without access to the original sample or instrumental. However, cLOUDDEAD's music is known for its use of unconventional sounds and textures, often eschewing traditional chords or melodies in favor of dissonant harmonies and glitchy rhythms. The song Apt. A is no exception, featuring a sparse beat and minimal instrumentation that creates a sense of space and atmosphere. Overall, the song Apt. A is a fascinating example of experimental hip hop that demands active engagement and thoughtful interpretation from the listener.


Line by Line Meaning

Empty things...
The beginning of the song sets a mysterious and vague tone, perhaps suggesting a sense of emptiness or longing that will be explored throughout the lyrics.


She's calling, she's calling me tonight, From just inside my lips and I'll write her.
The singer is being called to write, with inspiration coming from within himself, possibly from his own inner emotions or experiences with love and relationships.


Betterment of the world through wish, Wish I'd fall off, growing distant. I'll write her, And pull my face fresh from the waxy palms it's kept soft in.
The writer wishes for change and progress in the world, but also desires to distance himself from it. He will write to his muse and emerge from his comfort zone to create new work.


There's something to the fading of faith. My whole childhood was the broken guitar And my sister's silly yellow blanket.
The loss of faith is a theme explored in this section, with the artist reminiscing about his childhood and how simple and innocent things used to be.


Now I carry slender and sexy curved sledge hammers To break the bricks I bought. I should have never went to college, But took a trip to costa rica to cut rainforests to choke myself.
The author regrets his choices and actions, both in terms of education and travel. His use of violent imagery suggests self-loathing or frustration with his own life.


Making up miss bobafetet as I go along, And rejecting the truths that i've been served.
The writer creates a fictional character in his mind and rejects societal expectations and norms.


Fool in... Besides, tuition for my countenance Pressed fine in reverse block, style print, A product of cave drawings gone automated With these loafers and a check book, Twisted tightly into, into... I know, A stiletto.
The singer's identity is tied up in his appearance and education. He references his outfit and expensive shoes as evidence of being a product of society's norms and expectations.


Do you know how many times I've thought about writing about the paper I'm writing on? I lost my liquid tongue for the wet pen. I have one mortal wish. I don't even know where I've been...
The writer is struggling with writer's block and a lack of creative inspiration. He feels lost and disconnected from his inner self, and has one simple wish to be fulfilled.


In the basement, hugging the gas main. Something's been left out of this game. God, did you remember to render everything? I've seen 1078 sundays and seven borders where the liquid meets land. I've even seen stars, now where the fuck (now where the fuck) Is anti-emptiness? (is anti-emptiness)
The author reflects on his experiences and wonders about the meaning of life and the universe. He is searching for purpose and meaning in his existence, and seems frustrated by the lack of answers.


I'm leaking into stoned and severed existence. I've been consumed by my own breath. Change of face, shapeless, personality switch, transformation, So impersonation of self leads crowds in twos to disintegration. Who's in the basement choking a puppet on the pedestal?
The writer feels disconnected from himself and his surroundings. He is struggling with identity and personal growth, feeling lost and fragmented. The final line introduces a surreal image of a mysterious figure choking a puppet, perhaps representing the writer's own feelings of manipulation and fakeness.


Let a stool pigeon escort those who contort three doors down Into the left door on the right hand side. My hand slides into pockets, pull sockets of lead penalty. Orbs of red energy, Entering the orbit of the morbid Northern and southern hemispheres of play caps. Place time bombs and rose stems on your axle. Clear case. hole in faded ozone layer of doom, Sphere of babylon shield, Towering above gravity, Taking up space in a residence of stars.
This section contains a series of surreal images and descriptions that defy interpretation. It is possible that the writer is simply experimenting with abstract imagery that suggests themes of chaos, destruction and power.


A touching story of ungrateful velcro skulled boy, Wth his tored-off face, And the life-sized sacked marionette He'd thought looked an awful lot like him, With his time told and mildewed baby clothes of a business man. Jerk, wackoff slumped, and he's tired, sick with bad posturing. One can't hold in. oh hell, there's a king of jungle in him yet. Give our young lad middle of america's valise, But spare the gauze, he's losing poet by the gallon. glory, glory, Bottom of the quicksand's gonna give him a whole lot less to think about, Than change that steel trap perspective would perhaps...
The writer paints a vivid image of a young boy who has grown disillusioned with life and himself. The boy is tired and defeated, but there are hints of hope and resilience within him. The last line suggests that perhaps the boy should change his perspective in order to overcome his problems.


I ain't a scared no more, to make a' the difference, Stolen heart, and a whole wide world to blame. I've been living in a record skipped filmstrip.
The writer has found a newfound sense of courage and determination. He is taking responsibility for his own life, but also recognizes his own limitations and shortcomings. The image of a 'record skipped filmstrip' suggests a feeling of repetition or stagnation in his life.


I'm falling off the side of the boat and when I hit water, I'm falling off the side of the boat. I fall asleep hoping tomorrow tastes like poems and honeysuckle. I move slow 'cause the sky looks bluer when you fuck the order of the day Or the way the shelves were meant to fit. I wish i had a pair of stilts to wear While I play the flute in some light-traffic hallway in my old high school. But these are only threats to the seated self. Maybe spain is the open-faced smile From some life I saw in a movie, and always thought I'd live.
The final part of the song is a surreal meditation on life and existence, with the writer imagining different scenarios and possibilities for himself. The references to poems and honeysuckle suggest a yearning for beauty and simplicity in life, while the surreal image of playing the flute in a high school hallway suggests a longing for a simpler time. Overall, the song is a poignant exploration of the human experience and the search for meaning and purpose in life.




Contributed by Alex B. Suggest a correction in the comments below.
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Most interesting comments from YouTube:

Kameron Hansen

A touching story of ungrateful velcro skulled boy
With his tored-off face
And the life-sized sacked marionette
He'd thought looked an awful lot like him
(with his time told and mildewed
Baby clothes of a business man.)
Jerk... wackoff slumped
And he's tired, sick with bad posturing
One can't hold in
Oh hell, there's a king of jungle in him yet
Give our young lad middle of america's valise
But spare the gauze, he's losing poet by the gallon
Glory, Glory
Bottom of the quicksand's gonna give him a
Whole lot less to think about
Than change that steel trap perspective would
Perhaps



Corey Shelton

Lyrics...... please.


dose one:
empty things...
she's calling, she's calling me tonight,
from just inside my lips and i'll write her.
betterment of the world through wish,
wish i'd fall off, growing distant.
i'll write her,
and pull my face fresh from the waxy palms it's kept soft in.

why?:
there's something to the fading of faith.
my whole childhood was the broken guitar
and my sister's silly yellow blanket.
now i carry slender and sexy curved sledge hammers
to break the bricks i bought.
i should have never went to college,
but took a trip to costa rica to cut rainforests to choke myself.

dose one:
making up miss bobafetet as i go along,

why?:
and rejecting the truths that i've been served.

dose one:
fool in...
besides, tuition for my countenance
pressed fine in reverse block, style print,
a product of cave drawings gone automated
with these loafers and a check book,
twisted tightly into, into..i know,
a stiletto.

dose one and why?:
do you know how many times
i've thought about writing about the paper i'm writing on?

why?:
i lost my liquid tongue for the wet pen.

dose one:
i have one mortal wish.

why?:
i don't even know where i've been...
in the basement, hugging the gas main.
something's been left out of this game.
god, did you remember to render everything?
i've seen 1078 sundays and seven borders where the liquid meets land.
i've even seen stars, now where the f*ck (now where the f*ck)
is anti-emptiness? (is anti-emptiness)

dose one:
i'm leaking into stoned and severed existence.

why?:
i've been consumed by my own breath.

illogic:
change of face, shapeless, personality switch, transformation,
so impersonation of self leads crowds in twos to disintegration.
who's in the basement choking a puppet on the pedestal?
let a stool pigeon escort those who contort three doors down
into the left door on the right hand side.
my hand slides into pockets, pull sockets of lead penalty.
orbs of red energy,
entering the orbit of the morbid
northern and southern hemispheres of play caps.
place time bombs and rose stems on your axle.
clear case. hole in faded ozone layer of doom,
sphere of babylon shield,
towering above gravity,
taking up space in a residence of stars.

dose one:
a touching story of ungrateful velcro skulled boy,
with his tored-off face,
and the life-sized sacked marionette
he'd thought looked an awful lot like him,
with his time told and mildewed baby clothes of a business man.
jerk, wackoff slumped, and he's tired, sick with bad posturing.
one can't hold in. oh hell, there's a king of jungle in him yet.
give our young lad middle of america's valise,
but spare the gauze, he's losing poet by the gallon. glory, glory,
bottom of the quicksand's gonna give him a whole lot less to think about,
than change that steel trap perspective would perhaps...

i ain't a scared no more, to make a' the difference,
stolen heart, and a whole wide world to blame.

why?:
i've been living in a record skipped filmstrip.

i'm falling off the side of the boat and when i hit water,
i'm falling off the side of the boat.
i fall asleep hoping tomorrow tastes like poems and honeysuckle.
i move slow 'cause the sky looks bluer when you f*ck the order of the day
or the way the shelves were meant to fit.
i wish i had a pair of stilts to wear
while i play the flute in some light-traffic hallway in my old high school.
but these are only threats to the seated self.
maybe spain is the open-faced smile
from some life i saw in a movie, and always thought i'd live.

dose one:
jackpot!

illogic:
congratulations!

why?:
space is potent.

source: https://www.lyricsondemand.com/c/clouddeadlyrics/aptapart1lyrics.html



All comments from YouTube:

silvslang

I remember being a lost 18 year old kid listening to that ambient intro while crossing one of the main bridges in copenhagen as the sun was rising, not having a place to sleep or to stay at.. Will never forget that period of my life. and will never forget the feeling of being young, hopeless, perhaps fatherless, and slightly misanthropic. "God, did you remember to render everything?"...

ۦͭۦͣۦͨ chinchilla

Perhaps fatherless? How do you not know? No offense

act

if this was actually made in 2001 then holy shit… these dudes were so ahead of their time

Adam Dudenhoefer

It was. Released as a series of six 10" vinyl singles... my buddy had them in HS.

Paula Dentro

In my opinion if it was made this year it still would be ahead of this time

Xamp

One of the guys who made this is in the band WHY?

Challz

@Xamp Yoni Wolf

MiniZilla1999

Jesus christ, that very first ambient drone that opens the album. So much emotion.

BS- Calrissian

+MiniZilla1999 Do you know anything else that sounds like this. I love this sound. The "The Book of Eli" soundtrack has some similarity, but not really like this.

MiniZilla1999

BS Turok Some of the droney synths in "The Campfire Headphase" by Boards of Canada have a similar dreaminess to them.

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