In 2002 El Cangri.com became Ayala's first album with international success, receiving coverage in the markets of New York and Miami. Barrio Fino was released in 2004, and the album received numerous awards, including a Premio Lo Nuestro and a Latin Billboard, as well as receiving nominations for the Latin Grammy and MTV Video Music Awards. Barrio Fino performed well in the sales charts of the United States, Latin America, Europe, and Japan. On June 5, 2007, El Cartel Records released El Cartel: The Big Boss, which was ranked as the top-selling album in Latin music genres in 2007. He promoted the album with an international tour which began in the United States and continued through Latin America, breaking attendance records in Ecuador and Bolivia. His performances have appeared on more than 70 albums, including compilations such as Mas Flow 2 and Blin Blin Vol. 1. Outside of his work as a musician, Ayala has also worked as an actor and producer. Throughout his career, he has been generally reticent to discuss his personal life, but has publicly expressed the importance of his wife and children to him.
Muevete Y Perrea
daddy yankee Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
(rarf, rarf, rarf)
(rarf, rarf, rarf)
(rarf, rarf, rarf)
(rarf, rarf, rarf)
(rarf, rarf, rarf)
(rarf, rarf, rarf)
Sandunguea
Bailotea
Bate a tu gata y yakea
(Oooooeeee, oooooeeee, ooooooo!)
La noche estᠡfuego
En la disco todo el mundo esta bien loco
Y nadie quiere irse pa' afuera
Perrea
Sandunguea
Bailotea
Bate a tu gata y yakea
(Oooooeeee, oooooeeee, ooooooo!)
La noche estᠡfuego
En la disco todo el mundo esta bien loco
Y nadie quiere irse pa' afuera
Aguanta, chiquilla, aguanta
Siente a mi socio Elbi que se levanta
Te roza all abajo y te pone sata
A ver si la bellakera tu le matas
(Que)
Aguanta, chiquilla, aguanta
Siente a mi socio Elbi que se levanta
Te roza all abajo y te pone sata
A ver si la bellakera tu le matas
(Quî›
Aguanta, chiquilla, aguanta
Que eso me encanta
En la casa con tu mai te pintas la santa
En la calle conmigo eres una sata
Manda, dime quien te manda
Manda, este bi te manda
Aguanta, chiquilla, aguanta
MuúBte y perrea
Sandunguea
Bailotea
B㣡te a tu gata y yakea
(Oooooeeee, oooooeeee, ooooooo!)
La noche estᠡfuego
En la disco todo el mundo estᠢien loco
Y nadie quiere irse pa' afuera
Perrea
Sandunguea
Bailotea
B㣡te a tu gata y yakea
(Oooooeeee, oooooeeee, ooooooo!)
La noche estᠡfuego
En la disco todo el mundo estᠢien loco
Y nadie quiere irse pa' afuera
Chiqui-chiqui
Chica
Dime
Tu cuerpo como una Coor's me la pide
Sigue bailoteando, chica
No te quites
Mai, tu sabes que en esto yo soy el killer
Pregle al socio
Mira, Alex, killer
Quiero que lo sepas,
Que tu est᳠bien dura
Vamos a ver si un pal' de rounds tu me duras
Quieres masoquismo, quieres con ternura
Tu sabes que con Yankee en la pista sudas
(Que!)
Aguanta, chiquilla, aguanta
Siente a mi socio Elbi que se levanta
Te roza allᠡbajo y te pone sata
A ver si la bellakera tu le matas
(Quî›
Aguanta, chiquilla, aguanta
Siente a mi socio Elbi que se levanta
Te roza allᠡbajo y te pone sata
A ver si la bellakera tu le matas
Muevete y perrea
Sandunguea
Bailotea
B㣡te a tu gata y yakea
(Oooooeeee, oooooeeee, ooooooo!)
La noche estᠡfuego
En la disco todo el mundo estᠢien loco
Y nadie quiere irse pa' afuera
Perrea
Sandunguea
Bailotea
B㣡te a tu gata y yakea
(Oooooeeee, oooooeeee, ooooooo!)
La noche estᠡfuego
En la disco todo el mundo estᠢien loco
Y nadie quiere irse pa' afuera
Que,pafuera
Yal, aguanta!
Toma, toma!
Aguanta!
Que paso, aguanta
Toma, toma!
Aguanta!
Que paso, aguanta
To-to-to-to...ma!
Aguanta!
(Oooooeeee, oooooeeee, ooooooo!)
Aguanta!
Aguan-aguan-aguanta!
Aguan-aguan-aguanta!
Aguan-aguan-aguanta!
The song "Muevete Y Perrea" by Daddy Yankee is an upbeat reggaeton track that encourages people to dance, move their bodies, and let go of their inhibitions. The song consists of repetitive, catchy lines, with a lot of emphasis on rhythm and beat. The chorus of the song urges listeners to "muévete y perrea" which means "move and twerk," with a lot of sexual innuendos and explicit language. Daddy Yankee talks about how the night is hot, and everyone in the disco is crazy, and no one wants to leave.
The first verse of the song talks about how the girl should hold on and feel Elbi, Daddy Yankee's associate, who gets up and touches her down there, hoping she gets excited. The lyrics then suggest that the girl should kill the "bellakera" or "the bad girl" inside her and let loose. Daddy Yankee then asks the girl to hold on and take a deep breath as the house is painted saint-like when she is with her mother but when she is out with him, she is a "surrenderer." The second verse of the song talks about the girl's body and how it is like a Coors beer that Daddy Yankee demands.
Overall, "Muevete Y Perrea" by Daddy Yankee is an explicit dance track that tells people to let go of their inhibitions, enjoy the night, and move their bodies.
Line by Line Meaning
(rarf, rarf, rarf)
Instrumental sounds that set the tone for the song
Muévete y perrea
Move and twerk, dance in a suggestive way
Sandunguea
Swag it, exude confidence on the dancefloor
Bailotea
Dance and groove to the music
Bate a tu gata y yakea
Hit on your girl and seduce her with your moves
(Oooooeeee, oooooeeee, ooooooo!)
Sensual interjection to add to the sexy vibe
La noche está fuego
The night is hot and fiery with passion
En la disco todo el mundo está bien loco
Everyone in the club is wild, crazy and dancing hard
Y nadie quiere irse pa' afuera
Nobody wants to leave the club, they're enjoying themselves too much
Perrea
Twerk and dance sensually
Aguanta, chiquilla, aguanta
Wait and see, girl, wait and see
Siente a mi socio Elbi que se levanta
Feel my friend Elbi as he rises to the occasion
Te roza allá abajo y te pone sata
He touches you down there and makes you feel aroused
A ver si la bellakera tu le matas
Let's see if you can handle his sexual advances
(Que)
Interjection used to express surprise, disbelief or agreement
(Quién)
Who?
Que eso me encanta
I love it when you do that
En la casa con tu mai te pintas la santa
At home with your mother, you act like a saint
En la calle conmigo eres una sata
But on the street with me, you're wild and uninhibited
Manda, dime quien te manda
Tell me who sent you, who's in charge
Manda, este bicho te manda
I'm in charge, I'm the boss
Bájate a tu gata y yakea
Seduce your girl and make her twerk
En la disco todo el mundo está bien loco
Everyone in the club is wild, crazy and dancing hard
Chiqui-chiqui
Sensual interjection to add to the sexy vibe
Chica
Girl
Dime
Tell me
Tu cuerpo como una Coor's me la pide
Your body wants me like a thirsty person craves a cold beer
Sigue bailoteando, chica
Keep dancing, girl
No te quites
Don't stop, don't quit
Mai, tú sabes que en esto yo soy el killer
You know, girl, that I'm the best at this
Pregúntale al socio
Ask my friend
Mira, Alex, killer
Look, Alex is also a killer
Quiero que lo sepas, que tú estás bien dura
I want you to know that you're very sexy
Vamos a ver si un par de rounds tú me duras
Let's see if you can keep up with me for a few rounds
Quieres masoquismo, quieres con ternura
Do you want rough sex, or do you want me to treat you gently?
Tú sabes que con Yankee en la pista sudas (Que!)
You know that with Daddy Yankee on the dancefloor, you work up a sweat
Te roza allá abajo y te pone sata
He touches you down there and makes you feel aroused
Muevete y perrea
Move and twerk, dance in a suggestive way
Que fuera
Get loose
Yal, aguanta!
Wait and see, girl!
Toma, toma!
Take it, take it!
Aguanta!
Wait and see!
Que paso, aguanta
Hold on, wait a minute
To-to-to-to...ma!
Interjection used to express excitement or enthusiasm
Aguan-aguan-aguanta!
Wait and see, girl!
Contributed by Caden I. Suggest a correction in the comments below.
ESDRAS
on Lo Que Paso, Paso
es mi mejor cantante