They were among the second wave of groups to emerge from The Elephant 6 Recording Company and the group has a style that is typical of many Elephant 6 bands due to their interest in combining musical experimentation with the basic tenets of pop i.e. catchy melodies and sing-along choruses. The band’s style has been influenced by conventional indie pop, psychedelic music, vaudeville and music hall on their earlier releases and by afrobeat, funk, krautrock and reggae on their recent releases.
The band’s style has been known to change between albums. At first, the band embraced a more simple, quirky, lo-fi indie pop sound, which occasionally bordered on twee pop. The band was created by Kevin Barnes and named after a failed romance with a woman from Montreal, though the story changes in various interviews. Barnes was the only member of the “group” prior to his relocation to Athens, Georgia. There, he met Derek Almstead, later of Circulatory System, M Coast, Elf Power etc., and Bryan Poole, who also performs as The Late B.P. Helium.
Together, they recorded their first album, Cherry Peel, as well as The Bird Who Continues to Eat the Rabbit’s Flower and The Bedside Drama: A Petite Tragedy.
A number of singles and a re-release of The Bird Who Continues to Eat the Rabbit’s Flower occurred before the release of the band’s third album, The Gay Parade in 1999. With contributions from several members of the Elephant Six collective at the time, it also featured artwork from Kevin’s brother David Barnes, who would continue to do artwork for future albums.
This album marked that the band had moved to a fuller sound, which is also found on its follow-up, Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse. These two albums contain more narrative lyrics, as opposed to the rather personal lyrical matter of those preceding it, and often imitating the style of old 1950s radio plays.
After production on The Gay Parade began in 1998, Poole left the band to focus on his duties with Elf Power, another Elephant Six band from Athens. Barnes also recruited Jamey Huggins and Dottie Alexander, who had been performing together as Lightning Bug vs. Firefly, to play various instruments. Derek moved from drums to bass. The band was joined soon after by Marshmallow Coast’s Andy Gonzales.
Following the release of The Gay Parade, the band signed with Kindercore Records, who would release a number of singles and compilations. It wasn’t until 2001 that Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse would be released as a new album with original material. The album again featured contributions from across the Elephant 6 spectrum.
In 2002, Aldhils Arboretum was released, with a slightly different sound than its predecessors, as the songs were more directly structured. This album marks the beginning of the change in of Montreal’s sound, with more danceable rhythms than ever before, especially on the album’s closer, “Death Dance Of The Omipapas and Sons For You”. A successful tour ensued, including of Montreal’s first trip to the UK, along with a tour-only EP.
Kindercore Records would fold shortly after the release of Arboretum, and of Montreal’s status was also threatened. Kevin got married, and Andy and Derek left the band. Barnes, being uncomfortable with the unrest, as well as some divisions within the band, took to writing and performing their 2004 album Satanic Panic in the Attic mostly by himself. Released by Polyvinyl Records, it became one of their more successful efforts to that point. The 2004 tour saw The Late B.P. Helium (Bryan Poole) rejoin the band, with some bass played by Kevin’s partner Nina Barnes. The album marked a shift to something more electronic with traditional structures, to be further advanced in later albums and new songs. In their most recent releases and concerts, the band has fully embraced a sort of techno-pop glam image, with little of their previous incarnations surfacing. This style is featured in singles such as Disconnect the Dots. The style would continue to evolve into 2005’s The Sunlandic Twins, which was even more a Barnes solo effort. Recorded in Athens, with the exception of one track recorded in Norway, it was a much more pronounced electronic album. The album became a success, mostly due to the singles “So Begins Our Alabee” and the MTV clip for “Wraith Pinned to the Mist (and Other Games)”.
The band released several collections of singles in early 2006. Barnes recorded most of the band’s 2007 release, Hissing Fauna, Are You The Destroyer?, by himself while living in Norway and Athens, Georgia. The switch to autobiographical themes of suicide, depression and isolation of the album was a direct product of his troubled personal life during that period.
of Montreal released Skeletal Lamping on October 21, 2008 followed by False Priest on September 14, 2010, Paralytic Stalks on February 7, 2012, and Lousy with Sylvianbriar on October 8, 2013. Aureate Gloom is scheduled for release by Polyvinyl Records on March 3, 2015.
Lyrically, their style has changed dramatically throughout the years. In the beginning, many songs were narratives of personal or humorous situations, such as “Tim, I Wish You Were Born A Girl”, from Cherry Peel. This style, however, changed with The Gay Parade, where many songs involve small narratives surrounding invented characters (in songs such as “Jacques Lamure”, “The Autobiographical Grandpa”, “Mimi Merlot” and “Rose Robert”). Others act as extracts from fictional conversations (“Advice From a Divorced Gentleman to His Bachelor Friend Considering Marriage” and “Good Morning Mr. Edminton” as examples). With Aldhils Arboretum came a slight return to the previous writing style, except following more poppy, classical lyrical structures (such as the use of choruses, which are generally absent in the Gay Parade/Coquelicot years). This style continued throughout Satanic Panic and The Sunlandic Twins to some extent. On the album Hissing Fauna: Are You The Destroyer? the lyrics are much more personal than previously used, with songs detailing emotions within the speaker.
Another unique quality of the band is the fusion of ostensibly gloomy lyrics with bouncy, upbeat melodies and hooks. On Aldhils Arboretum, for example, the lyrics for tracks like “Doing Nothing” and “Old People in the Cemetery” focus on apathy, loneliness or death while being contrasted with cheerful instrumentation. Another example of this tendency is shown in their choice of covers; for example, Yoko Ono’s “I Felt Like Smashing my Head Through a Clear Glass Window” from The Bird Who Continues to Eat the Rabbit’s Flower.
True to the style of most Elephant 6 recording artists, of Montreal’s members have been in a variety of side projects and other bands:
The band itself has performed as the backing band for Marshmallow Coast on record and on tour.
My First Keyboard was the pseudonym used by Dottie Alexander to release the song “The You I Created” on the Kindercore singles club. of Montreal acted as her backing band.
Lysergic Bliss
of Montreal Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
But feeling somehow inside opalescent
Wonder how I'm managing to smile oh
When I can't even pay my rent
Maybe it's because I've finally found
My little tulip my Norge dear
Funny how in spite of all my woes
Life can appear rosy and clear
And I'm dizzy from her kiss
So vertiginous lost in lysergic bliss
(Because it hurts me so bad)
Love the way you wear your curly hair
Sanguine and spiraling tied in a bun
Love the way it falls about your face
Mercurially gilded by the sun
If we were a pair of jigsaw puzzle pieces
We would connect so perfectly
Creating a still photo of a scene
From the Phantom of Libertay
Of Libertay
And I'm dizzy from her kiss
So vertiginous lost in lysergic bliss
The lyrics in "Lysergic Bliss" by of Montreal capture the feeling of being completely enamored with someone, despite the struggles of everyday life. The singer wears an olive drab and can't pay the rent, but all of that fades away when they think about their "little tulip" and "Norge dear." This person is the source of the singer's happiness, and they feel almost opalescent, or glowing, when they think about them.
The chorus repeats the phrase "And I'm dizzy from her kiss / So vertiginous lost in lysergic bliss." This suggests that the singer feels like they are in a state of altered consciousness when they are with this person, as if they are under the influence of LSD (lysergic acid diethylamide) or some other hallucinogenic drug. The feeling is intense and all-consuming, which is why the singer feels both dizzy and lost in this blissful state.
Moving on to the second verse, the singer describes how much they love their partner and how well they fit together, like two puzzle pieces. They imagine creating a perfect still photo of a scene from "Phantom of Libertay," a reference to the novel "The Phantom of the Opera" by Gaston Leroux. This imagery reinforces the idea of a love that transcends reality, as if the two of them are living in their own dreamlike world.
In essence, "Lysergic Bliss" is a love song that celebrates the power of love to make everything else seem insignificant. Despite the struggles of everyday life, the singer finds joy and meaning in their relationship, and they feel like they are in a state of euphoria whenever they are with their partner.
Line by Line Meaning
Wearing an olive drab
I'm dressed in green clothing
But feeling somehow inside opalescent
Though I feel iridescent internally
Wonder how I'm managing to smile oh
I'm surprised I am able to smile
When I can't even pay my rent
As I am unable to pay my rent
Maybe it's because I've finally found
Perhaps it's because I discovered
My little tulip my Norge dear
My dear one called 'little tulip' from Norway
Funny how in spite of all my woes
It's amusing how, despite my troubles
Life can appear rosy and clear
Life can seem bright and straightforward
And I'm dizzy from her kiss
I'm lightheaded from my love's kiss
So vertiginous lost in lysergic bliss
Feeling unsteady and entranced in a hallucinogenic euphoria
Love the way you wear your curly hair
I adore the style of hair you display
Sanguine and spiraling tied in a bun
It confidently spirals and wraps to form a bun
Love the way it falls about your face
I also adore the way it dominates your face
Mercurially gilded by the sun
It's as though the sun decorates it with the same traits as mercury
If we were a pair of jigsaw puzzle pieces
If we were puzzle pieces that are a match
We would connect so perfectly
We would complement each other completely
Creating a still photo of a scene
Producing a motionless picture of a place
From the Phantom of Libertay
From the manner of the ghost of the topic of freedom
Of Libertay
Of freedom
Lyrics © Kobalt Music Publishing Ltd.
Written by: Kevin L Barnes
Lyrics Licensed & Provided by LyricFind