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v/a - FUCKED UP Mix Tape vol. 1 Lyrics

I remember you
Starting off by reminiscing and acknowledging the subject of the song

Yea you got me so high
The subject made the singer experience a state of euphoria

Smiling by myself
The singer enjoyed this high internally and personally

And I don’t know why
But the artist is not sure why the subject had such an effect

Shorty is the shit
The artist values and respects the subject

She so goddamn fly
The subject is exceptionally attractive

Can I be the one
The singer expresses their desire to fulfill a certain role in the subject's life

That you kiss good night?
The artist wants to be someone the subject says good night to with a kiss

We gon have a good night
The artist anticipates that tonight will be enjoyable

You gon lemme hit it, right?
The artist asks the subject for sexual consent

Then after that, ima slide
The singer plans to pursue other things after the sexual encounter

Ima slide yeah
The artist will mentally switch to their next plan after the encounter

Catch me outside yeah
The singer's next plan involves leaving the immediate area

You a vibe yeah
The singer recognizes and appreciates the subject's unique energy

I’m tryna get inside yeah
The singer seeks physical intimacy with the subject

Rub them thighs yeah
The artist desires to touch the subject's thighs sensually

Looking in your eyes yeah
The artist is paying attention to the subject's eyes

You seem surprised yeah
The subject didn't expect the singer's forwardness

But I don’t know why yeah
The singer doesn't quite understand the subject's surprise

You know my style
The artist describes themselves as having a distinctive personality

You know I get real wild yeah
The artist further describes their personality as intense and unpredictable

I can’t lie
The artist is about to reveal an honest fact

I get lazy when I’m high yeah
The singer admits that they lose energy and momentum when they are intoxicated

But if you can climb
However, the artist proposes that if the subject can meet certain conditions

Then you can ride
The singer will include them in their activities

I’m like a bike
The singer uses an extended simile to compare themselves to a mode of transportation

Rev me up
They ask the subject to excite them

And then we gon glide
Together they will embark on a smooth and enjoyable journey

You fly, you bad
The artist compliments the subject's impressive appearance and aura

You know, I want that
The singer expresses their interest in pursuing the subject romantically or sexually

5’10 stallion
The singer describes the subject's height and elegance, using a metaphor

You know I had to bag
The artist claims to have successfully won over the subject

5’10 stallion
A repetition of the earlier metaphor, emphasizing the significance of the subject's height

You know I had to smash
The artist brags about successfully hooking up with the subject

Skurr skurr
Onomatopoeic sounds for a car skidding to a halt

Hold up wait a minute (Just wait)
The artist tells the subject to pause and wait for something

Now she drowning in it
The subject is overwhelmed by what is happening or being offered to them

If she a slide
If the subject is willing to indulge in casual sexual behavior

Ima climb
The singer promises to meet the subject's level of emotional or physical involvement

And catch her dripping
The artist seeks to satisfy the subject's sexual desires

Put her in drive
The artist will take control of the situation

Move the stick and switch positions
The singer and the subject will engage in a variety of sexual positions/changing power dynamics

It's like you don’t see the inside of me
The singer accuses the subject of not fully understanding them and only being attracted to their surface level traits

I choose to give you truth
Despite this, the artist claims to be honest with the subject

And you lie to me
And they feel betrayed by the subject's lack of comprehension or honesty

How high of me
The artist questions their own actions

Ima slide in 3 (1, 2, 3)
A countdown to their upcoming departure

Girl you know you bad
A reaffirmation of the subject's exceptional qualities

I’m like em cute and underrated
The singer juxtaposes themselves as being underestimated compared to the subject's glamour

Got you hair and got you bags
The singer implies that they have taken care of the subject financially or emotionally

Let's make it clear
The singer aims to clarify something important

We never dated
The artist denies having been in a romantic relationship with the subject

I just gave you everything
The artist admits to having given the subject their all

Cause everything was frustrating
The singer implies that they did so out of a sense of hopelessness or lack of other options

Ima swipe you to the side
The singer prepares to cut ties with the subject

Bye bye notifications
The artist expresses their intention to delete the subject's contact information and not interact with them anymore