Uninspired
Wetwerks is an independent band from New York who bring intense power rock.… Read Full Bio ↴Wetwerks is an independent band from New York who bring intense power rock. They have joined stage with Bon Jovi [video], Fuel, Sevendust, Hoobastank, Filter, Nonpoint and Cypress Hill.
Wetwerks was born in 1998 when Seth Warden (vocals/guitar) and Rob Parzek (drums) submitted a demo to a "Next Big Thing" contest from a local rock radio station. That won them a spot to open for Blink-182 and Everclear at a festival sponsored by the station. Nate Giordano (bass guitar) joined Wetwerks to play the gig and to fill out the band.

Wetwerks' first album "Further Than My Eyes" has sold out [Update April 23, 2007: also no longer available through Amazon.com]. You can prepurchase a limited edition of their next album at SellaBand. You will then also receive access to high quality HD Downloads of their songs. And you'll receive a part of the profits of the sales of the album. More information at Wetwerks' website and SellaBand.

Band Members
Vocals/Guitar: Adam Rieder
Drums: Rob Parzek
Guitar/Vocals: Dan Castle
Bass Guitar: Tyler Krupsky

Former members of Wetwerks are Seth Warden (vocals/guitar), Nate Giordano (bass guitar) [now with The Kamikaze Hearts], Brian McGarvey (guitar/vocals) [now with The Clay People] and Jesse Downing (bass guitar) [until he joined BulletProof Messenger in January, 2007].

Uninspired
wetwerks Lyrics


We have lyrics for 'Uninspired' by these artists:


8stops7 Took a drive up the coast for the first time Where…
Capsize Is there anything left, worth fighting for? These days have …
cera gibson Shut up You heard what I said No other way to spin…
Drowning I could hardly tell who you are. We started…
Simplified I'm so tired, Of feeling this way, I'm uninspired, In my …
Steve Winwood Sometimes I feel so uninspired Sometimes I feel like giving…
The Connells Well the steel in his strings Cuts into his fingers…
Traffic Sometimes I feel so uninspired Sometimes I feel like giving …
Winwood Steve / Traffic Sometimes I feel so uninspired Sometimes I feel like giving…

We have lyrics for these tracks by wetwerks:


Awake Awake I'm awake now, and i can't wait To relieve m…
Brave for Me It's around I can feel it inside There's trouble now I'm afr…
Love Gun I don't know I care for me What you think you see (As…
Wasting Time Excuse me What's the time? You tell me yours, and i'll tell…



You Know Inside I hide and tell the storm is gone And you…


The lyrics are frequently found in the comments by searching or by filtering for lyric videos
TRACKS
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Comments from YouTube:

Will Pfeifer

Just a note on the "creator owned" contracts at DC/Vertigo. The contract I signed for the FINALS miniseries back in 1999 (!) had the copyright owned by me and Jill Thompson (artist and co-creator) and the trademark owned by DC/Vertigo, meaning neither could do anything without the other. All they did was reprint it once years ago, so I'm not sure where things stand at the moment. It definitely meant more than DC owning the trademark on their logo, though.

Braxton Wages

Your run on Aquaman was great!

Glenn

Heard about this episode on Twitter. Thank you for your kind words on my writing. To your follow-up point, it was Wizard’s West Coast ad sales guy who read my writing in the San Francisco Examiner and recruited me to freelance for Wizard.

Cartoonist Kayfabe

In either issue 16 or 17 we discovered that you're THE Glenn Rubenstein from TWIT and Tech TV and have a lot to say about it. Heck of a career you have going, sir, and it's clear you've been shining bright from day one!!!!

Chuck Arnold

Deep nerd dive about Byrne on his graphic novel 2112 which led to Next Men as well as the origins of the Ravage 2099 book:


John Byrne: In 1990, Stan Lee contacted me and asked me if I would like the be "editor-in-chief" of a whole new line he was going to create at Marvel -- a line which would be set in Marvel's future, unconnected to the Marvel Universe as we knew it. As it happened, I had been giving some thought to a "Futureverse" of my own, and, being flattered by Stan's offer, I suggested that what I had come up with (but at that time thought I had no place to develop) would fit the bill for his project. To this end I plotted (Stan was to script) and drew a 64 page "pilot".


When Stan saw the pilot pages he asked for more specific MU references. I'd tried to keep the thing "clean", so as not to turn the whole MU into a Superboy story, but Stan thought we SHOULD at least HINT at what had happened to some of the folk we knew from the present continuity. Fortunately, since my story was told in the 64 pages, this meant only adding some 12 additional pages and some bridging material to make them fit. Thus, when I took the project back it was, luckily, not a case of re-writing or re-drawing, but simply of removing pages I had not wanted in there in the first place. I'd taken a set of concepts, bent them slightly to fit Stan's needs, and then had only to "unbend" them to get back to my own original material. Stuck with 64 pages and no thought of where to put 'em -- I did not want to offer the book to DC, since that seemed vaguely scabrous somehow -- I mentioned my dilemma to Roger Stern, who suggested I give DarkHorse a call. I did. They accepted the proposal with open arms. I also pitched NEXT MEN, which had been floating in my brain for a while, and which they also liked. I then realized the tiniest bit of tweaking in the dialog would make my graphic novel -- now titled 2112 -- into a prequel/sequel pilot for JBNM. (3/28/1998)

Dave Ravies

I'm about ten years older than you guys and didn't like Wizard at all because it was a hype machine with a price guide that was overinflated. But you guys make these issues very enjoyable and fun with your commentary. And your love for the mag is sincere. You make me enjoy Wizard now through your eyes. You guys remind me how exciting comics used to be. I'm late to the party but I'm addicted to your channel.

xcornmuffinx

The Clive Barker comics have an interesting history for me. I loved those when I was young, stuff like Tapping the Vein, Hellraiser, Nightbreed, and all the one shot things like Son of Celluloid and The Yattering and Jack. After I stopped reading comics for many years, I decided that I had to go back and find all of those Clive Barker books again, so I went around to a ton of comic shops looking for them, and that experience made me get back into comics.


That being said, even I haven't read a any of the Razorline comics.

Most Funnest Entertainment

Small note. Wetworks was colored in Photoshop. We just got better from '92 and '94. A lot of the best pieces for Wetworks we're colored by Whilce himself. He knows color and photoshop well.

Jac Yo

Another excellent Wizard commentary. The next episode is going to be epic. Congratulations on four thousand subs. Best channel on YouTube!

komikero

Oh I had to seek out Whilce. I met him during Wizard #8. He was HUGE over here at the time when he did that awesome Bishop cover. That's when me and a bunch of other artists met him. He came back to town a couple of years later to set up Starfire Studios, which he got me to join, along with guys like Leinil Yu, Jay Anacleto, Roy Allan Martinez, Ed Tadeo. I'm still inking right now, over Leinil Yu on X-men.

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