インドア系ならトラックメイカー
yunomi Lyrics

マイハウス Is 段ボール
My house is made of cardboard, indicating that the singer's living situation may not be ideal.

Newハウス エレクトロハウス
The singer's new house is an electronic music house, suggesting an interest in electronic music.

トラックドライバー 通勤ラッシュ
The singer likens themselves to a truck driver stuck in rush hour traffic, highlighting the monotony of their daily routine.

アップなロードはテンションMax
The artist's tension is at its maximum when dealing with a high-pressure situation.

ハウスダスト ノンふぃっくしょん
The artist is non-allergic to dust, which may seem like a small detail, but adds to the sense of mundanity and repetition in their life.

花粉症にはマスクメロン
The singer wears a mask to deal with their allergy to pollen, which again, contributes to the overall sense of monotony and routine in their life.

カーソル待ってよ クラクション
The singer impatiently waits for their cursor to load by honking their imaginary car horn rhythmically, indicating a sense of frustration and impatience with technology.

ほらクリック リリック トラックメイカー
This line repeats multiple times and seems to be a sort of self-promoting mantra, declaring the artist's identity as a track maker and highlighting their love of music production.

お洒落の極地だ ファッションセンター
The Fashion Center is described as the pinnacle of fashion, suggesting the artist may value style and appearances highly.

両手を掲げて クラッピョヘンザ
The artist throws their hands in the air as if at a concert, further emphasizing their love of music and the excitement they feel when listening to it.

ジャージにワイシャツ 絶対ヘンだ
Wearing a jersey and dress shirt together is considered weird or odd, which may indicate that the singer is intentionally trying to subvert expectations or norms.

M.I.D.I. トラックメイカー
The artist identifies themselves as a track maker who uses MIDI, a popular music technology for creating digital music.

納期は明日だ 絶対徹夜
The singer must work all night to meet a deadline the next day, indicating that they are dedicated and hardworking despite their seemingly mundane lifestyle.

ロリ顔コンプなつるぺたっぷ
The singer describes their appearance as having a petite, flat face and a 'Lolita' style, potentially referencing a subculture focused on fashion and cute aesthetics.

ホップでステップ ダブステップ
The singer references the dance move 'hop-step' and 'dubstep', another electronic music genre, further showcasing their interest in music and perhaps even dancing.

フロアのあいつはロボットダンス
Someone on the dance floor is doing a robotic dance, likely contributing to the energetic and lively atmosphere the artist is describing.

お酒も入ってそこそこナイス
The artist is enjoying themselves, possibly due to drinking alcohol, indicating that they let themselves unwind and have fun despite a potentially monotonous daily routine.

ネクタイ緩めた今こそチャンス
The singer implies that there is an opportunity to let loose and be themselves when given a chance to loosen their tie, again highlighting the importance of letting go and having fun in life.

黒ぶちメガネに細身のパンツ
The singer describes their outfit in detail, potentially again emphasizing a love of fashion and style.

ふたりを揺るがすワブルベース
The 'wobble bass' music style is used to describe the electrifying energy between two people who are dancing or listening to music together, demonstrating the effect that music can have on human connection.

今夜も残念 玉砕です
Tonight, as with seemingly most nights, is a disappointment and ends in failure, highlighting the artist's struggle to find fulfillment and excitement in their daily life.

ピークを抑えろ マキシマイザー
The artist insists on controlling their emotions and excitement levels, suggesting a desire for a certain level of calmness or detachment.

眠気のピークに カフェイン投下
To combat tiredness, the singer consumes caffeine, implying that they rely on stimulants to get through their daily routine.

エビデイ エビナイ トラックメイカー
This line repeats often and seems to reiterate the artist's identity as a track maker, highlighting their dedication to their craft.

ファッションセンター
This line is repeated multiple times and is simply a reaffirmation of the previous mentioning of the 'fashion center'.

クラッピョヘンザ
Also repeated multiple times, this phrase appears to be just nonsense syllables that the singer sings for musicality and rhythm.