Big Girl Are Best
U2 Lyrics


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Oh oh oh
Oh oh oh
Baby

As long as the night is colored
Blue and black
Oh yeah yeah yeah
As long as you're on your knees
And she's not on her back
Oh yeah yeah yeah

Avenue atlantico
Seventeen-oh-two
She's coco butter
Baby, she's the glue

She's got the baby at her breast
She knows big girls are best

We sing it, we go, we go
Ma ma ma ma ma ma ma ma ma ma ma ma
We gonna weigh in
Ma ma ma ma ma ma

I'm gonna change like the weather
Hot to cold
Oh yeah yeah yeah
She's keeps it all together
She's got the motherload
Oh yeah yeah yeah

She feels it
Every sensation
She's got a smile
Like salvation
She's got a baby at her breast
She knows big girls are best

Oh oh ma ma ma ma ma
Ma ma ma sexy ma ma mom se ma ma
Ma se ma ma mom
Se ma ma ma se ma ma ma ma ma ma ma ma ma

She's elliptical
Also political
All so spiritual
Not superficial
Yeah, she's tropical
Yes, she's illogical
Those little girls are a pest
Big girls are the best

Oh oh oh
Oh oh oh
Baby

As long as the night is colored
Blue and black
Oh yeah yeah yeah
As long as you're on your knees
And she's not on her back
Oh yeah yeah yeah

She can taste every sensation
She's got a smile
Like salvation
She's got a baby
A baby at her breast
She walk like she talk
Big girls are best

Big girls

Ma ma ma ma ma ma ma ma
Sexy ma ma ma ma ma ma ma
Sexy ma ma ma ma ma ma ma
Sexy ma ma ma ma ma ma ma




Sexy ma ma ma ma ma ma
My mama

Overall Meaning

The lyrics of U2's song "Big Girls Are Best" are a tribute to mothers and the significance of motherhood. The song opens up with three repeated lines of "Oh oh oh baby" that serve as a melodic prelude to the rest of the lyrics. In the first verse, the lyrics describe the night as colored blue and black, a metaphor for the different moods someone can feel in their lifetime. The second line, "As long as you're on your knees and she's not on her back," is a nod to the woman's power in a relationship, with "she" referring to the mother.


The second verse describes the mother as the one who keeps everything together, who can feel every sensation and who is blissful in her motherhood. The chorus reinforces that big girls are best with "Ma ma ma ma ma ma ma ma ma ma ma ma," which is a tribute to mothers all around. The third and final verse describes the mother as tropical, elliptical, political, and spiritual, highlighting all the complexities of a mother's character.


Line by Line Meaning

Oh oh oh
The song starts with a simple yet passionate expression of the singer's feelings


Baby
The singer is addressing a woman, possibly his lover, and using a term of endearment


As long as the night is colored, blue and black
The singer is setting the scene, implying that the current time is late at night and the emotions are intense


As long as you're on your knees, and she's not on her back
The singer is suggesting that the woman he is addressing is in a dominant position, which he finds desirable


Avenue atlantico, seventeen-oh-two, She's coco butter, Baby, she's the glue
The singer is giving specific details about the woman and describing her as a stabilizing force in his life


She's got the baby at her breast, She knows big girls are best
The singer is praising the motherly qualities of the woman and expressing his preference for larger women


We sing it, we go, we go, Ma ma ma ma ma ma ma ma ma ma ma ma, We gonna weigh in, Ma ma ma ma ma ma
The singer is leading a chant with his audience in praise of larger women


I'm gonna change like the weather, Hot to cold, Oh yeah yeah yeah, She's keeps it all together, She's got the motherload, Oh yeah yeah yeah
The singer is acknowledging that he can be unpredictable, but the woman he is addressing is able to manage his moods and emotions


She feels it, Every sensation, She's got a smile, Like salvation, She's got a baby at her breast, She knows big girls are best
The singer is describing the pleasure the woman takes in everything she experiences and again praising her motherly qualities and his attraction to larger women


She's elliptical, Also political, All so spiritual, Not superficial, Yeah, she's tropical, Yes, she's illogical, Those little girls are a pest, Big girls are the best
The singer is highlighting the many qualities the woman has, including her intelligence, spirituality, and love of life. He also suggests that he finds smaller women to be bothersome and not worth his time.


Sexy ma ma ma ma ma ma ma, Sexy ma ma ma ma ma ma ma, Sexy ma ma ma ma ma ma ma, My mama
The singer is once again leading the chant in praise of larger women, ending the song on a celebratory note




Lyrics © Universal Music Publishing Group
Written by: Adam Clayton, David Evans, Laurence Mullen, Paul David Hewson

Lyrics Licensed & Provided by LyricFind
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A me


on eleven o' clock tick tock

And girls can make children but not like this one...so will just have to walk around with a painted face then...

LMewdowlark


on One

Baby, baby, baby, I know I'm not alone
Baby, baby, baby, I know I'm not alone
Ha, ha, ha

Oh, it's not a hill it's a mountain
As you start out the climb
You see, for me, I've been shouting
Let's shout into the darkness, squeeze out sparks of light
You know we're gonna go crazy, you know we'll go crazy
You know we'll go crazy, if we don't go crazy tonight

Oh, slowly
Oh
Hold me slow

Again, these are the wrong lyrics. They are not the lyrics for 'One' but a different song. I pasted the correct lyrics in my other comment.

LMewdowlark


on One

There's a part of me in chaos that's quiet
And there's a part of you that wants me to riot
Everybody needs to cry or needs to spit
Every sweet-tooth needs just a little hit
Every beauty needs to go out with an idiot
How can you stand next to the truth and not see it?
Oh, change of heart comes slow

It's not a hill, it's a mountain
As you start out the climb
Do you believe me or are you doubting?
We're gonna make it all the way to the light
But I know I'll go crazy if I don't go crazy tonight

Every generation gets a chance to change the world
Pity the nation that won't listen to you boys and girls
Is the sweetest melody the one we haven't heard?
Is it true that perfect love drives out all fear?
The right to be ridiculous is something I hold dear
Oh, but change of heart comes slow

It's not a hill, it's a mountain
As you start out the climb
You see, for me, I've been shouting
But we're gonna make it all the way to the light
But I know I'll go crazy if I don't go crazy tonight

Is it getting better
Or do you feel the same?
Will it make it easier on you now
You got someone to blame?
You say, one love, one life
When it's one need in the night
One love, we get to share it
Leaves you, baby, if you don't care for it
Did I disappoint you
Or leave a bad taste in your mouth?
You act like you never had love
And you want me to go without
Well, it's too late tonight
To drag the past out into the light
We're one, but we're not the same
We get to carry each other, carry each other
One
Have you come here for forgiveness?
Have you come to raise the dead?
Have you come here to play Jesus?
To the lepers in your head
Did I ask too much? More than a lot
You gave me nothing, now it's all I got
We're one but we're not the same
Well, we hurt each other then we do it again
You say love is a temple, love a higher law
Love is a temple, love the higher law
You ask me to enter but then you make me crawl
And I can't be holdin' on to what you got
When all you got is hurt
One love, one blood
One life, you got to do what you should
One life with each other
Sisters, brothers
One life but we're not the same
We get to carry each other, carry each other
One
One

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