Way of Life
4th Disciple & Hell Razah Lyrics


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G.G.O., Ghetto Government Official
Razah, 4th Disciple

[Chorus: x2]
Hip hop is a way of life, it's in my breath
The way I, breathe and step, not the way I dress
East to west, throw your arms right to left
Give me a mic and a crowd, and a turntable set

Alotta niggaz turned thugs, after 2Pac died
Puttin' dust in they weed, after they heard How High
KRS was the main one, I heard Stay Wise
Before, N.W.A., you never thought of drive-by's
Slick Rick was the kingpin of all fly guys
Rakim kept it civilized, now it be Nas
cool G. Rap made rhymes for the organized crimes
On the Road to they Riches, selllin' nickels and dimes
Cypress Hill made you feel, How Can I Just Kill a Man
Niggaz turned killers after Wu-Tang Clan
Startin' formin' into groups, so they can put on they fam
Puff Daddy had you samplin' old records to dance
Biggie Smalls made you ball after One More Chance
The radio promotin' death, until there's no more fans
Alotta playas want to play, but the game is advanced
The true culture of this hip hop, let's spread it to France
M.O.P., kept it hardcore, from Onyx to DMX
Now it's on Soundscan sells and BDS
When the Fat Boys, to Big Punisher and Fat Joe
EPMD, to me was, the best duo
Nah, Run-DMC, still be number uno
Now every artist that you know, want to drop solos
Half naked to sell records, in magazine photo's

[Chorus: x2]

Back to '83, the era of the Treacherous Three
When the Cold Crush, bumrushed the Force MD's
Now the pussy is free, but the crack cost money, oh yeah
Melle Mel, brought the mentals, but we couldn't digest it
Cause all the niggaz in the eighties started gettin' arrested
Sugar Hill caught an ill deal, Rapper's Delight
Back when artists got signed just for grabbin' the mic
Kangols and rope chains, this when LL came
Ain't nobody had a metaphor like Big Daddy Kane
Public Enemy was deep before Do the Right Thing
MC Shan had Queensbridge under his wing
Marley Marl did The Symphony, it blew instantly
Made hip hop history, now it's industry
Everybody either look alike, or sound gimmicky
Not noticin' the energy was hid' in Tennessee
Never thought they ever see a young black Master P
Go to France and see a white boy blacker than me
Suge Knight or Eazy-E, had black labels
Why the rest eat the crumbs off the master's tables





[Chorus: x2]

Overall Meaning

The lyrics to "Way Of Life" by 4th Disciple and Hell Razah delve into the essence of hip-hop as a way of life. The chorus emphasizes how hip-hop permeates every aspect of the artist's existence, from their very breath to their manner of movement. It emphasizes that hip-hop goes beyond superficial appearances and is rooted in the artistry, skill, and passion expressed through the music itself. The artists express their love for the culture and their ability to captivate a crowd with their skills on the microphone and turntables.


The verses explore the evolution of hip-hop and the influence of various artists in shaping its trajectory. It references how some individuals adopted a "thug" persona after the deaths of Tupac and Notorious B.I.G., how KRS-One encouraged listeners to stay wise, and how Slick Rick and Rakim left a lasting impact on the genre. The lyrics also touch upon the emergence of groups like Wu-Tang Clan and the influence of Puff Daddy's sampling techniques. They lament how the radio promotes negative themes and how artists are now more focused on solo endeavors rather than collaborations. The lyrics criticize the trend of artists resorting to provocative imagery in order to sell records.


The second verse takes us back to the '80s, a pivotal time in hip-hop history. It mentions iconic groups like Treacherous Three and Cold Crush Brothers, highlighting their influence during that era. The lyrics touch on the rise of crack cocaine and its impact on the community, as well as the struggles faced by artists. It references Melle Mel's impactful lyrics, but acknowledges that many people couldn't fully grasp their message. The verse also acknowledges the cultural significance of figures like Big Daddy Kane and MC Shan, and the role Marley Marl played in hip-hop history. It concludes by lamenting the current state of the music industry, where artists often conform to a specific image or sound rather than staying true to their unique energy and talent.


Line by Line Meaning

Hip hop is a way of life, it's in my breath
Hip hop is an essential part of my existence, it permeates my very being


The way I, breathe and step, not the way I dress
My authenticity lies in my actions and movements, not in my appearance


East to west, throw your arms right to left
Regardless of location, express yourself by moving your arms from right to left


Give me a mic and a crowd, and a turntable set
All I need is a microphone, an audience, and a DJ setup to immerse myself in hip hop


Alotta niggaz turned thugs, after 2Pac died
Many individuals transformed into tough individuals following the death of 2Pac


Puttin' dust in they weed, after they heard How High
They started lacing their marijuana with illicit substances after discovering the song How High


KRS was the main one, I heard Stay Wise
KRS-One stood out as the prominent figure urging individuals to remain wise


Before, N.W.A., you never thought of drive-by's
Prior to the emergence of N.W.A., the concept of drive-by shootings never crossed your mind


Slick Rick was the kingpin of all fly guys
Slick Rick was the epitome of stylish and charismatic individuals


Rakim kept it civilized, now it be Nas
Rakim maintained a cultured approach to hip hop, and now Nas carries the torch


cool G. Rap made rhymes for the organized crimes
Kool G. Rap crafted verses that resonated with the world of organized crime


On the Road to they Riches, sellin' nickels and dimes
While striving for wealth, they engaged in low-level drug dealing


Cypress Hill made you feel, How Can I Just Kill a Man
Cypress Hill's music evoked emotions and made you ponder the question of taking someone's life


Niggaz turned killers after Wu-Tang Clan
Individuals transformed into ruthless murderers influenced by the Wu-Tang Clan


Startin' formin' into groups, so they can put on they fam
They created collectives to not only showcase their talent but also provide support for their families


Puff Daddy had you samplin' old records to dance
Puff Daddy popularized the use of samples from old records to create dance-worthy music


Biggie Smalls made you ball after One More Chance
Biggie Smalls made you feel lavish and extravagant after listening to One More Chance


The radio promotin' death, until there's no more fans
Radio stations excessively broadcasted songs glorifying violence until their audience diminished


Alotta playas want to play, but the game is advanced
Many individuals desire to participate, but the hip hop industry has become more intricate


The true culture of this hip hop, let's spread it to France
Let's disseminate the genuine essence of hip hop to France


M.O.P., kept it hardcore, from Onyx to DMX
M.O.P. maintained their raw and intense style, similar to Onyx and DMX


Now it's on Soundscan sells and BDS
Currently, success in the hip hop industry is measured by Soundscan sales and BDS charts


When the Fat Boys, to Big Punisher and Fat Joe
From the Fat Boys to Big Punisher and Fat Joe


EPMD, to me was, the best duo
From my perspective, EPMD was the most exceptional duo


Nah, Run-DMC, still be number uno
No, Run-DMC will always remain the number one


Now every artist that you know, want to drop solos
Nowadays, every artist you are familiar with aims to release solo projects


Half naked to sell records, in magazine photo's
To boost album sales, artists resort to appearing semi-nude in magazine photoshoots


Back to '83, the era of the Treacherous Three
Let's rewind to 1983, the period dominated by the Treacherous Three


When the Cold Crush, bumrushed the Force MD's
Recall the moment when the Cold Crush crew assertively disrupted the Force MD's performance


Now the pussy is free, but the crack cost money, oh yeah
Nowadays, sexual encounters are readily available, but obtaining crack cocaine requires monetary exchange


Melle Mel, brought the mentals, but we couldn't digest it
Melle Mel brought forth insightful lyrics, but many struggled to fully comprehend their significance


Cause all the niggaz in the eighties started gettin' arrested
Due to the heightened law enforcement activities, numerous individuals in the 1980s faced arrests


Sugar Hill caught an ill deal, Rapper's Delight
Sugar Hill Records signed a detrimental contract for the song Rapper's Delight


Back when artists got signed just for grabbin' the mic
During that era, artists were signed solely based on their ability to captivate audiences with their microphone skills


Kangols and rope chains, this when LL came
During this time, Kangol hats and thick rope chains were in fashion, which coincided with LL Cool J's rise


Ain't nobody had a metaphor like Big Daddy Kane
No one possessed the metaphorical prowess exhibited by Big Daddy Kane


Public Enemy was deep before Do the Right Thing
Public Enemy had a profound impact even before the release of Do the Right Thing


MC Shan had Queensbridge under his wing
MC Shan played a significant role in shaping the music scene in Queensbridge


Marley Marl did The Symphony, it blew instantly
Marley Marl produced The Symphony, which became an instant hit


Made hip hop history, now it's industry
The Symphony became a pivotal moment in hip hop, but now the genre has morphed into a commercialized industry


Everybody either look alike, or sound gimmicky
Most artists either have a similar appearance or employ gimmicks to differentiate themselves


Not noticin' the energy was hid' in Tennessee
Unaware, the true essence of hip hop was suppressed in Tennessee


Never thought they ever see a young black Master P
No one expected the emergence of a young black artist like Master P


Go to France and see a white boy blacker than me
It's astonishing to witness a white individual in France who embodies a more authentic hip hop persona than myself


Suge Knight or Eazy-E, had black labels
Suge Knight or Eazy-E established successful record labels primarily dedicated to African-American artists


Why the rest eat the crumbs off the master's tables
While others settle for minimal rewards, Suge Knight or Eazy-E enjoyed the full benefits of their endeavors




Lyrics © TUNECORE INC

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