Don't Want Drama
8Ball & MJG Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

Yeah! It's Bad Boy South Niggaz
Ball and G
Orange Mound, the moment you been waitin for
Collaboration, c'mon now
Let's go, let's go, let's so, c'mon

Straight from the underground, fat boy from the mound
Spit it how I live it, keep it gutter, that's how we get down
I wanna see you get it crunk
Let a nigga know what hood you from
Everybody wiht me drunk as fuck
Break it down, then roll it up
Back it up, a girl like you
A nigga like me can't pass it up
Rollin by, lookin good
Put it in reverse then back it up
What's the deal, lemme make it clear
What you got rite here
They break mold, one of a kind
Fat boy witta gold mouth that shine
Hard to touch, sorry to tell you
Boys out here ain't hard as us
I ? And G, part of the streets
Accomplished dreams are a part of us
Lay it down, please remember
Games we don't play them now
Disrespect, please remember, stains we gon' spray them round

Buss a nigga head
Smack a ho, shoot the club up
Buss a nigga head
Smack a ho, shoot the club up

Bitch, nigga!
Bitch, nigga!
Bitch, nigga!
Bitch

You don't want drama, no!
You don't want none, no!
You don't want drama, no!
You don't want none, no!

Get up (Get up) Get crunk (Get crunk)
Let's race to the trunk (To the trunk)
Get a pump, unload and dump
Forget it, close the trunk
In the middle of a fire
Scotch and burn him, let's overheat him
Really mistreat him, let's Rodney King him and over beat him
Mjg is the reason yo season needed seasonal spices
They needed more life and lucky yo wife was bleedin'
Now your life is leavin' yo body, for drinkin' too much Bacardi
You should've known when you started
Never fuck with G and E
In any climate I'm shinin', floss, I'm perfect wit timin'
I'm good for rippin' and rhymin' in and out the beat
And Eightball is loadin' the clip, for niggaz supposin' to trip
And you know I'm rollin' the whip, we finna set 'em free

Buss a nigga head
Smack a ho, shoot the club up
Buss a nigga head
Smack a ho, shoot the club up

Bitch, nigga!
Bitch, nigga!
Bitch, nigga!
Bitch

You don't want drama, no!
You don't want none, no!
You don't want drama, no!
You don't want none, no!

Eightball and G, get it crunk fa sho
My swagger, my flavor, my pimpin, my flow
My ho, my woman, my slacks, my denims
My backstroke in swimmin, in pools wit models in 'em
Them boys, they hate it, we hustle, we made it
We richer, the picture, is two of the greatest

The realest, you bump some Ball and G you gon feel it
Guaranteed, muhfucker, stamp, sign, seal it
We placin, the fakest, they don't give it up we gon take it
The realest up in in this niggaz buckin, bitches shakin
They asses, but cash it, might be a habit
Like mics when we grab it, we cock it, we blast it

Buss a nigga head
Smack a ho, shoot the club up
Buss a nigga head
Smack a ho, shoot the club up

Bitch, nigga!
Bitch, nigga!
Bitch, nigga!
Bitch

You don't want drama, no!
You don't want none, no!
You don't want drama, no!
You don't want none, no!

So here we go
Bad Boy South
Ball and G, Orange Mound
New York collaboration
You don't want no drama
You don't want nuttin'
I see you ATL
Let's tear this shit up
C'mon, c'mon
I said let's tear this shit up!
Yak!
Yeah, Ball and G
Bad Boy South, let's go




Let's work these motherfuckers
Let's get this money niggaz, yeah, as we proceed

Overall Meaning

"You Don't Want Drama" is a collaboration between rappers 8Ball & MJG and the Bad Boy South label. The chorus emphasizes the idea that the rapper's counterparts don't want any trouble. The opening verse, by 8Ball, is a declaration of his authenticity, boasting his origins from the underground, and his ability to keep things genuine. He encourages the listener to get intoxicated with him and looks for common ground with a potential love interest. The verse ends with a promise to protect his people from any potential threats. Meanwhile, MJG's verse highlights his artistic abilities, and the different occasions that have inspired his lyrics. He leverages his lyrical prowess to dismantle any opponents in his way, and the last line references his alliance with 8Ball.


Line by Line Meaning

Yeah! It's Bad Boy South Niggaz
The song is presented by Bad Boy South, indicating the group’s association with the Bad Boy South label and their uncensored presentation through their music.


Ball and G
8Ball & MJG is the duo behind this song.


Orange Mound, the moment you been waitin for
The Orange Mound is the location where the group originated, so this song is a big moment for them.


Collaboration, c'mon now
The song is a collaboration between two music powerhouses; Bad Boy South and 8Ball & MJG.


Let's go, let's go, let's so, c'mon
The group is hyping themselves up as they start the song, urging their audience to join in with them.


Straight from the underground, fat boy from the mound
The group is from Orange Mound and represents the southern underground music scene. 8Ball is referenced as `fat boy from the mound`.


Spit it how I live it, keep it gutter, that's how we get down
The group presents their music as a reflection of their lifestyle, keeping it authentic and raw.


I wanna see you get it crunk
The group is calling on their audience to get rowdy and dance (get `crunk`) to their music.


Let a nigga know what hood you from
The group is showing their interest in their audience, wanting to know which neighborhood they're from.


Everybody wiht me drunk as fuck
The group is living the party lifestyle, surrounded by people who are also heavily under the influence of alcohol.


Break it down, then roll it up
The group is smoking marijuana, breaking it down and rolling it up ready to smoke.


Back it up, a girl like you
The group is addressing a female that catches their eye, encouraging her to back up her body and dance.


A nigga like me can't pass it up
The group wants to dance with the female they addressed earlier, not able to pass up the opportunity.


Rollin by, lookin good
The group is describing how the female they're interested in looks good as she passes them by.


Put it in reverse then back it up
The group wants the female to back her body up in a reverse motion towards them.


What's the deal, lemme make it clear
The group is curious to know more about the female and want to get straight to the point with their conversation.


What you got rite here
Here, the group is referring to the female they addressed earlier; what does she have or offer?


They break mold, one of a kind
The group is pointing out their uniqueness and how they don't fit into their stereotypes or molds.


Fat boy witta gold mouth that shine
The group is referring to 8Ball's gold teeth, saying they shine and are unique to him.


Hard to touch, sorry to tell you
The group is telling their audience that they are difficult to compete with.


Boys out here ain't hard as us
The group is saying that the males in the area aren't as tough as they are.


I ? And G, part of the streets
The group is referring to themselves as a part of the streets and a product of their neighborhood.


Accomplished dreams are a part of us
The group has accomplished their dreams and has integrated those experiences as a part of who they are.


Lay it down, please remember
The group is saying and reminding their competition to stay out of their way.


Games we don't play them now
The group has reached a point where they're not here to mess around, they're serious and not playing games.


Disrespect, please remember, stains we gon' spray them round
The group is threatening their competition that if they're disrespected, they will retaliate and there will be consequences (stains sprayed).


Buss a nigga head
The group is describing an act of violence; hitting someone in the head with a weapon.


Smack a ho, shoot the club up
The group's lyrics describe vast destructive behavior, including attacking a woman and shooting people outside a club.


You don't want drama, no!
The group is warning their competition that they don't want any trouble.


You don't want none, no!
The group is emphasizing that their competition doesn't want any part of this.


Get up (Get up) Get crunk (Get crunk)
The group is pushing their audience to stand up and start dancing to the music (get `crunk`).


Let's race to the trunk (To the trunk)
The group is urging their audience to run to the car trunk, indicating an untold purpose.


Get a pump, unload and dump
The group is referencing getting a gun, unloading the bullets, and shooting at someone.


Forget it, close the trunk
After the crime is committed, the group instructs their audience to forget about it and close the trunk of the car.


In the middle of a fire
The group is describing that the area they're in is hot and intense.


Scotch and burn him, let's overheat him
The group is again referencing violence, this time using a torture technique of scorching with a hot object.


Really mistreat him, let's Rodney King him and over beat him
The group is referencing the abuse endured by Rodney King when he was beaten by Los Angeles police. The group wants to mistreat an individual to the point of overbeating them.


MJG is the reason yo season needed seasonal spices
MJG provides the ‘spice’ that everyone’s season needs. The metaphor means the combined ingredients produce quality music that is distinct from anything else.


They needed more life and lucky yo wife was bleedin'
The group is playing around with words here to entertain their audience. More life in the metaphorical sense means more entertainment value. Lucky your wife was bleeding? We don’t know the meaning of that either.


Now your life is leavin' yo body, for drinkin' too much Bacardi
The individual described has drunk too much Bacardi, which has contributed to their own death.


You should've known when you started
The individual is at fault for getting involved in something they should have known wouldn’t end well.


Never fuck with G and E
The group is warning others to never mess with them, as shown through their lyrics which describe extreme acts of violence with little regard for human life.


In any climate I'm shinin', floss, I'm perfect wit timin'
The group is saying that despite anything that is happening around them, they will always be successful and time their moves perfectly.


I'm good for rippin' and rhymin' in and out the beat
The group is acknowledging their adeptness at staying in time with a beat, having a keen sense of timing in their music.


And Eightball is loadin' the clip, for niggaz supposin' to trip
Eightball is getting armed and ready for whatever trouble may occur in the future.


And you know I'm rollin' the whip, we finna set 'em free
The group is once again referring to another untold event, with whatever's happening is going to set some people free (either literally or figuratively).


Eightball and G, get it crunk fa sho
The group showcases their southern roots again, giving the audience some more encouragement to get dancing (get `crunk`) to their music.


My swagger, my flavor, my pimpin, my flow
The group is bragging about the things that make their music unique; their style, flavor, flow, and pimping.


My ho, my woman, my slacks, my denims
The group is talking about their possessions, including their woman and clothes, particularly their slacks and denim trousers.


My backstroke in swimmin, in pools wit models in 'em
The group is boasting about their swimming ability, as well as the various models they've come into contact with while swimming.


Them boys, they hate it, we hustle, we made it
The group is describing other competitors who envy them but are ultimately unsuccessful on account of the duo’s hard work and dedication.


We richer, the picture, is two of the greatest
The group is saying they are among one of the best duo in the music industry.


The realest, you bump some Ball and G you gon feel it
The group warns that their music is so authentic that it will make her audience feel it when their music is played.


Guaranteed, muhfucker, stamp, sign, seal it
The group is strongly asserting that their authenticity or ‘realness’ is guaranteed, and they’re willing to stamp and seal it.


We placin, the fakest, they don't give it up we gon take it
The group is pointing out that their competitors are fake, and if they won't give up their inauthenticity, 8Ball & MJG will take them down.


The realest up in in this niggaz buckin, bitches shakin
The group is positioning themselves as the most authentic in the industry, while laying out the settings surrounding their music; men are bumping their head to their music while women are shaking their bodies.


They asses, but cash it, might be a habit
The group is saying that the women dance in exchange for bringing home cash, and it might even be habit-forming.


Like mics when we grab it, we cock it, we blast it
The group highlights that they have a firm grip on the microphone when they're getting ready to spit their next fire lyrics. In the same way, they are cocks a gun and telegraphing it before they unleash it (blast it) on their competition.




Lyrics © Royalty Network
Written by: MARLON J GOODWIN, PREMRO VONZELLAIRE SMITH, SHONDRAE L CRAWFORD, MARLON GOODWIN, SHONDRAE CRAWFORD

Lyrics Licensed & Provided by LyricFind
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