Bavitz was born in Syosset, New York and grew up in Northport, New York. While attending college, Bavitz initially recorded and released two self-financed efforts, Music for Earthworms (1997), a full-length featuring underground artist Percee P on two tracks. Bavitz also released a music video to "Abandon All Hope", which was one of the tracks on the CD. The album sold over 300 copies, largely from a grassroots internet-based promotion at his website AesopRock.com and then-popular web portal, MP3.Com. It was a success. With the money he made from his previous release, he then released his Appleseed EP in 1999 which received critical acclaim in the underground hip hop circuit.[citation needed] Both of his early records were produced by long-time friend Blockhead, and underground producer Dub-L. He completed these albums while also working as a waiter.
After his breakthrough success in the underground hip hop and indie rap community, he was eventually noticed by the Mush label and obtained his first record deal in 1999, just a year after he graduated from college. Aesop released his first major album, Float (2000), with guest appearances from Vast Aire, Slug, and Dose One. Production was split between Blockhead and Aesop himself, with one track by Omega One. During this time, Aesop worked at a photography gallery. In August 2001 tragedy struck when Bavitz had a nervous breakdown. The song "One of Four" on his Daylight EP documents his struggles.
Shortly after releasing Float, Aesop Rock signed to Manhattan-based label Definitive Jux (commonly shortened to Def Jux), where he released Labor Days (2001), an album dedicated to the discussion of labor in American society and the concept of "wage slaves". This album was most well known for its single "Daylight". Because of its popularity, Daylight was re-released in 2002 as a seven-track EP, including an "alternative" new version of the song "Night Light", whose paraphrased lyrics simultaneously refer back to, and stand in stark opposition to, the original's. The song "Labor" (from Labor Days) was featured in Tony Hawk's Pro Skater 4; it also was the first album in his catalog to break through the Billboard charts, peaking at number 15 at the United States Independent Charts, giving Aesop Rock more recognition.
Labor Days was followed by Bazooka Tooth in 2003. For the first time, production was mostly handled by Rock himself, with three tracks from longtime collaborator Blockhead and one from close friend and Definitive Jux label CEO El-P. Guest appearances include Party Fun Action Committee, El-P, and Mr. Lif (all Definitive Jux labelmates) and Camp Lo. With this release Aesop hit a higher level of recognition, releasing "No Jumper Cables" as a single and music video, then another single, "Freeze", shortly after. A remix of "No Jumper Cables" was featured on Tony Hawk's Underground 2, furthering Aesop's recognition. In 2004, He released Build Your Own Bazooka Tooth and created a contest in which you had to create a remix of an Aesop Rock song using the a cappellas and instrumentals.
In February 2005, Aesop Rock released a new EP, Fast Cars, Danger, Fire and Knives. The first pressing of the EP included an 88-page booklet with lyrics from every release from Float until this EP (the lyric booklet is titled The Living Human Curiosity Sideshow); later pressings of the album come without the booklet, but with an additional bonus track, "Facemelter". In addition, a limited number of albums were available direct from Def Jux with Aesop Rock's graffiti tag on them. In response to demands from his fans, Rock did less production on the EP: three songs are produced by Blockhead, three produced by Aesop, and one by Rob Sonic. During this time he was asked to join The Weathermen to replace Vast Aire.
Aesop Rock was commissioned to create a 45-minute instrumental track for the Nike+iPod running system, entitled All Day. It was released in February 2007. Distributed via the iTunes Music Store and featuring his wife Allyson Baker on guitar and scratches from DJ Big Wiz, Aesop has described the release as "something that evolved enough that the sound was constantly fresh and attractive, as though the runner were moving through a set of differing cities or landscapes."
All Day was followed in August of the same year by Bavitz's fifth full-length album, None Shall Pass released in 2007. The album also contained original artwork by Jeremy Fish. About Jeremy Fish, Aesop Rock said: "Man that guy is my hero. We have a friend in common who hit me up a while back saying that this guy Jeremy Fish had an opportunity to pitch a cartoon to Disney and wanted me to be involved in the music side. I flipped out cuz I was also a fan of his, and owned some of his work." Aesop Rock also teamed up with Jeremy Fish again in a project called Ghosts of the Barbary Coast. Aesop Rock made a song called "Tomorrow Morning", to go along with a slideshow of drawings that Jeremy Fish drew. This was displayed in San Francisco, but was also made available for download online. None Shall Pass had positive reviews from critics and fans, applauding Aesop for his change in sound.
In 2011, Rhymesayers released "Are You Going to Eat That?", the debut album from Hail Mary Mallon, a collaboration between Aesop Rock, Rob Sonic, and DJ Big Wiz.
On July 10, 2012, Rhymesayers released Aesop Rock's sixth studio album, "Skelethon". Its first single, "Zero Dark Thirty", was released four months earlier on April 10. A second single, "ZZZ Top", was released on June 29.
In 2011, Aesop Rock and Kimya Dawson of The Moldy Peaches formed the duo The Uncluded. The duo's debut album, "Hokey Fright" was released on May 7, 2013.
In 2018, Aesop Rock teamed up with TOBACCO to form Malibu Ken
The Yes and the Y'all
Aesop Rock Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
When Bible page verse tidal waves has begun (Water one)
I wrote the book that shook America to splinters
In a winter wasteland
Icicle-bound barren township
Call barren moon childs and proud gimps to clinch this chemical war pig
Delinquent sinkin' like a paper tugboat
Well beneath your holiday
I'm a jigsaw slab, but all the pig saw was dirt bag
It's like a bleeding comet bombing on your sequels
To the riverside park tunnel people claim last life form standing
Carbon based pardons ain't enough
My stilts truly personify the serbonite flea circus
We urchins merkin' on daily
I catapult brain opera past basic
Tear my own face off in the finale, stick around it's ill
Diabolic Prodigal Son spill grimmace
If you had one more eye, you'd be a Cyclops
Which explains missing the premise
Bliss mimic, baptise, chastise, laugh die
Kiss the finish, piss the villagers the fuck off
Pete Piper picked peppers, and Run rocked rhymes
Aes Rock might've smoked one too many dimes in his time
Now where you gonna be when the sun falls, brother
Probably gathering your sheep with all these other mothafuckers
Struck twice in the same place by a moody Zues fishliner
Smackin the third clear out the park
Going gone (To infinity and beyond!)
I rocked for a flock of Chewbacca look-alikes in magic makers
Hermit crabs and New York city sewer alligators
Keep your homily dream out your homily
I deal with tangible goods
And avoid manufacturing food for landfills
I've seen friends bow to needles
I've seen needles bow to records
I've seen boughs break
I've seen God bow and make the clouds shake
I've seen the proud break
I've seen a lot for a blind soldier
Who tattooed the city scape up skin to blend in
Rats travel by night invite the waterbugs
I'm here to pull the three-prong
When it's prime directive wormhole of self-sacrifice
Had a hatchet slice for camps
For that God-awful Frankenstein
Starving your style to someday be a story in my ?
Life's hard, life's easy
Life's everything in between
Life's Peachy like James and the Giant
And I keep spittin' as long as these kittens buy it
And I keep casting my line as long as these officials bite it
And I like it (Don't try it like that)
Ban away temper tantrum, decrepit anthem
Set a low go, I arrived late
I'm here to scrape a car clean to the funk machine
Imposes on the underling amalgam cluster and identifies the mother
(You got heart)
I hate to tell you but it skips more than it palpitates
Like these here drunken little archers missed one of they calculate
The falcon hates the mockingbird
The farmer hates the drought
I hate em all, I kick the bottom brick out shouting "Yes y'all"
And blow the village out perspective (Aesop!)
Do you take this makeshift-Candy Land-cold classic-bastard style
To be your lawfully wedded head trip
Doing base throughout sickness, health, electrical storm
Fire, pain, rain, hail, wind, ice, sleet, snow? (Hell no!)
I'm balanced, personified phantom to the bone
Walkin like a Jabberwocky
Scalpin' a pair of one-way tickets to shadowboxing
Christmas with a shallow stocking
Like this (I'm just trying to milk the mileage)
You drop science like Don Herbert with liquor in him
Soundin' off like senior citizens sitting at bingo parlor bickering
Yeah it's kinda funny, isn't it
How I can build while you just sit there and bitch about your syllabus
Dwarfed by the lights, bewildered by the fanbase
Bound by an idea, skeptical of the handshakes
Skeptical of the handshakes
The lyrics to Aesop Rock's song "The Yes and the Y'all" are dense with meaning and metaphor, showcasing his unique style of wordplay and storytelling. The song opens with references to various cultural and religious images, such as "Bible page verse tidal waves," before transitioning into a critique of society and the delinquency that plagues it. The line "Delinquent sinking like a paper tugboat" suggests the fragile nature of individuals and how easily they can be swayed or destroyed by external forces. The image of a "chemical war pig" represents the negative impact of industrialization and pollution.
As the song progresses, Aesop Rock touches on themes of individuality and self-expression, encouraging listeners to break free from conformity and embrace their unique identities. He references classic literature and pop culture, such as the story of "James and the Giant Peach," as well as his own struggles and experiences. The line "I've seen a lot for a blind soldier who tattooed the city scape up skin to blend in" speaks to the idea of camouflaging oneself in order to survive in a harsh world.
One of the most powerful aspects of "The Yes and the Y'all" is its use of language and wordplay. Aesop Rock is known for his intricate and complex lyrics, and this song is no exception. From internal rhymes and alliteration to references to obscure cultural icons, the lyrics of this song demand multiple listens and deep analysis.
Line by Line Meaning
Skeptical of the handshakes
I don't trust people who try to befriend me just for personal gain or advantage.
Bound by an idea, skeptical of the handshakes
I am committed to a certain idea or belief and I'm wary of those who try to manipulate or exploit it for their own benefit.
Dwarfed by the lights, bewildered by the fanbase
I feel small and overwhelmed by the fame and attention that comes with my success, especially when it comes to my fans.
You drop science like Don Herbert with liquor in him
You share knowledge and information with confidence and style, much like how Don Herbert (a host of a science show) would do it even if he's drunk.
Soundin' off like senior citizens sitting at bingo parlor bickering
You're arguing or complaining loudly and persistently like a group of grumpy old people who have nothing better to do than play bingo and argue with each other.
Yeah it's kinda funny, isn't it
How I can build while you just sit there and bitch about your syllabus
It's amusing how I am able to create something of value while you're just complaining about trivial matters like your syllabus.
You got heart
I hate to tell you but it skips more than it palpitates
You have courage and determination, but unfortunately it's not enough because you lack consistency and commitment.
Like these here drunken little archers missed one of they calculate
Just like how drunken archers can miss their target, you've made a mistake in your calculation or judgement.
The falcon hates the mockingbird
The farmer hates the drought
I hate em all, I kick the bottom brick out shouting "Yes y'all"
And blow the village out perspective (Aesop!)
People and things have their own adversaries, but I dislike them all equally and express my anger and frustration by causing chaos and disruption, as if kicking the bottom brick out of a building and causing it to collapse.
Do you take this makeshift-Candy Land-cold classic-bastard style
To be your lawfully wedded head trip
Doing base throughout sickness, health, electrical storm
Fire, pain, rain, hail, wind, ice, sleet, snow? (Hell no!)
Are you willing to accept my unconventional and cold style as a core part of your life, including through difficult times and challenges? Hell no, because it's not a pleasant or ideal way of living.
I'm balanced, personified phantom to the bone
Walkin like a Jabberwocky
Scalpin' a pair of one-way tickets to shadowboxing
Christmas with a shallow stocking
Like this (I'm just trying to milk the mileage)
I have a composed and detached personality, but I also feel like a phantom or a ghost. I'm walking aimlessly like the mythical creature Jabberwocky, scalping unnecessary or useless items like a pair of one-way tickets, and feeling unsatisfied or unfulfilled during the festive season. It's all just a way for me to gain more benefit or profit.
Like these kittens buy it
People are easily influenced or convinced, like how kittens are easily sold or adopted.
And I keep spittin' as long as these kittens buy it
I will continue to create and share my art as long as people continue to be influenced by it, just like how I will continue to sell something as long as there are people willing to buy it.
Going gone (To infinity and beyond!)
I'm leaving or disappearing like a rocket launching into space, referencing the catchphrase of the Pixar character Buzz Lightyear.
Struck twice in the same place by a moody Zues fishliner
Smackin the third clear out the park
I have been hit or targeted twice in the same area or way by a random or unpredictable event, using the metaphor of a Zeus fisherman. But on the third strike or attempt, I am able to overcome and succeed in a remarkable way.
Now where you gonna be when the sun falls, brother
Probably gathering your sheep with all these other mothafuckers
Where will you be or what will you be doing when something bad or unexpected happens? You will probably be following the crowd or the norm, like other people who act like conformists or followers.
Aes Rock might've smoked one too many dimes in his time
Aes Rock (the rapper) may have smoked too much marijuana in the past, using the slang term for a unit of marijuana (dime).
Pete Piper picked peppers, and Run rocked rhymes
A reference to the nursery rhyme 'Peter Piper', as well as to the hip-hop duo Run-DMC, who were known for their powerful rap performances.
Bliss mimic, baptise, chastise, laugh die
Kiss the finish, piss the villagers the fuck off
A series of contradictory or nonsensical words or phrases, meant to highlight the absurdity or randomness of life or actions. The second line suggests a desire to finish something or succeed at something, despite angering or upsetting other people in the process.
I've seen friends bow to needles
I've seen needles bow to records
I've seen boughs break
I've seen God bow and make the clouds shake
I've seen the proud break
I've seen a lot for a blind soldier
Who tattooed the city scape up skin to blend in
Rats travel by night invite the waterbugs
I'm here to pull the three-prong
When it's prime directive wormhole of self-sacrifice
Had a hatchet slice for camps
For that God-awful Frankenstein
The artist has witnessed many examples of power, influence, and destruction, from people who bow to addiction or music to nature and religion that can cause widespread devastation. The artist also describes his own experiences as a blind soldier (meaning he's ignorant or unsure of his actions), and his desire to seek out self-sacrifice or meaningful actions. He also has a violent or aggressive tendency, as shown by the hatchet line, and a disdain for things that are artificially created or produced (like Frankenstein's monster).
I'm a jigsaw slab, but all the pig saw was dirt bag
The artist is a unique or complex individual, but to others (represented by the pig), he may only appear as a lowly or dirty person.
Beached on a red tide infested shore corroding eastern seaboard beauty
A metaphor for being stuck or stranded in a dangerous or unpleasant situation, where the natural or cultural beauty of the area is being degraded or destroyed.
Delinquent sinkin' like a paper tugboat
Well beneath your holiday
The singer is struggling or sinking like a flimsy paper tugboat, while others are enjoying their holidays or leisure time, indicating a sense of isolation or neglect.
Call barren moon childs and proud gimps to clinch this chemical war pig
A nonsensical and evocative series of words, possibly referring to an appeal for assistance from unlikely or unusual allies, in order to defeat some kind of enemy or obstacle.
Icicle-bound barren township
A place that is cold, desolate, and lacks resources, with icicles as a symbol of its harsh conditions.
I wrote the book that shook America to splinters
In a winter wasteland
The singer has written a powerful and influential book that caused great disruption and challenge to American society, using a metaphor of a winter wasteland to suggest difficult and challenging conditions.
When Bible page verse tidal waves has begun (Water one)
A time of great upheaval or disturbance, likened to tidal waves, that may be related to religious texts or spirituality.
Jiggy-jabberjaw vitamin idol and primal rages
A series of random or meaningless words or phrases, possibly meant to create a sense of excitement or confusion.
Carbon based pardons ain't enough
Pardons or forgiveness that are based on our physical or biological existence (as carbon-based life forms) are not sufficient or satisfactory, implying a need for something deeper or more meaningful.
My stilts truly personify the serbonite flea circus
A surreal and imaginative phrase describing how the singer's stilts (perhaps metaphorical or figurative) represent a unique and surreal circus made up of tiny fleas.
We urchins merkin' on daily
We (possibly referring to a group of people the singer identifies with) are struggling or hustling every day to survive or succeed, using the phrase 'merkin' as a slang term for working hard or making money.
Tear my own face off in the finale, stick around it's ill
Diabolic Prodigal Son spill grimmace
A series of bizarre and unsettling images or metaphors, possibly describing a violent or self-destructive act (tearing one's face off) and a story of a wayward child who returns with a twisted and unpleasant expression.
Lyrics © O/B/O APRA AMCOS
Written by: ANTHONY SIMON, IAN BAVITZ
Lyrics Licensed & Provided by LyricFind