The Alex Skolnick Trio was born in 2001. A former heavy metal guitar hero w… Read Full Bio ↴The Alex Skolnick Trio was born in 2001. A former heavy metal guitar hero with the San Francisco based group Testament, Alex had decided to leave the Bay Area, move to New York, soak up the jazz scene and go back to school to earn his music degree from New School University.
It was here that he met a young drum prodigy named Matt ‘Zebar’ Zebroski who, as it turned out, had been a Testament fan as a youth in Pittsburgh.
The two began rehearsing regularly with a bassist, practicing standards and reviewing homework assignments. Around this time, Alex had a dream in which he heard a beautiful melody played as bossa nova and upon waking up, realized it was ‘No One Like You’ by the 80’s hard rock band The Scorpions. When he brought the idea to the other guys, there was a certain absurdity to the idea.
Could a tune that was originally performed with distorted guitars, electric bass and a drum set the size of a spaceship translate to archtop guitar, upright bass and a drum kit small enough to carry on the New York Subway System? With a chuckle, they thought they’d give it a try and quickly realized they’d hit upon a magic formula. This tune felt as natural as any jazz standard, except that the melody was engrained in their souls from years of listening. Within a few weeks, the trio had versions of Kiss, Aerosmith, Ozzy Osbourne, the Who and more, as well as original compositions and were covering a wide range of musical styles: swing, funk, latin and occasional moments of sheer metal/avant garde intensity.
Their debut recording "Goodbye To Romance: Standards For A New Generation (Skol Productions) was released in March 2002. Less than a month later, an entire column was devoted to the album in Billboard (Jazz Notes; April, 2002). Within a year, Goodbye To Romance had been awarded 4 ½ stars by Downbeat (March, 2003) , was featured in magazines such as Jazziz (March and April, 2003), The Village Voice (February 26th, 2003) and more, had reached #26 on the JazzWeek radio charts (August, 2002) and was listed as a ‘Top Seller’ on the on-line retail site CDBaby. Alex and the Trio performed at such notable music industry conferences as CMJ (New York, NY, 2002) and at SXSW (Austin, TX, 2003) and toured throughout the country to packed houses in such places as Cleveland, Boston, Chicago, San Francisco, Texas, New York City and the Rochester International Jazz Festival. They've appeared live on XM Sattelitte Radio, Fox Morning News, Brother Wease, and many other radio stations including WNEW (New York), WCPN (Cleveland) and WGMC (Rochester).
In Sep 2003, bassist Nathan Peck was brought in to replace the departing John Davis, who had left to form an indy rock band. Nathan grew up with Matt in Pittsburgh and has played bass for such notable jazz musicians as Maynard Ferguson and Maria Maldaur. The new trio line up clicked immediately and soon embarked upon the Guitarevolution tour, sharing the bill with ex-Megadeth guitarists Marty Freidman and Chris Poland in a series of West Coast dates, winning over the primarily rock and metal fans in the audience. The next few months were spent honing the tunes for the next trio release, expected in Spring ’04. While this album will contain 50% original compositions, it will also continue the concept of the first album, with arrangements of music by Deep Purple, Judas Priest, Pink Floyd and more, most of which have been thoroughly road tested by the boys. 2004 promises to be an exciting year for the trio.
Current members:
* Alex Skolnick – guitar (2001-present)
* Nathan Peck – upright bass (2003-present)
* Matt Zebroski – drums/percussion (2001-present)
Past members:
* John Davis – upright bass (2001-2003)
Songs:
The Trio is known for performing songs written by bands of the Classic rock and Heavy metal variety - what they call "modern standards". They have covered portions of, or the entirety of the following songs, in concert or on record:
Tom Sawyer, The Trooper, Iron Man (Western Sabbath), Highway Star, Practica lo que predicas (Testament's Practice What You Preach), Goodbye to Romance, Detroit Rock City, Still Loving You, Don't Talk to Strangers, Dream On, No One Like You (which appears twice on the UK version of their debut album, once as a studio recording, and as a bonus last track from a live show), War Pigs, Electric Eye, Money, Blackout, and Pinball Wizard.
Since their first album, the Trio has shifted to a direction that includes more original material, as half the songs on their second album are original compositions, and only three are covers on their third album.
The Trio has covered 3 Scorpions songs to date, and bandleader Alex has called them "our Rodgers and Hammerstein".
Notable Concerts:
The Trio performed for the first time in New Zealand at the G-TARanaki Guitar Festival in July 2008. Alex was also included in an historic jam session at Vernon Reid's Puke Ariki "Midnight Session" performance alongside Gilby Clarke and Uli Jon Roth.
In 2010 they toured as a support act for Rodrigo y Gabriela
(source1: Alex skolnick trio official website!)
(source2: Wikipedia)
It was here that he met a young drum prodigy named Matt ‘Zebar’ Zebroski who, as it turned out, had been a Testament fan as a youth in Pittsburgh.
The two began rehearsing regularly with a bassist, practicing standards and reviewing homework assignments. Around this time, Alex had a dream in which he heard a beautiful melody played as bossa nova and upon waking up, realized it was ‘No One Like You’ by the 80’s hard rock band The Scorpions. When he brought the idea to the other guys, there was a certain absurdity to the idea.
Could a tune that was originally performed with distorted guitars, electric bass and a drum set the size of a spaceship translate to archtop guitar, upright bass and a drum kit small enough to carry on the New York Subway System? With a chuckle, they thought they’d give it a try and quickly realized they’d hit upon a magic formula. This tune felt as natural as any jazz standard, except that the melody was engrained in their souls from years of listening. Within a few weeks, the trio had versions of Kiss, Aerosmith, Ozzy Osbourne, the Who and more, as well as original compositions and were covering a wide range of musical styles: swing, funk, latin and occasional moments of sheer metal/avant garde intensity.
Their debut recording "Goodbye To Romance: Standards For A New Generation (Skol Productions) was released in March 2002. Less than a month later, an entire column was devoted to the album in Billboard (Jazz Notes; April, 2002). Within a year, Goodbye To Romance had been awarded 4 ½ stars by Downbeat (March, 2003) , was featured in magazines such as Jazziz (March and April, 2003), The Village Voice (February 26th, 2003) and more, had reached #26 on the JazzWeek radio charts (August, 2002) and was listed as a ‘Top Seller’ on the on-line retail site CDBaby. Alex and the Trio performed at such notable music industry conferences as CMJ (New York, NY, 2002) and at SXSW (Austin, TX, 2003) and toured throughout the country to packed houses in such places as Cleveland, Boston, Chicago, San Francisco, Texas, New York City and the Rochester International Jazz Festival. They've appeared live on XM Sattelitte Radio, Fox Morning News, Brother Wease, and many other radio stations including WNEW (New York), WCPN (Cleveland) and WGMC (Rochester).
In Sep 2003, bassist Nathan Peck was brought in to replace the departing John Davis, who had left to form an indy rock band. Nathan grew up with Matt in Pittsburgh and has played bass for such notable jazz musicians as Maynard Ferguson and Maria Maldaur. The new trio line up clicked immediately and soon embarked upon the Guitarevolution tour, sharing the bill with ex-Megadeth guitarists Marty Freidman and Chris Poland in a series of West Coast dates, winning over the primarily rock and metal fans in the audience. The next few months were spent honing the tunes for the next trio release, expected in Spring ’04. While this album will contain 50% original compositions, it will also continue the concept of the first album, with arrangements of music by Deep Purple, Judas Priest, Pink Floyd and more, most of which have been thoroughly road tested by the boys. 2004 promises to be an exciting year for the trio.
Current members:
* Alex Skolnick – guitar (2001-present)
* Nathan Peck – upright bass (2003-present)
* Matt Zebroski – drums/percussion (2001-present)
Past members:
* John Davis – upright bass (2001-2003)
Songs:
The Trio is known for performing songs written by bands of the Classic rock and Heavy metal variety - what they call "modern standards". They have covered portions of, or the entirety of the following songs, in concert or on record:
Tom Sawyer, The Trooper, Iron Man (Western Sabbath), Highway Star, Practica lo que predicas (Testament's Practice What You Preach), Goodbye to Romance, Detroit Rock City, Still Loving You, Don't Talk to Strangers, Dream On, No One Like You (which appears twice on the UK version of their debut album, once as a studio recording, and as a bonus last track from a live show), War Pigs, Electric Eye, Money, Blackout, and Pinball Wizard.
Since their first album, the Trio has shifted to a direction that includes more original material, as half the songs on their second album are original compositions, and only three are covers on their third album.
The Trio has covered 3 Scorpions songs to date, and bandleader Alex has called them "our Rodgers and Hammerstein".
Notable Concerts:
The Trio performed for the first time in New Zealand at the G-TARanaki Guitar Festival in July 2008. Alex was also included in an historic jam session at Vernon Reid's Puke Ariki "Midnight Session" performance alongside Gilby Clarke and Uli Jon Roth.
In 2010 they toured as a support act for Rodrigo y Gabriela
(source1: Alex skolnick trio official website!)
(source2: Wikipedia)
Detroit Rock City
Alex Skolnick Trio Lyrics
We have lyrics for 'Detroit Rock City' by these artists:
- Kiss I feel uptight on a Saturday night Nine o'clock, the radio's…
Adrenalin O.D. This here for the ones in the ville Who get looked…
Alien Fashion Show I'm feelin' tired on a Saturday 9'o clock the radio is…
Dee Snider I feel uptight on a Saturday night Nine o'clock and the…
Die Ärzte Muss denn immer alles perfekt sein Baby perfekt sein muss e…
HammerFall I feel uptight on a Saturday night Nine o' clock, the…
Hayseed Dixie I feel uptight on a Saturday night Nine o' clock, the…
Kid Rock/Metallica I feel uptight on a Saturday night Nine o' clock, the…
Kiss I feel uptight on a Saturday night Nine o'clock, the radio's…
Kiss & Melbourne Symphony Orchestra I feel uptight on a Saturday night Nine o'clock, the radio's…
Kiss & The Melbourne Symphony Orchestra I feel uptight on a Saturday night Nine o' clock, the…
Kiss (Live) I feel uptight on a Saturday night Nine o' clock, the…
Kiss - Alive III I feel uptight on a Saturday night Nine o'clock, the radio's…
Kiss - Double Platinum I feel uptight on a Saturday night Nine o' clock, the…
KISS - Topic I feel uptight on a Saturday night Nine o'clock, the radio's…
Kiss / Detroit Rock CityKiss I feel uptight on a Saturday night Nine o' clock, the…
Kiss / Melbourne Symphony Orchestra I feel uptight on a Saturday night Nine o' clock, the…
Kiss / Symphony Alive IV 2003 CD2 I feel uptight on a Saturday night Nine o'clock, the radio's…
Kiss/Detroit Rock CityKiss I feel uptight on a Saturday night Nine o' clock, the…
Kiss/Melbourne Symphony Ensemble I feel uptight on a Saturday night Nine o'clock, the radio's…
Kiss/The Mighty Mighty Bosstones From kiss my ass, cover of kiss song I feel uptight…
Kiss; Melbourne Symphony Orchestra I feel uptight on a Saturday night Nine o'clock, the radio's…
Kissexy I feel uptight on a Saturday night Nine o' clock, the…
Kiss I feel uptight on a Saturday night Nine o'clock, the radio's…
Kiss愀 I feel uptight on a Saturday night Nine o' clock, the…
Kyle Kinane how is it going SanFrancisco thank you for coming SanFrancis…
Metallica I feel uptight on a Saturday night Nine o' clock, the…
Paul Stanley I feel uptight on a Saturday night Nine o' clock, the…
Ronni Le Tekrø & Tony Harnell Controversial deal in another show of congressional reports …
The Melbourne Symphony Orchestra I feel uptight on a Saturday night Nine o' clock, the…
The Mighty Mighty Bosstones From Kiss My Ass, cover of Kiss Song I feel uptight…
The Section Quartet I feel uptight on a Saturday night Nine o' clock, the…
Kiss I feel uptight on a Saturday night Nine o'clock, the radio's…
We have lyrics for these tracks by Alex Skolnick Trio:
Electric Eye Up here in space I'm looking down on you My lasers trace …
Highway Star Nobody gonna take my car I'm gonna race it to the…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@docoftheworld
I just love this album. Brings back good memories. I was amazed when I first found it, beceause I never knew Testament's Ace had a thing for jazz :) Amazing!
@DanielAraujoNazar
saw Alex play live to about 30 people in a NYC pub in 2003, just before he rejoined Testament. he was a very cool guy. I asked him if he wasn't ever going to play metal again and he was like "no, this is what I do now"... yeah right. LOL
@mejsjalv
Love this album! That's what jazz is all about. And Skolnick got some classic hard rock and metal tunes, added some swing and some love on them... I think I've listened to this one way more than the Kiss original.
And then the lad keeps on going at the jazz thing, and gets back to Testament and sounds scary good at the thrash stuff again, back and forth between jazz and metal.
@kinesjl
I saw them perform this live not long after Transformation was released and they killed it. It was an epic moment for me as I used to spin the hell out of Testament on my college radio show. I've always been a Skolnick fan.
@pizzadeliveryguy1984
Detroit jazz city
@BLUTOV
Just saw him, Stuart Hamm and Gergo Borlai at the Baked Potato in Los Angeles.....a burning set it was.
@lecturehc
What a sweet cover.
@Dhruva_Nakshatra
epic
@rakistangpinoy4745
I love Testament. This is very interesting. I will listen to the whole album. Thanks for the upload.
@troyevitt2437
It's a nice complement to Pat Boone's In a Metal mood.