Anita O'Day (October 18, 1919 - November 23, 2006) was an American jazz sin… Read Full Bio ↴Anita O'Day (October 18, 1919 - November 23, 2006) was an American jazz singer.

Few female jazz singers matched the hard-swinging and equally hard-living Anita O'Day for sheer exuberance and talent in all areas of jazz vocals. Her improvising, wide dynamic tone, and innate sense of rhythm made her more than just another big-band canary. At a time when most female vocals tended to emphasize the sweet timbres of their voice, she chose to emphasize a path blazed by the one major jazz singer who emphasized message over medium - Billie Holiday. Like Holiday, O'Day combined the soaring freedom of jazz instrumentalist with the storytelling lyricism of a poet.

After making her solo debut in the mid-'40s she incorporated bop modernism into her vocals and recorded over a dozen of the best vocal LPs of the era.

During the late Forties, she recorded two dozen sides, mostly for small labels. The quality of these singles varies: O'Day was trying to achieve popular success without sacrificing her identity as a jazz singer. Among the more notable recordings from this period are "Hi Ho Trailus Boot Whip", "Key Largo", "How High the Moon", and "Malaguena". O'Day's drug problems began to surface late in 1947, when she and husband Carl Hoff were arrested for possession of marijuana and sentenced to 90 days in jail. Her career was back on the upswing in September of 1948, when she sang with Count Basie at the Royal Roost in New York City, resulting in five airchecks. What secured O'Day's place in the jazz pantheon, however, are the seventeen albums she recorded for Verve between 1956 and 1962.

Her first album, Anita O'Day Sings Jazz (reissued as The Lady Is a Tramp), was recorded in 1956 for the newly established Verve Records (it was also the label's first LP). The album was a critical success and further boosted her popularity. In October of 1952 O'Day was again arrested for possession of marijuana, but found not guilty. The following March, she was arrested for possession of heroin. The case dragged on for most of 1953; O'Day was finally sentenced to six months in jail. Not long after her release from jail on February 25, 1954, she began work on her second album, Songs by Anita O'Day (reissued as An Evening with Anita O'Day). She recorded steadily throughout the Fifties, accompanied by small combos and big bands. In person, O'Day was generally backed by a trio which included the drummer with whom she would work for the next 40 years, John Poole.

As a live performer O'Day also began performing in festivals and concerts with such musicians as Louis Armstrong, Oscar Peterson, Dinah Washington, George Shearing, Cal Tjader, and Thelonious Monk. She appeared in the documentary Jazz on a Summer's Day, filmed at the 1958 Newport Jazz Festival which increased her popularity. The following year O'Day made a cameo appearance in The Gene Krupa Story , singing "Memories of You". Late in 1959 she toured Europe with Benny Goodman; according to her autobiography, when Goodman's attempts to upstage her failed to diminish the audience's enthusiasm, he cut all but two of her numbers from the show.

After the Goodman fiasco, O'Day went back to touring as a solo artist. She recorded infrequently after the expiration of her Verve contract in 1962 and her career seemed over when she nearly died of a heroin overdose in 1968. After kicking the habit, she made a comeback at the 1970 Berlin Jazz Festival. She also appeared in the films Zig Zag (1970) and The Outfit (1974). She resumed making live and studio albums, many recorded in Japan, and several were released on her own label, Emily Records.

O'Day spoke candidly about her drug addiction in her 1981 memoir, High Times, Hard Times.

Her version of the standard, "Sing, Sing, Sing" was remixed by RSL and was included in the compilation album Verve Remixed 3 in 2005.

2006 saw her first album release in 13 years, entitled Indestructible!.

It Don't Mean a Thing
Anita O'Day Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

It don't mean a thing
If it ain't got that swing
(doo wah, doo wah, doo wah, doo wah
Doo wah, doo wah, doo wah, doo wah)
It don't mean a thing
All you got to do is sing
(doo wah, doo wah, doo wah, doo wah
Doo wah, doo wah, doo wah, doo wah)

It makes no diff'rence
If it's sweet or hot
Just give that rhythm
Ev'rything you got
Oh, it don't mean a thing
If it ain't got that swing

(doo wah, doo wah, doo wah, doo wah
Doo wah, doo wah, doo wah, doo wah)

Overall Meaning

Anita O'Day's song It Don't Mean a Thing is all about the importance of swing and how it can make or break a song. The lyrics suggest that without swing, a song is incomplete and lacks a certain energy and rhythm that is necessary to make it memorable. The repetition of the phrase "doo wah, doo wah" helps to emphasize this point, almost like a musical punctuation mark.

The lyrics also suggest that it doesn't matter whether a song is sweet or hot, as long as it has that swing. In other words, swing is a universal element that can be applied to any style of music. The final verse drives this point home by saying, "Just give that rhythm everything you got." This encourages the listener to embrace and embody swing in everything they do, whether they are singing or playing an instrument.

Overall, It Don't Mean a Thing is a fun and upbeat song that celebrates the power of swing music. Its catchy melody and simple lyrics make it easy to sing along, while its underlying message encourages musicians to stay true to the rhythm and let the swing take over.

Line by Line Meaning

It don't mean a thing
The significance is zero

If it ain't got that swing
Except it has a lively tempo

(doo wah, doo wah, doo wah, doo wah

Doo wah, doo wah, doo wah, doo wah)

It don't mean a thing
The significance is zero

All you got to do is sing
Just put your vocals into it

(doo wah, doo wah, doo wah, doo wah

Doo wah, doo wah, doo wah, doo wah)

It makes no diff'rence
No variation

If it's sweet or hot
Whether it's soft or powerful

Just give that rhythm
Just provide that groove