Few female jazz singers matched the hard-swinging and equally hard-living Anita O'Day for sheer exuberance and talent in all areas of jazz vocals. Her improvising, wide dynamic tone, and innate sense of rhythm made her more than just another big-band canary. At a time when most female vocals tended to emphasize the sweet timbres of their voice, she chose to emphasize a path blazed by the one major jazz singer who emphasized message over medium - Billie Holiday. Like Holiday, O'Day combined the soaring freedom of jazz instrumentalist with the storytelling lyricism of a poet.
After making her solo debut in the mid-'40s she incorporated bop modernism into her vocals and recorded over a dozen of the best vocal LPs of the era.
During the late Forties, she recorded two dozen sides, mostly for small labels. The quality of these singles varies: O'Day was trying to achieve popular success without sacrificing her identity as a jazz singer. Among the more notable recordings from this period are "Hi Ho Trailus Boot Whip", "Key Largo", "How High the Moon", and "Malaguena". O'Day's drug problems began to surface late in 1947, when she and husband Carl Hoff were arrested for possession of marijuana and sentenced to 90 days in jail. Her career was back on the upswing in September of 1948, when she sang with Count Basie at the Royal Roost in New York City, resulting in five airchecks. What secured O'Day's place in the jazz pantheon, however, are the seventeen albums she recorded for Verve between 1956 and 1962.
Her first album, Anita O'Day Sings Jazz (reissued as The Lady Is a Tramp), was recorded in 1956 for the newly established Verve Records (it was also the label's first LP). The album was a critical success and further boosted her popularity. In October of 1952 O'Day was again arrested for possession of marijuana, but found not guilty. The following March, she was arrested for possession of heroin. The case dragged on for most of 1953; O'Day was finally sentenced to six months in jail. Not long after her release from jail on February 25, 1954, she began work on her second album, Songs by Anita O'Day (reissued as An Evening with Anita O'Day). She recorded steadily throughout the Fifties, accompanied by small combos and big bands. In person, O'Day was generally backed by a trio which included the drummer with whom she would work for the next 40 years, John Poole.
As a live performer O'Day also began performing in festivals and concerts with such musicians as Louis Armstrong, Oscar Peterson, Dinah Washington, George Shearing, Cal Tjader, and Thelonious Monk. She appeared in the documentary Jazz on a Summer's Day, filmed at the 1958 Newport Jazz Festival which increased her popularity. The following year O'Day made a cameo appearance in The Gene Krupa Story , singing "Memories of You". Late in 1959 she toured Europe with Benny Goodman; according to her autobiography, when Goodman's attempts to upstage her failed to diminish the audience's enthusiasm, he cut all but two of her numbers from the show.
After the Goodman fiasco, O'Day went back to touring as a solo artist. She recorded infrequently after the expiration of her Verve contract in 1962 and her career seemed over when she nearly died of a heroin overdose in 1968. After kicking the habit, she made a comeback at the 1970 Berlin Jazz Festival. She also appeared in the films Zig Zag (1970) and The Outfit (1974). She resumed making live and studio albums, many recorded in Japan, and several were released on her own label, Emily Records.
O'Day spoke candidly about her drug addiction in her 1981 memoir, High Times, Hard Times.
Her version of the standard, "Sing, Sing, Sing" was remixed by RSL and was included in the compilation album Verve Remixed 3 in 2005.
2006 saw her first album release in 13 years, entitled Indestructible!.
You're My Everything
Anita O'Day Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You're my everything rolled up into one
You're my only dream, my only real reality
You're my idea of a perfect personality
You're my everything, everything I need
You're the song I sing and the book I read
You're a way beyond belief and just to make it brief
You're my everything (everything I need)
You're the song I sing and the book I read
You're a way beyond belief and just to make it brief
You're my winter, summer, spring, my everything
The lyrics to Anita O'Day's song "You're My Everything" express the depth of the singer's love for her partner. She paints a vivid picture of how essential her lover is to her life, describing them as her everything underneath the sun, rolled up into one. For her, the partner is not just a dream, a desire or an ideal, but rather her only reality, her perfect personality. The singer's love for her partner goes beyond just physical attraction or emotional connection; she feels that they are the ultimate source of everything she needs in life, the song she sings, the book she reads, and everything in between. The relationship is so central to her life that they become synonymous with each other, representing all the seasons of the year, all rolled into one.
Overall, the lyrics suggest that the singer truly feels that her partner is the love of her life, and that she can't imagine living without them. Her love for them is all-encompassing, and she's made them a vital part of her existence. As a result, the song is not just a love song, but rather an ode to the depth of love and commitment that two people can share.
Line by Line Meaning
You're my everything underneath the sun
You're my whole world and the center of my universe
You're my everything rolled up into one
You embody all that I need and desire in life and love
You're my only dream, my only real reality
My desire for you is so strong that it's the only thing that feels truly real to me
You're my idea of a perfect personality
The way you are as a person is exactly what I want and need in a partner
You're my everything, everything I need
You are all that's necessary to make me happy and fulfilled
You're the song I sing and the book I read
You bring joy and meaning to my life in a way that's similar to music and literature
You're a way beyond belief and just to make it brief
Words can't describe how wonderful you are, but I'll try anyway
You're my winter, summer, spring, my everything
You're there for me no matter the season or circumstance, and you fill my life with meaning and love
Lyrics © BMG Rights Management, Universal Music Publishing Group, Songtrust Ave, CTM Publishing, Peermusic Publishing, Kobalt Music Publishing Ltd.
Written by: JOSEPH YOUNG, MORT DIXON, HARRY WARREN
Lyrics Licensed & Provided by LyricFind
Aceiseverywhere
on Who Cares?
Let it rain and thunder
Let a million firms go under
I am not concerned with, stocks and bombs that I've been burned with
I love you and you love me
And that's how it will always be
And nothing else can ever mean a thing
Who cares what the public chatters?
Love's the only thing that matters
Who cares if the sky, cares to fall
in the sea
Who cares how history rates me?
As long as your kiss intoxicates me
Oh why should I care?
Life is one long jubilee
As long as I care for you
And you care for me!
Who cares if the sky, cares to fall
in the sea
Who cares what banks fail in Yonkers?
As long as you've got a kiss that conquers!
Oh why should I care?
Life is one long jubilee
So long as I care for you
and you care for me!
(These lyrics might be wrong, sorry)