All the Time
Atem S Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

I'm back
Clamoring for endless time
It's not a dream
It's nothing kind
Look out windows staring into
Steady lines
Sit up gently
Ease our minds

Train rides fly
Turning into morning light
Hot days
Slow skies
Summer time
Wine bottles
Always making friends in line
Basement clubs
Long walks
24 hours
We partied all the time
Where did I go
Where can I stay
What can you know
It's fair
Left over
Lasting cry
Already tried
It's already tried
Already tried
It's tried
I try
I hide
But I don't mind
I don't mind
I don't mind
They tell me all the time
I don't mind
I don't mind
It's different every time
I don't mind
I don't mind
I lose them every time
It's fair
It's tried
We partied all the time
I let her lose her mind
It's not fine
I lost them every time
It's not fine
Wake up
It's not alright
I lie
Wake up
It's not alright
Call for help
I lied
Let 'em up
Front of line
Let her up
Front of line
Let him up
Front of line
Let me up
Front of line
We didn't try
It's not fine
It's not fine
We didn't try
It's not fair
It's not fine
She's with us all the time
Used to be with us all the time

She was with us all the time
She's with us all the time

Overall Meaning

In this song, Atem S is reflecting on the good times he had with his friends in the past while also acknowledging the sadness that comes with losing touch with them. The lyrics paint a picture of carefree summer days spent partying and exploring, with references to train rides, wine bottles, and basement clubs. However, there is also a sense of nostalgia and longing for those times, as Atem S asks "Where did I go / Where can I stay / What can you know" and laments the fact that he has "lost them every time".

Despite this melancholy tone, there is also a sense of acceptance and a willingness to move forward. Atem S repeats the phrase "I don't mind" throughout the song, suggesting that he is at peace with the way things have turned out. He also calls for help and acknowledges that he has lied, indicating a desire to be honest and open with his feelings. Overall, the song captures the bittersweet memories of youth and the challenges of growing older and losing touch with the people and places we once knew.

Line by Line Meaning

I'm back
I have returned

Clamoring for endless time
Longing for time to never end

It's not a dream
This is reality

It's nothing kind
This is harsh

Look out windows staring into
Gazing out of windows

Steady lines
Watching still objects

Sit up gently
Slowly rising up from sitting position

Ease our minds
Calming our thoughts

Train rides fly
Train journeys pass by quickly

Turning into morning light
The darkness of night turning into daylight

Hot days
Days with high temperatures

Slow skies
Clouds moving slowly in the sky

Summer time
The season of summer

Wine bottles
Bottles of wine

Always making friends in line
Meeting new people while waiting in a line

Basement clubs
Nightclubs located in basements

Long walks
Extended periods of walking

24 hours
A full day

We partied all the time
We constantly engaged in parties

Where did I go
I am lost

Where can I stay
I have no place to stay

What can you know
There's not much that can be understood

It's fair
It is justifiable

Left over
Remnants from the past

Lasting cry
Continuing to weep

Already tried
It has been attempted before

It's already tried
The effort has already been made

It's tried
It has already been tested

I try
I attempt

I hide
I conceal myself

But I don't mind
But I am not bothered by it

They tell me all the time
I am constantly reminded

It's different every time
It changes on each occasion

I lose them every time
I always lose them

It's fair
It is justified

We partied all the time
We constantly engaged in parties

I let her lose her mind
I allowed her to lose control

It's not fine
It is not acceptable

I lost them every time
I always lost them

Wake up
Become alert

It's not alright
Something is wrong

I lie
I am not truthful

Call for help
Request assistance

Let 'em up
Allow them entry

Front of line
At the front of a queue

Let her up
Allow her entry

Let him up
Allow him entry

Let me up
Allow me entry

We didn't try
We did not attempt

It's not fair
It is unjustifiable

She's with us all the time
She is constantly with us

Used to be with us all the time
She was once constantly with us

She was with us all the time
She used to be constantly with us

She's with us all the time
She is constantly with us

Lyrics © DistroKid, Sentric Music
Written by: Adam Smetana

Lyrics Licensed & Provided by LyricFind

To comment on or correct specific content, highlight it

TRACKS

No Related Genres

More Genres

No Artists Found

More Artists Load All

No Albums Found

No Tracks Found

07'Til You Got It Back

08All The Time

Atem S

09Sweet People

10God, To Destroy Christmas

Genre not found

Artist not found

Album not found

Search results not found

Song not found

Comments from YouTube:

@photojoseph

9w↑24

Can you believe this is actually possible? It's been right under our noses for YEARS and it took Alex to figure out the first half… which led to the second half. WOW.

@EricLikness

9w↑1

All of us together,... there's nothing we can't do 👍

@PodcastMeister

9w↑9

Amazing. Just amazing. This video has not only saved me thousands in investing new cameras and lenses (and saved me from having to re-wire the entire studio as a consequence) but also made the Atem mini workflow attractive again. Thank you for tirelessly discovering hidden features and presenting them in an easy-to-follow, clear way.

@photojoseph

9w↑1

Love hearing that! Thanks for watching ☺️

@MarcusHutsell

9w↑7

I KNEW there had to be a way to do this!! I can't believe Blackmagic makes it so difficult to do EXACTLY what you (and I) have always wanted to do with the ISO Models and multicam edits. Thank you Joseph! This is awesome!

@photojoseph

Yeah man! I’m stoked we figured this out!!

@aaronpk

9w↑22

It always bothered me that Blackmagic didn't make the ATEM Mini create an actual multicam clip to begin with!

@photojoseph

9w↑2

Maybe because if they did, they knew that we figured this part out pretty quickly.

@JasonYadlovski

9w↑2

Agreed! It should be multicam right out of the ATEM. 😁👍

@retlwiz

9w↑2

You're right - it wasn't clickbait - well done, guys. This indeed is massive for the ATEM Mini range - I have an old project I can try this out on straightaway and had given up using BM cameras anyway.

@photojoseph

Niiiice!!

@Beyond90Seconds

9w↑2

Brilliant! I’d already watched Alex’s video and was so impressed. Now, to see you move that knowledge forward with this result is cool on multiple levels. Thank you both.

@photojoseph

9w↑1

Awesome, thank you!

@yemmyrichard7511

9w↑2

BOOM...that is it. When Alex released his video a few days ago, I asked for the possibility of this process in my comment....while I have been thinking it may not be possible eventually... you took the baton and finished it off.💥💥💥 Thanks to you and Alex

@photojoseph

Haha thanks man!

@photojoseph

9w↑15

I just realized you can auto-align clips in the Compound Clip so you don't have to manually align them!! Once you add the camera original video on top of the 1080p clip, select both, right-click and choose "Auto Align Clips > Based on Waveform" . Sheesh.

@jimkegley

9w↑2

Boom!

@WeCreateMusicTV

9w↑1

I was waiting to see if I saw this as a reply but I am glad that you figured out that you can do that auto align based on waveform in a compound clip.

@photojoseph

9w↑1

@@WeCreateMusicTV yeah for some reason I thought that was only in mukticam clips. Wish I’d looked for it sooner! 🤦🏼

@NeilHesterSkateboarding

9w↑1

I was wondering why you didnt do that as I was watching but good to see you picked up on it.

@WeCreateMusicTV

9w↑2

@@photojoseph But most importantly, thank you for your genius! While it is easy for us to point out what you could have done, we sometimes forget to give thanks for the time, effort, and genius it takes in putting these videos together and sharing with us to help us put out the best products.

3 More Replies...

@bodomassa

9w↑1

Thank you for improving the process from Alex to the next step. This improves the workflow and also the results so much.

@BenChamberland

9w↑3

Finally a workaround! Great job to both of you. Now let's just hope BMD can offer us this option in a firmware :). I stopped using the ATEM for this exact reason and I used the OG Shogun 7 instead (RIP Shogun 7). Now it opens this option for 8 cameras 🤯

@photojoseph

Fingers crossed!

@iSpike

9w↑3

Your passion & professionalism is through the roof. I hold so much respect for what you share with your fellow creators around the world.
Thank you Joseph ✌🏻😎🇦🇺☀️

@photojoseph

Aw man, thank you! Best comment ever — you are appreciated!!

@user-sh9ol9kp4k

9w↑2

THIS IS HUGE! I was trying to figure this out a few years back when the Minis first landed with no success. Incredible work by Alex.

@photojoseph

9w↑1

Agreed 100%! This is awesome and Alex is a hero.

@BoothJunkie

9w↑2

This is a great discovery! Well done to you and Alex for the workflow!

@photojoseph

Thanks a lot!

@JonathanPalfrey

9w↑1

This is great! Not only opens up using different cameras but also wireless camera angles and SDI feeds as well.

@photojoseph

Yeah!

@JasonYadlovski

9w↑3

Perfect man! I was just chatting with BMD last week about doing exactly this. Been recording with an HD8 ISO with 6 inputs and wanted to go from the cut timeline to multicam clips just for easier changes. Nice job! 😁👍

@photojoseph

9w↑1

Awesome! I wonder what they’ll think of this video 😅

@JasonYadlovski

9w↑1

It’ll be interesting to see. The suggestion I got was to use the cut page to create a sync relationship between the cuts in the timeline from the ATEM and the original footage, then switch or change angles by using replace clip on top of existing cuts. That method would work fine too, but I’d much rather have a multicam clip that I can just right click and choose a different angle.

@photojoseph

@@JasonYadlovski what you’ve described is the official technique. It’s what Grant showed in the initial demo and is probably what’s in the manual. DM me on 𝕏 if you want to continue this conversation mate — as you know YouTube replies can be hard to notice.

@AmateurBlonde

This is great. A lot cheaper than Tentacle Sync, although a pretty complex procedure. I'm grateful you made this comprehensive tutorial. I'm adding it to my bag of tricks. The WWII clicker is great. I can think of many applications for that. One thing about it is that it's not as alarming to actors/talent as a slate. I'll be sure to save this and Alex's video for future recall. Thank you!

@PatrickStirling

9w↑5

realll slick. could be crazy useful to a ton of user already taking advantage of ISO recording

@photojoseph

And I think users who wouldn’t have bothered. I think it’s huge.

@PatrickStirling

9w↑1

still never picked up an atem but I've had it as a possibility to sort of live-produce tutorials as I record for a while

@petecrouch8277

9w↑2

Very clever! I just watched Alex's video a couple of days ago and will give it a go, but now that i can swap out to use camera originals is awesome. Now we just need a clever bit of AI to produce a couple of Macros within Resolve to automate the whole process.

@photojoseph

9w↑2

you're not the first person to want it automated! That would be great, but honestly once you get the routine down, it takes mere minutes to do. It goes faster when you're not explaining everything 😅

@vojtechkilianprod.hexafilm5905

9w↑1

If you're using blackmagic cameras, replacing clips is not so difficult, you can just replace ISO files with original raw files from cameras as they are already perfectly synced, but this is a real game changer for everyone not using bm cameras with atem. And of course, the fact that you can have multicam sequence instead of the original atem timeline is priceless. Thank you guys for doing this! 🎉❤

@photojoseph

Actually, if you have BMD cameras, all you have to do is put the RAW files in the folder and Resolve finds them, and treats the RAW as originals and the 1080p as proxies. But of course you can regenerate proxy files once you build these new sequences if you need them. Yeah this is super cool for sure! So glad Alex figured out the first half.

@ThruVisualMedia

9w↑2

Joesph, dude you rock! Thank you! Great work around!

@photojoseph

Thank you!!

@igorvuk4454

You dont even need to connect the cameras to atem, only the microphone 😊 you can have wireless atem setup but you will have to switch without seeing what goes on in a way

Ive tried this before but I had it more complicated, I was replacing iso files and had to align the timecodes on them and that really was a lot of work

Thank you so much ❤

@photojoseph

Interesting approach!

@SlimboCanavi

9w↑1

Genius idea. If you use lumix box cameras, you could monitor all of the cameras over wifi in lumix tether as you switch with the atem.
Maybe record a tentacle sync into the mic 1 so the ISO just records black files with camera timecode burnt in.
You'd have to set up a black multicam project like in this video and then finally swap out the files via the audio timecode.
I avoided doing many live shows for this reason - I didn't want to invest in wireless transmitters or lay long cables.
This is perfect! Thanks again for the idea

@photojoseph

@SlimboCanavi interesting. You’re the second person to talk about switching a show but not live streaming it, and not even connecting the cameras. Fascinating!

@thepaulsuarez

9w↑2

Nice work. This is super helpful. Hopefully they just update the atem firmware in the future to support this without the workaround.

@photojoseph

9w↑1

I kinda wonder if they didn't make the files multicam to start with because they didn't want anyone to figure out this next step 🤔

@thepaulsuarez

@@photojoseph Totally. They are kind of disincentivized to expand the Resolve timeline functionality from a business perspective.

@fotoworkshop_stuttgart

9w↑1

Great work. I use timecode boxes from tentacle. So I can do multicam with or without an ATEM. Syncing is done supersimple. Anyone who earns their money with this should consider it. For prosumers yours is the way to go.

@photojoseph

Using timecode to sync the cameras for an edit it later is of course, the better way to go. But that has nothing to do with what I’m doing here; the entire purpose of this workflow is that you can maintain the edits that you did in the live show without having to start from scratch. Or am I misunderstanding what you’re saying?

@fotoworkshop_stuttgart

9w↑2

@@photojoseph I guess my usecase is different: During a recoding I don't have an live-editor on site and myself I am busy with presenting or dealing with clients. So yes both workflows serve two different purposes. Cool finding!

@AskJoe

9w↑2

Simply amazing! Meanwhile, I just picked up two Blackmagic cameras (BMPCC 4K and 6K G2) so I can swap them for 4K originals. It bothered me that my two original main cameras were put on a shelf, but it seemed like that was my only option. I'll give this a try using my old Lumix G85, but unfortunately my old Canon 90D can't record to SD at the same time as sending clean HDMI to the ATEM, so I guess I still needed at least one new camera. Meanwhile, Blackmagic really should upgrade the ATEM Firmware for true Multicam. I think their approach is way too complicated.

@photojoseph

9w↑1

Yeah the G85 will do it. It might have the 29:29 limit? I don’t remember.

@AskJoe

9w↑1

@@photojoseph No time limit on the G85, which is the biggest advantage over the 90D. Funny thing, after writing this, I forgot I was already recording my 90D with an Atomos to beat the 30 minute limit I had on that camera, so bingo... I've officially got a way to run 4 simultaneous cameras with 4K or more.

@photojoseph

@@AskJoe woohoo!!

@Coruway

9w↑2

Could this multicam clip be used to color correct the cameras original clip? This is a technique (correcting the master clips and creating a good start poin t for different camera shots). I've used in FCP and its a main hesitation I've had in the Resolve multicam. I have seen ways to enter the color mods on the color coded and selected clips, But being able to modify the master clip is what I've been looking for. Great technique you outline that might let me move away from FCP Multicam clips. Thanks for the billiance here.

@photojoseph

I’m not totally sure I follow. But let me see if I do. To grade a Resolve multi cam project, you can either grade each cut one by one, or open the multicam clip and grade each angle once. Either way works. And you can do both; do a base grade inside the multicam then finesse each cut (or just the ones that need it) on the timeline. Is that what you’re asking?

@HavekAttacketh

9w↑1

This is exactly what I have been looking for!

@photojoseph

Awesome!

@e.leewhite7907

9w↑2

I have followed you for a number of years. I book marked a few of your tutorials on using the ATEM. I’ve moving towards DaVinci myself. I remember you doing some tutorials using the ATEM with FCPX. Could you send me one of these tutorials using FCPX with the ATEM?

@photojoseph

Thanks! You might be thinking of this video… https://youtu.be/vwPH4l5R-dw?si=njX-zruw7IyIDKTk

@esc7ap

9w↑3

Can you do a video about that case you're using for the ATEM? That looks cool!

@photojoseph

9w↑2

Yeah! I actually did a live show on it last year: https://www.youtube.com/live/BXyAOjwZ4t8?si=1DA5-CZi-EXpJ36e

@esc7ap

@@photojoseph Thank you!

@DesigntoSwiftUI

Amazing video. What do you use to zoom in and out when are screen recording.also I record my audio from my rodecaster pro bc the audio isn’t great coming from the atem. Do you know of an easy way to swap out audio I normally have to go through a whole process. I also want to be able to edit multi cam on the edit tab but I know that’s not possible as far as I know.

@photojoseph

9w↑1

1. Screenflow
2. Swap out audio the same way I swapped out video here. Just record the entire show and line it up with the ATEM audio track.
3. What I showed here is the edit page. Do you mean the Cut page? I never touch it; don’t know.

@e.leewhite7907

9w↑2

I’m moving over to DaVinci slowly. Do you have a tutorial for FCPX for the ATEM?

@photojoseph

9w↑2

For specifically editing the ISO -generated Resolve files; yes! https://youtu.be/vwPH4l5R-dw?si=njX-zruw7IyIDKTk

@gallo.s.chingon

9w↑1

this opens up a LOT of possibilites. I can carry 4 sony cameras and lenses in the space it takes 2 BMPCC and lenses. important considering I never check bags.

@photojoseph

That’s awesome

@SlimboCanavi

9w↑2

Great video thanks. What if we do want to use timecode - would the process be similar? I imagine the easiest solution would be to use a tentacle to record audio timecode onto the mic 2 track of the ATEM and then have that timecode match all the cameras. So - we'd have to somehow update the resolve file to match the tentacle's timecode. Is this possible?

@photojoseph

9w↑2

Interesting. I’ve never tried recording timecode on an audio track into the ATEM but it should work. You can modify the timecode of any clip in Resolve, so I guess you could replace the ATEM clips with timecode that matches the external cameras. But I’m not sure that would save any time. I realized later (it’s now in the pinned comment) that you can auto sync the camera original and ATEM files in the compound clip by waveform. Using timecode would make that sync faster, but the time it would take to convert and replace the timecode might not be worth it. I’ll think some more about this. It’s certainly interesting.

@SlimboCanavi

Thank you! It was your video about timecode that really got me going down the rabbit hole with ATEM and timecode. I actually did accomplish this once by waveform syncing the camera files to the atem iso files in final cut and then bouncing the camera files again so they had the same timecode and length, and then doing the easy swap in davinci. (at that point without a true multicam clip which has only recently been discovered.). It was a time consuming process.
Then I went digging online and I saw some people accomplish it by using a Teranex SDI to Audio, where the program from the ATEM goes in and audio timecode comes out, which can be used to jam the cameras.
But that required pretty expensive gear as well as a conversion to SDI.
But I thought that this idea of recording with the tentacle could be a lot easier.
If you come up with any timecode solutions for swapping out iso files it would be awesome to see you make another video! You're right that it needs to be a time efficient process. We can't just replace one time consuming task (syncing and cutting) with another (bouncing out clips with a different timecode or losing our ability to quickly multicam edit the generated resolve file)

@SuperMouseDV

9w↑1

Did you disable the the other audio tracks. I know if I don't do that, the AUDIO is sometimes over modulated as having multi clips with the same audio it gets really Loud or the is a slight offset and you hear it..

@photojoseph

I did not talk about audio (I should have) but yes 100% you want to disable the original audio track. As mentioned at the end, you could even bring in high quality audio via an 32-bit float recorder if you really wanted to get the best of the best.

@tedz2000

9w↑1

Great stuff, is it possible to save the file out once all conversion are done and package it back like the original atem iso file. Basically want to hand the client a 4k in the format from the ATEM

@photojoseph

9w↑1

Oh yeah, totally. Resolve has a great “export project” option.

@davinchewk

Does the multicam clip work on the cut page? I've grown to love the speed editor and would hate to sacrifice the sync bin feature if the multicam clip doesn't work with the multicam buttons on the speed editor on the cut page.

@photojoseph

No. The original non-multicam timeline is designed for the cut page. I am pretty sure proper multi cam clips don’t work in the cut page. I could be wrong though; in not a fan of the cut page.

@natehudsonmedia

9w↑2

why not just select both clips inside the compound and right click and select Auto Align clips and then select by audio waveform? Or if you are using timecode select by timecode? nudging and zooming in seems like doing it the hard way.... But for what it's worth, thanks for the info. Will definitely utilize this

@photojoseph

9w↑2

No, you're right. I thought that functionality was only inside multicam clips, and realized it after. I added a pinned comment and info to the description to update that. Thanks for watching!

@McTolix

9w↑2

Finally! This is legendary!

@photojoseph

Haha thank you!!

@lawrencegress9831

9w↑2

Really well done video. NO BS TO THE POINT!

@photojoseph

Haha thanks!

@tsairsarut

Cool! Did you also manage to find a solution for the Supersource, DSK and USK. Don't appear in the timeline?

@photojoseph

If it appears on the timeline, it works. Standard PiP shows up (USK, if memory serves). Pretty sure supersource doesn’t but I haven’t looked at that in ages.

@Graham_Rule

9w↑2

Does this work when you've used the ATEM's built in Picture in Picture? The project file has two video tracks, one with the main picture and above that a transformed version of camera 1, but only when PiP was active.

@photojoseph

9w↑2

Huh… I’m not sure how the scale would translate. I’ll try it tomorrow!

@photojoseph

9w↑1

I tested it, and it works perfectly.

@lslranchi

9w↑1

This is brilliant. ❤

@photojoseph

I appreciate that!!

@dlorek

9w↑1

I will not use it, but I watched whole video because I like smart ideas ;) THX

@photojoseph

😅 I appreciate that!

@dlorek

9w↑1

@@photojoseph I can't because I have Mini Pro, not ISO. ;)

@dr.outdoor

9w↑1

I wonder how long it will take, until Blackmagic will directly prepare a multicam clip from within the ATEM project... at least I hope so!

@rapier8886

Really impressive, thanks! I wonder if it would be possible to make a plugin to automate this.

@photojoseph

Maybe!

@bscheirman

9w↑2

Do you record your screen with software? Or HDMI to the ATEM as well?

@photojoseph

Software; Screenflow.

@alvaromorello

Thank you so much for the video! Can you please give me info on the green case build at 3:54?

@photojoseph

Link in description! Website: https://geni.us/PocketVideoStudioNY Video; https://www.youtube.com/live/BXyAOjwZ4t8?si=1DA5-CZi-EXpJ36e

@alvaromorello

Thanks bud. @@photojoseph

@pierrejeanjean9355

9w↑2

Tx wonderfull workflow... :-)

@photojoseph

9w↑1

😊

@spielundzeug

Does this work for 2h+ productions? Or will the drift make it unfeasible for anything longer than a few minutes?

@photojoseph

As long as you’re in the same frame rate there should be no drift. But if there were, you could compensate with a few slice and nudges inside the multicam clip.

@bscheirman

9w↑3

Clicked on this video and had it running in the background, then realized who @photojoseph's voice reminds me of: Wil Wheaton. Now all I'm hearing is Ready Player 1, lol.

@photojoseph

Hahahaha awesome

@BensTechLab

9w↑1

Oh no! Now I’m not sure I can unhear this! 😂

@tomasposka9258

How to make Rodecaster pro II audio output synchronise with Atem mini Pro ISO atomatically?

@photojoseph

Same way I did with the video, which was actually with the audio. See the pinned comment, too.

@tomasposka9258

yea, but my question is how to make a Davinci project file use the audio as a channel 1 audio coming from Rodecaster.@@photojoseph

@RandumbTech

Still seems overly complicated. The best (and easiest solution) I've found is just to run timecode into all of the cameras. I really wish ATEM gave us a dedicated timecode input. It would solve ALL of these issues. Appreciate the time you and Alex have put into figuring this out though!

@photojoseph

Agreed about timecode input. You can on the bigger ATEM models but not the ones that spit out this resolve file. Timecode though wouldn’t solve all the issues. You still need to match back the mukticam clip.

@madedigital

9w↑1

Why not align audio click with the ai Align by waveform?

@photojoseph

See my pinned comment — I didnt realize that was there until later.

@dr.outdoor

a small tip regarding sub-frame audio aligning: you CAN do that! make sure, you trim off a little footage in front and at the end, then you can nudge fine-grained with ALT-LEFT and ALT-RIGHT cursor key, but you have to cut front & back, so you have wiggle room! Also use the menu: Trim->Slip Audio

@photojoseph

But wouldn’t that just slip the audio, potentially putting it out of sync with the video? I’d prefer that the new audio stay aligned with the new video, since the new audio is what will get used.

@dr.outdoor

9w↑1

@@photojoseph that's absolutely true... still, since you are working in a multicam clip with more other "new" 4k clips, you will have to align audio in a later stage to the new videoS, and here, the ALT-LEFT/RIGHT might come in handy again...

@photojoseph

9w↑1

@@dr.outdoor aha, gotcha. Yep, totally fair. I actually originally scripted an explanation of why the audio and video won’t line up properly unless you’re shootings with genlocked cameras but nixed it because I felt it was too esoteric for this video. Those who already know that will know that’s how to get perfect alignment; those who don’t won’t likely care or at least not want the lecture in this video. It’s my biggest struggle in making videos like these; deciding what to leave out!!

@dr.outdoor

9w↑1

@@photojosephgot it :) too nerdy stuff going on :) but who's talking ATEM, Blackmagic and Multicam is already deep sh#$ into nerdy stuff :) :)

@photojoseph

9w↑1

Haha yeah, but also videos get too long and people who don’t want the extra time out. It’s a tough balance.

@RicMulligan

9w↑1

I like it. so many steps, but worth it.

@photojoseph

It is, but it goes really quickly when you’re not talking about it.

@dustmicks1

So I do not have the ISO version but I was wondering if you would know why I get a little bit of a buffering effect when I run my r6 4k 24fps. for the most part its all good but at some points it looks like its buffering, laggy for a sec. If anyone could answer this.

@photojoseph

Is the ATEM set to 24p? While it can convert frame rates it’s best to feed it the native signal frequency. If you’re talking about buffering while streaming then that’s an internet problem.

@dustmicks1

@@photojoseph this is happening when I am recording to an ssd but it even happens when I am not recording or going live. Just looking at the previews it will do this weird buffering thing.. It’s very hard to explain with out seeing it. I was not aware that you can change frame rates in your atem board. I will look into that.

@photojoseph

That’s probably the issues

@dustmicks1

@@photojoseph I appreciate the reply’s! It was set on 1080 24. But I changed it to 23.98 to see if that matters.

@LoverOfTech

9w↑1

I really wish ATEMs where 4K 30 with HDMI 1.4 at least, if not HDMI 2.0 with 4K 60 for livestreams. Apart from that they are great

@photojoseph

9w↑2

They are. You need a 4K model.

@LoverOfTech

9w↑1

@@photojoseph oh snap there is a 4K model? Yep I completely missed it. Let's have a look

@photojoseph

9w↑1

Several! Even 8K!

@videopodcaststudio

9w↑1

Thank you! and Thank you!

@photojoseph

You are so welcome!

@ChrisKSP

Can you make this automated with a macro? This is a ton of toil. If I could load a ATEM ISO project into resolve and then click a macro this would save a ton of time.
Macros
python scripts
whatever the solution, every step that can be automated saves a ton of time

of course, blackmagic changing resolve to read an ATEM ISO xml file to multi-cam would be best

@photojoseph

Perhaps. But this process only takes a few minutes if you just do it and don’t talk about it. And it’s only something you have to do once per live show. Might not be worth automating. But 🤷

@ChrisKSP

9w↑3

I'm tech support for my dad (in his 60)'s who is doing recording for my mom who's doing a youtube channel about quilting. All of the clicks he has to do adds up and he has trouble remembering. Anything that makes his life easier makes my life easier as remote tech-support from across the country.

I'm a programmer, so i'll look into this and get back to you if I get a script working and I'll put it on github if I do

@photojoseph

9w↑1

@@ChrisKSP awesome! If you do be sure to post a new comment and don’t include a link — replies are usually missed (crappy notification system) and URLs get marked spam. Or better yet, DM me on 𝕏.

@ChrisKSP

@@photojoseph I made some headway tonight. I've never scripted in Resolve, so it's a little bit of a learning curve. But so far I have it so I can find the cameras in the media bin and automated changing their color. Maybe tomorrow night I can find the functions to get the multi-cam created. There may be parts that are not automate-able. But pasting a script to make the cameras 1 to 8 auto-colored consistently is already a win

@barnhillstudiomedia

Can you tell me where to get the light you have behind you? I see Allie of them on their channels i can’t find it

@photojoseph

It’s from Mömax in Slovenia although I’ve seen similar lamps in many stores.

@italianinoslo

I’ve been doin this for years in Premiere with the Atem files + my cameras internal recordings 😂

@photojoseph

Really! Using this same process?

@italianinoslo

Pretty much the same process. I`m lazy so I had figured out the swap clips in nested sequences a long time ago. Thought everyone was doing it already...@@photojoseph

@photojoseph

@italianinoslo so you’re maintaining the original edit? Converting the flat clips to multicam and then replacing the 1080p clips with camera originals?

@travisminneapolis

Davinci Resolve should have a MUCH easier way natively to do this with their switchers/software integration.

@photojoseph

9w↑1

Sure, but let’s be thankful to Alex who figured out a way to make this work. And the fact that the ATEM gives us the project file at all is amazing. No other switcher in the world does that.

@lelekov

THANK YOU!

@SmartVideoBE

9w↑1

This can actually be really the most important video, but….first I dont have the iso version, only the regular atem mini… second i normally use atomx cast to switch camera angles and third… i use premier pro…. So… what are the steps i should take? Get iso version of atem, sell the atomx cast and learn davinci… yeY :D easy :D 🎉😂

@photojoseph

9w↑1

Resolve is free, so there’s that part solved!

@AMBBannersCom

9w↑1

Why not using the auto align clips by audio option ?

@photojoseph

See my pinned comment 😳

@editcat

9w↑1

Це топове відео про Atem mini. Дякую і вітання з України❤

@photojoseph

Дякую за перегляд!

@budokahn

Would you tell me more about the background light that you are using?

@photojoseph

9w↑1

Bought on sale st Mömax in Slovenia for €99

@budokahn

9w↑1

Thank you They look great and it was an excellent video! @@photojoseph

@photojoseph

@budokahn thanks!

@alvinburrell

9w↑1

Bravo! a whole new world

@photojoseph

Right?!?!

@HamptonConway

9w↑1

dope. thanks

@photojoseph

You bet

@apntv

9w↑1

Awesome Joseph.

@photojoseph

9w↑1

Thanks!

@vivendofotografia1854

9w↑1

Thank you.

@photojoseph

You're welcome!

@junkyardmagic

9w↑1

I totally concur

@ShaggyMummy

9w↑1

Finally!!!

@photojoseph

Right??

@geraldbaria

Why can’t you just create multicam
With the original clips in the first place? You can sync them via audio anyway.

@photojoseph

Because they would have no way to match back in the reconfirm process. You need the timecode from the ATEM clips, which gets transferred to the multi cam clip, then you’re “borrowing” that timecode for the new, camera original clips.

@skinkie

@@photojosephI have no experience with Davinci Resolve. But I would consider the atem input as a variant of proxy files. Isn't what you actually want to transfer the choice of input as given by the EDL and only swap the input files in the EDL (similar to proxy editing) by the raw recordings set to the same starting point? So first start camera recording, then start atem, cut raw recording to the atems start frame?

@ThisIsLeeBird

Imagine it being 50 years since Timecode was created and we still had to clap and do stupid things to sync audio and video or multiple video clips because it wasn’t standard yet on every camera and audio interface. Oh wait…..

@photojoseph

Well, the cameras do have to have the SAME timecode to be of any use.

@JohnHennessykerbute

9w↑1

Outstanding. I'm also impressed with YouTube recommending this exactly as I am working on a project like this! Sometimes the universe delivers. Thanks @photojoseph!