BOYS
Bauhaus Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

We tried to fly
Is it so high
We don't think so
We don't think so

Are we looked at
Are we set back?
Can we fake him
Emulate him?

Time is breaking
Changing faking
Grind us up now
Not too hard now

Features so fine
Rouge and eyeline
Things I fancy
Just like Nancy

Oh oh oh
Oh oh oh

Fashions alter
Often falter
Crepe soles out now
No more fights now

Make-up's taking
Lots of shaving
On my eyelash
You sure it don't clash

Oh oh oh
Oh oh oh

Slim-line trousers
Facial powders
Flooding my mind
Be sure there's no lines

Eye me up now
Pamper me now
Please don't pass by
Or I shall cry

Oh oh oh
Oh oh oh




Oh oh oh
Oh oh oh

Overall Meaning

The Bauhaus song "Boys" reflects the band's punk and gothic roots, with nihilistic and existentialist lyrics that mirror the social and political turmoil of the late 1970s and early 1980s. The verses seem to describe the tension between individuality and conformity, as well as the ambiguity and fluidity of gender roles and sexual identity. The chorus, with its repetitive chorus of "Oh oh oh," adds to the hypnotic and trance-like quality of the music.


The opening lines "We tried to fly/Is it so high/We don't think so/We don't think so" can be seen as a metaphor for the impossibility of reaching one's aspirations and dreams, or the disillusionment and disappointment that come with success. The lines "Are we looked at/Are we set back/Can we fake him/Emulate him?" suggest a desire to fit in with society's norms and expectations, to belong and to be accepted. The idea of time being "breaking/Changing faking" points to the fleeting and transient nature of time and how it affects our sense of identity and purpose.


The lines "Features so fine/Rouge and eyeline/Things I fancy/Just like Nancy" seem to be an ode to female beauty and glamour, but also a subversion of traditional gender stereotypes and norms. The lines "Slim-line trousers/Facial powders/Flooding my mind/Be sure there's no lines" also blur the lines between masculine and feminine aesthetics, with the male narrator embracing a more androgynous and gender-bending look.


Overall, "Boys" is a song that packs a punch with its stark and powerful imagery and sound. It is a reflection of the darker and more rebellious side of punk and goth music, and a testament to the Bauhaus's unique and influential sound.


Line by Line Meaning

We tried to fly
We attempted to reach great heights


Is it so high
Is it truly unattainably high?


We don't think so
We don't believe so


We don't think so
We don't believe so


Are we looked at
Are we being observed?


Are we set back?
Are we held behind?


Can we fake him
Can we imitate him?


Emulate him?
Mirror his behavior?


Time is breaking
Time is wearing away


Changing faking
Presenting false personalities to keep up with changes


Grind us up now
Working us too hard


Not too hard now
Don't overwork us


Features so fine
Attractive looks


Rouge and eyeline
Blusher and eyeliner


Things I fancy
Objects I desire


Just like Nancy
Just like a woman named Nancy


Oh oh oh


Oh oh oh


Fashions alter
Styles change


Often falter
Often with missteps


Crepe soles out now
Soft rubber soles no longer in style


No more fights now
No longer any confrontations


Make-up's taking
Make-up plays a large role


Lots of shaving
Lots of hair removal


On my eyelash
On my eyelashes


You sure it don't clash
Are you sure it doesn't look bad?


Oh oh oh


Oh oh oh


Slim-line trousers
Trousers with a thin silhouette


Facial powders
Face powders


Flooding my mind
Consume my thoughts


Be sure there's no lines
Make sure there are no creases


Eye me up now
Eye me now


Pamper me now
Care for me now


Please don't pass by
Please don't ignore me


Or I shall cry
Or I'll break down and cry


Oh oh oh


Oh oh oh


Oh oh oh


Oh oh oh




Lyrics Β© Universal Music Publishing Group
Written by: Daniel Gaston Ash, David John Haskins, Kevin Michael Dompe, Peter John Murphy

Lyrics Licensed & Provided by LyricFind
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Most interesting comment from YouTube:

Jay Sharp

My sleuthing skills aren't what they used to be... What's this take originally FROM?

I only ever had Gotham (live)
Having seen it in person then subsequently buying it on VHS and the double CD ... 😊

And the b side version from my bela lugosi CD...

Unless ....

Did i overlook it on the best ofs or crackle? Those were the three best ofs i had



All comments from YouTube:

Ian ballantyne

Superb. I don't understand why this version has never been re-leased

Jay Sharp

My sleuthing skills aren't what they used to be... What's this take originally FROM?

I only ever had Gotham (live)
Having seen it in person then subsequently buying it on VHS and the double CD ... 😊

And the b side version from my bela lugosi CD...

Unless ....

Did i overlook it on the best ofs or crackle? Those were the three best ofs i had

Ian ballantyne

@Jay Sharp This take was recorded (presumably after the 'Bela Session' cd version, which you mentioned) and originally released as the b side (along with a short demo of Dark Entries) of Bela Lugosi's Dead in 1979. As far as I know, it's never been released on any compilations (sadly) at least not in the UK. I much prefer this take compared to the Bela Session one. It seems as though the band weren't totally happy with that take, and so recorded and released this one instead. I love what Kevin Haskins added to this take, as I'm a drummer myself!

Ian ballantyne

@TheVictrolaLady No, unfortunately it's not on Crackle.

TheVictrolaLady

@ianballantyne6892Β  yep I was thinking about something different. I listened to the Crackle album after posting. I love this song. πŸ₯° Unfortunately, I don't have it on CD.

Richard Grove

Wicked

Stephanie

πŸŽ‰I ❀U ALL.....Boys..mk

Button Willow

Is this song about David Bowie?

DJAnthrocide

Yes. The title alone makes it obvious...

DJAnthrocide

But you are very perceptive to notice, to be clear...

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