Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz… Read Full Bio ↴Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz alto saxophonist, trumpeter, composer, arranger, and bandleader. He was a major figure in jazz from the 1930s to the 1990s, and was recognised as such by other jazz musicians who called him King.

As a youth, Carter lived in Harlem around the corner from Bubber Miley who was Duke Ellington's star trumpeter. Carter was inspired by Miley and bought a trumpet, but when he found he couldn't play like Miley he traded the trumpet in for a saxophone.

Carter began playing professionally at 15. He first recorded in 1928 and formed his first big band the following year. He played with Fletcher Henderson in 1930 and 1931, then briefly led McKinney's Cotton Pickers before returning to lead his own band in 1932. The few recordings his band made between 1933 and 1934 are considered by most jazz scholars to be milestones in early swing arranging. They were sophisticated and very complex arrangements, and a number of them became swing standards which were performed by other bands ("Blue Lou" is a great example of this.) He also arranged for Henderson and Duke Ellington during these years and wrote two hits, "Blues in My Heart" and "When Lights are Low." By the early 1930s he and Johnny Hodges were considered the leading alto players of the day. Carter also quickly became a leading trumpet soloist, having rediscovered the instrument. He recorded extensively on trumpet in the 1930s. Also, in 1933, Carter took part in an amazing series of sessions that featured the British band leader Spike Hughes, who came to New York specifically to organize a series of recordings featuring the best Black musicians available. These 14 sides were only issued in England at that time, though they are available on CD and worthwhile looking for. (The musicians were mainly made up from member of Carter's band and from Luis Russell's.)

In 1935 he moved to Europe, where he became staff arranger for the British Broadcasting Corporation dance orchestra and made several records. He returned to the United States in 1938 and led a big band and sextet before moving to Los Angeles in 1943 to write for movie studios. Carter continued writing and performing into his 90s. He arranged for Louis Armstrong, Ray Charles, Ella Fitzgerald, Peggy Lee, and Sarah Vaughan, among many others.

His biggest hit was "Cow Cow Boogie", a song he co-wrote with Don Raye and Gene DePaul, which was a hit for Ella Mae Morse in 1942.

In the 1940s and 1950s, Carter was one of the first black men to compose music for films. He was an inspiration and a mentor for Quincy Jones when Jones began writing for television and films in the 1960s. Also in the 1940s, Carter's successful legal battles in order to obtain housing in then-exclusive neighborhoods in the Los Angeles area made him a pioneer in an entirely different area.

He also appears uncredited in the 1952 film, The Snows of Kilimanjaro, as a sax player.

Carter was admired for his ability to write saxophone solis, which are sections of music that the entire section plays as one unit in the manner of a solo.

Carter was a member of the music advisory panel of the National Endowment for the Arts. He was also a member of the Black Film Makers' Hall of Fame and in 1980 received the Golden Score award of the American Society of Music Arrangers. Carter was also a Kennedy Center Honoree in 1996 and received honorary doctorates from Princeton, Harvard, Rutgers, and the New England Conservatory.

He died, aged 95, at Cedars-Sinai Medical Center, Los Angeles of what is thought to have been bronchitis.

Lady be good
Benny Carter Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Listen to my tale of woe,
It's terribly sad but true,
All dressed up, no place to go
Each evening I'm awfully blue.

I must win some handsome guy
Can't go on like this,
I could blossom out I know,

With somebody just like you. So

Oh, sweet and lovely lady, be good
Oh, lady, be good to me
I am so awfully misunderstood
So lady, be good to me
Oh, please have some pity
I'm all-alone in this big city
I tell you I'm just a lonesome babe in the wood,
So lady be good to me.

Oh, please have some pity
I'm all alone in this big city
I tell you I'm just a lonesome babe in the wood,

So lady be good to me.
Oh lady be good to me.

Overall Meaning

The lyrics of Benny Carter's song Lady be good tell the story of a lonely and sad person who is looking for a love interest. The singer of the song is dressed up and ready for a night out but has no place to go, which causes her to feel blue every evening. She is desperately seeking attention from a handsome guy and wishes to blossom with somebody like him. The singer pleads with a lady to be good to her, as she feels misunderstood and all alone in the big city. Ultimately, she asks the lady to have some pity on her and not let her remain a lonesome babe in the wood.

The song Lady be good is not just an entertaining love song but also carries a significant emotional depth. It portrays the feeling of loneliness, isolation, and the need for companionship. The song successfully captures the emotions of people who are struggling to find their place in this world and need someone to be good to them.

Line by Line Meaning

Listen to my tale of woe,
Pay attention to the story of my sadness,

It's terribly sad but true,
It is very unfortunate, but it is reality,

All dressed up, no place to go
I am prepared and ready, but I have nowhere to go,

Each evening I'm awfully blue.
Every night, I am very sad,

I must win some handsome guy
I need to attract an attractive man,

Can't go on like this,
I cannot continue living like this,

I could blossom out I know,
I believe I have the potential to flourish,

With somebody just like you. So
With someone just like you. Therefore,

Oh, sweet and lovely lady, be good
Oh, dear and charming lady, treat me well,

Oh, lady, be good to me
Oh, lady, treat me well,

I am so awfully misunderstood
People have a lot of misconceptions about me,