Big Boy Cleveland's Quill Blues from 1927 on Gennett Electrobeam 6108, is a… Read Full Bio ↴Big Boy Cleveland's Quill Blues from 1927 on Gennett Electrobeam 6108, is available on cd on "The Songster Tradition 1927 - 1935" and on "The Secret Museum of Mankind vol. 5" among others.
The Quills is an early American folk panpipe, first noted in the early part of the 19th century among Afro-American slaves in the south. They are aerophones, and fall into the panpipe family. They are assumed to be of African origin, since similar instruments are found in various parts of Africa, and they were first used by 1st and 2nd generation Africans in America.
The "Quills" are a set of cane pipes, numbering from two to at least 8, with each piece of cane stopped at one end by a node, and open at the other. The pipes are often bound together and are played by blowing across the open ends of the tubes.
The Quills would probably be forgotten today if not for the excellent recordings by the entertainer and early bluesman Henry Thomas, made in the late 1920s. Alan Lomax and others have recorded traditional players in the field as well.
History
The Quills are first mentioned in early American plantation slave histories, some dating back to the late 1700s. At that time, the instrument appears to consist of two or more cane pipes, played for recreation and dancing, accompanied by shouts, whoops and songs. They are mentioned fairly often in oral histories but little structural and musical information has survived. Considering how popular they appear to have been, it is surprising that they are almost unheard of today. Quills were also used by free blacks in New Orleans in the 1800s. Two bluesmen recorded songs with the Quills in the 1920, and a rural folk tradition has survived to this day in the American south.
I've heard that the word "Quill" is an colonial era term for a hollow tube of any sort, but have been unable to confirm this.
Surviving African Traditions
A number of villages in Zimbabwe and Mozambique maintained a tradition of pan-pipe playing well into this century, and a few continue to play to this day.
The earliest recordings of these ensembles are from the field recordings of Hugh Tracy, who travelled through southern Africa between 1935 and 1955, making a series of exceptional recordings of traditional music. His recordings are available from the International Library of African Music (ILAM).
The earliest examples that I am aware of are from the field recordings of Hugh Tracy, many of which can be heard on the recording Flutes and Horns. This recording can be previewed and ordered from this web site in South Africa: http://ilam.ru.ac.za/moa/moa030.htm
Some of these recordings bear a striking resemblance to the American recordings of Sid Hemphill.
Another great recording is of the Nyanga panpipes from Mozambique is "Traditional Music of Cancune, Mozambique",
It should be noted that southern African nations never had a substantial slave trade with the United States, and so it is unlikely that the tradition came directly from these tribes in southern Africa. The instrument may have had greater spread in west Africa in previous centuries, but perhaps has died out since then.
Are there any original surviving quills?
Lomax reports that when he revisited some of the locations where he had recorded Quills players, the tradition had pretty much died out. I hope that there are still some players from that tradition, and the skills of making sets of quills has not died out entirely, however I am not aware of any.
I also hope that older instruments still exist. It seems reasonable to think that these instruments survive, perhaps still kept in the family of the players, and perhaps in small museums in the south. If you know of the location of any, please let me know!
I was told by banjo scholar Scott Odell that the collection in the Smithsonian once contained a set of Quills that had been donated in the late 1800s along with a Mountain Dulcimer. Its current whereabouts is unknown, and it may have been lost.
Players
Only a few players have been recorded playing an instrument called the quills prior to the folk revival.
Big Boy Cleveland, Gennet 1927.
Henry Thomas, Vocalion 1927 and 1929.
Sid Hemphill, recorded by Alan Lomax in 1942.
Alec Askew, recorded by Alan Lomax in 1942.
Cleveland's Quills Blues can be heard at this site: Document Records (search for "The Songster Tradition 1927 - 1935".
http://www.sohl.com/Quills/Quills.htm
The Quills is an early American folk panpipe, first noted in the early part of the 19th century among Afro-American slaves in the south. They are aerophones, and fall into the panpipe family. They are assumed to be of African origin, since similar instruments are found in various parts of Africa, and they were first used by 1st and 2nd generation Africans in America.
The "Quills" are a set of cane pipes, numbering from two to at least 8, with each piece of cane stopped at one end by a node, and open at the other. The pipes are often bound together and are played by blowing across the open ends of the tubes.
The Quills would probably be forgotten today if not for the excellent recordings by the entertainer and early bluesman Henry Thomas, made in the late 1920s. Alan Lomax and others have recorded traditional players in the field as well.
History
The Quills are first mentioned in early American plantation slave histories, some dating back to the late 1700s. At that time, the instrument appears to consist of two or more cane pipes, played for recreation and dancing, accompanied by shouts, whoops and songs. They are mentioned fairly often in oral histories but little structural and musical information has survived. Considering how popular they appear to have been, it is surprising that they are almost unheard of today. Quills were also used by free blacks in New Orleans in the 1800s. Two bluesmen recorded songs with the Quills in the 1920, and a rural folk tradition has survived to this day in the American south.
I've heard that the word "Quill" is an colonial era term for a hollow tube of any sort, but have been unable to confirm this.
Surviving African Traditions
A number of villages in Zimbabwe and Mozambique maintained a tradition of pan-pipe playing well into this century, and a few continue to play to this day.
The earliest recordings of these ensembles are from the field recordings of Hugh Tracy, who travelled through southern Africa between 1935 and 1955, making a series of exceptional recordings of traditional music. His recordings are available from the International Library of African Music (ILAM).
The earliest examples that I am aware of are from the field recordings of Hugh Tracy, many of which can be heard on the recording Flutes and Horns. This recording can be previewed and ordered from this web site in South Africa: http://ilam.ru.ac.za/moa/moa030.htm
Some of these recordings bear a striking resemblance to the American recordings of Sid Hemphill.
Another great recording is of the Nyanga panpipes from Mozambique is "Traditional Music of Cancune, Mozambique",
It should be noted that southern African nations never had a substantial slave trade with the United States, and so it is unlikely that the tradition came directly from these tribes in southern Africa. The instrument may have had greater spread in west Africa in previous centuries, but perhaps has died out since then.
Are there any original surviving quills?
Lomax reports that when he revisited some of the locations where he had recorded Quills players, the tradition had pretty much died out. I hope that there are still some players from that tradition, and the skills of making sets of quills has not died out entirely, however I am not aware of any.
I also hope that older instruments still exist. It seems reasonable to think that these instruments survive, perhaps still kept in the family of the players, and perhaps in small museums in the south. If you know of the location of any, please let me know!
I was told by banjo scholar Scott Odell that the collection in the Smithsonian once contained a set of Quills that had been donated in the late 1800s along with a Mountain Dulcimer. Its current whereabouts is unknown, and it may have been lost.
Players
Only a few players have been recorded playing an instrument called the quills prior to the folk revival.
Big Boy Cleveland, Gennet 1927.
Henry Thomas, Vocalion 1927 and 1929.
Sid Hemphill, recorded by Alan Lomax in 1942.
Alec Askew, recorded by Alan Lomax in 1942.
Cleveland's Quills Blues can be heard at this site: Document Records (search for "The Songster Tradition 1927 - 1935".
http://www.sohl.com/Quills/Quills.htm
Future Blues
Big Boy Cleveland Lyrics
We have lyrics for 'Future Blues' by these artists:
Canned Heat Who'll tell your future, I can't tell my past, Who'll tell…
Willie Brown Can't tell my future, And I can't tell my past. Can't tell…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
@barbpaq
Big Boy Henry used to play at the Eno River Festival in Durham, NC every year on July 4th weekend. He'd be at the stage down by the river. My friends and I would dance along and have lots of fun.
@audiomez
How could one not groove intensely to Big Boy's innate uniqueness!!! TY for your comment.
@patriciakimbrell3734
Great Blues 💙🎸💙🎸💙🎸💙🎸💙🎸💙🎸💙🎸💙🎸💙
@audiomez
Thanks for listening