Bobby Troup was born in Harrisburg, Pennsylvania. He graduated from The Hill School, a preparatory school in Pottstown, Pennsylvania, in 1937. He went on to graduate Phi Beta Kappa from the Wharton School at the University of Pennsylvania with a degree in economics. He was a member of the Sigma Alpha Epsilon (ΣΑΕ) fraternity and the Mask and Wig Club.
His earliest musical success came with the song "Daddy" which was a regional hit in 1941. Sammy Kaye and His Orchestra recorded "Daddy", which was number one for 8 weeks on the Billboard Best Seller chart and the number five record of 1941. Glenn Miller and His Orchestra performed "Daddy" on their radio broadcasts, and The Andrews Sisters also recorded the song. In the same year, Troup's song "Snootie Little Cutie" was recorded by Frank Sinatra and Connie Haines with the Tommy Dorsey Orchestra and the Pied Pipers.
Upon graduating from college in 1941 he enlisted in the US Marines, but did not receive orders until January 1942. After completing officer training, he was assigned as one of two dozen white officers to direct recruit training at Montford Point, recruit depot for the first African-American Marines. By spring of 1943 he became recreation officer, in which capacity he was able to spearhead improvements to the facilities at Montford, including building a recreation hall, basketball court, and outdoor boxing ring. He was even able to get a friend to install a miniature golf course. During this time he composed the song "Take Me Away From Jacksonville" which was to become an anthem of sorts for the Marines at Montford Point, even extending to other areas of Camp Lejeune. By numerous accounts Troup was the most popular officer among the Montford recruits. In October 1944 he was promoted to Captain, given command of a depot company, and eventually deployed to Saipan where he served to the end of the war.
Bobby Troup's first marriage was to Cynthia Hare. They were married in May 1942 and had two daughters, Cynnie Troup (b. 1943) and Ronne Troup (b. 1945), both of whom had careers in the entertainment industry.
In 1946, Nat King Cole had a hit with Troup's best known song "(Get Your Kicks On) Route 66". It became a popular standard recorded by many artists, including Chuck Berry (1961) and The Rolling Stones (1964). In 1987, Depeche Mode combined the tune with their own composition, "Behind the Wheel", released it as the B-side of "Behind the Wheel" and it became a radio hit on KROQ 106.7 FM in Los Angeles. In 2006, "Route 66" was featured in the animated movie Cars, and the movie RV with Robin Williams.
Troup met his second wife, torch singer Julie London, at the Celebrity Room, where he was singing. It was Troup who encouraged London to pursue her singing career, and in 1955 he produced her million selling hit record "Cry Me a River". London, previously married to actor Jack Webb (1947 to 1953), married Troup in 1959. They remained married until Troup's death in 1999.
Troup's own recordings in the 1950s and 1960s were not commercially successful. He made recordings for Liberty Records and Capitol Records, many with musicians from the West Coast jazz scene.
Troup also wrote the title song (sung by Little Richard) in the classic 1950s rock and roll movie The Girl Can't Help It. An instrumental rendition of his song "The Meaning of the Blues" appeared on the landmark Miles Davis album, Miles Ahead. Troup's hipster interpretation of the fairy tale "The Three Bears" is often erroneously credited to "anonymous" and re-titled "Three Bears Rap", "Three Bears with a Beat", etc. This song was first recorded by the Page Cavanaugh Trio and later by Western Swing bandleader Leon McAuliffe.
Circa 1969 Troup collaborated with entertainer Tommy Leonetti, penning the lyrics for Leonetti's song "My City of Sydney". Leonetti's original recording was used for many years in the close-down sequence for TV station ATN-7 in Sydney, and was also covered by Sydney punk band XL Capris.
In February 1999, Troup died at UCLA Medical Center of a massive heart attack; he was buried at Forest Lawn Memorial Park in the Hollywood Hills. His wife, Julie London died the following year, and her cremated remains were placed in the columbarium (Columbarium of Providence) niche, next to his.
In the mid-1950s, Troup was one of three regular panelists (along with Mel Blanc and Johnny Mercer) in the game show Musical Chairs, a Bill Leyden-hosted quiz program that aired locally on Los Angeles television for two years before NBC broadcast it in the summer of 1955. On the program, the viewing audience was encouraged to submit questions about music in an effort to stump the panel. The Troup Group provided much of the music in the game show. He also served as host of the ABC show Stars of Jazz featuring various jazz luminaries, particularly those working in Hollywood.
While he relied on songwriting royalties, Troup also worked as an actor, playing musician Tommy Dorsey in the film The Gene Krupa Story (1959). He played himself in the short-lived NBC television series Acapulco. Troup made three guest appearances on Perry Mason, and on two appearances, "The Case of the Jaded Joker" in 1959 and "The Case of the Missing Melody" in 1961, he showed his musical talents. In 1969 and 1970, he appeared as "Bobby" in two episodes of Mannix, where he was a lounge piano player who helped Mannix unravel cases. He again appeared as a piano player in a cameo on The Hardy Boys/Nancy Drew Mysteries in 1978.
In Robert Altman's 1970 film M*A*S*H he had a memorable cameo as a disgruntled staff sergeant assigned to driving Hawkeye and Trapper John around in Japan. (His only line of dialogue is a repeated exasperation, "Goddamn army!") In 1972, Jack Webb, who had previously used Troup in a 1967 episode of the television series Dragnet, cast him opposite Julie London in the US TV series Emergency!. Emergency! was created by Webb, who had recently starred in a revival of Dragnet and was producing NBC's popular Adam-12. London and Troup had remained on cordial terms with Webb, who had used Troup (and his daughter Ronne) in episodes of Adam-12 as well as the revived Dragnet. On Emergency! Troup played Dr. Joe Early, one of the two emergency room doctors featured on the series, while London played head nurse Dixie McCall.
Their Hearts Were Full of Spring
Bobby Troup Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And the girl who wore his ring
Through the wintery snow
The world they knew was one
For their hearts were full of spring
As the days grew old
And the nights passed into time
Gentle boy tender girl
Their love remained still young
For their hearts were full of spring
Then one day they died
And their graves were side by side
On a hill where robins sing
And they say violets
Grow there the whole year round
For their hearts were full of spring
The lyrics of Bobby Troup's song "Their Hearts Were Full of Spring" tell a poignant and timeless story of love and devotion. The song describes a gentle boy and the girl who was his sweetheart, with the imagery of them wearing his ring symbolizing their commitment to each other. They navigate through the challenges of life together, portrayed by the wintery snow and the world they share, which is characterized by a sense of purity and new beginnings - their hearts are described as full of spring, a season known for rejuvenation and growth.
As time passes, the lyrics describe how the days turn to nights, the weeks into years, yet the love between the gentle boy and tender girl remains steadfast and unwavering. Despite the passage of time and the inevitable changes that come with it, their love is compared to spring - eternal and unaffected by the natural progression of life. This depiction of a love that endures through the years enhances the emotional depth of the song, capturing the essence of enduring love and the beauty of commitment.
The narrative takes a poignant turn as the lyrics reveal that eventually, the couple passes away and is laid to rest side by side on a hill where robins sing. This setting is not only picturesque but also serves as a reminder of the couple's eternal bond, even in death. The imagery of violets growing on their graves throughout the year further emphasizes the enduring nature of their love and the legacy they leave behind. The symbolism of violets, often associated with faithfulness and devotion, adds a layer of depth to the portrayal of the couple's love story.
In essence, "Their Hearts Were Full of Spring" beautifully encapsulates the timeless theme of love that transcends time and mortality. The song celebrates the enduring power of love, even in the face of life's inevitable challenges and the passage of time. Through its evocative lyrics and vivid imagery, the song conveys a message of hope, timeless devotion, and the beauty of a love that remains eternal, resonating with listeners as a poignant reflection on the enduring nature of love.
Line by Line Meaning
There's a story told of a very gentle boy
This tale recounts the life of a kind-hearted young man
And the girl who wore his ring
And the girl who was his beloved partner
Through the wintery snow
Together, they faced the harshness of winter
The world they knew was one
Their world was complete with each other
For their hearts were full of spring
Their hearts were always filled with joy and hope
As the days grew old
Over time, as days passed by
And the nights passed into time
And nights turned into mere memories
And the weeks and years took wind
And time continued to fly by
Gentle boy tender girl
The gentle boy and tender girl
Their love remained still young
Their love stayed fresh and pure
Then one day they died
Eventually, they passed away
And their graves were side by side
Resting peacefully next to each other
On a hill where robins sing
In a beautiful spot where birds sing
And they say violets
It is said that violets
Grow there the whole year round
Bloom all year long in remembrance
For their hearts were full of spring
Because their spirits were eternally joyful
Lyrics © Warner Chappell Music, Inc.
Written by: BOBBY TROUP
Lyrics Licensed & Provided by LyricFind
Jo-Anne Stutley
I love you Bobby ,Julie knows.x
skorecki7
don't understand german, sorry ... guess you liked these demos from bt
steven saunders
morbid