While Criminal Minded was basically about sex and crime, BDP radically changed after Scott's death, becoming the most popular conscious rap group besides Public Enemy. Boogie Down Productions pioneered the fusion of Raggamuffin and hip hop music.
The membership of BDP changed continuously throughout its existence, the only constant being KRS-One. BDP members and collaborators included Kenny Parker (KRS' brother), Run, Keith Murray, McBoo, Ms. Melodie, Scottie Morris, Willie D., Robocop, Harmony, DJ Red Alert, DJ Jazzy Jay Kramer, D-Square, Rebekah, and Sidney Mills. BDP as group essentially ended because KRS-One began recording and performing under his own name, rather than the group name.
Albums
Criminal Minded (1987)
By All Means Necessary (1988; RIAA Certification: Gold)
Ghetto Music: The Blueprint of Hip Hop (1989; RIAA Certification: Gold)
Edutainment (1990; RIAA Certification: Gold)
Live Hardcore Worldwide (1991)
Sex and Violence (1992)
Remix albums
Man & His Music (Remixes from Around the World) (1987)
Live albums
Live Hardcore Worldwide (1991)
Compilations
Word (with Ms. Melodie) (1992)
A Retrospective (2000)
Best of B-Boy Records (2001)
Blast Master Tapes: Best of the B-Boy Sessions (2006)
South Bronx Teachings: A Collection of Boogie Down Productions (2011)
The Essential KRS-One and Boogie Down Productions (2014)
Singles
From Ghetto Music: The Blueprint of Hip Hop:
1989: "Why Is That"
From Edutainment:
1990: "Love's Gonna Getcha"
From Sex and Violence:
1992: "Duck Down"
1992: "13 & Good"
1992: "We in There"
Ya Slippin'
Boogie Down Productions Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
But let me tell you this while the clock is still tickin
This is the warning, known as the caution:
Do not attempt to dis, cause you'll soften
Just like a pillow, or better yet a mattress
You can't match this style or attack this
While I'm telling you, write on schedule
Fuck with K-R-S and I'll bury you
No fight, no scurry, or scuffle, just muffle
Total domination on stage
Kris is the name, 22 is the age
Those that wanna battle, I know who you are
You got a little girl, you drive a little car
You come into the place with that look on your face
Before you ran the mile, you lost the race
So assume you're doomed when you step in the room
I'll be the witch and you'll be the broom
I'll ride you, guide you into the concrete
I'll slide you to a funky beat
So what do we have here?
A sucka in fear
I snatched your heart
Put it way up on the chart
At ten you're fucked
At nine you suck
At eight you're a sucker
At seven-a mothafucka
At six you're slapped
At five you're just wacked
At four you're lost
At three, you're just soft
At two you're an ass
At one, you're a dick
But before you slip, I'll whip
Cuz homeboy, ya slippin'
I understand that music calms the savage beast
But keep in mind that I compose my music piece by piece
First a bass, a snare
A little cut over there
I add my name K-R-S
And the shit becomes fresh
I ask Moe and ICU for their thoughts
Lay it down at Power Play all the suckas are taught
One again, the tactics of original arts
We're gettin' payed to the end cuz we were down from the start
We're known as Boogie Down Productions, ain't no B-boy stance
Guaranteed to make ya dance, if you give us a chance
We're goin' off and of course all ya suckas are lost
You wanna hear a fresh rhyme? You've come to the source
Because I'm the type of guy who's not put up on a pedestal
Run my rhyme on time and on schedule
One after another, another to the next
Can't rhyme when you're tense, or your muscles won't flex
Check your larynx
It may get lower havin' sex
Or may get higher
When bustin' as a liar
These are the things I teach so be taught
To me you're kinda short, how many battles have you fought?
If you come up with a number, notebook, or list
It just doesn't matter, you can still get dissed
I'm bringin' back that ol' New York rap
That gets you jacked while you're hands still clap
It's funny
Just dissin' you I can make money
But no one's tippin'
My message is simple: Ya' slippin!
E-N-O, S-R-K
When you go through other albums, you're sure to say
"Goddamn, they all seem to sound alike!"
Till you hear the crew standin' over in the light
Showing, glowing, on the top growing
The lyrics keep flowing and flowing and just flowing
Just like a river, or better yet a stream
I'm proud to be down with the winning team
So don't ever in your life even think about a arguement
Cuz you'll get walked on like carpet
We'll pick you up, and dust you off
Stamp BDP on your head and you're off
But you would even change that to say instead
"I'm down cuz I got a BDP on my head!"
So just before you inherit that ass kicking
I suggest you wake right up cuz ya slippin'
In the song "Ya Slippin'" by Boogie Down Productions, KRS-One warns his enemies not to attempt to disrespect him because they will be defeated. He boldly declares that he cannot be matched in style or attacked, and that those who want to challenge him will be buried deep in the dirt. He speaks of his total domination on stage and that his enemies have already lost when they step into the room. KRS-One finishes his verse by vowing to "ride" and "guide" his enemies to the concrete while sliding them to funky beats.
KRS-One takes pride in crafting his music and explains piece by piece how to build a captivating instrumental. He also mentions that the group, Boogie Down Productions, has been paid to the end because they were down from the start. They are not just fans of the B-boy stance; they are the real deal. KRS-One asserts that he is not someone who can be placed on a pedestal but instead is consistent and never off schedule with his rhymes. He challenges his opponents to count how many battles they have fought because it does not matter; they can all still get dissed. KRS-One consistently stresses that his rivals are slipping, and they are fearfully anticipating their defeat.
In conclusion, KRS-One in "Ya Slippin'" is the epitome of confidence. He declares that his victory is imminent, and his words cut deep into his opponent's psyche. KRS-One rhymes with ease and never loses focus, which makes him the perfect rapper to deliver this type of message. His lyrics leave a strong impression and draw the audience to the intense beat of the song.
Line by Line Meaning
Now what you just heard, people, was a little kickin
The previous lyrics were meant to entertain, but now it's time for a serious warning
But let me tell you this while the clock is still tickin
Don't wait, listen carefully to what I'm about to say
This is the warning, known as the caution:
Listen closely because I'm about to give you a warning
Do not attempt to dis, cause you'll soften
Don't try to insult or challenge me, because you'll lose and look weak
Just like a pillow, or better yet a mattress
You'll become soft and weak just like a pillow or mattress
You can't match this style or attack this
You'll never be able to match my style or attack me
While I'm telling you, write on schedule
I'm telling you this clearly and directly, so pay attention
Fuck with K-R-S and I'll bury you
If you try to mess with me, I will defeat you
Deep in the dirt, or sand with a shovel
I will bury you so deep that you won't be able to climb out
No fight, no scurry, or scuffle, just muffle
You won't be able to fight back or even speak up, I will silence you
Total domination on stage
I'm the boss on the stage
Kris is the name, 22 is the age
My name is Kris, and I'm 22 years old
Those that wanna battle, I know who you are
I'm aware of those who want to challenge me
You got a little girl, you drive a little car
You look weak and unimpressive with your small possessions
You come into the place with that look on your face
You walk into the room looking like you think you can beat me
Before you ran the mile, you lost the race
You've already lost before the competition even started
So assume you're doomed when you step in the room
You should already know that you're going to fail when you enter the room with me
I'll be the witch and you'll be the broom
I will sweep you up and control you like a witch controlling a broom
I'll ride you, guide you into the concrete
I will slam you to the ground and make you feel helpless and defeated
I'll slide you to a funky beat
I'll defeat you in a cool and impressive way
So what do we have here?
Now, let's examine what we're dealing with
A sucka in fear
You're a scared and weak opponent
I snatched your heart
I defeated you emotionally and psychologically
Put it way up on the chart
I proved that I'm superior to you and showed everyone
At ten you're fucked
You're completely defeated by the time I reach ten on the chart
At nine you suck
You already suck by the time I get to nine on the chart
At eight you're a sucker
You're already weak by the time I get to eight on the chart
At seven-a mothafucka
You're already cursed by the time I get to seven on the chart
At six you're slapped
You're already hit by the time I get to six on the chart
At five you're just wacked
You're already useless by the time I get to five on the chart
At four you're lost
You're already lost by the time I get to four on the chart
At three, you're just soft
You're already weak and vulnerable by the time I get to three on the chart
At two you're an ass
You're already a fool by the time I get to two on the chart
At one, you're a dick
You're already a jerk by the time I get to one on the chart
But before you slip, I'll whip
Before you lose your chance, I'll defeat you
Cuz homeboy, ya slippin'
You're about to lose and become defeated
I understand that music calms the savage beast
Music can have a calming effect on people
But keep in mind that I compose my music piece by piece
My music is carefully crafted with precision and skill
First a bass, a snare
I start with a simple beat
A little cut over there
I add some creative elements
I add my name K-R-S
I add my personal touch by adding my name as an artist
And the shit becomes fresh
And the music becomes new and exciting
I ask Moe and ICU for their thoughts
I seek feedback from fellow artists Moe and ICU
Lay it down at Power Play all the suckas are taught
We record our music at Power Play studios and teach others through our example
One again, the tactics of original arts
We use unique and original tactics in our music
We're gettin' payed to the end cuz we were down from the start
We've been committed to our music from the start and are now being rewarded financially
We're known as Boogie Down Productions, ain't no B-boy stance
We are Boogie Down Productions, not just B-boys
Guaranteed to make ya dance, if you give us a chance
If you listen to our music, we guarantee it will make you want to dance
We're goin' off and of course all ya suckas are lost
We're doing our own thing and leaving those who don't understand behind
You wanna hear a fresh rhyme? You've come to the source
If you want to hear something new and exciting, listen to our music
Because I'm the type of guy who's not put up on a pedestal
I don't think I'm better than everyone else
Run my rhyme on time and on schedule
I'm a professional and deliver my music on time
One after another, another to the next
I create new songs one after another without pause
Can't rhyme when you're tense, or your muscles won't flex
You can't create good music if you're too tense and stressed out
Check your larynx
Pay attention to your voice and lyrics
It may get lower havin' sex
Your voice may change if you are sexually active
Or may get higher
Your voice may change if you are excited or energetic
When bustin' as a liar
When you are writing rhymes and being dishonest
These are the things I teach so be taught
These are the lessons I'm giving you, so learn from them
To me you're kinda short, how many battles have you fought?
I don't think much of you, how many challenges have you faced?
If you come up with a number, notebook, or list
If you can provide a number of challenges faced, or even write it down
It just doesn't matter, you can still get dissed
It doesn't matter, I can still defeat you
I'm bringin' back that ol' New York rap
I'm reviving and bringing back the traditional New York rap style
That gets you jacked while you're hands still clap
My music gets you excited and makes you want to dance
It's funny
It's ironic
Just dissin' you I can make money
I can make a profit just by insulting you
But no one's tippin'
But no one's giving me any money
My message is simple: Ya' slippin!
My message is that you're about to lose and become defeated
E-N-O, S-R-K
Shouting out Moe Dee and Ice Cube
When you go through other albums, you're sure to say
When you listen to other albums
"Goddamn, they all seem to sound alike!"
You'll likely think that all the music sounds the same
Till you hear the crew standin' over in the light
Until you hear us perform live and in person
Showing, glowing, on the top growing
We're showing off our talent and success
The lyrics keep flowing and flowing and just flowing
Our lyrics are always unique and creative
Just like a river, or better yet a stream
Our music flows naturally and gracefully
I'm proud to be down with the winning team
I'm proud to be part of the successful Boogie Down Productions team
So don't ever in your life even think about a argument
Don't ever try to argue with me
Cuz you'll get walked on like carpet
Because I will dominate you like walking on carpet
We'll pick you up, and dust you off
We will defeat you, pick you up, and move on
Stamp BDP on your head and you're off
We'll leave a mark on you and move forward
But you would even change that to say instead
But even if we mark you, you'll still try to twist the situation
"I'm down cuz I got a BDP on my head!"
You'll try to use our mark as a source of pride or to seem cool
So just before you inherit that ass kicking
Before you lose to us
I suggest you wake right up cuz ya slippin'
I suggest you adjust your attitude and wake up to reality
Lyrics © Universal Music Publishing Group
Written by: LAWRENCE KRSONE PARKER
Lyrics Licensed & Provided by LyricFind