Calloway was a master of energetic scat singing and led one of the United States' most popular big bands, Cab Calloway and his Orchestra, from the start of the 1930s through to the late 1940s. Calloway's band featured performers including trumpeters Dizzy Gillespie and Doc Cheatham, saxophonists Ben Webster and Chu Berry, New Orleans guitar ace Danny Barker and bassist Milt Hinton. Calloway continued to perform until his death in 1994 at the age of 86.
Calloway was born to a middle-class family in Rochester, New York, and lived there until 1918. He later lived in Baltimore, Maryland. His father, Cabell Calloway II, was a lawyer, and his mother, Martha Eulalia Reed, was a teacher and church organist. His parents recognised their son's musical talent, and he began private voice lessons in 1922. He continued to study music and voice throughout his formal schooling. Despite his parents' and vocal teachers' disapproval of jazz, Calloway began frequenting and eventually performing in many of Baltimore's jazz clubs, where he was mentored by drummer Chick Webb and pianist Johnny Jones.
After graduating from high school, Calloway joined his older sister, Blanche, in a touring production of the popular black musical revue Plantation Days (Blanche Calloway herself went on to become an accomplished bandleader before her brother did, and he often credited his inspiration to enter show business to her). Calloway attended Lincoln University, Pennsylvania , and left in 1930 without graduating.
When the tour ended in Chicago in the autumn, Cab decided to remain in Chicago with his sister, who had an established career as a jazz singer in that city. His parents had hopes of their son becoming a lawyer like his father, so Calloway enrolled in Crane College. His main interest, however, was in singing and entertaining, and he spent most of his nights at the Dreamland Cafe, the Sunset Cafe, and the Club Berlin, performing as a drummer, singer, and emcee. At the Sunset Cafe he met and performed with Louis Armstrong who taught him to sing in the scat style.
The Cotton Club was the premier jazz venue in the country, and Cab Calloway and his Orchestra (he had taken over a brilliant but failing band called "The Missourians" in 1930) were hired as a replacement for the Duke Ellington Orchestra while they were touring. Calloway quickly proved so popular that his band became the co-house band with Ellington's, and he and his group began touring nationwide when not playing at the Cotton Club. Their popularity was greatly enhanced by the twice-weekly live national radio broadcasts on NBC at the Cotton Club. Calloway also appeared on Walter Winchell's radio program and with Bing Crosby in his show at the Paramount Theatre. As a result of these appearances, Calloway, together with Ellington, broke the major broadcast network colour barrier.
Unlike many other bands of comparable commercial success, Calloway's gave ample soloing space to its lead members, and, through the varied arrangements of Walter 'Foots' Thomas, provided much more in the way of musical interest.
In 1931, he recorded his most famous song, "Minnie the Moocher". That song, together with "St James Infirmary Blues" and "The Old Man of the Mountain", were performed for the Betty Boop animated shorts Minnie the Moocher, Snow White, and The Old Man of the Mountain respectively. Through rotoscoping, Cab not only gave his voice to these cartoons but his dance steps as well. Cab took advantage of this and timed his concerts in some communities with the release of the films in order to make the most of the attention. As a result of the success of "Minnie the Moocher" he became identified with its chorus, gaining the nickname "The Hi De Ho Man". He also performed in a series of short films for Paramount in the 1930s (Calloway and Ellington were featured on film more than any other Jazz Orchestra of the era). In 1943 he appeared in the high-profile 20th Century Fox musical film, Stormy Weather.
In his later career, Calloway became a popular personality, appearing in a number of films and stage productions that utilised both his acting and singing talents. In 1952, he played the prominent role of Sportin' Life in a production of the Gershwin opera Porgy and Bess. Another notable role was Yeller in The Cincinnati Kid (1965). In 1967 Calloway co-starred as Horace Vandergelder in an all-black revival of Hello, Dolly! (even though the original production was still running) starring Pearl Bailey. This was a major success, and led to a cast recording released by RCA. In 1973-1974 he was featured in an unsuccessful Broadway revival of The Pajama Game.
Calloway attracted renewed interest in 1980 when he appeared as a supporting character in the film The Blues Brothers, performing "Minnie the Moocher", and again when he sang "The Jumpin' Jive" with the Two-Headed Monster on Sesame Street. This was also the year in which the cult film Forbidden Zone was released, which included rearrangements and parodies of Cab Calloway songs written by Danny Elfman, a Calloway fan.
On 18th November 1994 Calloway died, having suffered a major stroke six months earlier. In 1998, The Cab Calloway Orchestra (directed by Cab's grandson C. "CB" Calloway Brooks) was formed to honour Cab Calloway's legacy nationally and internationally.
My Honey's Lovin Arms
Cab Calloway Lyrics
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They hold a world of charms
Little place to nestle when I'm so lonely
I'm comin', little morris chair
Oh, what a happy little pair!
Loveliness and happiness
Seem to bless
I love her more each day
When years have passed away
You'll find the love belongs to you only
'Cause when the world seems wrong
I know that I belong
Right in my honey's lovin' arms
In Cab Calloway's "My Honey's Lovin Arms", he is singing about the comfort and happiness he finds in the arms of his lover. He describes her arms as holding a "world of charms" and being a "little place to nestle" when he is feeling lonely. By using words like "loveliness" and "happiness", he conveys how much his lover means to him and how much joy she brings into his life. He declares his love for her and sings about how it grows stronger every day. He believes that their love is enduring and will belong to them only, even as the years go by.
In the chorus, Calloway sings about how being in his lover's arms makes everything feel right, even when the world seems wrong. He feels like he belongs there, safe and secure in her embrace. The lyrics are a classic example of a love song that celebrates the simple pleasures of being in love and finding comfort in the arms of someone you care about.
Line by Line Meaning
My honey's lovin' arms
The embrace of my beloved is my sanctuary
They hold a world of charms
In her arms, I find comfort, love, and magic
Little place to nestle when I'm so lonely
My heart finds a cozy home in her arms, especially when I'm feeling alone
I'm comin', little morris chair
I'm rushing to sit on this comfortable chair with my honey
Oh, what a happy little pair!
Together, we make a content and joyful couple
Loveliness and happiness
My dear one and I experience beauty and delight
Seem to bless
It appears that good fortune and sweet emotions surround us
My loving little honey
This endearing word captures how much I cherish my beloved
I love her more each day
My devotion to her deepens with every passing day
When years have passed away
Even when time passes and things change, my love remains
You'll find the love belongs to you only
My love is dedicated only to you and no one else
'Cause when the world seems wrong
In moments when everything feels broken and hopeless
I know that I belong
I feel like I belong to someone and somewhere
Right in my honey's lovin' arms
In my beloved's arms, I find safety, comfort, and home
Lyrics © Sony/ATV Music Publishing LLC
Written by: Harry Ruby, Joseph Meyer
Lyrics Licensed & Provided by LyricFind