The brainchild of guitarist, songwriter and producer Sam Vallen, CALIGULA'S HORSE - initially composed of just Vallen and vocalist Jim Grey - released its digital debut “Moments From Ephemeral City” in April 2011, and received instant acclaim from lovers of all strains of progressive music across many continents. Originally intended as a studio-only project, Vallen and Grey put out feelers for a live band soon after the album's release, assembling the current lineup of Geoff Irish on drums, Zac Greensill on guitar and Dave Couper on bass and vocals.
CALIGULA’S HORSE's approach to songwriting is uncompromisingly eclectic, but no less accessible to audiences of all different musical styles. They take influence from such bands and artists as Devin Townsend, Pain Of Salvation, Opeth, Meshuggah, Porcupine Tree, Steve Vai, Frost, Periphery, Karnivool, Muse, Steely Dan, The Beatles, and Frank Zappa amongst many others.
After months of rehearsing the recorded material, and also recording two additional tracks as the “Colossus” EP - released in September of 2011 - the “C-HORSE”, as some devotees like to abbreviate it to kicked off with live shows in October 2011. These are early days for a diverse and enthusiastic bunch of young virtuosos, but 2012 looks to be the breakout year for CALIGULA’S HORSE.
Caligula's Horse is:
Jim Grey - Lead Vocals
Sam Vallen - Guitar, Programming, Production, Mixing
Dale Prinsse - Bass
Josh Griffin - Drums
Slow Violence
Caligula's Horse Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
leaving us no legacy but residue
It’s when you preach your promises like the filth was always there
Like we were always dead
If we could tread so lightly that the bait in my breath is done
Grind down, the grief gives way
Justify just another one
the maker mends,
and you feed it
And with your nothing words, stand by the lie, watch your saviour bleed
He said, “My son, they’ll know you by the numbness in your knees”
If I could run the way your god conceals his gun
He’d know that for all your pride,
we’re all buried by the same slow violence
I’ll take you with me
We’re all buried by the sure decay
You lied
So give us something more than the wretch,
than the pose of the penitent
And with a rapture wracked, spit back the impact in the garden
It’s your Judas kiss
The shots don’t miss, and you know it
Call for a binding,
blade to the boy,
and bite down until it’s all done
Isn’t this what you want?
The man, the pyre, the only son
If I could run the way your god conceals his gun
He’d know that for all your pride,
we’re all buried by the same slow violence
I’ll take you with me
We’re all buried by the sure decay
You lied
So you can save your empty prayers for deaf ears
Keep your eyes front and listen, your sons are all singing Maria
And you can bleed your promises and leech your covenant,
but can’t you hear it?
They’re already singing Maria
For all your pride
For the lie that feeds the fire
For all your pride
We’re all buried by the same slow violence
I’ll take you with me
We’re all buried by the sure decay
You lied
Maria
The way your god conceals his gun
Maria
The song "Slow Violence" by Caligula's Horse is a commentary on the failures of religion and the harm caused by false promises of salvation. The lyrics lament the loss of legacy and the residue left behind by religious leaders who have misled and misguided their followers. The song highlights the hypocrisy of religious leaders who preach about promises they cannot keep, and the damage inflicted upon those who rely on such promises.
The song begins with the words, "When the moment comes to light the lost and its eyes on you, leaving us no legacy but residue." The phrase "light the lost" refers to the act of finding purpose or meaning in life, and the residue is the leftover remnants of a life of empty promises. The song criticizes those who preach about promises that cannot be fulfilled, and emphasizes the importance of living in the present, without relying on the empty promises of salvation.
The lyrics also explore the concept of slow violence, which refers to the often unseen and unnoticed harm that accumulates over time. The song suggests that we are all subject to the same slow violence, that we are all buried by the sure decay of life, and that we are all equal in death. The song also criticizes the use of violence in the name of religion, and warns against the dangers of religious extremism.
Line by Line Meaning
When the moment comes to light the lost and it’s eyes on you, leaving us no legacy but residue
When a crucial moment arises to find those who are lost but all the attention is on you, we are left with nothing but remains as our legacy
It’s when you preach your promises like the filth was always there, like we were always dead
When you make your promises as if the filth has always been present and as if we were already dead
If we could tread so lightly that the bait in my breath is done, grind down, the grief gives way, justify just another one, the mourning ends, the maker mends, and you feed it
If we could move so cautiously that the trap that's waiting in my breath is avoided, and we wear down our sorrow, it will disappear, and you can justify taking just one more life. After the mourning has ended, the creator repairs the damage, and you will gain from it
And with your nothing words, stand by the lie, watch your savior bleed. He said, “My son, they’ll know you by the numbness in your knees”
You pledge to lies with empty words and witness your savior bleeding. He had once said, “My son, they will recognize you by how numb you are to the violence.”
If I could run the way your god conceals his gun, he’d know that for all your pride, we’re all buried by the same slow violence
If I could hide as your god hides his weapon, he'll realize that despite your pride, we are all killed by the same gradual violence
I’ll take you with me, We’re all buried by the sure decay, You lied
I'll carry you with me, as we all succumb to the inevitable destruction that you lied about
So give us something more than the wretch, than the pose of the penitent
Provide us with something beyond the pitiful state and the display of remorse
And with a rapture wracked, spit back the impact in the garden, It’s your Judas kiss
Ensnared in ecstasy, you return the harm in the paradise, it's your traitorous kiss
The shots don’t miss, and you know it
The gunfire never fails to hit its target, and you are aware of it
Call for a binding, blade to the boy, and bite down until it’s all done. Isn’t this what you want? The man, the pyre, the only son
Summon the restraints, put the blade to the child, and consume until it's over. Isn't this what you desire? The male, the funeral pyre, the sole child
So you can save your empty prayers for deaf ears, keep your eyes front and listen, your sons are all singing Maria
You can keep your worthless prayers to yourself, look ahead, and hear your sons singing a death chant
And you can bleed your promises and leech your covenant, but can’t you hear it? They’re already singing Maria
You can fulfill your pledges and drain your vows, but don't you hear it? They're already singing Maria
For all your pride, for the lie that feeds the fire
Despite all your arrogance, for the falsehood that fuels the flames
Maria, the way your god conceals his gun, Maria
Maria, the manner in which your god hides his weapon, Maria
Lyrics © Kobalt Music Publishing Ltd.
Written by: James Grey, Samuel Vallen
Lyrics Licensed & Provided by LyricFind
@rosscamsellvoiceover7035
I've never known a man in metal with a better command of cadence than the frontman. The rhythm and flow of words are incredible. Like a percussive instrument in itself, not just lyrics and melody.
@EpicurusWasRight
Go check out “Inertia and the Weapon of the Wall” from their last album In Contact.
In fact the album is one of my favorites of all time.
@EpicurusWasRight
@Ross Camsell Do you listen to TesseracT?
@EpicurusWasRight
@Ross Camsell I’m the same but Dystopia and Hexes have a special place in my heart and The first 4 songs (I think) off their Luminary album
@F0XxX98
listen to opeths latest album (swedish version) best vocals ive ever heard across any genre
@tronlady1
Omg nail on head or what….. you’re talking about the phrasing yes? Which is quite simply the best I’ve ever heard…….by anyone! It always reminds me of michael jackson! I asked Jim on the Facebook post if there is an influence and he said yes!!! ♥️
@benjiequezada
Man, Sam has some of the most expressive and
captivating guitar solos, even when they’re short. I also like how you’re really leaning more into the metal side for these tracks. Love it, lads.
@Hue_Nery
Long solos get boring. A song shouldn't be about the solo anyway. If the song can't stand on it's own, it's a bad song.
@ducttapeengineer933
Discovered this band today. Was driving home when that killer chorus caught my soul. Absolutely amazing musicianship.
@discomfort5760
The vocal passage beginning at 2:52 is something I'm looping. Beautiful stuff!
And that main riff is killer.