After his parents, a Muslim father from Oyo State, Nigeria and a Christian mother from the United States, separated in his early teenage years, Chamillionaire settled into a notoriously dangerous inner-city neighborhood in North Houston called Acres Homes, which he elaborated upon during an interview with Houston's 104.9 KPTY on October 3. Rap and other forms of secular music, which his parents had highly opposed in their household, became very appealing to the young Hakeem Seriki. Inspired by local rap acts such as The Geto Boys, 8 Ball & MJG, and UGK, as well as other national acts such as N.W.A. and Public Enemy, Chamillionaire began to compose his own ponies.
At a young age, Chamillionaire along with fellow rap music artist and childhood friend Paul Wall, had decided to make music their careers. One day while promoting themselves at a Texas event, Paul Wall and Chamillionaire ran into Michael 5000 Watts, a popular mixtape DJ from the Northside. After proposing to do promotions for Watts' company, the Swishahouse, Chamillionaire and Paul Wall came to Watts' studio and convinced Watts to allow them freestyle on an intro to Watts' radio show on Houston’s 97.9 The Box. Watts, who himself was convinced to rap on the record, enjoyed the freestyle so much that he put the verses on one of his mixtapes. The freestyle became so popular in the streets that Chamillionaire and Paul Wall became regular staples on Houston's mixtape circuit, appeared on several of Watts' mixtapes, and became permanent members of Swishahouse.
Although Paul Wall and Chamillionaire were making much noise in the streets by rapping on Watts' mixtapes, they, along with several other members of the Swishahouse, became frustrated with the lack of money they were receiving from the mixtapes. After fellow member Slim Thug left the label, Chamillionaire and Paul Wall followed and started their own mixtape group known as The Color Changin' Click. Each successive mixtape released by The Color Changin' Click led to more business opportunities; the most notable of which being a contract to do a full album for Paid in Full Records. A one album contract was then negotiated between the Color Changin' Click and Paid in Full's label head, DJ Madd Hatta from 97.9 The Box, and the CCC's first album, Get Ya Mind Correct, would go on to sell over 100,000 copies.
The sale of all these albums without the backing of a major deal caught the attention of several major labels wanting to sign Chamillionaire and Paul. Chamillionaire and his labelmates decided to remain independent, however, until the right deal came along. While working on his second album with the Color Changin' Click, Chamillionaire began to have creative differences with Paul Wall, so much so that it was decided that the two emcees should each release solo albums that would be packaged together. When Chamillionaire became dissatisfied with how things were being resolved, he left Paid in Full and his almost complete album after fulfilling his contractual obligations to focus on promoting his mixtape label Chamillitary instead. As a kid, Chamillionaire was a big fan of MANKind, also known as Big June.
Chamillionaire's Myspace
This kid from Houston, Texas has some nerve. That's what came to mind as you watched an MTV special in early 2005 showcasing H-Town's commercial and artistic re-emergence on the rap scene. Following his brazen freestyle, the focused and much-heralded MC known as Chamillionaire faced a national audience and launched a swagger-filled proclamation on camera: "I'm the truth from Texas..." While such boasting may seem par-for-the-course in the prideful 25-year-plus history of hip-hop, the latter ambitious statement aptly describes Chamillionaire. It's the reason why he earned the lofty alias "The Mixtape Messiah," a title Cham was crowned after independently selling over 100,000 copies of the Get Ya Mind Correct album, and by selling thousands of his numerous mix tapes. It's why the former member of Houston's legendary mix-tape power Swisha House garnered coverage in such major hip-hop publications as Source and XXL without the backing of a major deal. When the Houston lyricist set off a major label bidding war to distribute his Chamillitary Records, it became abundantly clear throughout the 'hood and the music industry Chamillionaire is indeed the truth.
With his major-label debut The Sound Of Revenge set for release on Universal Records, Chamillionaire is poised to take his place among Houston's current hip-hop elite, including the new generation of rhyme-spitters such as Lil' Flip, Slim Thug, Mike Jones and Paul Wall, as well respected vets UGK and Scarface. "You call out a lot of rappers and ask them why they are the best and they are going to tell you everything but the music," Cham laughs. "They will tell you that they are the best because they have some nice rims, a chain, and a mansion." He then adds in a straight-no-chaser tone, "You've heard all the hype about Chamillionaire; that he's sick with the lyrics, sings hooks, and represents the streets and the clubs. But I just want to come as close as possible to living up to my reputation."
Chamillionaire recruits an impressive list of talent on his debut effort, including Lil' Flip, Bun B, Scarface, and Krayzie Bone, as well as in-demand producers Scott Storch (50 Cent), Mannie Fresh (Lil' Wayne, Baby, Juvenile) and Cool & Dre (The Game). But, it's his work with Atlanta studio kings The Beat Bullies (1Big Boi/OutKast) that sets the tone for much of The Sound Of Revenge's diverse platform. "They understand me," Cham says of the in-house producers. "There are a lot of producers that have dope beats, but they don't know me as an artist. [The Beat Bullies] being from Atlanta, can take it to the strip clubs, the streets and to the radio."
The name Chamillionaire represents the unique style that defines the talented urban artist, and his ability to change and adapt on the fly, forcing people to respect the true breadth of his talent. And just as this MC moniker exemplifies, Chamillionaire is anything but predictable and most certainly versatile. "Picture Perfect" featuring Bun B comes off as a lyrical nod to the classic 'hood swagger of UGK, while the Beat Bullies'-anchored "Radio Interruption" showcases Cham's prowess for walking the blurred line between street praise and mass appeal. The storytelling brilliance of "No Snitching" (Cool & Dre), finds Cham detailing the unwritten laws of 'hood politics. On the Scott Storch produced "Turn It Up," Cham tag-teams with freestyle king Lil' Flip as they spit over an infectious track that is Houston's answer to a summer club banger. And the soulful "Here Comes The Rain" finds Chamillionaire exploring the daily struggles of life with heartfelt lyricism and ghetto angst.
"It's a very personal song and the title says it all," Cham says of the revealing track. "In a person's life the rain symbolizes the struggles we all go through. Whether you are dealing with losing a loved one or your rent is due on the 1st, but it's the 3rd and you don't have it. I'm just talking about surviving the tough times."
Chamillionaire has definitely seen his share of struggles on his road to redemption. Born to a Muslim father and Christian mother, secular music was banned in his household. Chamillionaire was barely a teenager when he moved to a low-income neighborhood in the notorious North Side of Houston, following the separation of his parents. By the early '90s, however, rap rebels such as NWA, Public Enemy, as well as hometown heroes The Geto Boys, 8-Ball & MJG and UGK would inspire a young Hakeem to write his own rhymes.
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Chamillionaire's Myspace
Ballin' Is A Habit
Chamillionaire Lyrics
Jump to: Overall Meaning ↴
Balling is a habit over here, at Paid In Full
Want you to know that, g'yeah
[Hook - 2x]
Balling is a habit like Jordan, Bird and Magic
My life is fantastic, maculant extravagant
Got a high rise and a bachelor pad, rims tumble like acrobats
[50/50 Twin]
Balling is a habit baby
Chinchilla, makes my jackets baby
I don't want to get cash, from rapping crazy
I'm gutter I grind, stop acting crazy
Capping on wax, ain't really me
Ten G's a day, that's a brilliant week
Big faces breeder thee
Caugh nine packs, I sneeze a ki
Roll through Panama, floss the Benz
Wipe my Timberland's, off with ten's
50/50, the Lil' Twin
Leave the rap game, with a flawless win
Take a flight, in a G-4-7
Spend the night, in a East Coast setting
I'm so hot dog, I need more relish
2004, watch B.C. fetish
[Hook - 2x]
[Paul Wall]
When my car, is changing speed
I'm like Tarzan, swanging through trees
It's so much, ice in my mouth
When I take a deep breath, I get brain freeze
Millionaires want to hang with me
R&B girls keep singing to me
The FEDs think, I'm exchanging ki's
Everyday new car, I'm exchanging keys
Boys riding in 7-45's, that was cool last year
But I'm V-12 in a 7-60, Kenyon passing me beer
I step in the club cameras flashing, girls want to take my pic
Which girls am I taking home, I can take my pick
50/50 in fur coats, so please no finger prints on his mink
I tip the bar tender more money, than I spend on the drinks
Lil' mama keep skipping and wink, she give me glances
I'ma make a move, on them sexual advances
And by the end of the night, I can garuntee I'ma be up in them panties
I ain't never slept in the same room, twice in my house
Frosty the Snowman can build a house, with the ice in my mouth
I got more diamonds than South Africa, flawless ice is immaculate
I'm flipping the game like a spatula, now these girls ex-boyfriends mad at us
[Hook]
[Chamillionaire]
No spending ends, in gentlemen's
Strip clubs, it's just for spinning rims
I want it now, I get it then
Cop it drop it, cop it again
Not him again, not Bennegan's
Treat a slut for what, not fin to spend
For bitter Gin, and dinner when
I can get up in, her little friend
Rewind, back to fact that you
Get attached, to the bachelor
Cause the fact, that I captured the
Green back, she unstrapping her
Bra strap, getting back in the
Jacuzzi, cause of my macking the
Water gun'll be splashing for
The girl that hops in, right after her
Riding mayn, in a Lac with the
T.V. screens, in the back of the
Seat, Ro got strack and uh
Strapped with him, and that's because
The same person, that's dapping you
Be the same, thinking bout jacking you
Stack, is what the girl asking for
My ad-libs, is gon laugh at her (ha-ha-ha)
Koopa got you Koopa will spot you, yeah right
All she gon see, is my tail lights
And choke on the smoke, from my tail pipe
Houton Texas, endacedar
Purple stuff, if that's lavendar
Major labels, that's not what I'm asking for
Hang up the phone, I'll get back with you
[Hook - 2x]
The lyrics to Chamillionaire's song "Ballin' Is A Habit" highlight the lavish and extravagant lifestyle that comes with success and wealth. The hook emphasizes that balling, or living a luxurious and extravagant lifestyle, is a habit comparable to basketball legends like Michael Jordan, Larry Bird, and Magic Johnson. The lyrics paint a picture of opulence, with references to high-rise apartments, flashy rims on cars, and platinum credit cards. The verses from 50/50 Twin and Paul Wall continue the theme, describing their own experiences of the baller lifestyle, from wearing chinchilla jackets to constantly exchanging keys to new cars.
Chamillionaire's verse adds a twist to the song, suggesting that he is not just interested in the temporary pleasures and material possessions that come with balling. He criticizes the idea of spending money in strip clubs or on extravagant dinners, indicating that he is not interested in those kinds of indulgences. Instead, he claims to possess a more calculated and strategic approach to his wealth, focusing on long-term investments and financial stability. He implies that he is not easily impressed by materialistic desires and is more concerned with financial success and security.
Overall, "Ballin' Is A Habit" reflects the culture of excess and extravagance often associated with achieving success and wealth. The lyrics suggest that balling is not just a passing fad, but a lifestyle ingrained in the minds of those who have attained financial prosperity.
Lyrics © Warner Chappell Music, Inc.
Written by: AUTHOR UNKNOWN COMPOSER, HAKEEM SERIKI, HAKEEM T. SERIKI, PAUL WALL, PAUL MICHAEL SLAYTON, UNKNOWN WRITER UNKNOWN WRITER,, WRITER UNKNOWN
Lyrics Licensed & Provided by LyricFind
@KeithSpeaks1
Song still slaps 🔥🔥
@jaritownsend6233
50 came on 1st handling that beat 💯💯
@squangelnutz762
Sad he didn’t make it either with the rest cause he was sitting in jail for selling dope
@wilsturges6612
One of the hardest songs out cham kilt it
@ashleynoe7891
Love 50/50
@TryllHDTv
God damn this song is imprinted on my life.
@gabrielporter
cham went hard af
@cesarsilva6100
Chamillitary mayne
@wilsturges6612
This song so hotdog it need mo relish!!
@william3228
Call me a dumbass but 50/50 killed this one.