While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Pedro Trabaja En El Cine
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Vendiendo chocolatines
Y en su película el es héroe
De un final feliz
Pedro conquista el oeste
Viaja en un coche celeste
Y en su mundo de celuloide
El intervalo le dice
Que llegó la parte triste
Todo acaba cuando se enciende la luz
In "Pedro Trabaja En El Cine," Charly Garcia depicts Pedro's life as a cinema worker who sells chocolates to movie-goers. In Pedro's world of films, he is always the hero with a happy ending, conquering the west and traveling in a celestial car. However, the interval comes and reminds Pedro of the sad part of the story, ultimately ending when the lights go on.
Charly Garcia tells the story of Pedro, who moves through life in an artificial world of cinema, creating a perfect world for himself. Pedro is a regular man who sells chocolates at the cinema, but he is also trapped in the illusion of cinema, where he creates an alternate reality for himself, free of the sad and mundane realities of life. The cinema becomes his safe space, where he is always in control and where he can be the hero of his own story.
In summary, "Pedro Trabaja En El Cine" is about escapism and the power of cinema in creating alternate realities. Charly Garcia explores how cinema can transform and delude one's reality and how Pedro finds his safe space through cinema.
Line by Line Meaning
Pedro trabaja en el cine
Pedro trabaja en el cine vendiendo chocolatines, pero en su verdadera pasión es el héroe de su propia película con un final feliz.
Pedro conquista el oeste
En su mundo de celuloide, Pedro viaja en un coche celeste y se convierte en el protagonista de una película del oeste.
Viaja en un coche celeste
En su mundo de celuloide, Pedro se transporta en un automóvil azul brillante, disfrutando de la libertad de su propia imaginación.
Y en su película él es héroe
Dentro de su película, Pedro es el héroe, luchando contra el mal y salvando a la dama en apuros, consiguiendo finalmente un final feliz para él mismo.
El intervalo le dice que llegó la parte triste
A media película, el intervalo proporciona un recordatorio de que la tristeza también es una parte integral de la vida, incluso en las películas.
Todo acaba cuando se enciende la luz
Cuando la luz se enciende en el cine al final de la película, Pedro sabe que todo termina, incluso su vida imaginaria como héroe de su propia película.
Lyrics © Universal Music Publishing Group
Written by: CARLOS ALBERTO GARCIA
Lyrics Licensed & Provided by LyricFind
F a c u n d o
L e t r a:
Pedro trabaja en el cine
Vendiendo chocolatines
Y en su película el es héroe
De un final feliz
Pedro conquista el oeste
Viaja en un coche celeste
Y en su mundo de celuloide
Pedro es feliz
El intervalo le dice
Que llegó la parte triste
Todo acaba cuando se enciende la luz
cristianstoner
Uno de los temas mas bellos y al mismo tiempo desconocidos de Charly. Una verdadera joya
Ale S
Susurrando al oído de mí representante...
Esto fue para Sui géneris. Luego tuvo eco en seru.
Finalmente termino en "el aguante"
Lo que hizo Charly en su etapa más temprana fue hermoso
Valeria Vilas Videomaker
💞🎶🎹
nico
Está canción la escribió para Sui Generis pero jamás llegaron a editarla. Es increíble cómo una canción tan maravillosa puede quedar en un cajón por casi 30 años.
Higos De Buda
https://www.youtube.com/watch?v=SKUXdfFAZs0
Sebas Sarco
senti q eran ellos...☠
Mariano Castro
Good data
Jefreey cristhian
La escuche el 2001 Y tiene un toque mágico .... Como si se acomodara la melodia a casa instante a cada situación del cine
Roberto Amenabar
mirá flaco, si este tema lo cantara Joaquin Mendez no lo escucharia nadie.
ES UNA PORQUERIA Y DESAFINA COMO LOCO
F a c u n d o
L e t r a:
Pedro trabaja en el cine
Vendiendo chocolatines
Y en su película el es héroe
De un final feliz
Pedro conquista el oeste
Viaja en un coche celeste
Y en su mundo de celuloide
Pedro es feliz
El intervalo le dice
Que llegó la parte triste
Todo acaba cuando se enciende la luz