In 1989, aged 18, Moreno went to study music in France and it was in Paris where she both recorded her first single and first performed solo. Here she regularly played the Lionel Hampton Jazz Club beneath the Le Méridien Etoile hotel - one of the city’s most distinguished jazz venues. In 1991 at Paris’ Théâtre de La Ville she appeared onstage alongside her mother. Moreno remembers her time in Paris fondly and on her new album she pays tribute to Edith Piaf, “the French singer who thrilled me most”, with a wonderful cover of Mon Manege A Moi.
Aged 23 Moreno returned to Brazil in 1994 and launched straight into a career in music, guesting on the track Minha Gata Rita Lee on Joyce's CD Revendo Amigos. This followed guest appearances alongside other artists such as Nelson Ângelo and Robertinho Silva. Her first solo show in Brazil was in 1995 at the Au Bar in Rio in a tribute to the famous Brazilian singer Rita Lee. In 1996, Moreno opened for Paulinho Moska at the Garota de Ipanema park in Rio and recorded her eponymous debut CD.
In 1997 Moreno went to Japan where she appeared in the Gets Bossa Nova show in Tokyo, Japan. That same year she contributed a recording of "Só Danço Samba" for the tribute to Bossa Nova CD 40 Anos de Bossa Nova which solidified her standing as a Brazilian singer in her own right. Her third album Mutante was recorded in 1999, and picked up for worldwide distribution by UK based Timewarp Distribution, her name was brought to the attention of Brazilian music fans the world over.
2002 saw the release of Morena Bossa Nova (ybmusic, 2002) – her fourth CD where she experimented with electronic music to create an album with a contemporary take on bossa nova. It was recorded whilst Moreno was pregnant with producer Rodolfo Stroeter (the producer of Joyce’s most recent CDs Just a Little Bit Crazy and Rio Bahia). “Morena Bossa Nova” featured the Norwegian keyboard player Bugge Weseltoff as well as Teco Cardoso, Robertinho Silva & Nailor Proveta – all regular contributors to Joyce’s recent albums.
With Meu Samba Torto, Moreno felt the urge to strip things down and pay tribute to the musical heritage of the city she is from: “Bossa nova has always played a very important role in my life, and I decided to go for it with this CD and really search for the feeling of what it’s like to be a "carioca". Having listened to this music all my life I had no trouble of thinking of songs to cover and my mother Joyce, suggested some nice songs, as did Celso. I feel that the album has a 60's bossa nova feeling, which is great, but at the same time, the music that we have done is up to date and reflects a modern view through the roots of Brazilian music.”
Meu Samba Torto features a stellar line-up of Brazilian musicians including Moreno’s mother, the legendary Brazilian singer-songwriter Joyce, and the celebrated songwriter and guitarist Celso Fonseca. It’s Moreno’s most personal album yet and this is something she’s proud of: “The album has a certain level of spontaneity that I don’t think is very common these days. With the exception of the songs arranged by Joyce, the arrangements were all decided once we all arrived in the studio. Everything was recorded live and I was lucky to be blessed with the involvement of Celso Fonseca, Joyce, Tutty Moreno, Rodolfo Stroeter, Diego Figueiredo and Ricardo Mosca - all of them very creative and stylish musicians who helped create an end result of modern music yet steeped in tradition. The album was simply constructed around guitar/bass/drums and the idea was to bring a certain degree of intimacy between myself and the listener“.
Meu Samba Torto features two new compositions written especially for Moreno by Joyce (“Sabe Quem”), & Celso Fonseca (“Litorânea”). In fact with it’s "live" sound, Joyce’s influence runs through Meu Samba Torto. This was a challenge for Moreno: “I had never recorded a “live” album before yet as we began recording, I started to gain more and more self confidence.” According to Moreno though it’s not Joyce who is the most influential artist on Meu Samba Torto: “João Gilberto is the greatest influence on this album - he is the main root of the cd. I have been listening to him all my life, but during the process of creating this album, I dived deeply into his mood and I recorded many of the songs using João Gilberto's light - his inspiration was a gift to me.“
Vanguard of the new bossa nova movement Celso Fonseca plays guitar and sings on three songs on the new album, and the blend of his and Moreno’s voice create some of the albums highlights. There are interpretations of classic bossa nova tracks such as Moça Flor, originally recorded by the Tamba Trio, Vem Morena Vem, from Jorge Ben's debut album, and Morena Boca de Ouro, made famous by the one and only João Gilberto.
Meu Samba Torto
Clara Moreno Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
E o tempo desandou por pouco
Enganei meu coração, mas que tolo
Quis achar a solução pra esse jogo
Não vou chorar a dor dos outros
Vim pra sambar meu samba torto
Também quero ser feliz de todo
Se a rima escapulir eu não morro
Faço samba mesmo assim no duro
The lyrics of Clara Moreno's "Meu Samba Torto" convey a sense of resilience and determination in the face of heartbreak and disappointment. The singer begins by admitting that they fell for an illusion once again, and that time seemed to slip away from them as a result. However, they also acknowledge their own foolishness in trying to find a solution to their problems, as if the answer could be easily found.
Despite this, the singer refuses to wallow in the pain of others and instead chooses to focus on dancing to their own unique rhythm. The phrase "samba torto" can be interpreted as a dance style that is both crooked and unconventional, suggesting that the singer is unafraid to take risks and embrace their individuality. They have learned not to play with fire and to pursue their own happiness, even if it means facing tough times along the way. And even if their rhymes don't come easily, they will continue to create music and dance with passion and determination.
Overall, "Meu Samba Torto" is a powerful expression of resilience, self-love and creative freedom, encapsulated in the beauty and energy of Brazilian samba.
Line by Line Meaning
Carreguei na ilusão, de novo
I got carried away with my illusions once again
E o tempo desandou por pouco
And time went astray for a little while
Enganei meu coração, mas que tolo
I fooled my heart, how foolish of me
Quis achar a solução pra esse jogo
I wanted to find the solution to this game
Não vou chorar a dor dos outros
I won't cry over other people's pain
Vim pra sambar meu samba torto
I came to dance my imperfect samba
Aprendi a não brincar com fogo
I learned not to play with fire
Também quero ser feliz de todo
I also want to be completely happy
Se a rima escapulir eu não morro
If the rhyme escapes me, I won't die
Faço samba mesmo assim no duro
I'll make samba anyway, even if it's tough
Writer(s): (BR) CELSO FONSECA
Contributed by Mia I. Suggest a correction in the comments below.
vlad VLAD
Carreguei na ilusão,de novo
E o tempo desandou por pouco
Enganei meu coração, mas que tolo
Quis achar a solução pra esse jogo
Não vou chorar a dor dos outros
Vim pra sambar meu samba torto
Aprendi a não brincar com fogo
Também quero ser feliz de todo
Se a rima escapulir eu não morro
Faço samba mesmo assim no duro
Milky Career
I heard this song and immediately wanted to own it. But when I looked, no vinyl! Only CDs. This needs to be pressed on vinyl.
Felipe Madureira
Essa música é um hino, porra!
Jerry Hampton
muito bem