Born Concetta Rosa Maria Franconero in Newark's Italian Down Neck or Ironbound section of Newark, New Jersey neighbourhood, she is considered the most prolific and popular female rock 'n' roll hit-maker of the early rock era -- the late 1950s to the early 1960s. After an appearance on Startime, Francis was advised to change her name from Franconero to something more easily pronounceable, as well as to quit the accordion and focus on singing.
Francis' first single "Freddy" (1955) met with little success. Her next nine singles were also failures, and she began considering a career in medicine; however, "Who's Sorry Now" (a cover version of a 1923 song) launched her into super-stardom worldwide. Francis recorded the song at what was to have been her final recording session for MGM, as the label was about to drop her since her previous singles had generated little activity. She has said (paraphrased from The Billboard Book of Number One Singles by Fred Bronson) that she recorded it at the suggestion of her father, who convinced her it stood a chance of becoming a hit because it was a song adults already knew and that teenagers would dance to if it were released with a more contemporary arrangement.
The gamble paid off. In April 1958, "Who's Sorry Now" reached No. 1 on the UK Singles Chart (number four in the USA); in 2000, it was named one of the Songs of the Century. On January 1, 1958, she debuted it on Dick Clark's American Bandstand television show; by mid-year over a million copies were sold. This was followed by many other hits over the next decade, as Connie Francis became one of the most popular vocalists in the world.
Francis specialized in downbeat ballads delivered in her trademark "sobbing" style -- such as "My Happiness," "I'm Sorry I Made You Cry," "Among My Souvenirs," "Together," "Breakin' In a Brand New Broken Heart," and the Italian song "Mama," many of which were remakes of old standards. However, she also had success with a handful of more upbeat, rock-and-roll-oriented compositions, such as "Stupid Cupid," "Lipstick On Your Collar," and "Vacation." Among her other notable performances were "In the Summer of His Years" (a tribute to slain U.S. President John F. Kennedy) and Bert Kaempfert's "Strangers In The Night" (although the latter song is more identified with Frank Sinatra). Both "Everybody's Somebody's Fool" and "My Heart Has a Mind of Its Own" went to No.1 on the Billboard music charts in 1960. In 1962 she had another No.1 hit with "Don't Break the Heart That Loves You."
Francis recorded in nine languages during her career, including English, Italian, French, Spanish, German, and even Japanese, and remade many of her hits in foreign languages, including "Everybody's Somebody's Fool" and her signature song, "Where the Boys Are." In fact, her biggest hit album in the U.S. was 1960's Italian Favorites, and she followed it with several more albums of Italian songs over the years, as well as collections of Spanish-language and Jewish songs, among others.
"Where The Boys Are," one of many Neil Sedaka/Howard Greenfield compositions Francis recorded during her career (others included "Stupid Cupid" and "Everybody's Somebody's Fool"), gained wide exposure through its inclusion in the 1960 motion picture with the same title. Francis had a role in the film and sang the title song. During the first half of the 1960s she starred in three additional films -- Follow the Boys (1963) (the title song of which became a No. 17 Billboard single for Francis), Looking for Love (1964) and When the Boys Meet the Girls (1965).
In 1960 Francis became the youngest headliner to sing in Las Vegas, where she played 28 days a year for nine years. In 1961 she was successful in starring in her own television special on ABC television sponsored by Brylcreem titled Kicking Sound Around, singing and acting along-side Tab Hunter, Eddie Foy Jr. and Art Carney. She appeared on the Ed Sullivan Show on July 1, 1962 with French singing star Johnny Hallyday in a show that was taped at the famous Moulin Rouge nightclub in Paris, France. On July 3, 1963 she played a Command performance before Queen Elizabeth II at the Alhambra Theatre in Glasgow, Scotland. By 1967, she had 35 U.S. Top 40 hits, and three number ones.
Connie Francis has always been a great fan of country music and recorded several albums of country standards during her pop career. In 1969 she had a modest country hit with "The Wedding Cake" and made the country charts again in 1982 with "There's Still a Few Good Love Songs Left in Me." Several country singers found chart success remaking Francis' pop hits for the country market, including Marie Osmond ("Who's Sorry Now" in 1975), Susan Raye ("My Heart Has a Mind of Its Own" in 1972), Margo Smith ("Don't Break The Heart That Loves You" in 1978), and Debby Boone.
During the height of the Vietnam War in 1967, Connie Francis performed for U.S. troops.
Francis ended her recording career in 1969. She returned in 1973 with "The Answer," a song written just for her, and soon began performing again. Her son Joey was born in 1974. Tragedies followed soon after. In 1974 she was sexually assaulted in a hotel following a performance in Westbury, New York. Nasal surgery to correct a sensitivity to air conditioning deprived her of her ability to sing professionally for four years. Her brother was murdered in 1981.
Francis' autobiography, Who's Sorry Now? was published in 1984. Francis was diagnosed with bipolar disorder, a mental disease which includes severe depressions and manic highs. She uses the drug Lithium to balance out the emotional highs and lows caused by the disease. Connie Francis resumed her career in 1989 after discovering the drug and has continued singing and recording since then. Francis still holds a world-wide appeal shown through continued music sales and sold-out appearances.
Her latest CD The American Tour contains performances from recent shows. In late December 2004, Francis headlined in Las Vegas for the first time since 1989.
In March of 2007, Francis performed to a sold-out crowd -- composed of gay urbanites and conservative suburbanites -- in San Francisco. The "little diva" belted out versions of her "woebegone ballads . . . in full force," according to the San Franciso Chronicle's music critic.
Connie's fan club: www.conniefrancis.com
Ain't That a Shame
Connie Francis Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ain't that a shame my tears fell like rain
Ain't that a shame, you're the one to blame.
You broke my heart when you said we'll part
Ain't that a shame my tears fell like rain
Ain't that a shame, you're the one to blame.
Ain't that a shame my tears fell like rain
Ain't that a shame, you're the one to blame, yeah.
--- Instrumental ---
You made me cry when you said goodbye
Ain't that a shame my tears fell like rain
Ain't that a shame, you're the one to blame.
Oh well, goodbye, although I'll cry
Ain't that a shame my tears fell like rain
Ain't that a shame, you're the one to blame, yeah...
The lyrics of Connie Francis's song "Ain't That a Shame" express a deep feeling of sadness and heartbreak after a breakup. The singer of the song is suffering from the pain of being left behind by someone they loved. The chorus "Ain't that a shame, my tears fell like rain, Ain't that a shame, you're the one to blame" repeats the idea that the person who left is responsible for the emotional damage caused. The verse "You made me cry when you said goodbye, You broke my heart when you said we'll part" emphasizes the hurt caused by the sudden departure, and how it affected the singer deeply. The last lines "Oh well, goodbye, although I'll cry" denote a sense of resignation towards the situation, but the pain is still present.
The song "Ain't That a Shame" was originally recorded by Fats Domino in 1955, but Connie Francis's version became the most popular one, reaching number 1 in the charts. The themes of heartbreak and sadness resonated deeply with the audience, making it a classic of the 50s and influencing many other artists. The lyrics were written by Dave Bartholomew, a jazz trumpeter and songwriter, who had already worked with Fats Domino in other hits. The song features a simple structure, based on a blues progression, and a catchy melody that invites the listener to sing along. The use of metaphorical language to express emotions is also present in the repetition of "Ain't that a shame" and the simile "my tears fell like rain".
Line by Line Meaning
You made me cry when you said goodbye
You caused me to cry when you told me we were ending
Ain't that a shame my tears fell like rain
It is unfortunate that my tears fell so heavily and frequently
Ain't that a shame, you're the one to blame.
It is regretful, and you are responsible for my sadness.
You broke my heart when you said we'll part
You shattered my heart when you told me we are separating
Ain't that a shame my tears fell like rain
It is unfortunate that my tears fell so heavily and frequently
Ain't that a shame, you're the one to blame.
It is regretful, and you are responsible for my sorrow.
Oh well, goodbye, although I'll cry
Alright, farewell even though I'll weep
Ain't that a shame my tears fell like rain
It is unfortunate that my tears fell so heavily and frequently
Ain't that a shame, you're the one to blame, yeah.
It is regretful, and you are responsible, yes.
--- Instrumental ---
You made me cry when you said goodbye
You caused me to cry when you told me we were ending
Ain't that a shame my tears fell like rain
It is unfortunate that my tears fell so heavily and frequently
Ain't that a shame, you're the one to blame.
It is regretful, and you are responsible for my sadness.
Oh well, goodbye, although I'll cry
Alright, farewell even though I'll weep
Ain't that a shame my tears fell like rain
It is unfortunate that my tears fell so heavily and frequently
Ain't that a shame, you're the one to blame, yeah...
It is regretful, and you are responsible, yes.
Contributed by Jonathan F. Suggest a correction in the comments below.
@gladysbetancourt5125
FANTASTICA
@aileen9553
Worstest version of Ain't that a shame ever. I love the 1901 vetsion by Arthur Collins not this rock'n roll noise. If Arthur had hesrd this he had cry. Arthur was on of the best and most popular singers in USA from 1900-1920
@frankiehunter.
The song you are mentioning has nothing to do with this song, which was composed by the late and great Fats Domino, who had a hit with it although the version of Pat Boone was the most popular one.
I disagree completely with you. Ms. Francis sings it in contemporary style of the late fifties and she proves for the hundreds of time that she is a great rocker and not only a ballad singer.
@quinto
@@frankiehunter.I agree she is thinking of something else, Connie does a great version of this song.