Born Concetta Rosa Maria Franconero in Newark's Italian Down Neck or Ironbound section of Newark, New Jersey neighbourhood, she is considered the most prolific and popular female rock 'n' roll hit-maker of the early rock era -- the late 1950s to the early 1960s. After an appearance on Startime, Francis was advised to change her name from Franconero to something more easily pronounceable, as well as to quit the accordion and focus on singing.
Francis' first single "Freddy" (1955) met with little success. Her next nine singles were also failures, and she began considering a career in medicine; however, "Who's Sorry Now" (a cover version of a 1923 song) launched her into super-stardom worldwide. Francis recorded the song at what was to have been her final recording session for MGM, as the label was about to drop her since her previous singles had generated little activity. She has said (paraphrased from The Billboard Book of Number One Singles by Fred Bronson) that she recorded it at the suggestion of her father, who convinced her it stood a chance of becoming a hit because it was a song adults already knew and that teenagers would dance to if it were released with a more contemporary arrangement.
The gamble paid off. In April 1958, "Who's Sorry Now" reached No. 1 on the UK Singles Chart (number four in the USA); in 2000, it was named one of the Songs of the Century. On January 1, 1958, she debuted it on Dick Clark's American Bandstand television show; by mid-year over a million copies were sold. This was followed by many other hits over the next decade, as Connie Francis became one of the most popular vocalists in the world.
Francis specialized in downbeat ballads delivered in her trademark "sobbing" style -- such as "My Happiness," "I'm Sorry I Made You Cry," "Among My Souvenirs," "Together," "Breakin' In a Brand New Broken Heart," and the Italian song "Mama," many of which were remakes of old standards. However, she also had success with a handful of more upbeat, rock-and-roll-oriented compositions, such as "Stupid Cupid," "Lipstick On Your Collar," and "Vacation." Among her other notable performances were "In the Summer of His Years" (a tribute to slain U.S. President John F. Kennedy) and Bert Kaempfert's "Strangers In The Night" (although the latter song is more identified with Frank Sinatra). Both "Everybody's Somebody's Fool" and "My Heart Has a Mind of Its Own" went to No.1 on the Billboard music charts in 1960. In 1962 she had another No.1 hit with "Don't Break the Heart That Loves You."
Francis recorded in nine languages during her career, including English, Italian, French, Spanish, German, and even Japanese, and remade many of her hits in foreign languages, including "Everybody's Somebody's Fool" and her signature song, "Where the Boys Are." In fact, her biggest hit album in the U.S. was 1960's Italian Favorites, and she followed it with several more albums of Italian songs over the years, as well as collections of Spanish-language and Jewish songs, among others.
"Where The Boys Are," one of many Neil Sedaka/Howard Greenfield compositions Francis recorded during her career (others included "Stupid Cupid" and "Everybody's Somebody's Fool"), gained wide exposure through its inclusion in the 1960 motion picture with the same title. Francis had a role in the film and sang the title song. During the first half of the 1960s she starred in three additional films -- Follow the Boys (1963) (the title song of which became a No. 17 Billboard single for Francis), Looking for Love (1964) and When the Boys Meet the Girls (1965).
In 1960 Francis became the youngest headliner to sing in Las Vegas, where she played 28 days a year for nine years. In 1961 she was successful in starring in her own television special on ABC television sponsored by Brylcreem titled Kicking Sound Around, singing and acting along-side Tab Hunter, Eddie Foy Jr. and Art Carney. She appeared on the Ed Sullivan Show on July 1, 1962 with French singing star Johnny Hallyday in a show that was taped at the famous Moulin Rouge nightclub in Paris, France. On July 3, 1963 she played a Command performance before Queen Elizabeth II at the Alhambra Theatre in Glasgow, Scotland. By 1967, she had 35 U.S. Top 40 hits, and three number ones.
Connie Francis has always been a great fan of country music and recorded several albums of country standards during her pop career. In 1969 she had a modest country hit with "The Wedding Cake" and made the country charts again in 1982 with "There's Still a Few Good Love Songs Left in Me." Several country singers found chart success remaking Francis' pop hits for the country market, including Marie Osmond ("Who's Sorry Now" in 1975), Susan Raye ("My Heart Has a Mind of Its Own" in 1972), Margo Smith ("Don't Break The Heart That Loves You" in 1978), and Debby Boone.
During the height of the Vietnam War in 1967, Connie Francis performed for U.S. troops.
Francis ended her recording career in 1969. She returned in 1973 with "The Answer," a song written just for her, and soon began performing again. Her son Joey was born in 1974. Tragedies followed soon after. In 1974 she was sexually assaulted in a hotel following a performance in Westbury, New York. Nasal surgery to correct a sensitivity to air conditioning deprived her of her ability to sing professionally for four years. Her brother was murdered in 1981.
Francis' autobiography, Who's Sorry Now? was published in 1984. Francis was diagnosed with bipolar disorder, a mental disease which includes severe depressions and manic highs. She uses the drug Lithium to balance out the emotional highs and lows caused by the disease. Connie Francis resumed her career in 1989 after discovering the drug and has continued singing and recording since then. Francis still holds a world-wide appeal shown through continued music sales and sold-out appearances.
Her latest CD The American Tour contains performances from recent shows. In late December 2004, Francis headlined in Las Vegas for the first time since 1989.
In March of 2007, Francis performed to a sold-out crowd -- composed of gay urbanites and conservative suburbanites -- in San Francisco. The "little diva" belted out versions of her "woebegone ballads . . . in full force," according to the San Franciso Chronicle's music critic.
Connie's fan club: www.conniefrancis.com
Don't Say A Word
Connie Francis Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You said you would always stay
It wasn't me who changed but you and now you've gone away
Don't you see that now you've gone
And I'm left here on my own
That I have to follow you and beg you to come home
You don't have to say you love me just be close at hand
Believe me, believe me I can't help but love you
But believe me I'll never tie you down
Left alone with just a memory
Life seems dead and quite unreal
All that's left is loneliness there's nothing left to feel
You don't have to say you love me just be close at hand
You don't have to stay forever
I will understand believe me, believe me
You don't have to say you love me just be close at hand
You don't have to stay forever
I will understand, believe me, believe me
"You Don't Have To Say You Love Me" is a melancholic and introspective love song, originally written by Pino Donaggio and lyricist Vito Pallavicini in Italian in the 1960s. Its English translation was penned by Vicki Wickham and Simon Napier-Bell, and it became a hit single for British singer Dusty Springfield in 1966. Connie Francis' version was released a year later, and it reached # 2 on the Billboard Adult Contemporary chart and # 4 on the Billboard Hot 100 chart in 1967.
The song explores the theme of unrequited love and heartbreak, as the singer expresses her sadness and frustration over a failed relationship. The first verse sets the scene by highlighting the irony of the situation, as the person who once promised to always stay has now left the singer feeling abandoned and lost. The chorus assures the person who left that they don't have to say they love the singer to come back, they just need to be there, implying the singer still needs their presence to feel complete. The bridge reveals that the singer still loves the person who left, but doesn't want to impose on them or restrict their freedom.
The lyrics of the song capture the bittersweet feeling of a love that is not reciprocated and the struggle to let go of the memories and emotions that come with it. The soft and emotional delivery of the song and Francis' soulful voice add to the overall appeal of the song. It's a timeless classic that still resonates with audiences today, and it's often covered by artists from different genres and nationalities.
Line by Line Meaning
When I said I needed you
I expressed my dependence on you
You said you would always stay
You promised to always be there for me
It wasn't me who changed but you and now you've gone away
I remained the same but you altered and left me alone
Don't you see that now you've gone
Please realize that you have left
And I'm left here on my own
I am alone and deserted
That I have to follow you and beg you to come home
I am obliged to follow you and plead for you to return
You don't have to say you love me just be close at hand
You don't need to express your love, just stay nearby
You don't have to stay forever I will understand
You don't have to remain forever, I comprehend
Believe me, believe me I can't help but love you
Trust me, I am incapable of not loving you
But believe me I'll never tie you down
But please trust me, I will never constrain you
Left alone with just a memory
Abandoned with only recollections
Life seems dead and quite unreal
Life appears lifeless and implausible
All that's left is loneliness there's nothing left to feel
All that remains is solitude, there are no emotions to sense
You don't have to say you love me just be close at hand
You don't need to express your love, just stay nearby
You don't have to stay forever
You don't have to remain forever
I will understand believe me, believe me
I comprehend, please trust me
You don't have to say you love me just be close at hand
You don't need to express your love, just stay nearby
You don't have to stay forever
You don't have to remain forever
I will understand, believe me, believe me
I comprehend, please trust me
Lyrics © O/B/O APRA AMCOS
Written by: Giuseppe Donaggio, Simon Napier-Bell, Vito Pallavicini, Vicki Heather Wickham
Lyrics Licensed & Provided by LyricFind
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