Born Concetta Rosa Maria Franconero in Newark's Italian Down Neck or Ironbound section of Newark, New Jersey neighbourhood, she is considered the most prolific and popular female rock 'n' roll hit-maker of the early rock era -- the late 1950s to the early 1960s. After an appearance on Startime, Francis was advised to change her name from Franconero to something more easily pronounceable, as well as to quit the accordion and focus on singing.
Francis' first single "Freddy" (1955) met with little success. Her next nine singles were also failures, and she began considering a career in medicine; however, "Who's Sorry Now" (a cover version of a 1923 song) launched her into super-stardom worldwide. Francis recorded the song at what was to have been her final recording session for MGM, as the label was about to drop her since her previous singles had generated little activity. She has said (paraphrased from The Billboard Book of Number One Singles by Fred Bronson) that she recorded it at the suggestion of her father, who convinced her it stood a chance of becoming a hit because it was a song adults already knew and that teenagers would dance to if it were released with a more contemporary arrangement.
The gamble paid off. In April 1958, "Who's Sorry Now" reached No. 1 on the UK Singles Chart (number four in the USA); in 2000, it was named one of the Songs of the Century. On January 1, 1958, she debuted it on Dick Clark's American Bandstand television show; by mid-year over a million copies were sold. This was followed by many other hits over the next decade, as Connie Francis became one of the most popular vocalists in the world.
Francis specialized in downbeat ballads delivered in her trademark "sobbing" style -- such as "My Happiness," "I'm Sorry I Made You Cry," "Among My Souvenirs," "Together," "Breakin' In a Brand New Broken Heart," and the Italian song "Mama," many of which were remakes of old standards. However, she also had success with a handful of more upbeat, rock-and-roll-oriented compositions, such as "Stupid Cupid," "Lipstick On Your Collar," and "Vacation." Among her other notable performances were "In the Summer of His Years" (a tribute to slain U.S. President John F. Kennedy) and Bert Kaempfert's "Strangers In The Night" (although the latter song is more identified with Frank Sinatra). Both "Everybody's Somebody's Fool" and "My Heart Has a Mind of Its Own" went to No.1 on the Billboard music charts in 1960. In 1962 she had another No.1 hit with "Don't Break the Heart That Loves You."
Francis recorded in nine languages during her career, including English, Italian, French, Spanish, German, and even Japanese, and remade many of her hits in foreign languages, including "Everybody's Somebody's Fool" and her signature song, "Where the Boys Are." In fact, her biggest hit album in the U.S. was 1960's Italian Favorites, and she followed it with several more albums of Italian songs over the years, as well as collections of Spanish-language and Jewish songs, among others.
"Where The Boys Are," one of many Neil Sedaka/Howard Greenfield compositions Francis recorded during her career (others included "Stupid Cupid" and "Everybody's Somebody's Fool"), gained wide exposure through its inclusion in the 1960 motion picture with the same title. Francis had a role in the film and sang the title song. During the first half of the 1960s she starred in three additional films -- Follow the Boys (1963) (the title song of which became a No. 17 Billboard single for Francis), Looking for Love (1964) and When the Boys Meet the Girls (1965).
In 1960 Francis became the youngest headliner to sing in Las Vegas, where she played 28 days a year for nine years. In 1961 she was successful in starring in her own television special on ABC television sponsored by Brylcreem titled Kicking Sound Around, singing and acting along-side Tab Hunter, Eddie Foy Jr. and Art Carney. She appeared on the Ed Sullivan Show on July 1, 1962 with French singing star Johnny Hallyday in a show that was taped at the famous Moulin Rouge nightclub in Paris, France. On July 3, 1963 she played a Command performance before Queen Elizabeth II at the Alhambra Theatre in Glasgow, Scotland. By 1967, she had 35 U.S. Top 40 hits, and three number ones.
Connie Francis has always been a great fan of country music and recorded several albums of country standards during her pop career. In 1969 she had a modest country hit with "The Wedding Cake" and made the country charts again in 1982 with "There's Still a Few Good Love Songs Left in Me." Several country singers found chart success remaking Francis' pop hits for the country market, including Marie Osmond ("Who's Sorry Now" in 1975), Susan Raye ("My Heart Has a Mind of Its Own" in 1972), Margo Smith ("Don't Break The Heart That Loves You" in 1978), and Debby Boone.
During the height of the Vietnam War in 1967, Connie Francis performed for U.S. troops.
Francis ended her recording career in 1969. She returned in 1973 with "The Answer," a song written just for her, and soon began performing again. Her son Joey was born in 1974. Tragedies followed soon after. In 1974 she was sexually assaulted in a hotel following a performance in Westbury, New York. Nasal surgery to correct a sensitivity to air conditioning deprived her of her ability to sing professionally for four years. Her brother was murdered in 1981.
Francis' autobiography, Who's Sorry Now? was published in 1984. Francis was diagnosed with bipolar disorder, a mental disease which includes severe depressions and manic highs. She uses the drug Lithium to balance out the emotional highs and lows caused by the disease. Connie Francis resumed her career in 1989 after discovering the drug and has continued singing and recording since then. Francis still holds a world-wide appeal shown through continued music sales and sold-out appearances.
Her latest CD The American Tour contains performances from recent shows. In late December 2004, Francis headlined in Las Vegas for the first time since 1989.
In March of 2007, Francis performed to a sold-out crowd -- composed of gay urbanites and conservative suburbanites -- in San Francisco. The "little diva" belted out versions of her "woebegone ballads . . . in full force," according to the San Franciso Chronicle's music critic.
Connie's fan club: www.conniefrancis.com
Plenty Good Lovin'
Connie Francis Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Plenty good huggin' ah he's so fine and he's mine all mine
He got a (plenty good) lovin' (plenty good) kissin'
(Plenty good) huggin' yes indeed he's all I need
He got a plenty good lovin' plenty good kissin'
Plenty good huggin' yes indeed he's all I need
Yes indeed he's all I need
He got a plenty good lovin' plenty good kissin'
Plenty good huggin' ah he's so fine oh one more time
He got a plenty good lovin' plenty good kissin'
Plenty good huggin' ah he's so sweet and I must repeat
He got a plenty good lovin' plenty good kissin'
Plenty good huggin' yes indeed he's all I need
The lyrics to Connie Francis's song Plenty Good Lovin' are essentially an ode to a lover who is perfect in every way. The singer describes this person as having plenty of good loving, kissing, and hugging, emphasizing the fact that they are all that she needs. The use of repetition and the upbeat, joyful melody of the song convey a sense of happiness and contentment in the singer's relationship.
The song can be interpreted as a celebration of romantic love and the joy that comes with finding someone who makes you feel complete. The emphasis on physical touch and affection suggests a deep emotional connection between the singer and her lover, while the repetition of phrases like "plenty good" and "all I need" highlight the simplicity and purity of their love.
Overall, Plenty Good Lovin' is a catchy, upbeat love song that celebrates the joy and simplicity of romantic love.
Line by Line Meaning
He got a plenty good lovin' plenty good kissin'
He shows me an abundance of love through his intense kisses and gentle caresses.
Plenty good huggin' ah he's so fine and he's mine all mine
He embraces me tightly and makes me feel like the luckiest woman in the world to have him all to myself.
He got a (plenty good) lovin' (plenty good) kissin'
He expresses his love for me profoundly with his intense and passionate kisses.
(Plenty good) huggin' yes indeed he's all I need
His tight embrace and affectionate touch genuinely fulfill all of my emotional needs.
Yes indeed he's all I need
In my heart and soul, I know that he is the only one who can make me feel truly happy and loved.
He got a plenty good lovin' plenty good kissin'
He demonstrates his loyalty and devotion to me through his passionate and dedicated displays of affection.
Plenty good huggin' ah he's so fine oh one more time
His warm embrace makes me feel safe and loved, and I can't help but melt into his arms time and time again.
He got a plenty good lovin' plenty good kissin'
His love for me is vast and immense, and he shows it through his passionate and loving kisses.
Plenty good huggin' ah he's so sweet and I must repeat
His loving embrace is so tender and caring, and I can't help but express my gratitude for him over and over again.
He got a plenty good lovin' plenty good kissin'
His love for me is powerful and overwhelming, and I am grateful every day for the passion and affection he brings into my life.
Plenty good huggin' yes indeed he's all I need
His embrace is everything that I need to feel safe, cared for, and loved deeply in return.
Lyrics Š EMI Music Publishing, Universal Music Publishing Group
Written by: CONNIE FRANCIS
Lyrics Licensed & Provided by LyricFind
Peter Emmert
We finally realized that Connie was just a good a songwriter as a singer (unless this was composed by her brother!)
akavitsuma
The magnificent Connie Francis!
quinto
Love it đ
Todd Thomas
Câ¤nnie Francis, my favorite singer
Mary Swike
Jumpin Song. Reminds me of Patsy Cline
Michele Laraia
29° like