As a musician, is mainly known for being part of the group that has accompanied Enrique Bunbury after the dissolution of Héroes Del Silencio, and also for being one of the members of Bogusflow.
At the age of fifteen, while continuing his studies in classical music at the Conservatory, making contact with the blues and jazz by Bob Destiny's hand, with which he recorded an album. As a twentysomething, opens the rock temple of Zaragoza, the legendary Enbruto, the center of the musical phenomenon of Zaragoza nights. Here he begins to soak up Bourbon and that artistic environment, and meet Bunbury and Héroes del Silencio.
Since then actively collaborates with various artists such as Carmen París, Goyo Auserón, Amaral, Alan Boguslavsky or Elefantes. Héroes del Silencio called Copi from London to invite him to record the album "El Espíritu Del Vino".
He later founded a show concept, an idea of being on stage with different formats and musicians, performing versions of Tom Waits, Iggy Pop, Van Morrison, Leonard Cohen, Billie Holliday, Little Walter, Lou Reed or David Bowie. He also organized unforgettable Christmas concerts in tribute to The King of Rock called "Una Cita Con Elvis" with prominent artists like Eva Amaral, Alan Boguslavsky, Ramon Gacias or Joaquín Cardiel, among others.
Then begins a series of presentations, along with Enrique Bunbury, performing great taste versions of their favorite artists.
After the dissolution of Héroes del Silencio, he joined the band of Bunbury "El Huracán Ambulante" with whom worked in 7 albums and made as many tours around the world. Copi was responsible for the pianos, keyboards, organs, programming, synths and some vocals, plus co-author of several songs, including "El Extranjero", "De mayor", "Sólo Si Me Perdonas", "Anidando Liendres", "Nueve" o "Algo En Común"-
In parallel he formed Bogusflow group, along with Ramon Gacias and Alan Boguslavsky, with which they record an homonym album.
In 2005 resumed his solo career and settled in the area of Buenos Aires, Argentina. In 2008 he published "Desconocido", a self-produced album of exquisite and independent music, with the help of some major argentinean artists like Sergio Berdichevsky and Gustavo Rowek (ex Rata Blanca).
Following this record he tours a performance by Argentina and Spain with influences of crooner and tango, that still has not resulted in any record.
La Reina De Diagonal 73
Copi Corellano Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Inesperado y sorprendente.
Caminos que cruzan otros caminos.
Destinos en la soledad.
Pasiones de uno mismo.
Finales de película de Hitchcock.
Miradas perdidas.
Buscando en el olvido, buscando
Miradas que olvidan lo que miraban.
Visiones del destino
Intentando agarrar el tiempo.
Guiones de Buñuel.
Viviendo en la ciudad
De las diagonales y los tilos.
Viviendo en la ciudad
De las diagonales y los tilos,
Y los tilos.
Viviendo en la ciudad
De las diagonales y los tilos.
Viviendo en la ciudad
De las diagonales y los tilos,
Y los tilos.
Viviendo en la ciudad
De las diagonales y los tilos.
Viviendo en la ciudad
De las diagonales y los tilos,
Y los tilos.
Y viendo pasar
A la reina de diagonal 73.
The lyrics of Copi Corellano’s “La Reina de Diagonal 73” describe paths that lead to unexpected and surprising destinations. These paths intersect with other paths, leading to destinies that are often lonely and filled with the passions of oneself. The lyrics also touch on the theme of forgotten memories, with lost gazes and tired eyes searching for clarity amidst the chaos. The song references iconic filmmakers like Hitchcock and Buñuel, whose stories often explored the complexities of fate and the human experience. The setting of the song is in the city of Buenos Aires, where the streets are lined with diagonals and tilo trees, and the queen of Diagonal 73 passes by.
The lyrics in this song are layered with complex imagery and metaphors. The use of “diagonals” and “tilo trees” to describe the city of Buenos Aires is particularly interesting. These are common features of the city’s architecture and landscapes, and they serve as a representation of the complex and tangled paths that people often traverse in life. The queen of Diagonal 73 is an enigmatic figure, and her passing seems to represent the fleeting nature of life and the inevitability of change.
Overall, the lyrics of “La Reina de Diagonal 73” are reflective and introspective, exploring themes of human emotion and the complexities of fate. Copi Corellano’s use of vivid imagery and references to iconic filmmakers adds depth and nuance to the song, making it a powerful and thought-provoking piece of music.
Line by Line Meaning
Caminos que llevan a un destino
There are paths that lead to unexpected and surprising destinations.
Inesperado y sorprendente.
These paths lead to destinations that are unforeseen and astounding.
Caminos que cruzan otros caminos.
These paths cross other roads and paths.
Destinos en la soledad.
These destinations are solitary experiences.
Pasiones de uno mismo.
These destinations are shaped by one's own passions.
Finales de película de Hitchcock.
These destinations have endings similar to those in Hitchcock films.
Miradas perdidas.
There are lost glances.
Ojos cansados
The eyes are tired.
Buscando en el olvido, buscando
Looking for something in oblivion, searching.
Miradas que olvidan lo que miraban.
The looks that have forgotten what they were looking at.
Visiones del destino
The visions of the destination.
Intentando agarrar el tiempo.
Trying to grab onto time.
Guiones de Buñuel.
These visions have scripts similar to those of Buñuel.
Viviendo en la ciudad
Living in the city
De las diagonales y los tilos.
The city with diagonals and linden trees.
Y los tilos.
And the linden trees.
Y viendo pasar
And watching as
A la reina de diagonal 73.
The queen of diagonal 73 passes by.
Writer(s): Copi Corellano
Contributed by Vivian P. Suggest a correction in the comments below.