Their first album, which was self-titled, was released in August 1991. Its single was "Phuncky Feel One", but it was the B-side "How I Could Just Kill A Man" (formerly "Trigga Happy Nigga") that attracted more airplay on urban radio and college radio. Based on the success of the single and other tracks such as bilingual track "Latin Lingo" and X-rated Spanish track "Tres Equis", the album sold two million copies in the US alone. Subsequently, DJ Muggs produced the first House of Pain album, then worked on other projects like Funkdoobiest. The band made their first appearance at Lollapalooza on the side stage in 1992.
Black Sunday, the group's second album, debuted at number one on the Billboard 200 in 1993, recording the highest Soundscan for a rap group up until that time. Also with their debut still on the charts they became the first rap artists to have 2 albums in the top 10 of the Billboard 200 at the same time. With "Insane in the Brain" becoming a crossover hit, the album went triple platinum in the U.S. and sold about 3.25 million copies.
Cypress Hill was banned from Saturday Night Live after Muggs smoked cannabis on-air and the band trashed their instruments while playing their second single "I Ain't Goin' Out Like That". The band headlined the "Soul Assassins" tour with House of Pain and Funkdoobiest as support, then performed on a college tour with Rage Against the Machine and Seven Year Bitch. In 1993, Cypress Hill also had two tracks on the Judgment Night soundtrack, teamed up with Pearl Jam and Sonic Youth.
The band played at the 1994 Woodstock Festival introducing their new member Eric Bobo, formerly a percussionist with the Beastie Boys. Bobo is the son of salsa musician Willie Bobo. Rolling Stone magazine named the band as the best rap group in their music awards voted by critics and readers. Cypress Hill played at Lollapalooza for two successive years, topping the bill in 1995. They appeared on the The Simpsons episode "Homerpalooza".
Their third album Cypress Hill III: Temples of Boom was released in 1995 selling 1.5 million copies and reaching number 3 on the Billboard 200 on the strength of the hit single "Throw Your Set in the Air". Cypress Hill also contributed a track "I Wanna Get High" to the High Times sponsored Hempilation album to support NORML.
Feud With Ice Cube
Ice Cube asked to put "Throw Your Set in the Air" on his Friday soundtrack, but B-Real refused, prompting Cube to record a new song "Friday" with a similar chorus; Cypress Hill responded with the track "No Rest For The Wicked." Westside Connection replied with the diss track "King Of The Hill" and "Cross Em Out & Put a K", to which Cypress Hill replied with "Ice Cube Killa," which uses the same beat as "King Of The Hill" and disses Ice Cube and Mack 10. "Ice Cube Killa" has never been released officially. In 1997 B-Real of Cypress Hill and Ice Cube were invited to a late night talk show in order to reconcile their differences for the benefit of the hip hop community, and the feud thus ended. Cube And B-Real would work together later that year as guest features on the track "Men of Steel" for the soundtrack of Shaquille O'Neal's film Steel. B-Real and Cube did even feature as guests in Warren G's single "Get U Down" which also featured Snoop Dogg.
Continued career
Sen Dog took a break from the band to form a Los Angeles based punk-rap band SX-10. Meanwhile in 1996, Cypress Hill appeared on the first 'Smokin' Grooves' tour, featuring Ziggy Marley, The Fugees, Busta Rhymes and A Tribe Called Quest. The band also released a nine track EP Unreleased and Revamped with rare mixes. In 1997, band members focused on their solo careers. Muggs released Muggs Presents ... the Soul Assassins featuring contributions from Wu-Tang Clan members, Dr. Dre, KRS-One, Wyclef Jean and Mobb Deep. B-Real appeared with Busta Rhymes, Coolio, LL Cool J and Method Man on "Hit Em High" from the multi-platinum Space Jam Soundtrack. He also appeared with RBX, Nas and KRS-One on "East Coast Killer, West Coast Killer" on Dr. Dre's Dr. Dre Presents the Aftermath album, and released an album entitled "The Psycho Realm" from his side project of the same name. Though the focus that year was not on Cypress Hill, the band played Smokin' Grooves with George Clinton and Erykah Badu.
Cypress Hill released IV in 1998 which went gold in the U.S., even though the reviews were somewhat negative,[citation needed] on the backs of hit singles "Tequila Sunrise" and another tribute to smoking cannabis "Dr. Greenthumb." Sen Dog also released the Get Wood sampler as part of SX-10 on the label Flip. In 1999, Cypress Hill helped with the PC crime/very mature video game Kingpin: Life of Crime. Three of their songs from the 1998 IV album were in the game ( "16 Men Till There's No Men Left", "Checkmate" and "Lightning Strikes"). B-Real also did some of the voices of the people in the game. Also in 1999, the band released a greatest-hits album in Spanish, Los grandes éxitos en español. Cypress Hill then fused genres with their two-disc release, Skull & Bones, in 2000. The first disc, "Skull" was comprised of rap tracks while "Bones" explored further the group's forays into rock. The album reached the Top 5 on the Billboard 200 and number 3 in Canada. The first single was "Rock Superstar" for rock radio and "Rap Superstar" for urban radio. The band also released Live at the Fillmore, a concert disc recorded at the Fillmore (in San Fransico) in 2000. Cypress Hill continued their experimentation with rock on the Stoned Raiders album in 2001. However, its sales were a disappointment, as the disc did not even reach the top 50 of the U.S. album charts. In 2001, the group appeared in the film How High.
Cypress Hill recorded "Just Another Victim" for the World Wrestling Entertainment (WWE) as a theme song for Tazz. At the time, WWE was using original music for almost all of the wrestlers, so this was an unusual step for the company to take, but it remains one of the more memorable songs to emerge from the wrestling organization. The band released Till Death Do Us Part on March 23, 2004. The album saw the band experiment with reggae especially on the lead single "What's Your Number". The track features Tim Armstrong of Rancid on guitar and Rob Aston of The Transplants on backup vocals. It is based on the classic song "Guns of Brixton" on The Clash's London Calling and has proven to be a success on the modern rock charts. However, the album represented a further departure from the signature sound of their first four albums. The album also features appearances by Damian Marley, son of Bob Marley, Prodigy and Twin of Mobb Deep and producer the Alchemist.
In 2004, the song How I Could Just Kill A Man was included in the popular videogame Grand Theft Auto San Andreas created by Rockstar Games, playing on West Coast hip hop radio station Radio Los Santos. In December of 2005 a best of compilation album titled Greatest Hits From the Bong was released including 9 hits from previous albums and 2 new tracks. The group's next album was tentatively scheduled for an early 2007 release. In the summer of 2006, B-Real appeared on Snoop Dogg's single "Vato". Pharrell Williams produced the track, and originally sang the hook, but because of the video idea, B-Real was asked to sing the hook. Sen Dog is now currently touring with the Kottonmouth Kings, Kingspade and Dogboy on the Joint is on Fire Tour
In 2007 Cypress Hill toured with their full line up as a part of the Rock the Bells tour, held by Guerilla Union, and headlined with Public Enemy, Wu-Tang Clan, Nas, and a reunited Rage Against the Machine. Other acts included Immortal Technique, Mos Def, Talib Kweli, The Roots, EPMD, Pharoae Monch, Jedi Mind Tricks, Erykah Badu, MF Doom, Sage Francis, Brother Ali, The Coup, Blue Print, Lucky I Am, Living Legends, Felt, Cage, Mr. Lif, Grouch & Eligh, and Hangar 18.
Departure from Sony
Having fulfilled their contractual obligations with Sony Music, Cypress Hill will release an as-yet untitled album through a different record label in 2008.
Recently, it was announced that Cypress Hill will be members of the Kannabis Kartel along with the Kottonmouth Kings and Potluck. Their album will be released on Suburban Noize Records.
STYLE
______________________________________________________________________________________________
Production
One of the band's most striking aspects is B-Real's exaggeratedly high-pitched nasal vocals, which fits and emphasizes the lyrics' concentration on parodied gangster stories.
Sen Dog's lyrics are progressively more violent and tend to involve fewer rhyme schemes compared with B-Real's. In addition, as the style is today, some words are emphasized by adding a background voice to say them, however, Sen Dog's emphases are always more prominent, mostly shouted alongside with the rapping.
The sound and groove of their music, produced by Muggs, is also notable for its influence and stoned aesthetic; with its bass-heavy rhythms and odd sample loops ("Insane in the Brain" is notable for having a horse neigh looped in its chorus), it carries a psychedelic value, which lessened in the later albums.
The band is also known for involving rock instruments in their songs. This has caused the band to sometimes be classified as a rapcore group. In IV, there is Lightning Strikes which doesn't truly use electric guitars, but a synthesized version of it. Skull & Bones has an entire disc using such instruments, labeled Bones. As for their later works, their involvement in rock ended with the album Stoned Raiders (the tracks Trouble (also the first single of the album), Amplified and Catastrophe being the songs).
The band's music is constantly subject to change; while the first album follows a more minimalistic and funky sound, Black Sunday, the successor, has a slightly darker side to it. III (Temples of Boom) and IV are mostly influenced by psychedelic music. The band abandoned that on Skull & Bones and got closer to the modern rap as it is today. Stoned Raiders has a more authentic sound than the rest, and Till Death Do Us Part carries reggae influences.
The band is also known to involve horns in their songs, and often have guitar and horns together in the instrumentals. What's Your Number?, Trouble, Tequila Sunrise, and (Rock) Superstar have become some of the bands most popular songs featuring these elements. Cypress Hill's experimenting in different genres of music even includes reggaeton in their track "Latin Thugs" which features Tego Calderon.
Some fans feel that the band has drifted somewhat from the values of their earlier albums. For example in "Strictly Hip Hop" from Temples of Boom, the band complain about hip hop artists who have an album of hardcore tracks but have one or two pop songs which just so happen to be the singles. Cypress have arguably fallen into this trap with the single "What's You Number?"
The sound contribitions of DJ Muggs seems to be clearly influenced by marijuana consumption. Since one of the effects of a cannabis high is an altered audio sensual perception, the often slow paced and deep bass can be better appreciated. Furthermore, psychedelic sequences underly some parts of certain tracks such as "I Wanna Get High" for example. This is an interesting feature of their music, that had also been used before, especially during the 60's and 70's (e.g. Sgt. Pepper's Lonely Hearts Club Band by The Beatles).
Lyrics
The lyrics of tracks like "How I Could Just Kill A Man" offer an insight into the cultural expression of social stratification in L.A. at that point in history. Many other songs have cited topics such as police brutality, racial profiling, gang violence and anecdotes about invasion of privacy by police.
Furthermore the celebration of marijuana consumption is what they are often associated with in songs like "I Wanna Get High", "Stoned Is The Way Of The Walk" or "Hits From The Bong", the themes of recreational use of marijuana are prevalent.
Many of their songs also protest the current marijuana laws and voice their opinions on the hypocrisy of drug enforcement institutions.
Their lyrics often reflect the hip hop culture of Los Angeles in their earlier work such as their self-titled album and Black Sunday, which were very influential not only to Latino hip hop of the time but to many other hip hop groups around the world as well.
Throughout their career they have commonly incorporated Spanish into their lyrics as well as slang used by some Latinos in Los Angeles on songs like "Latin Lingo". Their album "Los Grandes Exitos En Espanol" features Spanish translations of many of their hit songs.
Years active 1987 - present.
I Ain't Going Out Like That
Cypress Hill Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Comin' out the slums! It's da hoodlums
I'm pullin' my gat out on all you bums
So bring it on when you want to come fight this
Outlaw, kicking like Billy Ray Cypress Hill
Chill, I'll bust that grill
Grab my gat, and load up the steel
I'll pull out my plastic glock, automatic
Synthetic material, burial plots in order
Headed down to the Mexican border
Smokin' that smellie, Northern Cali
Gonna put a slug in Captain O'Malley
Ho, hum, hear the gat come, boom!
Let me see what you'll do
It's a sin to kill a man
But I'll be damned if I don't take a stand
We ain't goin' out like that
We ain't goin' out like that
"We ain't goin' out!"
We ain't goin' out like that
We ain't goin' out like that
"We ain't goin' out!"
We ain't goin' out like that
We ain't goin' out like that
"We ain't goin' out!"
We ain't goin' out like that
"We ain't goin' out like that!"
I'm high strung, click I'm sprung
Cause I don't live on the hum-drum
Where I'm from, the gats'll be smokin'
I'll be damned if you think I'm jokin'
Know, that I'll come with the static
Erratic, .45 automatic
Screamin' at ya, the red lights beamin' at ya
No need to run after
The punk-ass hook, in the oven I'll cook
Dig the grave for the one who got played
Now he's under, don't make Stevie Wonder why
Cause he'll testify
We ain't goin' out like that
We ain't goin' out like that
"We ain't goin' out!"
We ain't goin' out like that
We ain't goin' out like that
"We ain't goin' out!"
We ain't goin' out like that
We ain't goin' out like that
"We ain't goin' out!"
We ain't goin' out like that
"We ain't goin' out like that!"
I got you thinkin' "What the fuck is this?"
Lettin' you know I take care of business
Can, I, get a witness?
To verify when I depict this style
That makes you ecstatic
Tragic, when I get a poof of the magic buddha
When I roll with my crew
I betcha one time can't find my hootah
In my vehicle with the belt unbuckled
Pig rollin' up but he ain't that subtle
Pulled to da curb, so we exchange a few words
But he got me stirred up, enough to grab the handcuffs
I'll huff-n-puff and blow ya head off!
We ain't goin' out like that
We ain't goin' out like that
"We ain't goin' out!"
We ain't goin' out like that
We ain't goin' out like that
"We ain't goin' out!"
We ain't goin' out like that
We ain't goin' out like that
"We ain't goin' out!"
We ain't goin' out like that
"We ain't goin' out like that!"
The lyrics of Cypress Hill's I Ain't Goin' Out Like That speak to the tough reality of life in the slums and the necessity for self-defense. The opening line sets the tone for the rest of the song as it declares, "Comin' out the slums! It's da hoodlums." This line is a statement of defiance against the harsh reality of life in the ghetto, suggesting that the people who live there are not willing to be beaten down by their circumstances. This is reinforced with the following line, "I'm pullin' my gat out on all you bums," in which the singer asserts their readiness to fight back against any threats.
The lyrics continue to assert the necessity of self-defense, with the singer describing their willingness to use violence if necessary. The line "Synthetic material, burial plots in order" suggests that the singer is prepared to kill if needed, and the reference to "heading down to the Mexican border" reinforces this idea. The repeated refrain of "We ain't goin' out like that" further reinforces the idea of defiance in the face of adversity, as the singer refuses to be beaten down by their circumstances.
Overall, the lyrics of I Ain't Goin' Out Like That are an ode to survival in the harsh reality of the ghetto. The singer asserts their willingness to fight back against any threat, and refuses to be beaten down by their circumstances.
Line by Line Meaning
Comin' out the slums! It's da hoodlums
I come from a rough area and am with other troublemakers
I'm pullin' my gat out on all you bums
I am taking out my gun to threaten you all
So bring it on when you want to come fight this
You can try to fight me if you're feeling bold
Outlaw, kicking like Billy Ray Cypress Hill
I am a rebel with a powerful presence
Chill, I'll bust that grill
Relax, I will hurt you if I need to
Grab my gat, and load up the steel
I am preparing my gun and ammunition
And if you want to get drastic
If you push me to my limit
I'll pull out my plastic glock, automatic
I will bring out my powerful, synthetic gun
Synthetic material, burial plots in order
My gun is made of synthetic materials and you will end up dead
Headed down to the Mexican border
I am going to the border to do something dangerous
Smokin' that smellie, Northern Cali
I am smoking marijuana from Northern California
Gonna put a slug in Captain O'Malley
I am going to shoot someone named Captain O'Malley
Ho, hum, hear the gat come, boom!
The sound of my gun is like a boring, repetitive sound effect
Let me see what you'll do
Show me your reaction
It's a sin to kill a man
Killing someone is morally wrong
But I'll be damned if I don't take a stand
I stand up for myself and my beliefs, even if it means using violence
I'm high strung, click I'm sprung
I am nervous and easily excitable
Cause I don't live on the hum-drum
I don't live an ordinary, boring life
Where I'm from, the gats'll be smokin'
In my hometown, people frequently use guns
I'll be damned if you think I'm jokin'
Don't mistake me for being insincere or unserious
Know, that I'll come with the static
Be aware that I come with conflict and aggression
Erratic, .45 automatic
My behavior is unpredictable, and I have a powerful gun
Screamin' at ya, the red lights beamin' at ya
I am shouting and there are police sirens flashing
No need to run after
Don't bother trying to escape
The punk-ass hook, in the oven I'll cook
I will defeat my opponent and they will be punished
Dig the grave for the one who got played
Prepare a burial for the one who lost to me
Now he's under, don't make Stevie Wonder why
He is dead and can't question what happened
Cause he'll testify
He would have been a witness if he were alive
I got you thinkin' "What the fuck is this?"
I have surprised or confused you
Lettin' you know I take care of business
I am capable of handling problems
Can, I, get a witness?
Can someone vouch for me?
To verify when I depict this style
To confirm that my behavior matches my reputation
That makes you ecstatic
My attitude excites you
Tragic, when I get a poof of the magic buddha
It's a shame how high I can get from smoking marijuana
When I roll with my crew
When I am with my group of friends
I betcha one time can't find my hootah
Police won't be able to find my marijuana
In my vehicle with the belt unbuckled
I am driving recklessly and not wearing my seatbelt
Pig rollin' up but he ain't that subtle
A cop is approaching but not trying to be discreet
Pulled to da curb, so we exchange a few words
The cop and I pull over and have a brief interaction
But he got me stirred up, enough to grab the handcuffs
The cop angered me, and I am being arrested
I'll huff-n-puff and blow ya head off!
I threaten to use violence against the cop
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: TERENCE BUTLER, FRANK IOMMI, JOHN OSBOURNE, W.T. WARD, LOUIS FREEZE, LARRY MUGGERUD, TODD RAY
Lyrics Licensed & Provided by LyricFind
@user-rj4oy7lh1d
Blue beetle brought me here
@ZetroDrummer
Let's be honest. We the metal heads have always loved Cypress Hill 🤘
@kevinboswell1891
Was that Eminem running
@haltehara499
Because of the Album Covers?
@blo0dybubble330
@@haltehara499 Because of the music.
@andrepoeze451
I admit
@ZetroDrummer
@@haltehara499 because of both... Music and most album covers are awesome. I mean... Temples of boom could be a Black metal album cover.
@bigdoinks69
One of the evilest sounding bass lines ever. This song is timeless.
@louiepooh1510
The bass is goddamn SCARY man. Sounds like it's gonna beat you up.
@soldatottoman945
@@louiepooh1510 yeah man 🔥🔥🔥🔥