Bump
DJ S.O.B Lyrics

Yeah
Expressing agreement or excitement

We sendin' this one out to all the ladies all over the world
Dedicating this song to all the women around the globe

(All the ladies all over the world)
Every woman, regardless of location

All my sexy mamas, come on, come on and come on now
Appealing to attractive and confident women to join in

As we proceed, to give you what you need (yeah)
Continuing to provide the desired entertainment

You know I like it when your body goes (bump, bump, bump)
Referring to enjoying the rhythmic movements of a woman's body

Bad Boy, B2K
Indicating the artists involved

Yo O, talk to 'em, playa
Addressing O, one of the artists, to express something important

I like ya little sexy style
Appreciating a woman's alluring fashion choices

Love it when you getting wild (I see you)
Enjoying and acknowledging a woman's uninhibited behavior

Girl in the club with me
Referring to a woman present at the same nightclub

(Come over here, let me talk to you for a minute, I gotta tell you something)
Requesting a woman to approach and wanting to have a private conversation

Girl you need to be in magazines
Suggesting that a woman has the qualities to be featured in magazines

With a crown on your head 'cause you's a ghetto queen
Comparing the woman to a queen with her own unique style and roots

Like bling, bling, bling (uh, come on, you fine girl)
Emphasizing the woman's attractiveness and using bling as a metaphor for her radiance

The way you shaking that sexy (ow)
Appreciating the sensual movements a woman makes

Body shaped like an hourglass (shake it)
Admiring a woman's curvaceous physique and encouraging her to show it off

Baby, we need to spend some time (yeah, let's do it y'all)
Expressing the desire to spend quality time together

I wanna get you to myself
Requesting exclusive time and attention from the woman

You and me and nobody else
Desiring privacy and intimacy without any third parties

And do the things we do (come on)
Engaging in personal activities and experiences together

Baby, there is something that I need from you (check it out, come on)
Requesting a favor or something important from the woman

Baby, turn around (yeah)
Asking the woman to change her position or face in a certain direction

And let me see that sexy body go bump, bump, bump
Wanting to witness the woman's alluring body movements

That is all I want to see (yeah)
Expressing a singular desire to observe the woman's enticing body

Baby, show me, show me (come on)
Requesting the woman to display her attractive qualities or perform for the singer

And let me see that sexy body go bump, bump, bump
Encouraging the woman to continue her captivating movements

The way you're throwing that thing at me (yeah, come on)
Appreciating the woman's seductive gestures or actions toward the artist

I can't take it baby (second verse, come on)
Being unable to resist or handle the woman's allure and charm

I love the way you teasin' me
Enjoying the woman's playful and teasing behavior

Gonna have to start pleasing me
Expecting the woman to transition from teasing to satisfying the singer's desires

While we're on this floor (stop teasin' me baby, I want you)
Being physically present on the dance floor and expressing the desire for more intimacy

You're kicking it round and round
Engaging in lively and continuous movements

I love the way you put it down (I like the way you put it down)
Admiring the woman's skills or abilities, possibly in dancing or performing

You're making me scream for more (gimme more, let's go, don't stop, come on)
Creating a strong desire or craving for further engagement or pleasure

Put your two-way next to mine, baby, hit me anytime
Referring to mobile phones, suggesting constant communication and availability

You and me behind closed doors, oh wooh (yo, just make sure you lock it)
Imagining intimate moments between the two individuals in a private setting, with an emphasis on privacy

(Talk to me now) you about to be my main squeeze
Discussing the woman potentially becoming the singer's main romantic partner

Take trips, cop shinny things (just me and you)
Planning to travel together and acquire desirable possessions as a couple

Girl just come with me
Inviting the woman to accompany the artist

Now, mama, go 'head do the damn thing (yeah, yeah, come on)
Encouraging the woman to freely express herself or showcase her abilities

Let's dance for nothing mami
Proposing to engage in dancing solely for the enjoyment of it

Plans to take her by me
Hinting at future intentions of being close to the woman

Get on the floor, make it bump more, shake it mami
Encouraging the woman to dance enthusiastically, creating a lively and rhythmic atmosphere

Let's ride, I'm your Clyde, you can be my Bonnie
Comparing themselves to a famous fictional couple known for their loyalty and partnership

See you the type for me, mami so right for me
Determining that the woman possesses the qualities desired by the artist

Man, she can move it
Expressing admiration for the woman's dancing skills

Love when she dance to the music
Enjoying the woman's dancing specifically in response to the music

Make me wanna stand like a pool stick
Being so captivated by the woman's dancing that it elicits a strong reaction

Hands is the smoothest, just a simple touch make me lose it
Describing the woman's hands as effortlessly gentle, causing the singer to become overwhelmed with desire

Girl, that's enough, stop movin'
Implying that the woman's attractive movements are becoming too enticing for the singer to handle

Now bump that, I pump that
Encouraging the woman to continue her seductive movements, corresponding to the artist's own passionate reaction

Girl, bring it to me, bump that
Requesting the woman to bring her enticing body and continue her alluring movements

I want that girl sing it wit me like Da da-da-da-da-da, da-da-da Da da-da-da-da-da, da-da-da
Asking the woman to engage in a musical moment together, suggesting a harmonious and enjoyable experience

So let's do it again, mami
Proposing to repeat the pleasurable activities or experiences with the woman

You and a friend, mami
Suggesting that the woman bring a friend to join in the enjoyable activities

Money ain't a thing
Asserting that financial concerns or limitations are not significant

Look, what I gotta spend, mami?
Questioning what the artist needs to do or provide to fulfill the woman's desires

Put up ya hands for me, that's how you dance for me
Requesting the woman to raise her hands and perform a specific dance move as a way of expressing her enthusiasm

Shake it like ya can, honey
Encouraging the woman to shake her body confidently and skillfully

Take it from your man, mami, yeah
Indicating that the singer is willing to provide or support the woman's actions or decisions

Let's go, don't stop, let's go
Urging the woman to continue the enjoyable activities and not cease or hesitate

You know I like it when your body goes bump, bump, bump
Reaffirming the singer's attraction to the woman's rhythmic body movements