DMX died on April 9, 2021 in White Plains, New York, after he was hospitalized on April 2 following a reported heart attack.
Biography
Earl Simmons was the second of three children of a single mother, and was born in Mount Vernon, New York Simmons ended up growing up in the School Street housing projects of Yonkers, New York. He began rapping around the age of 13, amusing crowds of children with rhymes that relied on spelled-out words, a style he called "spellbound." A local rapper eventually asked the young Earl to beatbox for him, and Simmons agreed, adopting the stage name DMX, which stands for "Dark Man of the Unknown," X being an algebraic expression for unknown. But at the time, stood for a drum system that delivered amazing beats. Eventually he decided to try his hand at serious rapping, and honed his skills during a stint at a group home. He also got into fights and frequently was on the run from police. During this period, he also began doing shows and battling other rappers (Once battling and defeating Jay-Z), making a name for himself in the New York area. He released his first album called "DMX: Unleashed and Unreleased" which was an instant hit on the streets of Yonkers. He was also featured in the Unsigned Hype section of The Source in 1988.
He stated he wanted to be a preacher when he retires from his rapping career as he stated in his reality TV Show DMX: Soul Of A Man.
DMX was a fan of the Pit Bull type dogs (American Pit Bull Terriers and American Staffordshire Terriers). He had a tattoo of one of his deceased dogs, on his back, which read "One Love Boomer". He later contributed over $1 million to the United Negro Association for unfortunate black children in New York City..
Recording career
In and out of jail, DMX decided to focus solely on his rap career. He began seriously looking for a deal and linked up with Pete McCormick Schaub, an A&R for Small Island at the time. Eventually, he signed a management deal with Ruff Ryders. They negotiated deals with both Bad Boy and Death Row Records, but he eventually landed at Def Jam. He is currently at Sony BMG, set to release his first of three albums on August 1st 2006. Rumors also arose that DMX had signed for 50 Cent's G-Unit Records, but were dismissed in a public news conference.
It's Dark and Hell Is Hot
Before It's Dark and Hell Is Hot, DMX released the single "Born Loser" which was banned on MTV due to the video's graphic images. DMX's debut single was "Get At Me Dog", which was an instant hit. His critically-acclaimed debut album, It's Dark and Hell Is Hot, is often credited with revitalizing Hardcore Rap in the mainstream scene, after the death of Tupac Shakur, and after Puff Daddy and Bad Boy Entertainment briefly dominated the charts with their pop-oriented and sample-reliant tunes.
In 1997, DMX earned a second major-label shot with Def Jam, and made a successful guest appearance on LL Cool J's "4, 3, 2, 1." Additional guest spots on Ma$e's "24 Hours to Live" and fellow Yonkers MCs the The LOX's "Money, Power, & Respect" created an even stronger buzz, and in early 1998, he released his debut Def Jam single, "Get At Me Dog." The song went gold and was a hit on the rap and dance charts. The single paved the way for DMX to release his classic first full-length album, It's Dark and Hell Is Hot, which debuted as number one on the pop charts.
Produced mostly by Damon "Dame Grease" Blackman, (Swizz Beatz produced the "Ruff Ryders' Anthem", paving the way for future projects between the two). It's Dark and Hell Is Hot earned DMX numerous comparisons to Tupac Shakur for his booming and aggressive presence on the mic. The album went on to sell over four million copies and earned him credit for revitalizing Hardcore Rap after the deaths of Tupac Shakur and The Notorious B.I.G. Shortly after the album's release in May 1998, DMX was accused of raping a stripper in the Bronx, but was later cleared by DNA evidence. He made his film debut together with Nas and Method Man in Hype Williams' mildly successful film Belly. Although not a critical success, the film found a strong following with hip hop audiences.
Flesh of My Flesh, Blood of My Blood
DMX completed his second album before the end of 1998, and a pending buyout of Def Jam pushed the record into stores December 15. Flesh of My Flesh, Blood of My Blood entered the charts at number one and eventually went triple platinum. This number one hit made DMX the first rapper to have two number one albums in the same year. The cover photo of the rapper covered in pig's blood caused some controversy. The single "Slippin'" became his first chart hit in the UK. DMX hit the road with Jay-Z and the Method Man/Redman team on the blockbuster Hard Knock Life tour the following year. He had a song called "Jack Moves" with the legendary rap group Bone Thugs-N-Harmony, but the song did not appear on the album.
...And Then There Was X
DMX released his third album on December 21, 1999, ...And Then There Was X, which was his third straight album to debut at number one. Party Up was his biggest single since "Get at Me Dog" which became his first Top Ten hit on the R&B charts. His next singles off the album, "What's My Name" & "What These Bitches Want" feat. Sisqó were also popular. ...And Then There Was X is the rapper's best-selling album to date, going 6x platinum and 9x platinum worldwide, & one of the fastest made by DMX : Def Jam urged him to realise the tracks within a month, while DMX used to take a year to write songs.
The Great Depression
After resolving his legal problems, DMX returned to the studio and completed his fourth album, The Great Depression. Released October 3, 2001, it was DMX's fourth straight album to debut at number one. The album demonstrated his still strong allegiance with the Ruff Ryders. The Great Depression went platinum quickly, but lacked the staying power of his previous releases.
Grand Champ
Released in 2003, Grand Champ was DMX's fifth straight album to debut at number one, extending DMX's position as the only artist in history to have 5 albums (his entire album catalog at that point) debut at #1. Fans and critics claimed disappointment with the album, most stating that it felt formulaic. After its release, DMX informed the public that he planned on retiring from the rap game and that Grand Champ would be his final album. He later ended his brief retirement and announced his plans to record the album Year of the Dog...Again. It debuted with approximately 125,000 albums sold, but failed to give DMX a sixth consecutive #1 album. The album is his lowest selling to date, and has yet to reach Gold in the U.S.
Year of the Dog...Again
Released August 1st 2006, Year of the Dog...Again had numerous problems due to DMX switching record labels, as well as numerous delays. The album's five predeccesors debuted at #1, while this album missed the top spot by only a few thousand sales. In March, 2006 it was announced that the album had been renamed to "Year of the Dog, Again," from "Here We Go, Again." When DMX switched to Sony, Def Jam allowed him to keep all of the tracks he had created for the album. It was reported that most of the tracks were being reworked, with updated production, however the reworked album has also been leaked. DMX has also appeared on Busta Rhymes' "Touch It (The Remix)". He has also released his new singles "Lord Give Me A Sign", and "We In Here" feat. Swizz Beatz, which are included in "Year of the Dog...Again".
SUCKA FOR LOVE
DMX Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Doing me like you do, 'cause I know it's what you do
Doing me like you do, 'cause I know it's what you do
Doing me like you do, 'cause I know it's what you do
Doing me like you do, 'cause I know it's what you do
Never been a sucker for love
So if it come down to you and me you know
'Cause at the end of the day
You ain't never been nothing but a nut
I ain't never been a sucker for love
So if it come down to you and me you know
I don't give a fuck, hit the next bitch like whats up
'Cause at the end of the day
You ain't never been nothing but a nut
Listen boo, you's a bitch, you been a bitch
You know how niggas do
Run up in a bitch, fuck her well
And the bitch will call them bitches
But then in a week or 2, fucking all them bitches
A nigga gotta fall back and take a breather
Shawty suck a mean dick but in the morning
Gotta leave her, wasn't trying to deceive her
I just wanted my dick suck
Cute as a motherfucker
And she got a big butt
Now I'm like, what do I do from here
'Cause she's acting like she ain't trying go nowhere
Ain't really trying to get attached to this shit
Shit it's Friday, I just want some ass in the bitch
Can't be mad at me, I'm just doing what niggas do
Got kids by him, she wanna be the niggas boo? what? really?
Oh you think it's like that, OK! I'll be right back
I ain't never been a sucker for love
So if it come down to you and me you know
I don't give a fuck, hit the next bitch like whats up
'Cause at the end of the day
You ain't never been nothing but a nut
I ain't never been a sucker for love
So if it come down to you and me you know
I don't give a fuck, hit the next bitch like whats up
'Cause at the end of the day
You ain't never been nothing but a nut
It was summer time, I was in the slumps
Seen that bitch from a far, I was like whats up
Remember me? I was that kid
It was him and me, you just did what you did
How you expect me to respect you
When I know a police file of other niggas that you gave your sex to
I ain't never been a sucker so if you think so
You got the wrong motherfucker
What's my name? ah ah, bitch! what's my name?
You know who the fuck it is
I'm a real nigga, that's about my biz
I ain't never been a sucker for love
So if it come down to you and me you know
I don't give a fuck, hit the next bitch like whats up
'Cause at the end of the day
You ain't never been nothing but a nut
I ain't never been a sucker for love
So if it come down to you and me you know
I don't give a fuck, hit the next bitch like whats up
'Cause at the end of the day
You ain't never been nothing but a nut
I like the way you beat head, ooh, that's that street sh
Shawty can you keep a secret?
Look here, you know what I'm trying to creep with
OK, come on, cars outside, hotels up the block
Jump in the ride, you and me for the rest of the night
It's all good, click, turn off the lights
Pack it off like that girl, ooh, damn, that ass fat girl
We almost there baby, oh shit yeah baby, ow!
I ain't never been a sucker for love
So if it come down to you and me you know
I don't give a fuck, hit the next bitch like whats up
'Cause at the end of the day
You ain't never been nothing but a nut
I ain't never been a sucker for love
So if it come down to you and me you know
I don't give a fuck, hit the next bitch like whats up
'Cause at the end of the day
You ain't never been nothing but a nut
I ain't never been a sucker for love
So if it come down to you and me you know
I don't give a fuck, hit the next bitch like whats up
'Cause at the end of the day
You ain't never been nothing but a nut
I ain't never been a sucker for love
So if it come down to you and me you know
I don't give a fuck, hit the next bitch like whats up
'Cause at the end of the day
You ain't never been nothing but a nut
In DMX featuring Dani Stevenson's song "Sucka for Love," DMX expresses his disdain for love and commitment. He narrates how he is not one to fall in love and prioritizes his satisfaction over anything else. The lyrics convey how he is aware that some women only want him for sex, and he is willing to leave them if they start to demand love and commitment from him. Throughout the song, DMX emphasizes that he is not a sucker for love and won't be emotionally manipulated. The song portrays DMX's perspective on love, and how he perceives it as a trap that can hold a person back from living freely.
The lyrics of "Sucka for Love" are a reflection of DMX's real-life experiences. He has had several legal issues concerning child support, which supports his perspective on relationships. Moreover, the song was produced by a group of producers known as Pitt & Tye, who have produced several other songs with DMX, including "Ruff Ryders' Anthem." Additionally, the song features female singer Dani Stevenson, who became famous for her collaboration with Missy Elliott.
Line by Line Meaning
Doing me like you do, 'cause I know it's what you do
I'm aware of your actions and how you treat me, but I won't change myself to please you.
Never been a sucker for love
I'm not easily swayed by love or romance.
So if it come down to you and me you know
If we become romantically involved, I won't be controlled or manipulated.
I don't give a fuck, hit the next bitch like whats up
I won't hesitate to move on to someone else if you don't meet my standards.
'Cause at the end of the day
Ultimately, I'm in control of my own life and decisions.
You ain't never been nothing but a nut
You have no real value to me beyond physical pleasure.
Listen boo, you's a bitch, you been a bitch
I'm calling you out for your negative behavior and attitude.
You know how niggas do
I see through your manipulation tactics and know exactly what you're trying to do.
Run up in a bitch, fuck her well
Men may have casual sex with a woman and then move on without attachment.
And the bitch will call them bitches
Women may gossip or insult other women who have been involved with men they're interested in.
But then in a week or 2, fucking all them bitches
The man may move on to other women quickly and without attachment.
A nigga gotta fall back and take a breather
The man needs time to rest and recuperate after engaging in casual sexual relationships.
Shawty suck a mean dick but in the morning
The woman may be skilled at performing oral sex, but there's no connection beyond physical pleasure.
Gotta leave her, wasn't trying to deceive her
The man had no intention of leading the woman on or fostering an emotional connection.
I just wanted my dick suck
His only goal was physical pleasure, not romance or connection.
Cute as a motherfucker
The woman is physically attractive to the man.
And she got a big butt
Her physical appearance is one of the pleasing qualities for the man.
Now I'm like, what do I do from here
The man is unsure of what the future of the relationship holds.
'Cause she's acting like she ain't trying go nowhere
The woman is giving mixed signals about her interest in pursuing a deeper relationship.
Ain't really trying to get attached to this shit
The man has no desire to become emotionally involved.
Shit it's Friday, I just want some ass in the bitch
He's only interested in physical pleasure, not romance or connection.
Can't be mad at me, I'm just doing what niggas do
He's not responsible for the expectations or feelings of others because he's acting like other men normally do.
Got kids by him, she wanna be the niggas boo? what? really?
Despite having children by another man, the woman wants a deeper, more committed relationship with the current man. The singer finds this surprising.
Oh you think it's like that, OK! I'll be right back
The man is insulted by the woman's expectations and is leaving to pursue someone else.
It was summer time, I was in the slumps
The man was unhappy or struggling in life during the summer.
Seen that bitch from a far, I was like whats up
The man saw the woman from a distance and approached her to have sex.
Remember me? I was that kid
The man is trying to jog the woman's memory about their past sexual encounter.
It was him and me, you just did what you did
The man is placing the blame for their past sexual encounter on the woman's behavior.
How you expect me to respect you
The man has lost respect for the woman due to her behavior and past sexual encounters.
When I know a police file of other niggas that you gave your sex to
The man is aware of the woman's history of casual sex with multiple partners, which lowers his opinion of her.
I ain't never been a sucker so if you think so
The man is confident in his ability to avoid being used, manipulated, or controlled by the woman.
You got the wrong motherfucker
The man won't be swayed or manipulated by the woman's romantic advances.
What's my name? ah ah, bitch! what's my name?
The man is asserting his dominance and reminding the woman that he won't be controlled or manipulated.
You know who the fuck it is
The man is confident in his identity and won't be changed by the woman's advances or expectations.
I'm a real nigga, that's about my biz
The man is authentic and sincere, focused on his own priorities and needs.
I like the way you beat head, ooh, that's that street sh
The man finds the woman's sexual techniques appealing.
Shawty can you keep a secret?
The man wants to ensure that the woman won't reveal their sexual encounter to others.
Look here, you know what I'm trying to creep with
The man is pursuing a secretive, sexual encounter with the woman.
OK, come on, cars outside, hotels up the block
The man is arranging a location for their sexual encounter.
Jump in the ride, you and me for the rest of the night
The man is inviting the woman to engage in a sexual encounter with him for the entire night.
It's all good, click, turn off the lights
The man is preparing for their sexual encounter and ensuring privacy.
Pack it off like that girl, ooh, damn, that ass fat girl
The man is attracted to the woman's physical appearance, specifically her large buttocks.
We almost there baby, oh shit yeah baby, ow!
The man is excited and eager to engage in their sexual encounter.
Lyrics © Universal Music Publishing Group, Royalty Network
Written by: DARIUS J. HARRISON, EARL SIMMONS
Lyrics Licensed & Provided by LyricFind
Douglas Pedroso
REST IN PEACE, KING 👑
Willie Amerson
Rest in Heaven DMX
Ty Mitchell
I’m definitely here for it x baby I love u rest king 👑
Kelsea Dawn
This always helps me get over fake ass dudes..
fawaz alsubaiei
😎 x we miss u bro 💪🏼
Enzo SorzGiano
Rest in Power Homie🤙🏻❤️
Rahma
RIP DMX
_Mateo
The nostalgia is insane jees mane
KingYT01
Love thus
Auturo Jackson
Rip x