Two drum machine demos and no gigs later a bass playing youngster by the name of Jesper Rydberg and a dazzling hunk of a drummer, Andreas Båge, was recruited to make the band sound more like... a band. Two demos, a few gigs and a talent show later DOO earned their first record deal and recorded the already classic album "A Fervent Prayer". Shortly after the release of the album, in 1994, the band split up due to "difference of opinions". Victor then reformed Dawn of Oblivion and recruited American guitarist Jimmy Lee Lou, bassplayer Jonas Nilsson and again, the dazzling hunk of a drummer, Andreas. Two demos, some gigs and a another record deal later, DOO again parked their buts in the studio, this time to record the 1997 "Yorick" album. After some gig´n and touring , a few child births, divorces and what not , DOO felt it was time to start recording again, so in late 1998, in preparation for their third full length album, they began recordings of the four track EP "Haunted". Shortly before the release of Haunted, guitarist Jimmy informed his fellow band members that he intends to leave the band, Jim wanted to spend more time with his family and other music projects.
DOO hold some auditions to recruit a new guitar player, and after only a month, almost out of the blue, a very potent stallion of a man , Stefan Rosqvist, shows up for rehearsal. Stefan joins the band and the line up is again complete. After much rehearsal DOO embarks on a short tour of Sweden to grind the rock´n roll lifestyle into the brains and bones of the members, all this in preparation for the long and painful process of writing and recording Dawn of Oblivions third full length masterpiece "Mepisto´s Appealing". Recordings started in January 2000 and ended in March 2001.
Stay tuned, more is to come......
http://www.dawnofoblivion.com/1024/
Xenophobia
Dawn Of Oblivion Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Dreams of wars I can not explain
I thought about the ancient blood
I watched the frozen pictures from our God
The 10 commandments are they so real?
You shall not murder, you shall not steal
Jesus Christ they wrapped in chains
Witches convicted to burn in flames
The inquisition played their holy games
The crusaders with their cross of the dead
A machine gun etiquette is the head
I can't go on, I'm falling from you
I can't go on, feels like I'm losing ground
I can't go on, tearing all our lives apart
I can't go on bowing to your God
With one foot in the new millennium
The other buried in sanctum sanctorum
Frightening shadows of history
Holy wars, the holocaust nothing but misery
The words are venomous disguised to thrill
Should the image of God destroy, rape and kill?
I won't bow to a killer in disguise
I won't bow to a xenophobic agitator
I won't bow to the churches or the priests
I won't bow to the Lord of Lies
The Lord of Lies
A killer in disguise
The Lord of Lies
A killer in disguise
Jesus Christ
An erotic sacrifice
The lyrics of "Xenophobia" by Dawn of Oblivion are a powerful indictment of the destructive forces of hatred, violence, and dogmatic ideology that have plagued human history. The song opens with a striking metaphor, describing the singer's feelings as "an ocean in pain" and evoking the vast, visceral power of emotions that can overwhelm and consume us. The following lines suggest a sense of helplessness in the face of the chaotic and senseless violence that has characterized wars throughout history. The singer reflects on the "ancient blood" shed by generations past, and the frozen images of tragedy and horror that are frozen in time like relics of a cruel god. The singer then turns to the question of morality and asks whether the Ten Commandments really have any meaning when they are so often ignored or violated. The final lines of this section are a bleak commentary on the cruelty and inhumanity of human beings, who have used the name of Jesus Christ to justify acts of violence and torture, and who have condemned innocent people to burn in flames in the name of righteousness.
The second stanza of "Xenophobia" delves deeper into the historical and cultural roots of violence and intolerance. The singer describes the medieval inquisition and the atrocities committed in the name of religious zealotry, including the witch hunts and the crusades. The reference to the cross of the dead and the machine gun etiquette is a powerful contrast between the symbols of faith and the instruments of war, suggesting that the two have become inexorably intertwined in a brutal cycle of violence and revenge. The singer then expresses a sense of despair and frustration, feeling as if he is "falling from you" and losing his grip on sanity and reason. The final lines of this verse are a defiant rejection of the oppressive forces of religious dogma and bigotry, declaring that the singer will not bow down to any killer in disguise or xenophobic agitator.
The final stanza of "Xenophobia" brings the song into the present day, as the singer confronts the frightening shadows of history and recognizes the ongoing legacy of violence and hatred in the world today. The reference to the new millennium and the sanctum sanctorum suggests that the singer is aware of his place in a long historical continuum, but also that he is grappling with the challenges of a rapidly-changing world that is simultaneously connected and divided by globalization and cultural clashes. The final lines of the song are a fierce rebuke to the idea that any image of God could condone or justify the atrocities of war and genocide, and a declaration that the singer will not surrender to the Lord of Lies who seeks to manipulate and control humanity through fear and hate.
Line by Line Meaning
Feelings of an ocean in pain
Strong emotions that resemble an ocean in agony
Dreams of wars I can not explain
Dreams that depict inexplicable wars
I thought about the ancient blood
Contemplating on old and ancient bloodshed
I watched the frozen pictures from our God
Viewed images of dormant pictures from a godlike entity
The 10 commandments are they so real?
Questioning the legitimacy of the ten commandments
You shall not murder, you shall not steal
Rules that prohibit killing and stealing
Jesus Christ they wrapped in chains
Chained up Jesus Christ
Ancestors of the ghost of Cain
Ancestral lineage of Cain's phantom
Witches convicted to burn in flames
Women convicted and executed by being burned alive
The inquisition played their holy games
The inquisitors employed religious games
The crusaders with their cross of the dead
Crusaders carrying crosses for the deceased
A machine gun etiquette is the head
Modern machine guns have become customary
I can't go on, I'm falling from you
I cannot continue, I am slipping from your grasp
I can't go on, feels like I'm losing ground
I am unable to move ahead, it seems like I am regressing
I can't go on, tearing all our lives apart
I cannot persist, this is causing chaos in our lives
I can't go on bowing to your God
I cannot consent to adhering to your God
With one foot in the new millennium
Being partially rooted in the new millennium
The other buried in sanctum sanctorum
The other one is inside the holy of holies
Frightening shadows of history
Dreadful memories of the past
Holy wars, the holocaust nothing but misery
Religious wars and genocide that only cause suffering
The words are venomous disguised to thrill
Words that may seem exciting, but are dangerous and harmful
Should the image of God destroy, rape and kill?
Asking whether God's image should be related to destruction, rape, and murder
I won't bow to a killer in disguise
I refuse to submit to a violent deceiver
I won't bow to a xenophobic agitator
I refuse to yield to someone inciting fear and hatred of foreigners
I won't bow to the churches or the priests
I refuse to submit to the church or its leaders
I won't bow to the Lord of Lies
I refuse to submit to the deceitful lord
Contributed by Kayla K. Suggest a correction in the comments below.