Polly Adelaide Hendricks Hazelwood (February 22, 1920 – October 3, 1989), k… Read Full Bio ↴Polly Adelaide Hendricks Hazelwood (February 22, 1920 – October 3, 1989), known professionally as Del Wood, was an American pianist.
Hendricks was born in Nashville, Tennessee. A lifetime resident of Nashville, she was surrounded by the influences of early country music and the remaining vestiges of ragtime, particularly through the guitar pickers. She took up piano at age five, and played ragtime, gospel, and country music. Despite her parent's best efforts to encourage a direction towards classical music, the environment in Nashville, plus the early local programming on radio, convinced her that she wanted to play piano in the honky-tonk style. Her dream goal was the Grand Ole Opry, something she would realize in her early 30s.
Shortening her married name (Adelaide Hazelwood) to something easier to remember (and intentionally non-gender specific), Wood began playing in bands and honky-tonk joints in her 20s. After a decade of building repertoire and reputation, she spent some time as a staff pianist at WLBJ in Bowling Green, Kentucky. It was there that she was heard playing "Down Yonder" among other pieces, which led to a gig with a recording group called Hugh `Baby' Jarrett and his Dixieliners. This led to the first of many recording sessions for the Tennessee Records label starting in 1951. "Down Yonder" soon became a national hit in both the country and pop categories in Billboard record charts, sold over one million copies, and was awarded a gold disc. She is probably the first female country solo instrumentalist to sell a million copies of a record.
This success was turned into appearances on the Grand Ole Opry starting in 1952, which led to an eventual full-time gig there in 1953, fulfilling her long-time dream. Two years later her fame culminated with a contract from RCA Victor Records, where she would make some of the first country/honky-tonk stereo recordings in the late 1950s. While nothing else that she put out had the same success as "Down Yonder", her offerings over the next decade were frequent and consistent. Wood gained the title, Queen of the Ragtime Pianists, sometimes shared with junior fellow plunker Jo Ann Castle. She was also divorced from her stage-namesake, Carson Hazelwood, during this period, but not before adopting a son they named Wesley.
During the Vietnam War, Wood was part of one of the Grand Ole Opry package tours that entertained troops overseas in 1968. Her recordings after the late 1960s were infrequent at best, but her appearances on the Opry continued until just before her death from a stroke on October 3, 1989 at the age of 69.
She was interred in the Mount Olivet Cemetery in Nashville.
Hendricks was born in Nashville, Tennessee. A lifetime resident of Nashville, she was surrounded by the influences of early country music and the remaining vestiges of ragtime, particularly through the guitar pickers. She took up piano at age five, and played ragtime, gospel, and country music. Despite her parent's best efforts to encourage a direction towards classical music, the environment in Nashville, plus the early local programming on radio, convinced her that she wanted to play piano in the honky-tonk style. Her dream goal was the Grand Ole Opry, something she would realize in her early 30s.
Shortening her married name (Adelaide Hazelwood) to something easier to remember (and intentionally non-gender specific), Wood began playing in bands and honky-tonk joints in her 20s. After a decade of building repertoire and reputation, she spent some time as a staff pianist at WLBJ in Bowling Green, Kentucky. It was there that she was heard playing "Down Yonder" among other pieces, which led to a gig with a recording group called Hugh `Baby' Jarrett and his Dixieliners. This led to the first of many recording sessions for the Tennessee Records label starting in 1951. "Down Yonder" soon became a national hit in both the country and pop categories in Billboard record charts, sold over one million copies, and was awarded a gold disc. She is probably the first female country solo instrumentalist to sell a million copies of a record.
This success was turned into appearances on the Grand Ole Opry starting in 1952, which led to an eventual full-time gig there in 1953, fulfilling her long-time dream. Two years later her fame culminated with a contract from RCA Victor Records, where she would make some of the first country/honky-tonk stereo recordings in the late 1950s. While nothing else that she put out had the same success as "Down Yonder", her offerings over the next decade were frequent and consistent. Wood gained the title, Queen of the Ragtime Pianists, sometimes shared with junior fellow plunker Jo Ann Castle. She was also divorced from her stage-namesake, Carson Hazelwood, during this period, but not before adopting a son they named Wesley.
During the Vietnam War, Wood was part of one of the Grand Ole Opry package tours that entertained troops overseas in 1968. Her recordings after the late 1960s were infrequent at best, but her appearances on the Opry continued until just before her death from a stroke on October 3, 1989 at the age of 69.
She was interred in the Mount Olivet Cemetery in Nashville.
Orange Blosson Special
Del Wood Lyrics
We have lyrics for these tracks by Del Wood:
Bye Bye Blackbird No one here can love or understand me Oh, what hard…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@allendale1962
Del Wood was the greatest inspiration I ever had. I learned a lot from her and to this day sound almost exactly her. God rest her soul.
@martingb66
Ma mère avait un album 33 tours de Dell Wood que j'écoutais étant enfant. Que de bon temps j'ai passé en écoutant cette musique...
@leonnuggetz
my uncle frank died last wednesday. at his funeral monday, i found out that this was one of his favorite songs and could play it on the piano like a fool! haha he was a lawyer AND a minister. he was awesome
@jacettabuchanan2986
This was my favorite song on Kirksville Mo radio in 1950. Still my favorite song. Art Buchanan, Greentop MO in 1951
@rangerrick67
I rember this song when I was ten years old. Love it ! I always thought Del Wood was a man.
@tomdesaulniers1551
You just can't be anything but joyful listening to this. She was GREAT and there will never be another one like her. I doubt even Jerry Lee Louis or Mickey Gilley could play like this. Absolutely great.
@maynardcat
I don't think either one of them could either, but Johnny Maddox could here is my other uploaded version of this song by him, he could really play ragtime piano. https://www.youtube.com/watch?v=936NKl1hKuE.
@xyz228
# 1 song in early 1952!
@ethelmae43
Amazing. Thanks so much for posting this.
@ramblerclassic400
In the early '60's there was a kid's show I used to watch after school in Pittsburgh called "Popeye 'n' Knish" that used this as the theme song for a while.