"The raw spirit of indie rock. An amplified, rocking version of ’60s protest folk. The soulful passion of the Violent Femmes and The Waterboys." All of these comparisons have been made in attempts to describe Delta Spirit, the southern California five-piece who might just be one of the most important new bands of the decade. Each description contains elements of the truth, but the real answer to the question “who is Delta Spirit?” lies within Ode to Sunshine, the band’s captivating debut. The group’s DIY ethic shines throughout the album, with songs honed razor-sharp over a year of non-stop touring across America. Opening sold-out tours for Clap Your Hands Say Yeah, Cold War Kids, and Dr. Dog, the band developed a riveting live show and gained a loyal following amongst tastemaker music fans, earning them invites to national festivals like Austin City Limits, Noise Pop and Sasquatch. So it would not be an understatement to call Ode to Sunshine one of the year’s most highly-anticipated debuts. But don’t take our word for it; in the words of Delta Spirit: “If you’re feeling what I’m feeling come on, all you soul searching people come on.”
Jonathan Jameson of Delta Spirit took a few minutes out of the band’s busy touring schedule to answer a few questions about the band, their music, and Ode to Sunshine.
Where in California did the band come together? How did you meet?
We are all from Southern California. Brandon met Matt while he was singing and playing guitar by the train tracks in San Diego. The rest is boring.
Who plays what and sings? Do you trade off instruments on different songs?
Brandon plays drums and percussion. Sean plays guitar, does some percussion and hits a big drum. Jon exclusively plays bass with the occasional vocal. Kelly plays piano, hits a drum, sings, hits a trashcan, plays guitar and a high strung guitar. Matt plays guitar, sings and plays piano.
Your songs are credited to the band as a whole. Could you describe how they come together? Are the lyrics collaborative as well?
It’s always a new experience. Matt and Kelly write the lyrics with minor editing done by the band. Songs come as jams, ideas, almost complete chords, hummed notes, drum beats, etc.
Some of the songs have very infectious sing along melodies (like the ba ba ba’s in “People C’mon”). Do you envision your music as communal, for audiences to participate in as well as listen to?
Our music feels most at home when we play it with people as opposed to at people. There is a mystery to music played live. It brings us out of ourselves into something bigger, something beyond our individuality. Sometimes it happens, other times the songs are just songs.
You recorded Ode to Sunshine at a cabin in Julian, California, out in the desert east of San Diego. Did the isolation of the setting influence the vibe of the album (like say, Dylan and The Band’s Basement Tapes)?
It feels like sun, saunas, dogs, friends, Old Crow and Coke, Eli Thompson, beards, hot days, long star filled nights, good books, hikes, shorts, bbq and just the way we wanted to make our first record.
Your music has been compared to current indie rockers, ’80s punk roots bands, and sixties folk rockers. Was there any music you listened to growing up, or that you listen to now, that you hear seeping into your current sound?
We were born in the ’80s, grew up in the ’90s and have parents from the ’60s. We are proud of the bands that are making great music now. Maybe it’s like the Waterboys covering Harry Nilsson or maybe a song by the Weavers at a rally, but on tour next month with Richard Swift. We want to be found in the lineage of honest and true music that has found its way through every current of music history.
There seems to be a conscience in the music, a sense of taking responsibility for ourselves, each other, and the world. What do you feel is special about this moment in history, and this generation, and the place of music and art in society? Are you encouraged by the energy you feel coming back to you from your audiences?
There is a feeling of possibility in our age. We feel that same possibility with our band. There is a deep connection there. We don’t want to forget about the most important thing for us, which is simply making good music, but that does include being aware of what’s going on in the world as well as what’s going on in our own heads and souls. We aren’t self-aggrandizing cock rockers or activist idealist hippies. We just want to be honest about ourselves and how we see the world, not minimizing the darkness or the hope, because both are very real.
Your original DIY version of Ode to Sunshine featured austere black & white artwork, while the new cover is much warmer, with the smiling face of Dr. Thomas Payne (an uncle of one of the band members) raising a toast while at a scientific convention on bark beetles. The Rounder release also features an additional song, “Streetwalker,” which despite its somber subject features a Phil Spector / Brian Wilson groove. Do the new artwork and song show a new side to the band?
I think that before when we were looking at the album it felt kinda heavy to us and serious. About the big things in life. Like a dusty record of Kennedy speeches. But I think we realized that the true feeling of the album also included what we were feeling while making it and recording it and that those bits of summer and excitement and wonder break through every once in a while. It’s as if after listening to those sobering speeches we found the pics of the Kennedys on vacation and now it all really made sense. The light and the dark. Sometimes you have to laugh at the serious stuff to be able to do something about it.
From the opening Rubber Soul-esque acoustic guitars of “Tomorrow Goes Away” to the saloon piano-over-grunge chords of “Trashcan,” from the harmonica-driven protest waltz “People, Turn Around” to the insistent surf rock drums of “Children,” Ode to Sunshine perfectly captures the energy and hope of a new generation that’s rising like a phoenix to change the world. And with Delta Spirit providing the soundtrack, this is one revolution you can dance to.
PARADE
Delta Spirit Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Paupers begging like the forest turned to soot
Burning out the sun
Gonna get mine before the end is come
Liars practice tricks for ten percent of growth
Conspire, represent the people in their homes
When I cursed this day
Burning from your tale
Last year you were placing bets
Bragging about your goals
Ways you made when no one made the roll
The song "Parade" by Delta Spirit is a melancholic and introspective reflection on the human condition in the modern era. The lyrics depict a world where people are living like they never thought they could and begging like the forest has turned to soot. The imagery used here is evocative of a world where greed and destruction have taken over, and people are struggling to survive in a landscape that has been decimated by human activity.
The lyrics further add that liars practice tricks for ten percent of growth and conspire to represent the people in their homes. This line seems to be a commentary on the state of politics, where people who claim to represent the interests of the people are more interested in their own personal gain. The song's narrator then goes on to say that when he cursed this day, his voice was caught in a parade, which seems to suggest that he is trapped in a cycle of despair and hopelessness.
The final lines of the song suggest that the world is burning from our tail, and that people are more concerned with bragging about their goals and achievements than with addressing the root causes of our problems. Overall, the song is a powerful meditation on the state of our world, and the consequences of our actions.
Line by Line Meaning
Living like they never thought they ever could
Living life to the fullest, beyond what they thought was possible
Paupers begging like the forest turned to soot
Poor people begging for survival, like the trees that have been destroyed
Burning out the sun
Taking everything until there is nothing left
Gonna get mine before the end is come
Taking what they can before it's too late and everything is gone
Liars practice tricks for ten percent of growth
People lie and deceive to gain a small amount of growth or power
Conspire, represent the people in their homes
Deceptive leaders conspire and claim to represent the people, while really only caring about themselves
When I cursed this day
When I was filled with regret and despair
My voice was caught in a parade
My voice was lost among the multitude of voices, lost in the chaos and noise of society
Burning from your tale
Suffering the consequences of your actions
Last year you were placing bets
You were taking chances and making risky decisions in the past
Bragging about your goals
Boasting about your accomplishments and what you hope to achieve
Ways you made when no one made the roll
The paths you've taken alone, without the help or input of others
Lyrics © Sony/ATV Music Publishing LLC, BMG RIGHTS MANAGEMENT US, LLC, Warner/Chappell Music, Inc.
Written by: BRANDON YOUNG, JONATHAN JAMESON, MATTHEW VASQUEZ, SEAN WALKER, KELLY WINRICH
Lyrics Licensed & Provided by LyricFind
@lesleyroman9577
Living like they never thought they ever could
Paupers begging like the forest turned to soot
Burning out the sun
Gonna get mine before the end is come
Liars practice tricks for ten percent of growth
Conspire, represent the people in their homes
When I cursed this day
My voice was caught in a parade
Burning from your tale
Last year you were placing bets
Bragging about your goals
Ways you made when no one made the roll
@n-ion4788
I've listened to this so many times today. The good stuff.
@OneWhoLivesThere
Hot damn! What a great track.
@cierokilpatrrick5149
Such a great middle of the summer song.
@kinow8
This song is incredible,i will play this untill the day i die
@KingJDPskate
still doing that?
@kinow8
To this day
@KingJDPskate
@Brad Kinowski love to see it
@the_hellhound_
My favorite music in: Vampire Diaries 😘😘😘
@CapnWaffle
I will never not sad-drink to this song. Fuck.
@AmandaShutt
On repeat