The band released their first album in 20 years, Something for Everybody on June 15, 2010.
Their style has been variously classified as punk, industrial and rock, but are most often considered to be the 70s/early 80s New Wave band that ushered in the synth pop of the 1980s, along with other acts such as Gary Numan and The B-52s.
Devo's music and stage show mingle kitsch science fiction themes, deadpan surrealist humor, and mordantly satirical social commentary, often dealing with the concept of De-Evolution, in sometimes-discordant pop songs that often feature unusual synthetic instrumentation and time signatures.
Their work has proved hugely influential on subsequent popular music, particularly New Wave, alternative and grunge music, they created some memorable music videos popular in the early days of MTV.
The name "Devo" comes from the concept of Devolution (also referred to by the band as de-evolution). This idea was developed as a joke by Kent State University art students Gerald Casale and Bob Lewis as early as the late 1960s. Casale and Lewis created a number of art pieces in the vein of Devolution. At this time, Casale had also performed with the local band 15-60-75. They met Mark Mothersbaugh around 1970, who introduced them to the pamphlet Jocko Homo Heavenbound, which would later inspire the song Jocko Homo
The pivotal moment for the formation of Devo was the Kent State shootings of May 4, 1970. Casale knew two of the murdered students, and even saw one student, Allison Krause, with exit wounds from the M1 Garand rifle. At this moment, Casale claims he changed the idea of Devolution into a serious concept.
The first form of Devo was the Sextet Devo which performed at the 1973 Kent State performing arts festival. It included Casale, Lewis and Mothersbaugh, as well as Gerald's brother Bob Casale on guitar, and friends Rod Reisman and Fred Weber on drums and vocals, respectively. This performance was filmed and a part was included on the home video The Complete Truth About De-evolution. This lineup only performed once. Devo returned to perform in the Student Governance Center (featured prominently in the film) at the 1974 Creative Arts Festival with a line-up including the Casale brothers, Bob Lewis, Mark Mothersbaugh, and Jim Mothersbaugh on drums.
Devo later formed as a quartet focusing around Mark Mothersbaugh and Gerald Casale. They recruited Mark's brothers Bob Mothersbaugh and Jim Mothersbaugh. Bob played electric guitar, and Jim provided percussion using a set of homemade electronic drums. This lineup of Devo lasted until 1976 when Jim left the band. The lineup was occasionally fluid, and Bob Lewis would sometimes play guitar during this period. In concert, Devo would often perform in the guise of theatrical characters, such as Booji Boy, and The Chinaman. Live concerts from this period were often confrontational, and would remain so until 1977. A recording of an early Devo performance from 1975 with the quartet lineup appears on DEVO Live: The Mongoloid Years, ending with the promoters unplugging Devo's equipment.
Following Jim Motherbaugh's departure, Bob Mothersbaugh found a new drummer in Alan Myers, who played a conventional, acoustic drum set with mechanical precision. Casale re-recruited his brother Bob Casale, and the popular line-up of Devo was formed. It would endure for nearly ten years.
Devo embarked on a Euro-Tour 2007 on June 16th in Barcelona. They also performed concerts in Brighton, London, Manchester and Glasgow. More information about it can be found here.
In May 2020 Devo re-opened their online store where face masks with logo designs and an infamous Energy Dome with the attacheable protective shield can be pre-ordered to help their fans protect themselves from Covid-19.
Mr. B's Ballroom
Devo Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
They're yellin' again
Three cheers!
They'll be at it to the end
So drink some big beers and go crazy tonight
They're all dressed up and they'll be gettin' it tonight
Big swingers in double knits tonight
Actin' crazy, bustin' up the chairs
Doubled over gettin' sick on the stairs
They know the limits 'cause they cross them every night
The dull sensations as it turns real hot
Why, the guys in the back with their heads on the floor
Surrounded by their buddies, they're all hollerin' for more
Whoa, whoa, whoa
It's Mr. B's ballroom
Party time, turn the music up loud
Party time, lose your head in the crowd
Yellin',, laughin' tryin' hard to act smart
Put 'em under pressure and you watch them fall apart
Freeze! Come on out of there
Freeze! You ain't goin' nowhere
Freeze! Put your hands on your head
Freeze!
It's Mr. B's ballroom
[Repeats]
Whoa, whoa, whoa
It's Mr. B's ballroom
The song 'Mr. B' by Devo appears to be a commentary on party culture in the 1970s. The first stanza uses the phrase "three cheers" to imply a rowdy gathering, where people are rooting for their party mates to do something outrageous. The second stanza describes the atmosphere at the party, with individuals drinking heavily and getting into fights. The tone of the lyrics suggests that these parties are an escape from the mundanity of everyday life, but that they also come with consequences, like risking one's health and well-being.
The chorus encourages listeners to embrace the party culture and not hold back, with lines like "lose your head in the crowd" and "act smart." The idea of being in a "crowd" suggests that the party-goers are not individuals, but rather part of a larger group where they can collectively let go of their inhibitions. The song also includes a section where someone tells people to "freeze," which could be interpreted as a nod to the idea that partying can only go so far before it becomes dangerous, and that people need to be reminded to rein themselves in.
Line by Line Meaning
Three cheers!
Celebrating Mr. B's ballroom
They're yellin' again
Everyone is getting excited
They'll be at it to the end
The party won't stop anytime soon
So drink some big beers and go crazy tonight
Have a great time and indulge in some drinks
They're all dressed up and they'll be gettin' it tonight
Everyone is ready to party hard
Big swingers in double knits tonight
People are dressed to impress and show off their dance moves
Big babies gonna get in a fight
There may be some troublemakers who start a fight
Actin' crazy, bustin' up the chairs
People are going wild and breaking things
Doubled over gettin' sick on the stairs
Some party-goers are getting too drunk and ill
They know the limits 'cause they cross them every night
People are familiar with partying hard and pushing boundaries
The dull sensations as it turns real hot
People may start to feel numb or disconnected from reality as the party heats up
Why, the guys in the back with their heads on the floor
Some guys are already passed out or too drunk to handle the party
Surrounded by their buddies, they're all hollerin' for more
Their friends are encouraging them to drink more and party harder
Whoa, whoa, whoa
An enthusiastic response to the party
It's Mr. B's ballroom
The focus of the song is Mr. B's party
Party time, turn the music up loud
The party is in full swing and the music is blasting
Party time, lose your head in the crowd
People are encouraged to let go and get lost in the party atmosphere
Yellin',, laughin' tryin' hard to act smart
People are having fun and acting silly, trying to impress each other
Put 'em under pressure and you watch them fall apart
Some party-goers may crumble under pressure or the effects of the party
Freeze! Come on out of there
Security may need to intervene and stop any trouble
Freeze! You ain't goin' nowhere
Security is in charge and won't let anyone leave if there is a problem
Freeze! Put your hands on your head
Security is taking control by giving out commands
Whoa, whoa, whoa
An enthusiastic response to the party
It's Mr. B's ballroom
The song is all about Mr. B's party
Lyrics © BMG Rights Management
Written by: G.V. CASALE, M. MOTHERSBAUGH
Lyrics Licensed & Provided by LyricFind