Yoakam was born in Pikeville, Kentucky, the son of Ruth Ann, a key-punch operator, and David Yoakam, a gas-station owner. He was raised in Columbus, Ohio. He graduated from Columbus's Northland High School in 1974. During his high school years, he excelled in both music and drama, regularly securing the lead role in school plays, such as "Charlie" in a stage version of Flowers for Algernon, honing his skills under the guidance of teacher-mentors Jerry McAfee (music) and Charles Lewis (drama). Outside of school, Yoakam sang and played guitar with local garage bands, and entertained his friends and classmates with his impersonations, such as Richard Nixon, who, at the time, was heavily embroiled in the Watergate controversy.
Yoakam briefly attended Ohio State University, but dropped out and moved to Nashville in 1977 with the intent of becoming a recording artist. Later on, Ohio Valley University in Parkersburg, West Virginia awarded and presented Dwight with an honorary doctorate degree on May 7, 2005.
When he began his career, Nashville was oriented toward pop "urban cowboy" music, and Yoakam's brand of hip honky tonk music was not considered marketable.
Not making much headway in Nashville, Yoakam moved to Los Angeles and worked towards bringing his particular brand of new Honky Tonk or "Hillbilly" music (as he called it) forward into the 1980s. Writing all his own songs, and continuing to perform mostly outside traditional country music channels, Yoakam did many shows in rock and punk rock clubs around Los Angeles, playing with roots rock or punk rock acts like The Blasters (Yoakam scored a small video hit with his version of their song "Long White Cadillac"), Los Lobos, and X. This helped him diversify his audience beyond the typical country music fans, and his authentic, groundbreaking music is often credited with rock audiences accepting country music.
Yoakam's recording debut was the self-financed EP Guitars, Cadillacs, Etc., Etc. on independent label Oak Records produced by lead-guitarist Pete Anderson; this was later re-released by Reprise records, with several additional tracks, as his major-label debut LP, 1986's Guitars, Cadillacs, Etc., Etc.. It launched his career. "Honky Tonk Man", a remake of the Johnny Horton song, and "Guitars, Cadillacs" were hit singles. His stylish video "Honky Tonk Man" was the first country music video ever played on MTV. The follow-up LP, Hillbilly Deluxe, was just as successful. His third LP, Buenas Noches from a Lonely Room, included his first No. 1, a duet with his musical idol, Buck Owens, on "Streets of Bakersfield". 1990's If There Was a Way was another best-seller.
Yoakam's song "Readin', Rightin', Route 23" pays tribute to his childhood move from Kentucky, and is named after a local expression describing the route that rural Kentuckians took to find a job outside of the coal mines. (U.S. Route 23 runs north from Kentucky through Columbus and Toledo, Ohio and through the automotive centers of Michigan.) Rather than the standard line that their elementary schools taught "the three Rs" of "Readin', 'Ritin', and 'Rithmetic", Kentuckians used to say that the three Rs they learned were "Readin', 'Ritin, and Route 23 North".
Johnny Cash once cited Yoakam as his favorite country singer. Chris Isaak called him as good a songwriter that ever put a pen to paper. Time Magazine dubbed Yoakam "A Renaissance Man" and Vanity Fair declared that "Yoakam strides the divide between rock's lust and country's lament." Along with his bluegrass and honky-tonk roots, Yoakam has written or covered many Elvis Presley-style rockabilly songs, including his covers of Queen's "Crazy Little Thing Called Love" in 1999 and Presley's "Suspicious Minds" in 1992. He recorded a cover of The Clash's "Train in Vain" in 1997, a cover of the Grateful Dead song "Truckin'", as well as Cheap Trick's "I Want You to Want Me". Yoakam has never been associated only with Country music; on many early tours, he played with Hardcore Punk bands like Hüsker Dü, and played many shows around Los Angeles with Roots/Punk/Rock & Roll acts. His middle-period-to-later records saw him branching out to different styles, covering Rock & Roll, Punk, 1960's, Blues-based "Boogie" like ZZ Top, and writing more adventurous songs like "A Thousand Miles From Nowhere". In 2003, he provided background vocals on Warren Zevon's last album The Wind.
In the 21st century, Yoakam released dwightyoakamacoustic.net, an album featuring solo acoustic versions of many of his hits; left his major label and started his own label.
2005 saw the release of Yoakam's well-reviewed album Blame the Vain, on New West Records. Yoakam also released an album dedicated to Buck Owens, Dwight Sings Buck, on October 23, 2007. His duet with Michelle Branch, a song titled "Long Goodbye", was released as a free download on Branch's official website in early 2011.
In July 2011, Yoakam re-signed with Warner Bros. Nashville and announced plans to release a new album. 3 Pears was released on September 18, 2012 with twelve new tracks. The album, produced by Yoakam, includes collaborations with Kid Rock, Beck, and Ashley Monroe. 3 Pears was released to resounding critical acclaim and earned Yoakam the highest-charting debut of his career on the Billboard 200 and Billboard Country Albums charts. 3 Pears reached #1 on the Americana Radio chart on October 29, 2012 and went on to break the 2012 record for most weeks at #1 on Americana Radio.[4] By the end of 2012, the album was named on annual best of lists by NPR, Rolling Stone, American Songwriter, AOL's The Boot, Entertainment Weekly, The Village Voice, and Rhapsody, and has been included in more critic's "best of 2012" lists than any other artist in the country genre.
Yoakam won the Grammy Award for "Best Male Country Vocal Performance" in 1993 for the song "Ain't That Lonely Yet". He was also named "Artist of the Year" by CMT Europe in 1993 and given the International Touring Artist Award by CMA in 2007.
In 2011, Yoakam received the Cliffie Stone Pioneer Award for his trailblazing achievements in the country music genre.
It's Never Alright
Dwight Yoakam Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
It comes and it goes.
Oh it’s always around,
Even when it don’t show.
They say it gets better.
Well I guess that it might.
But even when it’s better,
It’s never okay.
Lonely moves here and there.
Sometimes it stays in one place and just stares.
They say that the darkness is just before light.
Each day may get brighter, but it’s never alright.
I try real hard to remember as good as it gets.
But the harder and harder I try, all I can do is forget.
They say it gets better
Well I guess it might.
But even when it’s better,
It’s never alright.
It’s never been mine, to win or to lose.
No it’s always been yours, to pick or to choose.
They say love is better when set free now have time
But even when it’s better, it’s never alright.
Even if it gets better, it won’t be alright.
The lyrics of Dwight Yoakam's "It's Never Alright" offer a poignant portrayal of a person struggling to come to terms with their circumstances. The song suggests that even when things do eventually improve, the memory of past hardships will always linger, making it difficult to ever truly be content.
The opening lines are particularly powerful, as "It’s never alright" is repeated twice. This hooks the listener in and sets the tone for the rest of the song. It creates a sense of hopelessness and sadness that runs throughout the entire piece, suggesting that no matter what actions the person takes, things will always be difficult. The use of repetition underscores the feeling of being trapped and unable to escape from the cycle of struggle that the singer is experiencing.
The lyrics also touch on the idea of love and relationships. The lines "It’s never been mine, to win or to lose.
No it’s always been yours, to pick or to choose" underscore the challenges of navigating a relationship, suggesting that even if one person is willing to work through their issues, they can’t force their partner to do the same. The line "Even if it gets better, it won’t be alright" is a particularly powerful way to end the song. It creates a sense of uncertainty and vulnerability, suggesting that the future is still unknown and difficult to navigate.
Here are some interesting facts about this song:
Line by Line Meaning
It’s never alright.
No matter what, things are never okay.
It comes and it goes.
It's a constant presence that ebbs and flows.
Oh it’s always around,
It's a pervasive feeling.
Even when it don’t show.
Even when it's not visible, it's still there.
They say it gets better.
People try to offer hope that things will improve.
Well I guess that it might.
There's a chance things could improve.
But even when it’s better,
However, even if things do improve,
It’s never alright.
the situation is still not okay.
It’s never okay.
The situation is never good.
Lonely moves here and there.
Feeling alone can be a fleeting or persistent experience.
Sometimes it stays in one place and just stares.
At times, the loneliness can be overwhelming.
They say that the darkness is just before light.
Hope comes after despair according to some.
Each day may get brighter, but it’s never alright.
Though there may be progress, the overall situation is still bad.
I try real hard to remember as good as it gets.
Efforts are made to stay optimistic and hopeful.
But the harder and harder I try, all I can do is forget.
Despite attempts at positivity, it's difficult to shake off negativity.
No it’s always been yours, to pick or to choose.
The person one loves has control over their role in one's life.
They say love is better when set free now have time
People say that when love is allowed to move on, it can ultimately lead to greater happiness.
But even when it’s better, it’s never alright.
However, even if one moves on from a lover, the pain remains.
Even if it gets better, it won’t be alright.
Ultimately, the situation will never be genuinely okay.
Lyrics © ANTHEM ENTERTAINMENT LP, Warner Chappell Music, Inc.
Written by: ASHLEY MONROE, DWIGHT DAVID YOAKAM
Lyrics Licensed & Provided by LyricFind
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