Edwin Starr was born in Nashville, Tennessee in 1942. He and his cousins (soul singers Roger and Willie Hatcher) moved to Cleveland, Ohio where they were raised.
In 1957 Starr formed a doo-wop group The Future Tones and began his singing career. Starr lived in Detroit, Michigan in the 1960s and recorded at first for the small record label Ric-Tic, and later for the famed Motown after it absorbed Ric-Tic in 1968.
The song which began his career was "Agent Double'O'Soul" (1965), a take-off on the James Bond films which were popular at the time.
He recorded more soul music for the next three years before having an international chart-topper in "25 Miles" (1968). As of 2005 it is one of only two Starr songs on oldies radio.
The biggest hit of his career, which cemented his reputation as a great soul artist, was the anti-Vietnam War protest song "War" (1970). A rousing tour-de-force, the vocals to "War" were - according to Starr - recorded in one take: an accomplishment which might make modern artists quail with apprehension. In explanation, Starr remained characteristically modest, explaining that he'd been allocated little studio time, so had to give each song his best shot.
Starr's intense vocals transformed a Temptations album track into a #1 chart success, which spent three weeks in that top position on the US Billboard charts, an anthem for the antiwar movement and a cultural milestone that continues to resound a generation later in movie soundtracks and hip hop music samples.
"War" appeared on both Starr's War and Peace LP and its follow-up, Involved. Involved also featured another song of very similar construction titled "Stop the War Now", which was a minor hit in its own right.
Moving to England in 1973, Starr continued to record music into the 1970s, most notably recording the song "Hell Up In Harlem" for the 1974 film, Hell Up In Harlem, which was the sequel to Black Caesar, an earlier hit with a soundtrack by James Brown.
In 1979 Starr reappeared on the charts with a pair of disco hits, titled "(Eye-To-Eye) Contact" and "H.A.P.P.Y. Radio". By now he had joined the well-established disco boom, and had further singles out on the record label 20th Century Records. Over the years he released tracks on many labels including Avatar, Calibre, 10 Records, Motown (a return to his former label for a 1989 remix of "25 Miles"), Streetwave and Hippodrome.
In 1985 Starr released "It Ain't Fair". Despite garnering the attention of many in the soul and dance clubs, it fell short of becoming the hit many felt it deserved to be.
In 1988 Starr teamed up with the popular and successful Stock, Aitken and Waterman production company for the club hit "Whatever Makes Our Love Grow".
In 1989, a number 17 uk hit by the Cookie Crew called "Got to Keep On" sampled a portion of "25 Miles" [1]. This track was then featured on a 1990 dance medley made for the BRIT Awards which made number 2 in the UK Singles Chart [2]. A club mix of various artists, it included the previous years remix of "25 Miles". Starr also appeared on the charity number one single "Let It Be" by Ferry Aid, again a various artist project.
Starr resurfaced briefly in 2000, to team up with the UK band Utah Saints to record a new version of his song "Funky Music Sho Nuff Turns Me On". He appeared again in 2002 to record a song with the British musician Jools Holland, singing "Snowflake Boogie" on Holland's compact disc More Friends; and to record another track with Utah Saints, a so far unreleased version of his number one hit "War" - his last ever recording.
Starr remained a hero on England's Northern Soul circuit - and also in Germany, where his energy and dedication to delivering a quality performance were greatly appreciated. He was affectionately renowned to be "The nicest man in Showbiz."
Edwin Starr died of a heart attack at the age of 61 in his home in Beeston near Nottingham.
I'm Still A Struggling Man
Edwin Starr Lyrics
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If you want to get along with me
Wake you up on the block
And we know about poverty
So tell your half diluded friends
We just can't compete
It's only been a little while
An I just got on my feet
Doing the best that I can
I can only take a girl
I can only make a girl
As long as you, you understand
(Yeah baby)
I'm not complaing
'Cause I am to make the grade
Forget the social rating
In these lyrics, Edwin Starr is essentially telling someone to stop pretending and start being honest if they want to connect with him. He explains that he's been through poverty and struggles, and that he's still trying his best to succeed. He acknowledges that he's not on the same level as some of his peers, but that doesn't mean he can't offer something valuable to a woman he's interested in. He's not complaining about his situation, but he's also not going to let anyone take advantage of him or make him feel inferior because of his circumstances.
The lines "Wake you up on the block/And we know about poverty" show that Starr has experienced hardship and has had to fight to overcome it. He's not looking for sympathy, but he's not going to hide his past either. When he says "Tell your half diluded friends/We just can't compete," he's acknowledging that some people may look down on him for his background, but he's not going to let that stop him from pursuing his goals.
Starr's message is ultimately one of determination and self-respect. He's not going to let anyone make him feel small or unworthy, and he's going to keep striving for success no matter what. Through his lyrics, he inspires listeners to be honest, work hard, and believe in themselves no matter what obstacles they face.
Line by Line Meaning
You better stop fooling
If you want to have a genuine relationship with me, don't try to deceive me
If you want to get along with me
If you want to have a harmonious relationship with me
Wake you up on the block
I come from a rough neighborhood
And we know about poverty
I grew up in a financially struggling family
So tell your half deluded friends
Inform your naive friends
We just can't compete
We don't have the same resources and opportunities
It's only been a little while
I haven't been successful for very long
An I just got on my feet
I recently became more financially stable
And I'm still a struggling man
I still face financial hardships despite my recent success
Doing the best that I can
I am trying my hardest
I can only take a girl
I can only afford to date a woman
I can only make a girl
I can only provide a woman with the basics
As long as you, you understand
As long as you comprehend my financial situation
(Yeah baby)
An interjection to emphasize the message
I'm not complaing
I am not whining, just explaining my situation
'Cause I am to make the grade
Because I am striving to achieve success
Forget the social rating
Don't judge me based on my finances
Writer(s): D. Mcneil, J. Bristol
Contributed by Carter A. Suggest a correction in the comments below.