She's The One
Eminem Ft Royce Da 59 Lyrics

Asshole
Starting off the song with a vulgar insult towards someone.

Any nigga wit guns, we got guns too
Warning to any other people out there that we have firearms and we are ready to use them if necessary.

More heated, ready to outgun you
We are more aggressive, amped up, and willing to use our guns to win any potential conflict.

It's too late I already outgunned you
The person we are addressing has already lost a potential conflict, as we were better equipped than they were.

You was around, you know the outcome too
Addressing someone who witnessed the aforementioned conflict and presumably knows the outcome of it already.

Let's play, lemme show you what Game is
Inviting someone to engage in a conflict with us, with the implication that they will lose and we will come out on top.

Heartbreak, I'm showin' you what pain is
Implying that we will cause emotional pain to our opponent during this conflict.

Please, I'm reppin' a 'd' homeboy
A plea to pay attention to the artist, who is representing a certain area or gang affiliation.

Where your guns, you steppin' to me homeboy
Asking where the other person's guns are and appearing to challenge them to a conflict.

Royce five-nine's the name, niggas know
Introducing oneself as 'Royce Five-Nine' and claiming that people are aware of who that is.

And niggas know, dealin' wit me niggas know
Confirming that those familiar with the singer know that they are not someone to mess with.

Hey toots, how you get here, you want to ride
Addressing a woman and asking how she got to their location, with an implied interest in offering her transportation.

I got a five in Southside, you want to drive
Offering a vehicle that is parked in a specific location to the aforementioned woman for her to drive.

Beside, I ain't got no five, you gold-digger
Admitting that the singer does not actually have a car to offer, while also calling the woman a 'gold-digger' for potentially being interested in them solely for their money or possessions.

You want to suga-daddy, go get you an old nigga
Suggesting that the woman should pursue a relationship with an older and wealthier individual if she is seeking financial security.

I got money, I'm just here to bug you girl
Asserting that the artist does indeed have money, but is primarily interested in bothering or annoying the woman they are addressing.

Can't get none, but you know I love you girl
Admitting that the artist has not had sexual relations with the woman, but still expressing some level of fondness or attraction towards her.

She the one that want to (Whoop, whoop)
Referring to a woman who seemingly desires something or is requesting attention.

Sayin' at the same time what I won't do
The previously mentioned woman is expressing the things that she is not willing to do or participate in.

And every day I say I want you (To jump off)
The artist is expressing continued attraction towards the aforementioned woman despite her unwillingness to participate in certain activities.

Where you come through, for me (I don't know)
Asking if the woman will show up for the artist, but expressing uncertainty about whether or not she will.

How you gon' tell me that you want to (Want to)
Questioning how the woman can express a desire to engage with the artist despite previously stating there are certain things she will not do.

And then tell me what you won't do (Won't do)
The woman has expressed what she is unwilling to do, despite also expressing an interest in the singer.

Why you gonna lie to me (I don't know)
Expressing frustration towards the woman for seemingly lying or being deceptive about her desires or intentions.

What up girl, wit you an' your ugly friend
Addressing a woman and her friend, with an insult directed towards the friend's appearance.

She a two, you like sun times ten
Continuing the insult towards the friend by implying that she is only a level two in terms of attractiveness, while the addressed woman is much more appealing.

Anyway I heard you when you did the (Whoop, whoop)
Referencing a sound or call (likely a whistle) that the woman made in the past.

Chicken call (Cluck, cluck), snatchin' up men's
Further clarifying that the woman's call was meant to get the attention of men, highlighting her perceived promiscuity.

Tell what what you want, baby daddy got that
Asking the woman to express what she desires, with the implication that the artist can provide it to her.

Gotta get it this week while there's no sales tax
Suggesting that the woman hurry to take advantage of the singer's offer before there is an increase in the cost or difficulty of obtaining what she wants.

You can't detect sarcasm, me I detect a freak who like orgasms
Asserting that the woman is unable to recognize sarcasm, while also implying that she is interested in sexual pleasure.

Tre I hold you down matter fact I'll be a blast to pin yo ass down (Damn, damn)
Referring to a person named 'Tre' and expressing readiness to assist or cooperate with them, while also implying a desire to engage in sexual activities with the aforementioned woman through suggestive language.

Tell your friends I'm still in your ear
Encouraging the woman to inform her friends about the artist, possibly in a romantic or sexual context.

She actin' like your pet, what you trained her this year
Implying that the woman is behaving submissively or obediently towards the addressed woman, possibly in a servile or romantic manner.

Tramp wit a pissy attitude, say I grind food, and I bet she be cool
Insult towards the friend, implying that she behaves arrogantly or rudely, while also implying that she would be amenable to sexual advances made by the singer.

All she want is attention, lemme give her some
Asserting that the friend desires attention, while also implying that the artist can provide it through sexual or romantic advances.

Take this big face, get a cab, take yo ass home (Least he gave you a hundred)
Offering a woman a large sum of money to take a taxi home, with the implication that she did not receive that much from someone else she was with earlier in the night.

I wasn't that rude, this ain't Outkast, me and you
Clarifying that the previous behavior and attitude of the singer towards the addressed woman was not intended to be overly harsh or negative, and that he is currently interested in her.

Yo mama, and yo cousin too, I'm tryin' to keep it simple
Referencing a song by Outkast and utilizing a lyric to express a desire to engage in sexual activities with both the addressed woman and her family members, while also playing off the earlier statement about 'keeping it simple' (which is clearly not simple at all).

I'm tryin' to fuck you, see'mon
Bluntly expressing the artist's interest in having sex with the addressed woman while urging her to agree.

Okay, you want money, I want sex
Expressing a transactional attitude towards sex and monetary gain or compensation.

We can both, take it or leave it, it makes us even
Suggesting that they can each get what they want without being too invested in the other person's desires or intentions, and that this will equalize the relationship between them.

We like those freak hoes that like our style
Professing interest in women who align with their particular sexual interests or kinks.

Clean up that pole, go upside down
Using vulgar language to suggest that the addressed woman engage in specific sexual acts 'upside down'.

Us cuttin' the chains, it's just easy
Implying that the artist and addressed woman are freeing themselves from societal or cultural constraints regarding sexuality or relationships.

I call you mama, you breast feed me
Utilizing mom and breastfeeding imagery to describe a sexualized relationship with the addressed woman.

Wait, your tummy hurts (Oh), you feelin' better
Interrupting the sexual conversation to ask about the addressed woman's physical wellbeing, but quickly returning to a sexual topic afterwards.

You can blow, like the Neptunes, after the Jigga record
Using a music industry reference to suggest that the addressed woman perform oral sex on the artist.

Me and my nigga Tre can tag team you
Inviting Tre to engage in sexual activities with the addressed woman in a group setting, with an explicit suggestion of taking turns or 'tag-teaming' her.

Grab our two-ways and both beam you
Using outdated technology as a means of communicating and coordinating during the aforementioned sexual engagement.

We can take you out, but your friends talkin' for ya
Suggesting that the singer and Tre are capable of 'taking out' the addressed woman and engaging in sexual activity with her regardless of any potential protests from her friends or associates.

Oh, I'm sorry, you hungry, we got some sausage for ya
Engaging in wordplay to offer the addressed woman a sexually suggestive food item.

All it needs is a bun, and you can see it get pumped
Continuing the suggestive wordplay and stating that the aforementioned sausage (penis) would be inserted into a 'bun' (vagina) and able to be 'pumped' (having sex).

Size ten is the dick and the heat is the pump
Explicitly stating the size of the singer's penis and referencing the act of sexual intercourse as 'pumping'.

Oh I see what you want, she so indecisive, cause
Suggesting that the addressed woman is uncertain or hesitant about engaging in sex with the singer and/or Tre, despite earlier flirtation or suggestion of interest.