It's Nuttin'
Erick Sermon Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

Yo, uh, Erick Sermon
Yo, uh, huh, J
Khari Santiago, uh, uh, uh
Daytona, uh-uh, uh
Uh-huh, sixteen machines
Uh, yo yo

Aiyyo, Mark, turn me up
Watch DJ's in the club burn me up like 'new music'
Same dog, Boss Hog, my style's Hazard, Duke
The truth? I'm big enough to Skywalk with Luke
I am revolutionary, rhyme ready
Phase one, mic, stage, one, yo, let's go
Jump, jump - or feel the react of this
Pump, pump - twelve gauge'n blaze (uhh)
Everytime I bring it hard for them niggaz
Like new whips, out the garage for them niggaz, like
Here's somethin for those who see past
The new MB with the spaceship dash
I come through in a two-thousand-fo'
Chicks holla out, 'UH-OH!' like I'm Nelly
Yo, I come with the real front page
Like Dame did, homeboy in 'Backstage'

Aiyyo, watch us do it (go 'head baby)
Ain't nuttin to it (go 'head baby)
You had your chance and blew it (go 'head baby)
All my niggaz are - move it's nuttin

Aiyyo, watch us do it (go 'head baby)
Ain't nuttin to it (go 'head baby)
You had your chance and blew it (go 'head baby)
All my niggaz are - move it's nuttin

E'rybody in the club better up them thangs
When it's beef, best believe I up that thang
Five seconds or less to up that chain
When I clutch that thang and, touch yo' brain
I'm, seventeen with twenty inches on Impala
Retros and Naughty sweats, out to make a dollar
Now most ya cats couldn't picture this, consecutive hit
After hit, it's ridiculous, conspicuous
Talk that I speak when I walk down the street
Yeah I walk with the heat and I talk to the beat
For the haters, that say 'Tona don't got it
Pants stay low and the flow stay knotted
It ain't the game, it's the players involved
World premier motherf**ker with a bunch of co-stars
Watch got mad colors like a bowl of Trix
Niggaz broke they whole life but still a benefit

Aiyyo, watch us do it (go 'head baby)
Ain't nuttin to it (go 'head baby)
You had your chance and blew it (go 'head baby)
All my niggaz are - move it's nuttin

Uh, I roll with major hitters, Dutch and Vega splitters
I know what y'all thinkin - it's a takeover
The unfriendly zone, young guns is older
You'll get smashed, need Jenny Jones to makeover
Your face, I'm high because I hate sober
Pussy patrol pull up in the Range Rover
And you get to know that don't want to know ya (that's right)
I hit chickens like I had pads on my shoulders
Slick with this, ridiculous
Rap bidness you're soft with bitch in parenthesis
My sentences'll make the hottest modern rappers
Feel defenseless, jumpin over fences
I'm accommodating all ya hatin lyricists
Spiritual lift, kidney shift
Ribs is cracked, lips is split, necks are slit
I do all kinda extra shit, heck with it
We the hecklers in the front, checkin ya texture
Ya teflon don't protect, waist down and neck up




I trailer park and just trash ya rap up
Ya want some more? fuck it, wait until the next cut

Overall Meaning

The song "It's Nuttin" by Erick Sermon features J Khari Santiago and Daytona. The lyrics of the song talk about the rapper's journey to the top and how they ignore the haters who try to bring them down. Erick Sermon starts the song by saying that he is a revolutionary who is ready to take on the world with his music. He then goes on to say that he is big enough to Skywalk with Luke, which refers to Luke Skywalker, the main character of the "Star Wars" franchise.


The lyrics of the song showcase the rapper's confidence, as he talks about how he brings it hard for his listeners, just like new whips out of the garage. The chorus, which features the line "Watch us do it, ain't nothin' to it," is a testament to the strength of the rapper's talent and ability to succeed in the hip-hop industry.


Daytona, who features in the second verse of the song, talks about how he rolls with major hitters and is part of a takeover. He talks about how his songs are consecutive hits and that he is ridiculous and slick with his rapping skills. The lyrics of the song are aggressive and full of bravado, which was a hallmark of the rap scene in the 2000s.


Line by Line Meaning

Yo, uh, Erick Sermon
Introducing himself as Erick Sermon, the artist who is about to present his new single


Yo, uh, huh, J
Acknowledging his friend, J, who is also featured in the song


Khari Santiago, uh, uh, uh
Giving credit to producer Khari Santiago


Daytona, uh-uh, uh
Acknowledging the featured artist, Daytona


Uh-huh, sixteen machines
Emphasizing his equipment, which is a source of pride for him


Uh, yo yo
Another variation on his introduction, signaling the start of the song


Aiyyo, Mark, turn me up
Asking the producer to turn up the volume so that everyone can hear his rhymes more clearly


Watch DJ's in the club burn me up like 'new music'
Expressing his confidence that DJs will be excited to play his new music in the club


Same dog, Boss Hog, my style's Hazard, Duke
Referring to himself as a risk-taker, and comparing himself to a boss hog with a dangerous style


The truth? I'm big enough to Skywalk with Luke
Emphasizing his power and size, by referencing the iconic Jedi, Luke Skywalker


I am revolutionary, rhyme ready
Stating that he is always ready to improvise his rhymes and challenge conventions


Phase one, mic, stage, one, yo, let's go
Getting pumped up for the performance, reminding himself of the phases of his preparation, and calling out for action


Jump, jump - or feel the react of this
Urging the audience to jump along with the beat, and warning them of the consequences of not joining in


Pump, pump - twelve gauge'n blaze (uhh)
Bringing out the metaphor of a shotgun pumping and blasting, to describe the impact of his music


Everytime I bring it hard for them niggaz
Promising to always deliver his best work for his fans


Like new whips, out the garage for them niggaz, like
Comparing his music to new, high-performance cars fresh out of the garage


Here's somethin for those who see past
Addressing his audience who can see beyond surface-level content


The new MB with the spaceship dash
Analogizing his rhymes to a Mercedes Benz with a futuristic dashboard


I come through in a two-thousand-fo'
Stating that he is up-to-date with the latest trends, and entering the new millennium with confidence


Chicks holla out, 'UH-OH!' like I'm Nelly
Referencing the popular R&B artist, Nelly, and how his music makes women excited


Yo, I come with the real front page
Stating that his music is authentic and worthy of front page news


Like Dame did, homeboy in 'Backstage'
Referencing music executive, Dame Dash, and his appearance in the documentary, Backstage


Ain't nuttin to it (go 'head baby)
Saying that it's easy to create great music, without much effort


You had your chance and blew it (go 'head baby)
Addressing his haters who failed to make something of themselves, despite having opportunities


All my niggaz are - move it's nuttin
Encouraging his fans to dance and move to the music, without feeling shy or ashamed


E'rybody in the club better up them thangs
Calling out his audience to get ready for a wild and crazy night at the club


When it's beef, best believe I up that thang
Warning anyone who might have beef with him that he is ready to fight back


Five seconds or less to up that chain
Boasting about his quick reflexes and ability to defend himself quickly


When I clutch that thang and, touch yo' brain
Describing his weapon as something deadly that can cause extreme pain to anyone who crosses him


I'm, seventeen with twenty inches on Impala
Describing himself as a young person who is capable of driving a powerful sports car


Retros and Naughty sweats, out to make a dollar
Describing his style as a mix of retro and modern, and his motivation as making money


Now most ya cats couldn't picture this, consecutive hit
Calling out those who underestimate him, and pointing out his string of successful hit songs


After hit, it's ridiculous, conspicuous
Emphasizing the absurd number and quality of his hits, and how noticeable they are


Talk that I speak when I walk down the street
Suggesting that his words are powerful and influential, even when he is just walking casually


Yeah I walk with the heat and I talk to the beat
Carrying over the metaphor of walking and talking to suggest that he is always ready to make music


For the haters, that say 'Tona don't got it
Addressing his haters who doubt his abilities


Pants stay low and the flow stay knotted
Ignoring his critics and focusing on his fashion style and musical flow


It ain't the game, it's the players involved
Suggesting that success in music depends more on the individual artist's skills and motivation, rather than the larger context


World premier motherf**ker with a bunch of co-stars
Announcing his entrance as a premiere artist, and referring to his friends and collaborators as co-stars


Watch got mad colors like a bowl of Trix
Describing his expensive watch as colorful and playful, in the style of the cereal, Trix


Niggaz broke they whole life but still a benefit
Suggesting that even people who are financially struggling can become successful in the music industry


I roll with major hitters, Dutch and Vega splitters
Referring to his close friends as powerful and capable, just like gun manufacturers Dutch and Vega


I know what y'all thinkin - it's a takeover
Acknowledging that people might think he is trying to take over the music industry


The unfriendly zone, young guns is older
Describing the music industry as a harsh and competitive environment, where young people need to mature quickly


You'll get smashed, need Jenny Jones to makeover
Making a joke about a talk show host helping someone who has been badly beaten, in reference to his fighting skills


Your face, I'm high because I hate sober
Suggesting that he is usually sober, but becomes aggressive and high when he sees people who he dislikes


Pussy patrol pull up in the Range Rover
Referring to his female fans as the 'pussy patrol', and suggesting that they arrive in expensive cars, like Range Rovers


And you get to know that don't want to know ya (that's right)
Asserting his dominance, and suggesting that he ignores people who are not worth his attention


I hit chickens like I had pads on my shoulders
Boasting about his sexual prowess and suggesting that he is unstoppable, like a football player wearing pads


Slick with this, ridiculous
Praising his own rhyming skills and delivery as smooth, yet impressive


Rap bidness you're soft with bitch in parenthesis
Saying that other rappers are weak, and using the word 'bitch' to emasculate them, like a word in parentheses


My sentences'll make the hottest modern rappers
Asserting that his rhyming skills are so impressive, that even the best artists of today would struggle to keep up


Feel defenseless, jumpin over fences
Describing his lyrics as so powerful that his listeners would feel vulnerable and try to escape


I'm accommodating all ya hatin lyricists
Saying that he is not fazed by criticism, and in fact welcomes it from other rappers


Spiritual lift, kidney shift
Referencing the emotional and physical sensations that his music creates in his listeners


Ribs is cracked, lips is split, necks are slit
Describing how his listeners might feel after listening to his music, comparing it to physical violence


I do all kinda extra shit, heck with it
Acknowledging that he goes above and beyond to create amazing and memorable music, without worrying about the consequences


We the hecklers in the front, checkin ya texture
Claiming that he and his fans are the most critical and discerning listeners, and that they can easily detect flaws in other rappers' music


Ya teflon don't protect, waist down and neck up
Making a joke about the famous bulletproof material, Teflon, saying that it doesn't protect you from him and his rhymes


I trailer park and just trash ya rap up
Claiming that he can easily destroy the mediocre and low-quality music of other rappers, like throwing it away in a trailer park


Ya want some more? fuck it, wait until the next cut
Challenging those who still want to hear more of his rhymes, telling them to wait for his next song or album




Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: ERICK S. SERMON, DANA STINSON, KHARI J. SANTIAGO, ALPHONSO WASHINGTON

Lyrics Licensed & Provided by LyricFind
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