ln Waterford, O'Sullivan's father worked in a meat factory while his mother ran a sweet shop. In 1958, at the age of 11, he moved with his family to Swindon in England in search of a better life. He attended St. Joseph's Comprehensive school in Swindon. While there he developed an interest in both music and amateur boxing. Musically he began with the guitar and progressed to the piano. In the boxing ring he had nearly 50 bouts. Meanwhile his painting and drawing had won him a place at Swindon Art College. He started there in September 1963. His aim was to be a graphic designer. He played drums in his first group The Doodles and left them to join The Prefects while attending Swindon Art College. It was while at college that he met Rick Davies, who was later a member of Supertramp. While at college he began writing songs and sending out demo tapes, alas they were always returned unopened. The first song he remembers writing was Ready Miss Steady.
After finishing college, O'Sullivan moved to London in 1967 to try and further his musical career. He took a part-time job as a salesman at the C & A department store in Oxford Street. Mike Ward who also worked at C & A, had a contract with CBS and Gilbert went with him one day and played his tapes for some of the CBS executives. Gilbert signed a five year publishing contract with CBS which called for one single a year, and released two singles Disappear/You in 1967 and What Can I Do/You in 1968. Gilbert was disappointed that he was not allowed any input into the arranging or production of the singles. Neither single did well. Disillusioned with CBS, O'Sullivan signed with the Major Minor label and released I Wish I Could Cry/Mr. Moody's Garden in 1969.
O'Sullivan came to the attention of BBC Radio 1 disc jockey, John Peel, who gave him a slot on his radio show Top Gear, little of note resulted, and O'Sullivan spent part of 1969 applying to other record labels and management companies. It was at this time that O'Sullivan formulated his 'Bisto Kid' image; grey flannel suit, flat cap, school boy tie, football socks and hobnail boots. In search of a manager he sent some demo tapes to Gordon Mills, an ex-pop singer and himself a songwriter of repute, who had successfully guided the careers of Tom Jones and Engelbert Humperdinck. Gordon Mills recognised something unique in the young Irishman and signed him for management as well as to a songwriting contract.
O'Sullivan made an irresistible impression with Nothing Rhymed, his first Top 10 hit and an introduction to his witty lyrics and original approach as a singer/songwriter. Signed to MAM Records, the label launched by Gordon Mills, who was also his record producer, great friend and surrogate older brother, O'Sullivan enjoyed four years of major success, incorporating a dozen more hit singles, ten of which reached the UK Top 10, and four Top 5 albums: Himself (1971), Back To Front (1972), I'm A Writer Not A Fighter (1973) and A Stranger In My Own Back Yard (1974).
Both Clair (written about Mills's infant daughter for whom Gilbert occasionally babysat) and Get Down were number one hit singles in Britain, and additionally, Back To Front topped the UK LP chart in 1972, emulating the success of the two million seller Alone Again (Naturally), a six week US chart-topper in 1972. O'Sullivan made his live debut in The National Stadium in Dublin in October of '72. Around this time, the singer jettisoned his so-called "Bisto Kid" image in favour of an endless series of collegiate-styled sweaters embossed with the letter "G". As quickly as O'Sullivan ascended to fame, however, his star began to fall , although singles like Ooh Baby and Happiness Is Me and You continued to chart, they sold increasingly fewer copies, and after 1973 his overseas popularity essentially ceased altogether. At home, he notched his final Top 20 hit with 1975's I Don't Love You But I Think I Like You. After a Greatest Hits album in 1976, and Southpaw in 1977, by which time the hit singles had dried up, disagreements over future direction led to a bitter split between O'Sullivan and Mills, which effectively sidelined the former as a recording artist for five years. The gruelling court case between O'Sullivan and his erstwhile manager, producer, music publisher and record company boss finally gave him control of his own recordings and the copyright in his songs, although it exacted an inevitable toll on his energy and his creativity during it's precedent-setting course.
Gilbert returned to CBS in 1980 and released Off Centre (1980) and Life & Rhymes (1982) but maintained a low profile during much of the 1980s, recharging his batteries and moving to Jersey, where he still lives with his wife and two children. Off Centre provided his 13th UK Top 20 single, What's In A Kiss?, after which legal proceedings monopolised his time. However, he continued writing songs, performing what he called "concepts within four walls" rather than starting back on the road before it was appropriate. He later recalled that the lyrics he wrote during that period were too heavily influenced by his personal emotions - having been extremely close to Mills before their disagreement, he was highly distressed to discover that his dear friend had been guilty of considerable financial greed at Gilbert's expense. Even so, he applied himself to his lonely creativity, working from 9 to 5 each day "just like Goffin & King and people like Neil Sedaka & Howard Greenfield at the Brill Building in New York used to do", although he later confessed "Really, the words were no good, because my mind was cluttered with all the problems". Lyrics have always been O'Sullivan's most unique facet, reflecting what's going on in his mind, and the strain under which he found himself was hardly conducive to much positive artistic or commercial creativity.
The first release for five years was Frobisher Drive and was only available in Germany. The same album with a slightly different track listing was released in the UK in 1989 under the title In The Key Of G, and included So What, his first chart single in almost a decade. Since the low-key comeback, the pace has increased, with five more albums. Gilbert also made a return to live performances in the early nineties, playing regularly in both Europe and Japan. In 1991, Gilbert was again in court, this time he sued American rapper Biz Markie and won the decision after Markie's unauthorized sample of "Alone Again (Naturally)" on his 1991 album I Need a Haircut. A 1992 single, Tomorrow Today had topped the Japanese charts for nine weeks, and this success led to a tour of Japan in early 1993 with his newly formed backing group, during which he recorded and filmed his first ever live album Tomorrow Today. Gilbert's newfound success in Japan led to the Japanese only release of The Little Album (1992) and Rare Tracks (1992). 1993's critical acclaimed Sounds Of The Loop (Daily Telegraph's Record Of The Week) included a duet with the legendary Peggy Lee on Can't Think Straight and even a solo version of the same song in Japanese. This album was recorded almost entirely at his home in Jersey in the Channel Islands.
By Larry (with a similar track listing to the Japanese released The Little Album) was released in 1994. Larry is a famous English cartoonist, much admired by Gilbert. Larry provided original cartoons for the album sleeve and booklet. Every Song Has It's Play was released the following year and was the soundtrack of the semi-autobiographical stage show that Gilbert had acted and sang in, in 1991. Singer Sowing Machine was released in 1997. The title is a humorous reaction by Gilbert to being constantly referred to as a singer/ songwriter. Irlish was released in 2000 and yielded three singles, Have It, Say Goodbye and Two's Company (Three Is Allowed). The album title Irlish, combination of the words Irish and English, appropriate for someone born in Ireland and raised in England. Gilbert's family was part of this migration. In 2001 The Official Gilbert O'Sullivan Website was launched as well as his own record label ByGum Records.
Gilbert continued to tour and he played a series of concerts in Ireland in 2001 and in the UK in 2002 to promote the Irlish album. A new studio album Piano Foreplay followed in 2003. In 2004 Rhino Handmade Records released a 3 CD anthology in the USA of Gilbert's music entitled Caricature: The Box. It contains 73 tracks which span the years 1967-2001. This is the first in-depth survey of Gilbert's lengthy career. It contains numerous singles and B-sides, tracks from 16 of his albums, and five previously unreleased tracks. A b-side collection entitled The Other Sides of Gilbert O'Sullivan was released in Japan in 2004 and contained many tracks available on CD for the first time. A series of concerts followed in Japan in June 2004 followed by a 20 date European Tour of the UK, Ireland, Norway and Denmark in November and December. In February 2005 a DVD/CD set of the 2004 Japanese show was released in Japan. Gilbert returned to Japan in June 2005 for a series of 13 shows. Gilbert spent the end of 2005 and the beginning of 2006 recording his next studio album "A Scruff At Heart" which was released in Japan on 25 October 2006.
Down Down Down
Gilbert O'Sullivan Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Trying to make it with the sheep of the town
What she did instead was to lose her head
while attempting an assault on a human catapult
(Going) down, down, down, down, down
(Going) down, down, down, down, down
(Going) down, down, down, down, down
who was given to him
which would take him on a journey aground
Yet all he had to do was to see
I presumed to a fella who was known as doctor Livingstone
(Going) down, down, down, down, down
(Going) down, down, down, down, down
(Going) down, down, down, down, down
You better listen to me girl
I've got nothing to say
You better watch your step cause baby
It could very easily run away
Mary had a lamb chop for her dinner
but by suppertime she felt a bit browned (off)
So every day since then Mary's had to spend
every penny that she's got in and out the you
know what
(Going) down, down, down, down, down
(Going) down, down, down, down, down
(Going) down, down, down, down, down
You better listen to me girl
I've got nothing to say
You better watch your step cause
baby it could very easily run away
Little bo peep didn't lose any sleep
Trying to make it with the sheep of the town
What she did instead was to lose her head
while attempting an assault on a human catapult
(Going) down, down, down, down, down
(Going) down, down, down, down, down
(Going) down, down, down, down, down
In Gilbert O'Sullivan's song "Down Down Down," the lyrics tell a playful and somewhat absurd story involving three different characters: Little Bo Peep, Stanley, and Mary. Each verse depicts a humorous situation where the characters find themselves in comical predicaments.
The opening verse introduces Little Bo Peep, who is typically associated with losing her sheep. However, in this case, she is not concerned about losing sleep over it. Instead, she becomes entangled in a bizarre and foolish endeavor, attempting to launch herself through a human catapult. The repetition of "going down" emphasizes the downward spiral of her misguided actions.
The second verse introduces Stanley, who has been given a girlfriend. The lyrics suggest that this girlfriend takes him on groundless journeys. The mention of Dr. Livingstone alludes to the famous explorer, conjuring notions of adventure and exotic travels. However, it becomes clear that Stanley's journeys are metaphorical rather than actual, highlighting his willingness to engage in fruitless pursuits.
The final verse discusses Mary, who had a lamb chop for dinner but ends up feeling unsatisfied or disappointed ("a bit browned off") by suppertime. As a result, she spends all her money indulging in various activities, perhaps in an attempt to fill the void created by her unfulfilling meal. The lyrics imply that Mary continually seeks satisfaction but spends her resources fruitlessly, leading to a downward spiral.
Overall, the song seems to humorously critique the futile and misguided actions people engage in to find fulfillment or purpose. Through these absurd scenarios, Gilbert O'Sullivan invites listeners to reflect on the consequences of our choices and the need to be cautious in our pursuit of happiness.
Line by Line Meaning
Little bo peep didn't lose any sleep
Despite her troubles, Little Bo Peep remained unaffected and calm
Trying to make it with the sheep of the town
Attempting to find acceptance and companionship among the local sheep
What she did instead was to lose her head
In her desperation, she made a reckless decision
while attempting an assault on a human catapult
Trying to forcefully propel herself towards a different life
(Going) down, down, down, down, down
Descending deeper into her misguided actions and their consequences
Stanley had a girlfriend
There was someone special in Stanley's life
who was given to him
He was lucky to have her
which would take him on a journey aground
Their relationship would lead them on various adventures
Yet all he had to do was to see
All it took was for him to realize
I presumed to a fella who was known as doctor Livingstone
That he had a greater understanding, like the famous explorer Dr. Livingstone
(Going) down, down, down, down, down
Experiencing a decline or negative change in his situation
You better listen to me girl
I have something important to tell you, girl
I've got nothing to say
But now, I don't have any words
You better watch your step cause baby
Be cautious and careful, my dear
It could very easily run away
Otherwise, the situation could quickly escape or be lost
Mary had a lamb chop for her dinner
Mary enjoyed a lamb chop as her evening meal
but by suppertime she felt a bit browned (off)
However, by the time dinner was over, she felt slightly disheartened or unwell
So every day since then Mary's had to spend
Since that moment, Mary had to constantly use
every penny that she's got in and out the you
know what
all her available money, possibly for medical expenses or other needs
(Going) down, down, down, down, down
Continuing to decline or deteriorate
(Going) down, down, down, down, down
Descend further, facing more challenges
(Going) down, down, down, down, down
Sinking deeper into difficulties and hardships
Lyrics © BMG Rights Management
Written by: GILBERT O'SULLIVAN
Lyrics Licensed & Provided by LyricFind
RAYalized
Very nice song! Thanks for putting it up!